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1

Jody, Berland, Straw Will 1954-, and Tomas David, eds. Theory rules: Art as theory, theory and art. Toronto: University of Toronto Press, 1996.

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2

Theory for art history. New York: Routledge, 2005.

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3

A theory of art. New York: Oxford University Press, 2000.

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4

Mathews, Patricia Townley. Aurier's symbolist art criticism and theory. Ann Arbor, Mich: UMI Research Press, 1986.

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5

Grigely, Joseph. Textualterity: Art, theory and textual criticism. Ann Arbor: University of Michigan Press, 1995.

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6

Iversen, Margaret. Alois Riegl: Art history and theory. Cambridge, Mass: MIT Press, 1993.

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7

Iversen, Margaret. Alois Riegl: Art history and theory. Cambridge, Mass: MIT Press, 1993.

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8

Wilde, Carolyn. A Companion to Art Theory. New York: John Wiley & Sons, Ltd., 2007.

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9

Cheney, Liana. Giorgio Vasari's prefaces: Art and theory. New York: Peter Lang Publishing, 2012.

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10

1944-, Delgado Manuel, and Poust Alice Jan 1950-, eds. Lorca, Buñuel, Dalí: Art and theory. Lewisburg, [Pa.]: Bucknell University Press, 2001.

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11

Giorgio Vasari's prefaces: Art and theory. New York: Peter Lang Publishing, 2012.

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12

Inc, ebrary, ed. Art and the human adventure: André Malraux's theory of art. Amsterdam: Rodopi, 2009.

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13

Moxey, Keith P. F. The practice of theory: Poststructuralism, cultural politics, and art history. Ithaca: Cornell University Press, 1994.

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14

Olin, Margaret Rose. Forms of representation in Alois Riegl's theory of art. University Park, Pa: Pennsylvania State University Press, 1992.

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15

1942-, Harrison Charles, Wood Paul, and Gaiger Jason, eds. Art in theory, 1815-1900: An anthology of changing ideas. Oxford, UK: Blackwell Publishers, 2001.

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16

Ghose, Zulfikar. The art of creating fiction. Hampshire: Macmillan, 1991.

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17

Marder, Kamhi Michelle, ed. What art is: The esthetic theory of Ayn Rand. Chicago, Ill: Open Court, 2000.

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18

E, Corneilson Paul, ed. The science and art of Renaissance music. Princeton, N.J: Princeton University Press, 1998.

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19

Hamill, Sam. The Art of Writing: Lu Chi's Wen Fu. Minneapolis, USA: Milkweed Editions, 1991.

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20

Latvijas Mākslas akadēmija. Mākslas vēstures institūts, ed. History of Latvian art theory: Definitions of art in the context of the prevailing ideas of the time (1900-1940). Riga: Institute of Art History, Latvian Academy of Art, 2007.

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21

Sebillet, Thomas. Art poétique françois. Paris: Diffusion, Libr. Nizet, 1988.

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22

Touch: Sensuous theory and multisensory media. Minneapolis: University of Minnesota Press, 2002.

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23

Gombrich, E. H. Meditations on a hobby horse, and other essays on the theory of art. 4th ed. London: Phaidon Press, 1985.

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24

Gombrich, E. H. Meditations on a hobby horse and other essays on the theory of art. 4th ed. Oxford: Phaidon, 1985.

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25

Theory/theatre: An introduction. London: Routledge, 1997.

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26

Fortier, Mark. Theory/Theatre: An Introduction. London: Taylor & Francis Group Plc, 2003.

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27

Theory/theatre: An introduction. 2nd ed. London: Routledge, 2002.

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28

1949-, Bryson Norman, Holly Michael Ann, and Moxey, Keith P. F., 1943-, eds. Visual theory: Painting and interpretation. Cambridge: Polity Press, 1991.

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29

Re-Animationen: Szenen des Auf- und Ablebens in Kunst, Literatur und Geschichtsschreibung. Wien: Böhlau Verlag, 2012.

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30

The art of the pose: Oscar Wilde's performance theory. New York: Peter Lang, 2010.

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31

Freedberg, David. The power of images: Studies in the history and theory of response. Chicago: University of Chicago Press, 1989.

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32

Smith, Julia Amelia. Narrative art in Victorian nonfiction: Theory and practice in Carlyle, Newman, and Pater. Ann Arbor, MI: University Microfilms International, 1985.

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33

Art & anger: Reading like a woman. Columbus: Published for Miami University by the Ohio State University Press, 1988.

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34

Blind spots: Critical theory and the history of art in twentieth-century Germany. New Haven and London: Yale University Press, 2005.

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35

Helmut, Friedel, and Städtische Galerie im Lenbachhaus München., eds. Geschichten des Augenblicks: Über Narration und Langsamkeit = Moments in time : on narration and slowness : James Coleman ... Ostfildern-Ruit: Hatje Cantz, 1999.

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36

Japanese modernisation and Mingei Theory: Cultural nationalism and oriental orientalism. New York, NY: RoutledgeCurzon, 2003.

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37

Straw, Will, David Tomas, and Jody Berland. Theory Rules: Art As Theory / Theory As Art. University of Toronto Press, 2016.

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38

Words for Art: Criticism, History, Theory, Practice. MIT Press, 2020.

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39

Smith, Paul, and Carolyn Wilde. Companion to Art Theory. Wiley & Sons, Incorporated, John, 2008.

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40

Smith, Paul, and Carolyn Wilde. Companion to Art Theory. Wiley & Sons, Limited, John, 2008.

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41

History, Theory, and Practice of Art Criticism in Art Education. National Art Education Association (NAEA), 1990.

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42

Alois Riegel: Art History and Theory. The MIT Press, 1993.

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43

Textualterity: Art, Theory, and Textual Criticism (Editorial Theory and Literary Criticism). University of Michigan Press, 1996.

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44

1956-, Smith Paul, and Wilde Carolyn 1945-, eds. A companion to art theory. Oxford: Blackwell, 2002.

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45

A companion to art theory. Oxford: Blackwell, 2002.

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46

Emerling, Jae. Theory for Art History: Adapted from Theory for Religious Studies by William E. Deal and Timothy K. Beal. Routledge, 2014.

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47

Emerling, Jae. Theory for Art History: Adapted from Theory for Religious Studies, by William E. Deal and Timothy K. Beal. Taylor & Francis Group, 2019.

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48

Emerling, Jae. Theory for Art History: Adapted from Theory for Religious Studies by William E. Deal and Timothy K. Beal. Taylor & Francis Group, 2019.

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49

Emerling, Jae. Theory for Art History: Adapted from Theory for Religious Studies, by William E. Deal and Timothy K. Beal. Taylor & Francis Group, 2013.

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50

Emerling, Jae. Theory for Art History: Adapted from Theory for Religious Studies, by William E. Deal and Timothy K. Beal. Taylor & Francis Group, 2013.

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