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Journal articles on the topic '3D digitisation'

Author: Grafiati

Published: 11 January 2025

Last updated: 26 July 2025

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1

Mathys, A., J. Brecko, and P. Semal. "Cost Analyse of 3D Digitisation Techniques." Digital Presentation and Preservation of Cultural and Scientific Heritage 4 (September 30, 2014): 206–12. http://dx.doi.org/10.55630/dipp.2014.4.24.

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In the framework of the Belgian BELSPO AGORA 3D and DIGIT03 programs, we have evaluated 3D digitising technologies with regards to the quality of the acquisition, the capacities and limitations of each technique and also the direct cost of the different 3D digitisation processes. It is on this latest topic that the paper is focused. In order to evaluate the cost of 3D digitisation, we considered the time for the digitisation, cost of the equipment and cost of the staff. Our preliminary results show that the real cost by specimen depends on the amount of specimens to digitise. Techniques that a

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Kempthorne, Daryl Matthew, Mark Barry, Jerzy A. Zabkiewicz, and Joseph Young. "3D digitisation of plant leaves." ANZIAM Journal 54 (May 23, 2014): 138. http://dx.doi.org/10.21914/anziamj.v55i0.7850.

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Argyridou, E., A. Karaoli, M. Hadjiathanasiou, et al. "THE FIRST ATTEMPT FOR STANDARDISATION IN 3D DIGITISATION. THE EU STUDY ON QUALITY IN 3D DIGITISATION OF TANGIBLE CULTURAL HERITAGE." International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLVIII-M-2-2023 (June 24, 2023): 103–9. http://dx.doi.org/10.5194/isprs-archives-xlviii-m-2-2023-103-2023.

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Abstract. This paper focuses on the exceptional results of the EU Study (Commission et al., 2022) to map the parameters, formats, standards, benchmarks and methodologies relating to the 3D digitisation of tangible cultural heritage (CH). The overall objective of our paper is to further the quality of the 3D digitisation process by enabling cultural heritage professionals, institutions, content developers, stakeholders and academics to define and produce high-quality digitisation standards and sustainable conservation models for the preservation, documentation, understanding, and accessibility

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Wu, Zhengzhe, Jere Kahanpää, Pasi Sihvonen, Anne Koivunen, and Hannu Saarenmaa. "Automated Methods in Digitisation of Pinned Insects." Biodiversity Information Science and Standards 3 (July 17, 2019): e38260. https://doi.org/10.3897/biss.3.38260.

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Digitisation of natural history collections draws increasing attention. The digitised specimens not only facilitate the long-term preservation of biodiversity information but also boost the easy access and sharing of information. There are more than two billion specimens in the world's natural history collections and pinned insect specimens compose of more than half of them (Tegelberg et al. 2014, Tegelberg et al. 2017). However, it is still a challenge to digitise pinned insect specimens with current state-of-art systems. The slowness of imaging pinned insects is due to the fact that they are

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Marshall, M. E., A. A. Johnson, S. J. Summerskill, Q. Baird, and E. Esteban. "AUTOMATING PHOTOGRAMMETRY FOR THE 3D DIGITISATION OF SMALL ARTEFACT COLLECTIONS." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLII-2/W15 (August 23, 2019): 751–57. http://dx.doi.org/10.5194/isprs-archives-xlii-2-w15-751-2019.

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<p><strong>Abstract.</strong> The 3D digitisation of precious or delicate cultural heritage artefacts via photogrammetry is highly important for historical preservation purposes. Doing so can help mitigate against events such as natural disasters, war, and tourism damage, whilst enabling access to 3D data for researchers around the globe. While the digitisation of such artefacts offer many significant societal and academic benefits, the process in which data is captured is resource intensive and often results in inaccurate outcomes. This paper presents a novel small object sc

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Mendricky, Radomir. "ASPECTS AFFECTING ACCURACY OF OPTICAL 3D DIGITISATION." MM Science Journal 2018, no. 01 (2018): 2267–75. http://dx.doi.org/10.17973/mmsj.2018_03_2017106.

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White, Suzanna, Cara Hirst, and Sian E. Smith. "The Suitability of 3D Data: 3D Digitisation of Human Remains." Archaeologies 14, no. 2 (2018): 250–71. http://dx.doi.org/10.1007/s11759-018-9347-9.

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8

Frank, Jiří, Josef Kortan, Miroslav Kukrál, et al. "Fotogrammetrie jako optimální technika pro 3D digitalizaci v muzejních institucích." Muzeum Muzejní a vlastivedná práce 59, no. 1 (2022): 3–18. http://dx.doi.org/10.37520/mmvp.2021.002.

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One of the challenges that museums often face is how to present their ‚treasures‘ in a form that is both comprehensive and relevant to today‘s audiences. Digital content alone is not enough in this context and 3D content is increasingly gaining importance. One of the most accessible and at the same time most effective 3D digitisation methods is photogrammetry. The result, if procedures are followed correctly, is not only high-quality content with a wide range of uses, but also potential stepping stones for effective business models. This can reduce acquisition costs quite significantly and mak

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Lanzara, Emanuela, Simona Scandurra, Arianna Lo Pilato, Federica Itri, and Laura Simona Pappalardo. "3D digitisation and modelling of liturgical metal artefacts." International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLVIII-2/W8-2024 (December 14, 2024): 281–88. https://doi.org/10.5194/isprs-archives-xlviii-2-w8-2024-281-2024.

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Abstract. The present work is aimed at showing the results obtained by testing different operational solutions for single-camera photogrammetric acquisitions of numerous complex metal liturgical artefact preserved in the Church of Santa Maria di Costantinopoli in Naples (Italy). The digitisation activity is aimed at supporting documentation, restoration, valorisation and dissemination of a rich liturgical collection that is not accessible to the public for security reasons. The number and diversity of the pieces required an expeditious surveying activity conducted in situ with low-cost instrum

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Kalasarinis, Ioannis, and Anestis Koutsoudis. "Assisting Pottery Restoration Procedures with Digital Technologies." International Journal of Computational Methods in Heritage Science 3, no. 1 (2019): 20–32. http://dx.doi.org/10.4018/ijcmhs.2019010102.

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The fragmentary nature of pottery is considered a common place. Conservators are requested to apply a proper restoration solution by taking under consideration a wide range of morphological features and physicochemical properties that derive from the artefact itself. In this work, the authors discuss on a low-cost pottery-oriented restoration pipeline that is based on the exploitation of technologies such as 3D digitisation, data analysis, processing and printing. The pipeline uses low-cost commercial and open source software tools and on the authors' previously published 3D pose normalisation

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Ylinampa, Toivo, and Hannu Saarenmaa. "ENTODIG-3D." Biodiversity Information Science and Standards 3 (June 26, 2019): e37473. https://doi.org/10.3897/biss.3.37473.

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New innovations are needed to speed up digitisation of insect collections. More than one half of all specimens in scientific collections are pinned insects. In Europe this means 500-1,000 million such specimens. Today's fastest mass-digitisation (i.e., imaging) systems for pinned insects can achieve circa 70 specimens/hour and 500/day by one operator (Tegelberg et al. 2014, Tegelberg et al. 2017). This is in contrast of the 5,000/day rate of the state-of-the-art mass-digitisation systems for herbarium sheets (Oever and Gofferje 2012). The slowness of imaging pinned insects follows from the fac

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Polčák, Radim. "Digitisation, Cultural Institutions and Intellectual Property." Masaryk University Journal of Law and Technology 9, no. 2 (2015): 121–41. http://dx.doi.org/10.5817/mujlt2015-2-7.

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Digitisation of cultural content represents one of most challenging problems of contemporary IP law. Cultural artefacts, let it be books, paintings or 3D objects, are often very old, so there are no issues in copyright protection of their content. However, the public availability of such content is in these cases strongly limited namely due to physical conditions of the carriers and subsequent conservation demands.Digitisation might serve here as powerful enabler of re-use of these works that are frequently of enormous cultural value. On the other hand, getting useful (and re-usable) digital i

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13

George, Galanakis, Zabulis Xenophon, Evdaimon Theodore, et al. "A Study of 3D Digitisation Modalities for Crime Scene Investigation." MDPI Forensic Sciences 1, no. 2 (2021): 56–85. https://doi.org/10.3390/forensicsci1020008.

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A valuable aspect during crime scene investigation is the digital documentation of the scene. Traditional means of documentation include photography and in situ measurements from experts for further analysis. Although 3D reconstruction of pertinent scenes has already been explored as a complementary tool in investigation pipelines, such technology is considered unfamiliar and not yet widely adopted. This is explained by the expensive and specialised digitisation equipment that is available so far. However, the emergence of high-precision but low-cost devices capable of scanning scenes or objec

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Kontogianni, G., R. Chliverou, A. Koutsoudis, G. Pavlidis, and A. Georgopoulos. "ENHANCING CLOSE-UP IMAGE BASED 3D DIGITISATION WITH FOCUS STACKING." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLII-2/W5 (August 18, 2017): 421–25. http://dx.doi.org/10.5194/isprs-archives-xlii-2-w5-421-2017.

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The 3D digitisation of small artefacts is a very complicated procedure because of their complex morphological feature structures, concavities, rich decorations, high frequency of colour changes in texture, increased accuracy requirements etc. Image-based methods present a low cost, fast and effective alternative because laser scanning does not meet the accuracy requirements in general. A shallow Depth of Field (DoF) affects the image-based 3D reconstruction and especially the point matching procedure. This is visible not only in the total number of corresponding points but also in the resoluti

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Mendřický, Radomír. "Precision Analysis of Optical 3D Digitisation of Shaped Elements." Applied Mechanics and Materials 693 (December 2014): 177–82. http://dx.doi.org/10.4028/www.scientific.net/amm.693.177.

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This paper presents results of a carried out research in the field of scanning precision of contactless optical 3D scanners. Results stated in this paper bring great benefits to practice, since it demonstrates the quality and limits of measuring by means of contactless optical systems in real conditions and therefore its possible use in the field of inspecting the dimensional and shape precision of industrial products.A measurement etalon of various shapes and sizes was designed and manufactured for the purpose of this analysis. The nominal dimensions of the etalon were set by measuring of the

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Hems, Edward, and Nigel J. Knott. "3D printing in prosthodontics." Faculty Dental Journal 5, no. 4 (2014): 152–57. http://dx.doi.org/10.1308/204268514x14096686726120.

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A technological revolution in dentistry is creating new paradigms of innovation that were unimaginable only a decade ago. A bull has entered the antique china shop and is running rampant among long-established manufacturing practices dependent upon expensive human skills and craftsmanship. Adventurous dental technophiles and their patients are beginning to enjoy a new world of peerless technical excellence with prodigious potential. The digitisation of dental processes, which includes 3D printing (or rapid prototyping) is beginning to deliver real firepower in dental surgeries.

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Farella, Elisa Mariarosaria, Luca Morelli, Simone Rigon, Eleonora Grilli, and Fabio Remondino. "Analysing Key Steps of the Photogrammetric Pipeline for Museum Artefacts 3D Digitisation." Sustainability 14, no. 9 (2022): 5740. http://dx.doi.org/10.3390/su14095740.

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In recent years, massive digitisation of cultural heritage (CH) assets has become a focus of European programmes and initiatives. Among CH settings, attention is reserved to the immense and precious museum collections, whose digital 3D reproduction can support broader non-invasive analyses and stimulate the realisation of more attractive and interactive exhibitions. The reconstruction pipeline typically includes numerous processing steps when passive techniques are selected to deal with object digitisation. This article presents some insights on critical operations, which, based on our experie

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Khidas, Kamal, and Stéphanie Tessier. "Building Next-Generation Collections: Natural History Specimens, Just One Click Away!" Biodiversity Information Science and Standards 2 (July 4, 2018): e26145. http://dx.doi.org/10.3897/biss.2.26145.

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Digitisation has made significant advances in many natural history collections since the 1980s. The Vertebrate Zoology Collections team of the Canadian Museum of Nature (CMNVZC; ca. 1,250,000 catalogued specimens) has the ambition to go fully digital with our physical objects and associated data. Organising CMNVZC data electronically (primary digitisation) through computerisation for collection management purposes was initiated in 1972 and systematically implemented since the 1980s. This databasing process involved several stages, each with its own objectives and challenges. It resulted in ca.

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Khidas, Kamal, and Stéphanie Tessier. "Building Next-Generation Collections: Natural History Specimens, Just One Click Away!" Biodiversity Information Science and Standards 2 (July 4, 2018): e26145. https://doi.org/10.3897/biss.2.26145.

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Digitisation has made significant advances in many natural history collections since the 1980s. The Vertebrate Zoology Collections team of the Canadian Museum of Nature (CMNVZC; ca. 1,250,000 catalogued specimens) has the ambition to go fully digital with our physical objects and associated data. Organising CMNVZC data electronically (primary digitisation) through computerisation for collection management purposes was initiated in 1972 and systematically implemented since the 1980s. This databasing process involved several stages, each with its own objectives and challenges. It resulted in ca.

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20

Galanakis, George, Xenophon Zabulis, Theodore Evdaimon, et al. "A Study of 3D Digitisation Modalities for Crime Scene Investigation." Forensic Sciences 1, no. 2 (2021): 56–85. http://dx.doi.org/10.3390/forensicsci1020008.

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A valuable aspect during crime scene investigation is the digital documentation of the scene. Traditional means of documentation include photography and in situ measurements from experts for further analysis. Although 3D reconstruction of pertinent scenes has already been explored as a complementary tool in investigation pipelines, such technology is considered unfamiliar and not yet widely adopted. This is explained by the expensive and specialised digitisation equipment that is available so far. However, the emergence of high-precision but low-cost devices capable of scanning scenes or objec

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Bocconcino, M. M., M. Piras, M. Vozzola, M. Pavignano, and L. Gioberti. "GIOVANNI CURIONI’S DIGITAL MUSEUM (1/2): COMPARATIVE SURVEY TECHNIQUES FOR THE DEFINITION OF A 3D DATA COLLECTION PROCEDURE WITH LOW-COST SYSTEMS." International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLVIII-M-2-2023 (June 24, 2023): 235–42. http://dx.doi.org/10.5194/isprs-archives-xlviii-m-2-2023-235-2023.

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Abstract. The potential of Virtual Heritage, with particular attention to the field of knowledge dissemination, not only in the educational and scientific field, of museum collections, which are very often not accessible, have long been at the centre of the digitisation policies of major national and international institutions. Within this framework, the proposed research is part of a broader research, involving scientific figures from different disciplinary fields for the definition of a workflow for the 3D acquisition, digitisation and creation of a virtual model of miniatures of architectur

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Zhang, Kai, and Francesco Fassi. "Transforming Architectural Digitisation: Advancements in AI-Driven 3D Reality-Based Modelling." Heritage 8, no. 2 (2025): 81. https://doi.org/10.3390/heritage8020081.

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The capture of 3D reality has demonstrated increased efficiency and consistently accurate outcomes in architectural digitisation. Nevertheless, despite advancements in data collection, 3D reality-based modelling still lacks full automation, especially in the post-processing and modelling phase. Artificial intelligence (AI) has been a significant focus, especially in computer vision, and tasks such as image classification and object recognition might be beneficial for the digitisation process and its subsequent utilisation. This study aims to examine the potential outcomes of integrating AI tec

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Jäkel, Jan-Iwo, Eva Heinlein, Peter Gölzhäuser, Maximilian Kellner, Katharina Klemt-Albert, and Alexander Reiterer. "How to Digitise Bridge Structures—A Systematic Review of the Status Quo for Creating Digital BIM Models of Existing Bridge Structures in the Operational Phase." Infrastructures 10, no. 3 (2025): 47. https://doi.org/10.3390/infrastructures10030047.

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In recent decades, the condition of many bridge structures has deteriorated and the need for maintenance measures has increased. Until now, these maintenance measures have mainly been carried out manually and reactively. The use of digital 3D models based on Building Information Modelling (BIM) can remedy this situation and create the basis for predictive maintenance management. While the generation of 3D models of new bridge structures is simple, the digitization of existing structures can be a complex process. This article provides an overview of the state of the scientific practice with reg

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Wefers, Stefanie, Ashish Karmacharya, and Frank Boochs. "Development of a platform recommending 3D and spectral digitisation strategies." Virtual Archaeology Review 7, no. 15 (2016): 18. http://dx.doi.org/10.4995/var.2016.5861.

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<p class="VARAbstract" align="left">Spatial and spectral recording of cultural heritage objects is a complex task including data acquisition, processing and analysis involving different technical disciplines. Additionally, the development of a suitable digitisation strategy satisfying the expectations of the humanities experts needs an interdisciplinary dialogue often suffering from misunderstanding and knowledge gaps on both the technical and humanities sides.</p><p class="VARAbstract" align="left">Through a concerted discussion experts from the cultural heritage and technic

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Singh, M. K., K. S. Venkatesh, and A. Dutta. "View planning method for complete 3D digitisation of the scene." Electronics Letters 54, no. 8 (2018): 490–92. http://dx.doi.org/10.1049/el.2017.4098.

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McPherson, A., J. Kärrholm, V. Pinskerova, A. Sosna, and S. Martelli. "Imaging knee position using MRI, RSA/CT and 3D digitisation." Journal of Biomechanics 38, no. 2 (2005): 263–68. http://dx.doi.org/10.1016/j.jbiomech.2004.02.007.

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Prochaska, Marcin, and Bartosz Mitka. "RevoScan – Automatic Device for 3D Digitisation: Concept, Application, Test Results." Geomatics and Environmental Engineering 10, no. 4 (2016): 81. http://dx.doi.org/10.7494/geom.2016.10.4.81.

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Leon, Iñigo, José Javier Pérez, and María Senderos. "Advanced Techniques for Fast and Accurate Heritage Digitisation in Multiple Case Studies." Sustainability 12, no. 15 (2020): 6068. http://dx.doi.org/10.3390/su12156068.

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All elements of heritage are exposed to more or less predictable risks. Even though they are in a good state of conservation with economic support for their repair or maintenance, they can suffer sudden accidents leading to their imminent destruction. It is therefore necessary to safeguard them in all scenarios, regardless of the respective scale or state of conservation. That process must at least be based on complete and accurate 3D digitisation. The evolution of devices, software/hardware and platforms nowadays allows such information to be gathered in a sustainable manner. Various existing

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Girelli, V. A., M. A. Tini, M. G. D’Apuzzo, and G. Bitelli. "3D DIGITISATION IN CULTURAL HERITAGE KNOWLEDGE AND PRESERVATION: THE CASE OF THE NEPTUNE STATUE IN BOLOGNA AND ITS ARCHETYPE." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLIII-B2-2020 (August 14, 2020): 1403–8. http://dx.doi.org/10.5194/isprs-archives-xliii-b2-2020-1403-2020.

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Abstract. In the field of Cultural Heritage, the availability of a complete, detailed and photo-realistic 3D model of the objects of interest permits to describe all the aspects related to geometry, colours and materials, as well as the work techniques and the decay state. Besides, it offers multiple possibilities for the documentation, the analysis and the study.This paper describes the experience, carried out by the DICAM Geomatics group of the University of Bologna, about the 3D digitisation of two important statues of Neptune, by means of the integration of 3D image-based and range-based t

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Carboni, N., G. Bruseker, A. Guillem, et al. "DATA PROVENANCE IN PHOTOGRAMMETRY THROUGH DOCUMENTATION PROTOCOLS." ISPRS Annals of Photogrammetry, Remote Sensing and Spatial Information Sciences III-5 (June 6, 2016): 57–64. http://dx.doi.org/10.5194/isprsannals-iii-5-57-2016.

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Documenting the relevant aspects in digitisation processes such as photogrammetry in order to provide a robust provenance for their products continues to present a challenge. The creation of a product that can be re-used scientifically requires a framework for consistent, standardised documentation of the entire digitisation pipeline. This article provides an analysis of the problems inherent to such goals and presents a series of protocols to document the various steps of a photogrammetric workflow. We propose this pipeline, with descriptors to track all phases of digital product creation in

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Carboni, N., G. Bruseker, A. Guillem, et al. "DATA PROVENANCE IN PHOTOGRAMMETRY THROUGH DOCUMENTATION PROTOCOLS." ISPRS Annals of Photogrammetry, Remote Sensing and Spatial Information Sciences III-5 (June 6, 2016): 57–64. http://dx.doi.org/10.5194/isprs-annals-iii-5-57-2016.

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Documenting the relevant aspects in digitisation processes such as photogrammetry in order to provide a robust provenance for their products continues to present a challenge. The creation of a product that can be re-used scientifically requires a framework for consistent, standardised documentation of the entire digitisation pipeline. This article provides an analysis of the problems inherent to such goals and presents a series of protocols to document the various steps of a photogrammetric workflow. We propose this pipeline, with descriptors to track all phases of digital product creation in

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Deligiorgi, Marissia, Maria I. Maslioukova, Melinos Averkiou, et al. "A 3D digitisation workflow for architecture-specific annotation of built heritage." Journal of Archaeological Science: Reports 37 (June 2021): 102787. http://dx.doi.org/10.1016/j.jasrep.2020.102787.

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Scott, Ben, Arianna Salili-James, and Vincent Smith. "Robot-in-the-loop: Prototyping robotic digitisation at the Natural History Museum." Biodiversity Information Science and Standards 7 (September 20, 2023): e112947. https://doi.org/10.3897/biss.7.112947.

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The Natural History Museum, London (NHM) is home to an impressive collection of over 80 million specimens, of which just 5.5 million have been digitised. Like all similar collections, digitisation of these specimens is very labour intensive, requiring time-consuming manual handling. Each specimen is extracted from its curatorial unit, placed for imaging, labels are manually manipulated, and then returned to storage. Thanks to the NHM's team of digitisers, workflows are becoming more efficient as they are refined. However, many of these workflows are highly repetitive and ideally suited to auto

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Mendřický, Radomír. "Impact of Applied Anti-Reflective Material on Accuracy of Optical 3D Digitisation." Materials Science Forum 919 (April 2018): 335–44. http://dx.doi.org/10.4028/www.scientific.net/msf.919.335.

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Using optical 3D digitisation for dimensional and shape inspection of work-pieces became a trend recently. Before a 3D scanning process starts, surface of the measured part must usually be coated with a thin layer of anti-reflective material. Such surface coating can be performed by means of a wide range of products with various composition and application method. It is however important to know how the matt coating affects the quality and accuracy of digitization, what the structure and thickness of a coating are. The thickness of a coating may vary significantly from product to product and a

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Pistofidis, Petros, Fotis Arnaoutoglou, George Ioannakis, et al. "Design and evaluation of smart-exhibit systems that enrich cultural heritage experiences for the visually impaired." Journal of Cultural Heritage 60 (February 1, 2023): 1–11. https://doi.org/10.1016/j.culher.2023.01.004.

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Haptic contact is usually prohibited when exploring cultural heritage content. This inevitably results in an incomplete experience for the visually impaired as tactile exploration is the dominant substitute of sight. In this paper, we focus on Information and Communication Technologies utilisation to enable cultural heritage content to become more accessible to visually impaired both physically as well as intellectually and thus help foster social inclusion. We have developed three prototype systems that are based on the <i>smart exhibit</i> concept. This involves features that are common in I

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Galantucci, L. M., G. Percoco, and U. Dal Maso. "Coded targets and hybrid grids for photogrammetric 3D digitisation of human faces." Virtual and Physical Prototyping 3, no. 3 (2008): 167–76. http://dx.doi.org/10.1080/17452750802259603.

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Lanzara, E., D. Catello, and M. Casciello. "SCAN TO HBIM FOR COMPLEX REFLECTIVE METAL ARTEFACTS. 3D DIGITISATION AND RESTORATION." International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLVIII-2/W1-2022 (December 8, 2022): 121–28. http://dx.doi.org/10.5194/isprs-archives-xlviii-2-w1-2022-121-2022.

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Abstract. 3D digitisation of metal artefacts, regardless of the use of passive and active sensors and low or high costs technologies (digital photogrammetry, laser scanning, structured light 3D scanning) represents a challenge above all due to the high reflectivity, absorptivity and scattering of the materials, as documented by the specialistic literature (Frost et al., 2020, Hallot et al., 2019, Nicolae et al., 2014). Regardless of the size and material, mobility and immobility of the elements, artworks preservation and restoration involve intervention and collaboration between different spec

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Poku-Agyemang, Kwasi Nyarko, and Alexander Reiterer. "Model-based planning of complex 3D laser scanning campaigns for bridge digitisation." Automation in Construction 177 (September 2025): 106289. https://doi.org/10.1016/j.autcon.2025.106289.

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Viziteu, D. R., A. Curteza, and M. L. Avadanei. "VIRTUAL 3D KINEMATIC HUMAN MODEL PROTOTYPE." TEXTEH Proceedings 2021 (September 22, 2021): 293–99. http://dx.doi.org/10.35530/tt.2021.35.

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In the past several years, the application of 3D technologies in the textile and clothing design industry has considerably increased and become more accessible to designers and patternmakers. With digitisation in garment engineering and virtual prototype and modelling techniques becoming more mainstream, a new generation of virtual human models starts to develop to fulfil the demand for protective and functional products designed for specific athletes, such as climbers and mountaineers. We must base our work on an improved understanding of the behaviour of the musculoskeletal system to develop

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Brecko, Jonathan, Aurore Mathys, Eva Chatzinikolaou, et al. "DIGIT-KEY: an aid towards uniform 2D+ and 3D digitisation techniques within natural history collections." European Journal of Taxonomy 976 (February 26, 2024): 283–98. https://doi.org/10.5852/ejt.202.976.2797.

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Brecko, Jonathan, Mathys, Aurore, Chatzinikolaou, Eva, Keklikoglou, Kleoniki, Blettery, Jonathan, Green, Laura, Musson, Alicia, Paton, Alan, Phillips, Sarah, Bastir, Markus, Wiltschke, Karin, Rainer, Heimo, Kroh, Andreas, Haston, Elspeth, Semal, Patrick (2025): DIGIT-KEY: an aid towards uniform 2D+ and 3D digitisation techniques within natural history collections. European Journal of Taxonomy 976: 283-298, DOI: 10.5852/ejt.202.976.2797, URL: https://europeanjournaloftaxonomy.eu/index.php/ejt/article/download/2797/12775

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Wyrley-Birch, Michael, Aman Kukreja, James Gopsill, Christopher Michael Jason Cox, and Chris Snider. "6 degree of freedom positional object tracking for physical prototype digitisation." Proceedings of the Design Society 4 (May 2024): 855–64. http://dx.doi.org/10.1017/pds.2024.88.

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AbstractUnderpinning much work on the use of Virtual Reality technologies in design prototyping, is the need to reliably track the 3D position of a physical object in real space, then allowing synchronisation with a digital counterpart. With many tracking methods requiring changes to object geometry, this work develops and benchmarks four minimally invasiveness 6 DoF tracking approaches, before discussing their use in a prototyping context. Results show that using AI and point cloud methods, accuracies of 20mm at 20Hz are achievable on low-end hardware with no alterations to the prototype need

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Bocconcino, M. M., M. Vozzola, M. Pavignano, and L. Gioberti. "GIOVANNI CURIONI’S DIGITAL MUSEUM (2/2): POSSIBLE STRATEGIES FOR A DATA MANAGEMENT PLAN." International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLVIII-M-2-2023 (June 24, 2023): 243–50. http://dx.doi.org/10.5194/isprs-archives-xlviii-m-2-2023-243-2023.

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Abstract. In recent years, the Politecnico di Torino (Italy) is undertaking actions to promote and disseminate its historical archival and material heritage, both with onsite events and with digital tools and platforms dedicated to its digital museum. One of its most important collections is the Curioni’s one (1860–1887). It preserves reproductions of building structures used as teaching aids in the teaching of Construction Science. We are now working on the digitisation project of those artefacts, and we propose a study on the data management protocol structured to satisfy the FAIR principles

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Raes, Niels, Egmond Emily van, Ana Casino, Matt Woodburn, and Deborah L. Paul. "Towards a Global Collection Description Standard." Biodiversity Information Science and Standards 3 (July 4, 2019): e37894. https://doi.org/10.3897/biss.3.37894.

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With digitisation of natural history collections over the past decades, their traditional roles — for taxonomic studies and public education — have been greatly expanded into the fields of biodiversity assessments, climate change impact studies, trait analyses, sequencing, 3D object analyses etc. (Nelson and Ellis 2019; Watanabe 2019). Initial estimates of the global natural history collection range between 1.2 and 2.1 billion specimens (Ariño 2010), of which 169 million (8-14% - as of April 2019) are available at some level of digitisation through the <u>Global Biodiversity Information Facili

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González-Domínguez, S., J. Balado, A. Novo, and P. Arias. "TREE DIGITISATION FROM POINT CLOUDS WITH UNREAL ENGINE." ISPRS Annals of the Photogrammetry, Remote Sensing and Spatial Information Sciences X-1/W1-2023 (December 5, 2023): 555–60. http://dx.doi.org/10.5194/isprs-annals-x-1-w1-2023-555-2023.

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Abstract. Trees are fundamental parts of urban areas and green urbanism. Although much effort is being put into the digitisation of urban areas, trees present great complexity and are usually replaced by predefined models. On the one hand, trees are elements composed of trunk, branches, and leaves, each with a completely different structure and geometry. On the other hand, the tree parts are closely related to each species. Therefore, in order to obtain a realistic digital urban environment, in 3D models such as CityGML or Metaverse, it is necessary that the trees correspond faithfully to real

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Brecko, Jonathan, Aurore Mathys, Eva Chatzinikolaou, et al. "DIGIT-KEY: an aid towards uniform 2D+ and 3D digitisation techniques within natural history collections - Corrigendum." European Journal of Taxonomy 981, no. 1 (2024): 306–7. https://doi.org/10.5852/ejt.2025.981.2841.

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Brecko, Jonathan, Mathys, Aurore, Chatzinikolaou, Eva, Keklikoglou, Kleoniki, Blettery, Jonathan, Green, Laura, Musson, Alicia, Paton, Alan, Phillips, Sarah, Bastir, Markus, Wiltschke, Karin, Rainer, Heimo, Kroh, Andreas, Haston, Elspeth, Semal, Patrick (2025): DIGIT-KEY: an aid towards uniform 2D+ and 3D digitisation techniques within natural history collections - Corrigendum. European Journal of Taxonomy 981 (1): 306-307, DOI: 10.5852/ejt.2025.981.2841, URL: https://europeanjournaloftaxonomy.eu/index.php/ejt/article/download/2841/12937

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Bitko, Sanita. "Digital technologies as a tool for identification the authorship of sacred sculpture." Landscape architecture and art 23, no. 23 (2023): 59–64. http://dx.doi.org/10.22616/j.landarchart.2023.23.08.

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Latvian sculptures created before the mid-19th century are located mainly in churches, not in museum collections. The most serious obstacle to research of Latvian art in the given period is lack of pertinent documentary material. As a result, Latvian art historians have mostly studied the sculptures for which written sources are available. This article will offer solutions for further research in cases when written sources are limited or altogether unavailable. How much and what can be discovered using digitisation solutions? The study of the sculptures of the Biķernieki Church in Riga provide

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Kersten, Thomas P., Florian Timm, and Kay Zobel. "Development of a Photogrammetric 3D Measurement System for Small Objects Using Raspberry Pi Cameras as Low-Cost Sensors." International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLVIII-2/W8-2024 (December 14, 2024): 219–25. https://doi.org/10.5194/isprs-archives-xlviii-2-w8-2024-219-2024.

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Abstract. The digitisation of cultural objects in museums presents two distinct opportunities. Firstly, it allows for the preservation of the objects and collections themselves. Secondly, it enables their accessibility to the general public as 3D models in virtual exhibitions on the Internet. Cultural artefacts of significance can be recorded using laser scanners, 3D handheld scanners or photogrammetry employing the structure-from-motion method. In order to efficiently record and model the considerable number of culturally significant objects, automated recording systems and automated evaluati

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Altuntas, C. "TRIANGULATION AND TIME-OF-FLIGHT BASED 3D DIGITISATION TECHNIQUES OF CULTURAL HERITAGE STRUCTURES." International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLIII-B2-2021 (June 28, 2021): 825–30. http://dx.doi.org/10.5194/isprs-archives-xliii-b2-2021-825-2021.

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Abstract. This study aims to introduce triangulation and ToF measurement techniques used in three-dimensional modelling of cultural heritages. These measurement techniques are traditional photogrammetry, SfM approach, laser scanning and time-of-flight camera. The computer based approach to photogrammetric measurement that is named SfM creates dense point cloud data in a short time. It is low-cost and very easy to application. However traditional photogrammetry needs a huge effort for creating 3D wire-frame model. On the other hand active measurement techniques such as terrestrial laser scanner

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Kęsik, Jacek, Marek Miłosz, Jerzy Montusiewicz, and Kamil Żyła. "Towards an easy-to-implement method of obtaining 3D models of historical wooden churches using a combination of modern techniques." Muzeológia a kultúrne dedičstvo 13, no. 1 (2025): 113–37. https://doi.org/10.46284/mkd.2025.13.1.6.

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Modern 3D computer technologies allow for precise documentation of historic architectural objects by building digital 3D models. For this purpose, 3D laser scanning techniques using terrestrial laser scanning (TLS) and photogrammetry are commonly used. This article presents the use of both technologies for the 3D digitisation of historical wooden churches located in the Carpathian Region in Romania. It describes the methodology used to obtain digital mesh 3D models of this type of objects, from the planning stage, through the process of data acquisition in the field, to methods of data process

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Rybenská, Klára, and Barbora Borůvková. "Review of Modern Approaches to 3D Digitization of Tangible Cultural Heritage." Journal of Digital Art & Humanities 5, no. 1 (2024): 20–30. http://dx.doi.org/10.33847/2712-8149.5.1_2.

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This review highlights modern technologies‘ pose in cultural heritage, digitization and accessibility. It provides a comprehensive view of the issue from the perspective of the digitisation centre, at the Czech University and cooperates with organizations of different sizes. Technology and Innovation offer countless possibilities, but not all are suitable for working with cultural heritage. Several rules must be followed to avoid damaging it while respecting the ethics related to the heritage in question. In addition, it is important to consider copyright law and other regulations that vary fr

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