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1

Bert, Cardullo, ed. Bazin at work: Major essays and reviews from the forties and fifties. Routledge, 1997.

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2

Michael, O'Pray, and Arts Council of England, eds. The British avant-garde film, 1926-1995: An anthology of writings. University of Luton, 1996.

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3

1950-, Dixon Wheeler W., ed. The early film criticism of François Truffaut. Indiana University Press, 1993.

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4

D, Gehring Wes, ed. Handbook of American film genres. Greenwood Press, 1988.

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5

Terry, McMillan, and Lee Spike, eds. Five for five: The films of Spike Lee. Stewart, Tabori & Chang, 1991.

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6

Arthur, Murray Bruce, and Wickham Chris 1950-, eds. Framing the past: The historiography of German cinema and television. Southern Illinois University Press, 1992.

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7

Breaking the Glass Armor: Neoformalist Film Analysis. Princeton U.P., 1988.

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8

Breaking the glass armor: Neoformalist film analysis. Princeton University Press, 1988.

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9

Tropical multiculturalism: A comparative history of race in Brazilian cinema and culture. Duke University Press, 1997.

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10

Going steady: Film writings, 1968-1969. M. Boyars, 1994.

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11

A cultural study of the art film. Edwin Mellen Press, 2003.

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12

A companion to Latin American film. Tamesis, 2004.

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13

A Companion to Latin American Film. Tamesis / Boydell & Brewer, 2010.

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14

Allegories of underdevelopment: Aesthetics and politics in modern Brazilian cinema. University of Minnesota Press, 1997.

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15

Allegories of Underdevelopment: Aesthetics and Politics in Modern Brazilian Cinema. University of Minnesota Press, 1997.

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16

Maclaren, Norman. The Master Edition. National Film Board Of Canada Distributed By Image Entertainment, 2006.

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17

Hollywood Musicals: The 101 Greatest Song-and-Dance Movies of All Time. Black Dog & Leventhal, 2010.

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18

El extraño viaje: El celuloide atrapado por la cola o la crítica norteamericana ante el cine español. Ediciones Episteme, 1999.

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19

New Zealand Film, 1912-1996. Oxford University Press, USA, 1998.

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20

Me and you and Memento and Fargo: How independent screenplays work. Continuum, 2006.

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21

Me and You and Memento and Fargo: How Independent Screenplays Work. Bloomsbury Publishing Plc, 2007.

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22

Me and You and Memento and Fargo: How Independent Screenplays Work. Continuum International Publishing Group, 2007.

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23

Me and You and Memento and Fargo: How Independent Screenplays Work. Bloomsbury Publishing Plc, 2007.

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24

Narrative comprehension and film. Routledge, 1992.

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25

American films of the '70s: Conflicting visions. University of Texas Press, 2000.

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26

(Editor), Martin Barker, and Ernest Mathijs (Editor), eds. Watching the Lord of the Rings: Tolkien's World Audiences (Media and Culture). Peter Lang Pub Inc, 2007.

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27

(Editor), Martin Barker, and Ernest Mathijs (Editor), eds. Watching the Lord of the Rings: Tolkien's World Audiences (Media and Culture). Peter Lang Pub Inc, 2007.

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28

Dreams of chaos, visions of order: Understanding the American avante-garde cinema. Wayne State University Press, 1994.

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29

Filmmaking by the book: Italian cinema and literary adaptation. Johns Hopkins University Press, 1993.

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30

Cinematic Shakespeare. Rowman & Littlefield, 2004.

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