Academic literature on the topic '9/11 fiction'

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Journal articles on the topic "9/11 fiction"

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Nadel, Ira. "White Rain: 9/11 and American Fiction." Canadian Review of American Studies 45, no. 2 (2015): 125–48. http://dx.doi.org/10.3138/cras.2014.013.

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Keeble, Arin. "Joseph O’Neil’s Netherland and 9/11 Fiction." European Journal of American Culture 31, no. 1 (2012): 55–71. http://dx.doi.org/10.1386/ejac.31.1.55_1.

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Chakrabarti, Paromita. "‘Post’-9/11 South Asian diasporic fiction: uncanny terror." South Asian Diaspora 7, no. 1 (2014): 66–68. http://dx.doi.org/10.1080/19438192.2014.922299.

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Ni, Zengxin. "On Unnatural Narrative in Post-9/11 Fiction Flight." Advances in Social Sciences Research Journal 6, no. 12 (2020): 190–97. http://dx.doi.org/10.14738/assrj.612.7529.

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In the wake of innumerable and insightful studies on the unnatural narratology at home and abroad, it develops into a post-classical narratology that is comparable to female narratology, rhetoric narratology, and cognitive narratology. Taking the native American writer Sherman Alexie’s Flight as its central concern, the essay attends to explore the unnaturalness of the novel and further elaborates on its thematic meaning. In Alexie’s Flight, as a post-9/11 fiction, its unnaturalness can be explored by such elements as unnatural storyworlds, unnatural minds and unnatural acts of narration. The
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Kiczkowski, Adriana. "'Glocalization' in post-9/11 literature. "Burnt shadows" by Kamila Shamsie." Journal of English Studies 14 (December 16, 2016): 125. http://dx.doi.org/10.18172/jes.2813.

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Global terrorism is a complex phenomenon, its roots going back to long before the terrorist attacks of 9/11, while its sequels are opening new paths in the fields of both fiction and literary and cultural studies. To better understand some of the global processes, and how they are represented in contemporary literature, I proposed the expression glocalization novels as a theoretical construct that permits the incorporation of the narrative’s differential characteristics about terrorism in a globalized society. In Burnt Shadows by Kamila Shamsie, the notion of glocalization appears articulating
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Leggatt. "Deflecting Absence: 9/11 Fiction and the Memorialization of Change." Interdisciplinary Literary Studies 18, no. 2 (2016): 203. http://dx.doi.org/10.5325/intelitestud.18.2.0203.

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Annie McClanahan. "Future’s Shock: Plausibility, Preemption, and the Fiction of 9/11." symploke 17, no. 1-2 (2009): 41–62. http://dx.doi.org/10.1353/sym.2009.0011.

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ABDERRAZAG, Sara, and Ilhem SERIR. "The Representation of Muslim Characters in Post 9/11 Fiction." Arab World English Journal For Translation and Literary Studies 3, no. 1 (2019): 100–112. http://dx.doi.org/10.24093/awejtls/vol3no1.8.

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Bird, Benjamin. "History, Emotion, and the Body: Mourning in Post-9/11 Fiction." Literature Compass 4, no. 3 (2007): 561–75. http://dx.doi.org/10.1111/j.1741-4113.2007.00437.x.

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Heffernan, Julián Jiménez, and Paula Martín Salván. "“The stricken community”: Recidivism and Restoration in American 9/11 Fiction." Arizona Quarterly: A Journal of American Literature, Culture, and Theory 69, no. 2 (2013): 145–69. http://dx.doi.org/10.1353/arq.2013.0008.

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Dissertations / Theses on the topic "9/11 fiction"

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Silva, Elise Christine. "Terror, Performance and Post 9/11 Literature." BYU ScholarsArchive, 2011. https://scholarsarchive.byu.edu/etd/2724.

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This project explores 9/11 as a performative act that is re-represented in post 9/11 fiction. Although many scholars have engaged spectacle theory to understand the event, this project asserts that performance theory gives a more dynamic and ethical reading of post 9/11 literatures like Jonathan Safran Foer's Extremely Loud and Incredibly Close and Don DeLillo's Falling Man. The aforementioned post 9/11 texts showcase narrative performances and also give formal performances for an audience of readers. Theatricality in these texts promotes dialogue and healing through interactive communication.
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Moonitz, Allison B. "“An Experience Outside of Culture”: A Taxonomy of 9/11 Adult Fiction." Thesis, School of Information and Library Science, 2006. http://hdl.handle.net/1901/247.

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Serving as an unfortunate benchmark for the twenty-first century, 9/11 has completely altered society’s perceptions of personal safety, security and social identity, along with provoking intense emotional reactions. One outlet for these resulting emotions has been through art and literature. Five years have since passed and contemporary authors are still struggling to accurately represent that tragic day and its consequent impression. This paper provides an analysis of how the events of 9/11 have been incorporated into adult fiction. Variations of themes related to psychology, interperson
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Hemsworth, Kirsty. "Translation and/as empathy : mapping translation shifts in 9/11 fiction." Thesis, University of Sheffield, 2017. http://etheses.whiterose.ac.uk/19920/.

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This thesis seeks to establish an unprecedented empathic approach to the comparative analysis of 9/11 fiction in translation. The central tenet of this study is that translation – as a creative, subversive and disarming force – is a fundamentally empathic process. As parallel and reciprocal works of fiction, 9/11 novels and their translations are not only bound by the centrifugal force of the traumatic event at their centres, but perform, expand and subvert the same empathic structures and interactions on which they are founded. By foregrounding an innovative comparison of translation shifts,
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Findlay, Laura. "The anxiety of expression : word, image and sound in 9/11 fiction." Thesis, University of Dundee, 2014. https://discovery.dundee.ac.uk/en/studentTheses/cc681150-17a7-4e7f-aedd-2465bdd7d540.

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Responses to the terrorist attacks of September 11, 2001 came in many forms - political, social, cultural, and military. The events of that day shaped the first decade of the 21st century, and continue to have enormous resonance worldwide. This research project examines a particular aspect of the response to September 11 – the literary one, and more specifically, New York fiction. However, in conducting this research it became apparent that the effect of these traumatic events deeply scarred writers, and their writing, and the process of creating fiction about New York was one which was threat
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Donica, Joseph Lloyd. "Disaster's Culture of Utopia after 9/11 and Katrina: Fiction, Documentary, Memorial." OpenSIUC, 2012. https://opensiuc.lib.siu.edu/dissertations/460.

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This dissertation examines the cleared spaces after disaster and the way the rhetoric of utopian projects is taken up by corporate and privatizing ventures to mask projects that seek to shut down participation in the public sphere. Chapter one argues that there are mechanisms within societies that can push against these forces by promoting a cosmopolitan sensibility that protects the commons and respects the alterity of the Other. Such mechanisms have theoretical roots in the thinking of Robert Nozick and Fredric Jameson but have been rethought more recently by Bruce Robbins, Jean-Luc Nancy, a
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Reilly, Elizabeth. "The resurgence of the moral novel in the wake of 9-11." Diss., Columbia, Mo. : University of Missouri-Columbia, 2007. http://hdl.handle.net/10355/4963.

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Thesis (M.A.)--University of Missouri-Columbia, 2007.<br>The entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file (viewed on November 5, 2007) Includes bibliographical references.
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McDaniel, Ferris W. "Whatever It Is We're Competing For." ScholarWorks@UNO, 2017. http://scholarworks.uno.edu/td/2345.

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Mehta, Suhaan Kiran. "Cosmopolitanism, Fundamentalism, and Empire: 9/11 Fiction and Film from Pakistan and the Pakistani Diaspora." The Ohio State University, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=osu1376953595.

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Mohamad, Lina. "The burden of valour : the hero and the terrorist-villain in post-9/11 popular fiction." Thesis, University of Edinburgh, 2015. http://hdl.handle.net/1842/17598.

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My research is a literary study which primarily examines previously unstudied best-selling action-thriller fiction primary material from the US, Britain and Russia (published in the decade following the 11 September 2001 attacks) in the contexts of hegemonic masculinity and Self and Other stereotyping. I analyse thirteen works by the following popular fiction authors: Vince Flynn, Daniel Silva, Nelson DeMille, Frederick Forsyth and Danil Koretskiy. Drawing on masculinity studies and archetypal psychology, I formulate the model of the archetypal hero – a character type which the above authors‘
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Bennett, Eve. "A man's end of the world? : gender in post-9/11 American apocalyptic television." Thesis, De Montfort University, 2015. http://hdl.handle.net/2086/11439.

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This thesis is an investigation of the representation of gender in the many American fiction television programmes dealing with the theme of apocalypse that debuted in the post-9/11 period, specifically between September 2002 and August 2012. It is the first study of this cycle of programmes, as well as the first overview of gender in twenty-first-century American telefantasy. The thesis takes a broadly cultural studies approach, mainly employing close textual analysis as its methodology. The aim of the thesis is, firstly, to point out some of the recurring narrative patterns and motifs relati
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Books on the topic "9/11 fiction"

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Mātyu, Ke Pi. 9/11. Ḍi. Si. Buks, 2011.

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Liao, Pei-chen. Post-9/11 Historical Fiction and Alternate History Fiction. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-52492-0.

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Liao, Pei-chen. 'Post'-9/11 South Asian Diasporic Fiction. Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137297372.

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Fiky, Ahmed El. Operation 9/11. Kayan Publishing, 2013.

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9. 11 sheng si hun li. Xian dai chu ban she, 2002.

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Castro, Juanjo Bermúdez de. Rewriting terror: The 9/11 terrorists in american fiction. Universidad de Alcalá, 2012.

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Children's fiction about 9/11: Ethnic, heroic and national identities. Routledge, 2009.

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Terror 9/11: A novel. H*I*P* Books, 2003.

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Skulk: A post-9/11 comic novel. Progressive Press, 2008.

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Matthews, Melvin E. 1950s science fiction films and 9/11: Hostile aliens, Hollywood, and today's news. Algora Pub., 2007.

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Book chapters on the topic "9/11 fiction"

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Keeble, Arin. "The 9/11 Novel." In The Routledge Companion to Twenty-First Century Literary Fiction. Routledge, 2019. http://dx.doi.org/10.4324/9781315880235-25.

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Liao, Pei-chen. "“Our Pearl Harbor Moment, Our 9/11 Moment”." In Post-9/11 Historical Fiction and Alternate History Fiction. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-52492-0_7.

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Liao, Pei-chen. "Beyond and Before 9/11: A Transnational and Historical Turn." In Post-9/11 Historical Fiction and Alternate History Fiction. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-52492-0_1.

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Liao, Pei-chen. "“The Second Coming”: The Resurgence of the Historical Novel and American Alternate History." In Post-9/11 Historical Fiction and Alternate History Fiction. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-52492-0_2.

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Liao, Pei-chen. "“America First”: Perpetual Fear, Memory, and Everyday Life in Philip Roth’s The Plot Against America." In Post-9/11 Historical Fiction and Alternate History Fiction. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-52492-0_3.

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Liao, Pei-chen. "Neo-Internment Narratives: Post-9/11, Cross-racial, and Intergenerational Memories." In Post-9/11 Historical Fiction and Alternate History Fiction. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-52492-0_4.

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Liao, Pei-chen. "“Walking a Tightrope”: Nostalgia, American Innocence, and Exceptionalism in Colum McCann’s Let the Great World Spin." In Post-9/11 Historical Fiction and Alternate History Fiction. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-52492-0_5.

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Liao, Pei-chen. "Worlding Alternate Histories of the Post-9/11 Era: The Transnational Trend, Normalization, and the Dynamics of Memory." In Post-9/11 Historical Fiction and Alternate History Fiction. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-52492-0_6.

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Eaton, Mark. "Pathways to Terror: Teaching 9/11 Fiction." In Teaching 21st Century Genres. Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-55391-1_7.

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Liao, Pei-chen. "Introduction: Uncanny Terror and the ‘Post’-9/11." In 'Post'-9/11 South Asian Diasporic Fiction. Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137297372_1.

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