Relevant bibliographies by topics / 9/11 fiction

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic '9/11 fiction'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "9/11 fiction"

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Nadel, Ira. "White Rain: 9/11 and American Fiction." Canadian Review of American Studies 45, no. 2 (August 2015): 125–48. http://dx.doi.org/10.3138/cras.2014.013.

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Keeble, Arin. "Joseph O’Neil’s Netherland and 9/11 Fiction." European Journal of American Culture 31, no. 1 (April 9, 2012): 55–71. http://dx.doi.org/10.1386/ejac.31.1.55_1.

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Chakrabarti, Paromita. "‘Post’-9/11 South Asian diasporic fiction: uncanny terror." South Asian Diaspora 7, no. 1 (June 9, 2014): 66–68. http://dx.doi.org/10.1080/19438192.2014.922299.

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Ni, Zengxin. "On Unnatural Narrative in Post-9/11 Fiction Flight." Advances in Social Sciences Research Journal 6, no. 12 (January 2, 2020): 190–97. http://dx.doi.org/10.14738/assrj.612.7529.

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In the wake of innumerable and insightful studies on the unnatural narratology at home and abroad, it develops into a post-classical narratology that is comparable to female narratology, rhetoric narratology, and cognitive narratology. Taking the native American writer Sherman Alexie’s Flight as its central concern, the essay attends to explore the unnaturalness of the novel and further elaborates on its thematic meaning. In Alexie’s Flight, as a post-9/11 fiction, its unnaturalness can be explored by such elements as unnatural storyworlds, unnatural minds and unnatural acts of narration. The intentional violation of conventional narration further highlights the hero’s crisis and reconstruction of his identity in the post-9/11 world changed with the miserable memory in his childhood, his sublimation from terrorism to pacifism during his time travel and the regain of love in his final foster family, which consequently contributes to the final change of his appellation from “Zits” to “Michael”.
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Kiczkowski, Adriana. "'Glocalization' in post-9/11 literature. "Burnt shadows" by Kamila Shamsie." Journal of English Studies 14 (December 16, 2016): 125. http://dx.doi.org/10.18172/jes.2813.

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Global terrorism is a complex phenomenon, its roots going back to long before the terrorist attacks of 9/11, while its sequels are opening new paths in the fields of both fiction and literary and cultural studies. To better understand some of the global processes, and how they are represented in contemporary literature, I proposed the expression glocalization novels as a theoretical construct that permits the incorporation of the narrative’s differential characteristics about terrorism in a globalized society. In Burnt Shadows by Kamila Shamsie, the notion of glocalization appears articulating general tendencies with global impact (the Nuclear Bomb, the Cold War, North American neo-colonialism in Southeast Asia, global terrorism, etc.) join with a direct impact on local lives that restructures and transmutes the meanings of individual or social actions. Fictions by intertwining the specific with the global help us to gain a more indepth understanding of the global and its local complexity.
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Leggatt. "Deflecting Absence: 9/11 Fiction and the Memorialization of Change." Interdisciplinary Literary Studies 18, no. 2 (2016): 203. http://dx.doi.org/10.5325/intelitestud.18.2.0203.

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Annie McClanahan. "Future’s Shock: Plausibility, Preemption, and the Fiction of 9/11." symploke 17, no. 1-2 (2009): 41–62. http://dx.doi.org/10.1353/sym.2009.0011.

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ABDERRAZAG, Sara, and Ilhem SERIR. "The Representation of Muslim Characters in Post 9/11 Fiction." Arab World English Journal For Translation and Literary Studies 3, no. 1 (February 15, 2019): 100–112. http://dx.doi.org/10.24093/awejtls/vol3no1.8.

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Bird, Benjamin. "History, Emotion, and the Body: Mourning in Post-9/11 Fiction." Literature Compass 4, no. 3 (May 2007): 561–75. http://dx.doi.org/10.1111/j.1741-4113.2007.00437.x.

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Heffernan, Julián Jiménez, and Paula Martín Salván. "“The stricken community”: Recidivism and Restoration in American 9/11 Fiction." Arizona Quarterly: A Journal of American Literature, Culture, and Theory 69, no. 2 (2013): 145–69. http://dx.doi.org/10.1353/arq.2013.0008.

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Dissertations / Theses on the topic "9/11 fiction"

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Silva, Elise Christine. "Terror, Performance and Post 9/11 Literature." BYU ScholarsArchive, 2011. https://scholarsarchive.byu.edu/etd/2724.

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This project explores 9/11 as a performative act that is re-represented in post 9/11 fiction. Although many scholars have engaged spectacle theory to understand the event, this project asserts that performance theory gives a more dynamic and ethical reading of post 9/11 literatures like Jonathan Safran Foer's Extremely Loud and Incredibly Close and Don DeLillo's Falling Man. The aforementioned post 9/11 texts showcase narrative performances and also give formal performances for an audience of readers. Theatricality in these texts promotes dialogue and healing through interactive communication.
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Moonitz, Allison B. "“An Experience Outside of Culture”: A Taxonomy of 9/11 Adult Fiction." Thesis, School of Information and Library Science, 2006. http://hdl.handle.net/1901/247.

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Serving as an unfortunate benchmark for the twenty-first century, 9/11 has completely altered society’s perceptions of personal safety, security and social identity, along with provoking intense emotional reactions. One outlet for these resulting emotions has been through art and literature. Five years have since passed and contemporary authors are still struggling to accurately represent that tragic day and its consequent impression. This paper provides an analysis of how the events of 9/11 have been incorporated into adult fiction. Variations of themes related to psychology, interpersonal relationships, political and social perspectives, and heroism were found to be used most frequently among authors.
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Hemsworth, Kirsty. "Translation and/as empathy : mapping translation shifts in 9/11 fiction." Thesis, University of Sheffield, 2017. http://etheses.whiterose.ac.uk/19920/.

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This thesis seeks to establish an unprecedented empathic approach to the comparative analysis of 9/11 fiction in translation. The central tenet of this study is that translation – as a creative, subversive and disarming force – is a fundamentally empathic process. As parallel and reciprocal works of fiction, 9/11 novels and their translations are not only bound by the centrifugal force of the traumatic event at their centres, but perform, expand and subvert the same empathic structures and interactions on which they are founded. By foregrounding an innovative comparison of translation shifts, this thesis will map the potential for interactivity and reciprocity across the translation divide, and reinstate the translated text as a rich terrain for textual analysis. This thesis will focus on four key works of fiction and their French translations: Falling Man and L’homme qui tombe (Don DeLillo), The Submission and Un Concours de Circonstances (Amy Waldman), Terrorist and Terroriste (John Updike), and The Zero and Le Zéro (Jess Walter). This topographical overview of 9/11 fiction offers a deliberately fragmentary and episodic account of a genre that is unsettled in translation, with a view to capturing, and testing the limits of, the vast temporal, empathic and imaginative networks in which the texts and their translations participate. By drawing complex empathic maps of 9/11 fiction and their translations, this thesis will emphasise the value of translation shifts as an innovative and critical tool for literary analysis. It seeks to expand the limits of contemporary literary translation approaches to accommodate dynamic, empathic forms of analysis and textual modes of comparison, where both source and target texts are indivisible from the empathically-unsettled terrains in which they are forged.
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Findlay, Laura. "The anxiety of expression : word, image and sound in 9/11 fiction." Thesis, University of Dundee, 2014. https://discovery.dundee.ac.uk/en/studentTheses/cc681150-17a7-4e7f-aedd-2465bdd7d540.

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Responses to the terrorist attacks of September 11, 2001 came in many forms - political, social, cultural, and military. The events of that day shaped the first decade of the 21st century, and continue to have enormous resonance worldwide. This research project examines a particular aspect of the response to September 11 – the literary one, and more specifically, New York fiction. However, in conducting this research it became apparent that the effect of these traumatic events deeply scarred writers, and their writing, and the process of creating fiction about New York was one which was threatened by the enormity of the events. Also, these texts seemed to be in dialogue with other forms of responses to the events in other media. The sense of a community coming together to examine the wound that had been received was strong in New York after the attacks, and that same spirit of coming together could be seen in works that could be labelled as “Post 9/11”. These included comics and graphic novels, artworks, and projects like The Sonic Memorial. This thesis will consider the relationship between these some of works in order to highlight some of the most important aspects of the literary and cultural response. The introduction sets out the historical context and establishes the texts and artworks which will be examined, giving an overview of the research. The first chapter looks at Jonathan Safran Foer’s novel Extremely Loud and Incredibly Close (2005) and Art Spiegelman’s comic In the Shadow of No Towers (2004). It argues that text and image exist in an uneasy relationship in these works, replicating both the lack of comprehension of the events and gaps in memory or expression that emerged through the retelling of the events of September 11. This is one response to the difficulties that come with the attempt to express trauma through narrative, particularly when the political and historical circumstances being described are so complex, and the emotions that surround the event are so raw. The second chapter considers the controversial relationship between performance, art, and acts of terror in Don DeLillo’s novel Falling Man and Gerhard Richter’s October 18, 1977 cycle of artworks. The final chapter explores narrative and testimony in Paul Auster’s novel Man in the Dark and The Sonic Memorial Project, which gathered sounds and reminiscences related to the Twin Towers and September 11. The methodology of considering fiction alongside other modes of response is embedded in the structure of the thesis, with each chapter exploring a major novel alongside a related artwork or narrative. This mirrors the cacophonous and varied responses to 9/11, but also captures something of the way in which the reaction to the trauma brought sometimes distinct and separate people, voices and perspectives together in the spirit of sharing experiences and perspectives. It is concluded that the act of creating a piece of literature, artwork, or another kind of narrative, about September 11 is often confronted by the traumatic nature of the events, and that many responses to them internalised this problem, becoming as much about the nature of trauma, and how it makes certain memories and thoughts extremely difficult to express, at least in a way that is equal to the emotion involved. September 11 poses a challenge to artists that is much wider than the problem of representing the event itself. It asks artists and writers to consider how one can represent a traumatic and widely witnessed event, and whether world-changing events require an upheaval of literary and artistic conventions. It also questions the role of the writer or artist in the face of what Don DeLillo described as ‘all that howling space’. The thesis concludes that the strategy employed by most of the works examined here is to use unconventional methods to construct a memorial to those lost, but to do so in a way that involves the reader, bringing them into the events, but also pointing to the process of creating a post-9/11 artwork, and the difficulties inherent in it. This maintains the long established tradition of metafiction in New York fiction, demonstrating that these are works that do not seek a complete break with the past, but bring a new raw edge of tragedy and trauma into the metafiction. In this way formal play, and the attention to the process of creating a text or artwork becomes a means of representing the trauma of the event, and the trauma of creating literature and art about it. The metafictional aspects therefore become a means of cathartically approaching the site of the wound. This is perhaps why so much post 9/11 fiction remains either controversial or divides critics. It looks at both the event and its own processes. Whether or not this is satisfying to the reader, or the critic, it does point to the anxieties felt by writers and the wider creative community in the wake of 9/11.
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Donica, Joseph Lloyd. "Disaster's Culture of Utopia after 9/11 and Katrina: Fiction, Documentary, Memorial." OpenSIUC, 2012. https://opensiuc.lib.siu.edu/dissertations/460.

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This dissertation examines the cleared spaces after disaster and the way the rhetoric of utopian projects is taken up by corporate and privatizing ventures to mask projects that seek to shut down participation in the public sphere. Chapter one argues that there are mechanisms within societies that can push against these forces by promoting a cosmopolitan sensibility that protects the commons and respects the alterity of the Other. Such mechanisms have theoretical roots in the thinking of Robert Nozick and Fredric Jameson but have been rethought more recently by Bruce Robbins, Jean-Luc Nancy, and Seyla Benhabib. I read literature alongside documentaries and memorials to discover the way cultural texts model these methods of pushing back against neoliberal projects in the wake of 9/11 and Katrina by bringing ethics, as Emmanuel Levinas does, into "real world" situations. Projects that co-opt the commons after disaster convey a imitative cosmopolitanism that can be counteracted through giving agency to those who do not have it, constructing communities of access for the future, supporting a form of public mourning that promotes critique, and protecting post-disaster spaces from becoming only tourist destinations. Chapter two looks to the way the 9/11 fiction of Moshin Hamid, Claire Messud, Alissa Torres, Paul Auster, and Jonathan Safran Foer models a cosmopolitanism that repairs the self's relationship to the Other by allowing the Other an agency previously unavailable before 9/11. Chapter three examines how When the Levees Broke, Trouble the Water, Kamp Katrina, Katrina Ballads, A.D.: New Orleans after the Deluge, and Zeitoun foreground the vulnerability of Gulf Coast residents by linking their vulnerability to the nation's now damaged ecological relationship to the coast. Chapter four explores the cultural memory at a range of 9/11 and Katrina memorials in New York, Washington D. C., and along the Gulf Coast in order to find memorials that reinvigorate the commons by melding public mourning with critique. The epilogue examines the larger implications of my dissertation for the field of American studies in examining the culture of disaster that has arisen in the past decade.
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Reilly, Elizabeth. "The resurgence of the moral novel in the wake of 9-11." Diss., Columbia, Mo. : University of Missouri-Columbia, 2007. http://hdl.handle.net/10355/4963.

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Thesis (M.A.)--University of Missouri-Columbia, 2007.
The entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file (viewed on November 5, 2007) Includes bibliographical references.
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McDaniel, Ferris W. "Whatever It Is We're Competing For." ScholarWorks@UNO, 2017. http://scholarworks.uno.edu/td/2345.

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Mehta, Suhaan Kiran. "Cosmopolitanism, Fundamentalism, and Empire: 9/11 Fiction and Film from Pakistan and the Pakistani Diaspora." The Ohio State University, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=osu1376953595.

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Mohamad, Lina. "The burden of valour : the hero and the terrorist-villain in post-9/11 popular fiction." Thesis, University of Edinburgh, 2015. http://hdl.handle.net/1842/17598.

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My research is a literary study which primarily examines previously unstudied best-selling action-thriller fiction primary material from the US, Britain and Russia (published in the decade following the 11 September 2001 attacks) in the contexts of hegemonic masculinity and Self and Other stereotyping. I analyse thirteen works by the following popular fiction authors: Vince Flynn, Daniel Silva, Nelson DeMille, Frederick Forsyth and Danil Koretskiy. Drawing on masculinity studies and archetypal psychology, I formulate the model of the archetypal hero – a character type which the above authors‘ works capitalise on. I trace the employment of this model in these primary works within the framework of constructing a positive and heroic image of the Self, of which the action-thriller hero is the chief representative. The archetypal hero‘s principal traits include courage, honour, individualism and just violence among others. Heroes such as Mitch Rapp, Gabriel Allon, John Corey, Mike Martin, Max Kardanov and Alexei Mal‘tsev embody this archetypal model and confirm it as positive and dominant in their respective narratives. The authors also utilise a variety of framing strategies to enhance their heroes‘ authoritativeness and characterisation. Among these strategies, the use of historical facts and figures to anchor the narrative, enemy acknowledgement of the hero‘s qualities and female characters‘ fulfilment of traditional gender roles are the most prominent. First-person narration also plays a role in enhancing authenticity, such as in DeMille‘s novels. While the heroes and the side they represent are characterised as inherently positive and superior, their terrorist antagonists fulfil the role of the essentialised and diametrically opposite Other. I demonstrate through further analysis how these characters are positioned as archetypal terrorists, embodying traits which are antithetical to the hero‘s: backwardness; hatred of modernity and ‗civilisation‘; religion (Islam) as their source of hatred; desire for arbitrary revenge and unjustified violence; hypocrisy and disloyalty. Having analysed the main archetypal heroes and villains in the primary action-thriller works, I proceed to examine two mainstream literary authors: American John Updike and Algerian Francophone Yasmina Khadra. I study those of their novels which foreground terrorist characters instead of archetypal heroes, thus analysing one novel by Updike (Terrorist) and two by Khadra (Les Sirènes de Bagdad and L’Attentat). I find that, despite an increased focus on the character of the budding teenage suicide bomber from New Jersey, Updike‘s characterisation follows a pattern similar to the archetypal terrorist in the action-thriller sources. On the other hand, Khadra achieves a more balanced and complex portrayal, presenting his terrorists as human beings motivated by their various personal, social and political grievances rather than blind religious hatred. In sum, only Khadra‘s narratives transcend stereotypical views of terrorism, while the other post-9/11 primary works (including Updike) focus on perpetuating binary oppositions of the Self and Other, masculinity and emasculation. My original contribution to knowledge is the identification, definition and comparative textual analysis of archetypal hero and terrorist characters in post-9/11 action-thriller and mainstream fiction in three languages (English, Russian and French) within a framework combining several elements: aspects of the system of representation of the terrorist Other, masculinity studies and archetypal psychology as well as the context of political and media post-9/11 views of Arabs and/or Muslims in the US, Britain and Russia.
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Bennett, Eve. "A man's end of the world? : gender in post-9/11 American apocalyptic television." Thesis, De Montfort University, 2015. http://hdl.handle.net/2086/11439.

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This thesis is an investigation of the representation of gender in the many American fiction television programmes dealing with the theme of apocalypse that debuted in the post-9/11 period, specifically between September 2002 and August 2012. It is the first study of this cycle of programmes, as well as the first overview of gender in twenty-first-century American telefantasy. The thesis takes a broadly cultural studies approach, mainly employing close textual analysis as its methodology. The aim of the thesis is, firstly, to point out some of the recurring narrative patterns and motifs relating to gender in the 25 programmes which fall within its remit and, secondly, to consider to what extent it is possible to draw links between the representation of gender in these programmes and contemporary events, especially 9/11 and the ‘war on terror.’ In particular, it aims to discern whether the series in question show the same reversion to traditional notions of masculinity and femininity that critics such as Susan Faludi (2007) have identified in American factual media of the same period. Following the introduction and literature review, Chapter One examines two archetypes of masculinity that were widely invoked by the American media in the aftermath of 9/11, the cowboy and the superhero, as they are respectively portrayed in The Walking Dead (2010- ) and Heroes (2006-2010). Chapter Two explores the representation of father-son relationships in a number of apocalyptic programmes and suggests that they tend to follow a narrative pattern which I refer to as the ‘Prince Hal narrative.’ Chapter Three examines the typical perpetrators of the apocalypses in these shows, patriarchal conspiracies, and the gendered dynamics between the conspirators, their victims and the heroes that attempt to stop them. It focuses on Jericho (2006-2008) and Dollhouse (2009-2010). Chapter Four looks at the conspiracies’ primary victims: young women who have been turned, against their will, into human ‘weapons.’ Finally, the conclusion notes the continuing popularity of apocalypse as a theme on American television, reiterates the previous chapters’ conclusions and draws some more general ones before indicating possible areas for further study.
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Books on the topic "9/11 fiction"

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Mātyu, Ke Pi. 9/11. [Kottayam]: Ḍi. Si. Buks, 2011.

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Liao, Pei-chen. Post-9/11 Historical Fiction and Alternate History Fiction. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-52492-0.

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Liao, Pei-chen. 'Post'-9/11 South Asian Diasporic Fiction. London: Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137297372.

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Fiky, Ahmed El. Operation 9/11. Cairo: Kayan Publishing, 2013.

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9. 11 sheng si hun li. Beijing: Xian dai chu ban she, 2002.

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Castro, Juanjo Bermúdez de. Rewriting terror: The 9/11 terrorists in american fiction. Alcalá de Henares (Madrid): Universidad de Alcalá, 2012.

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Children's fiction about 9/11: Ethnic, heroic and national identities. New York: Routledge, 2009.

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Terror 9/11: A novel. [Toronto]: H*I*P* Books, 2003.

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Skulk: A post-9/11 comic novel. Joshua Tree, Calif: Progressive Press, 2008.

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Matthews, Melvin E. 1950s science fiction films and 9/11: Hostile aliens, Hollywood, and today's news. New York: Algora Pub., 2007.

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Book chapters on the topic "9/11 fiction"

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Keeble, Arin. "The 9/11 Novel." In The Routledge Companion to Twenty-First Century Literary Fiction, 273–85. Abingdon, Oxon ; New York, NY : Routledge, 2019. | Series: Routledge companions to literature series: Routledge, 2019. http://dx.doi.org/10.4324/9781315880235-25.

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Liao, Pei-chen. "“Our Pearl Harbor Moment, Our 9/11 Moment”." In Post-9/11 Historical Fiction and Alternate History Fiction, 187–92. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-52492-0_7.

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Liao, Pei-chen. "Beyond and Before 9/11: A Transnational and Historical Turn." In Post-9/11 Historical Fiction and Alternate History Fiction, 1–19. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-52492-0_1.

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Liao, Pei-chen. "“The Second Coming”: The Resurgence of the Historical Novel and American Alternate History." In Post-9/11 Historical Fiction and Alternate History Fiction, 21–49. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-52492-0_2.

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Liao, Pei-chen. "“America First”: Perpetual Fear, Memory, and Everyday Life in Philip Roth’s The Plot Against America." In Post-9/11 Historical Fiction and Alternate History Fiction, 51–79. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-52492-0_3.

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Liao, Pei-chen. "Neo-Internment Narratives: Post-9/11, Cross-racial, and Intergenerational Memories." In Post-9/11 Historical Fiction and Alternate History Fiction, 81–114. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-52492-0_4.

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Liao, Pei-chen. "“Walking a Tightrope”: Nostalgia, American Innocence, and Exceptionalism in Colum McCann’s Let the Great World Spin." In Post-9/11 Historical Fiction and Alternate History Fiction, 115–52. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-52492-0_5.

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Liao, Pei-chen. "Worlding Alternate Histories of the Post-9/11 Era: The Transnational Trend, Normalization, and the Dynamics of Memory." In Post-9/11 Historical Fiction and Alternate History Fiction, 153–86. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-52492-0_6.

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Eaton, Mark. "Pathways to Terror: Teaching 9/11 Fiction." In Teaching 21st Century Genres, 129–45. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-55391-1_7.

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Liao, Pei-chen. "Introduction: Uncanny Terror and the ‘Post’-9/11." In 'Post'-9/11 South Asian Diasporic Fiction, 1–22. London: Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137297372_1.

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