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Dissertations / Theses on the topic 'A. Camus'as'

Author: Grafiati

Published: 4 June 2021

Last updated: 15 February 2022

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1

Pažėraitė, Eglė. "Gyvenimo prasmės ir absurdo sampratos A. Camus`o, K. Jasperso, J.P. Sartre`o ir F. Kafkos egzistencinėje filosofijoje." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2012. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2012~D_20120806_141924-54342.

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Šiame darbe analizuojama kokia yra egzistencializmo samprata. Magistriniame darbe pateikiamos egzistencializmo atstovų teorijos apie egzistencializmo esmę. Savo filosofinėmis idėjomis egzistencialistai pristato keliamas problemas. Visi egzistencializmo krypties atstovai aiškinasi būties, gyvenimo prasmės, kančios problemas. Prie egzistencinių ir neišvengiamų problemų žmogaus gyvenime priskiriamos – kova, kaltė, nuobodulys, maištas, absurdo jausmas. Iškeltai hipotezei patvirtinti atliktas praktinis tyrimas su 11 – 12 klasių moksleiviais. Susumavus tyrimo rezultatus formuluotos išvados. Egzisten

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2

Beer, Jill. "Re-reading Camus's ethics." Thesis, University of Oxford, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.402801.

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3

Ast, Bernard Edward Jr 1963. ""The Plague" in Albert Camus's fiction." Diss., The University of Arizona, 1998. http://hdl.handle.net/10150/288839.

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This dissertation catalogues and examines Albert Camus's thematic repetitiveness as seen in his fiction and in how this repetitiveness relates to the world view presented in the so-called guillotine passage in his novel The Plague: that the world consists of scourges, victims, and an elusive third domain. A scourge can be an aggressor. It causes suffering and even death. The plague and other infirmities, both physical and mental, are aggressors. They are indiscriminate, merciless, and oftentimes deadly. Tyrants, too, are aggressors, some of which cling to the arbitrary, while others have a con

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4

Haslett, Lindsay James. "Ends and means in the moral and political thought of Albert Camus." Thesis, University of Ulster, 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.253970.

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5

Howells, V. "Camus's narrative strategies in L'Exil et le royaume." Thesis, Swansea University, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.637313.

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<i>L'Exil et le royaume</i> has been seen as a marginal work undertaken in preparation for another novel. However, the <i>nouvelle</i> makes specific demands, which I examine in Chapter 1, and use as a basis for analysis of Camus's narrative strategies in the stories, to argue that the <i>nouvelles</i> are richer, more personal, more complex, and better crafted than has previously been acknowledged. In Chapter 2, I argue that Camus's third-person narrative in 'La Femme adultée' filters all information through the consciousness of the female protagonist. Temporal effects, sense impressions and

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6

Smith, Jared L. "From One to All: The Evolution of Camus's Absurdism." Kent State University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=kent1586797469986232.

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7

Duff, Michelle. "Albert Camus's Ethical Condemnation of Christianity as Expressed in his Literature." Thesis, University of Ulster, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.529467.

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8

Orme, Mark Philip. "The development of Albert Camus's concern for social and political justice in his non-fictional writings." Thesis, Lancaster University, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.322132.

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9

Park, Ji Hyun. "An existential reading of Camus and Dostoevsky focusing on Camus's notion of the absurd and Sartrean authencity." Thesis, Texas A&M University, 2005. http://hdl.handle.net/1969.1/5015.

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Albert Camus (1913-1960) describes morally corrupted society in his later fiction, The Fall (1956), yet, seeks to find authenticity to share the suffering of others to establish communal bonds and responsibility, specifically revealed in "The Growing Stone" (1957). Camus frequently denies his alignment with existentialism; yet, in his major novels, he frequent portrays a dark side of human existence: a sense of weariness with the habitual aspects of daily life and a keen awareness of the absurd lead Camusian heroes to complete nihilism and utter despair, which shows Camus's strong affinity wit

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10

Weston, Stuart Michael. "Finding Camus's absurd in Faulkner's As I Lay Dying, The Sound and the Fury, and Absalom, Absalom!" [Ames, Iowa : Iowa State University], 2009.

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11

Foxlee, Neil. "A multi-contextualist approach to Albert Camus's 'The New Mediterranean Culture' : a case study in Intelletual-Historical Method." Thesis, University of Central Lancashire, 2007. http://clok.uclan.ac.uk/20519/.

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This thesis examines Albert Camus's 1937 lecture 'La nouvelle culture méditerraneeime', using a multi-contextualist version of the intellectual-historical approach to textual interpretation developed by Quentin Skinner. Whereas Skinner rejects text-centred and crude socio-historical approaches and focuses on the argumentative context of previous texts on the same subject, I argue that different parts of the text need to be placed in different contexts - argumentative, biographical and socio-historical - for its significance to be properly understood. I also supplement Skinner's approach with t

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12

Ait-Hamou, Louisa. "The divided self and separate audiences : an evaluation of Camus's and Fugard's political thought through a comparative and contrastive study." Thesis, University of York, 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.258380.

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13

Cardozo, Elloit. "‘That rug really tied the room together’: Knitting Dudeism and Camusian Philosophy into a Larger Tapestry." Thesis, University of Mumbai, 2017. http://hdl.handle.net/10919/94575.

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Even though parallels between the philosophy of Albert Camus and The Big Lebowski have been drawn repeatedly, a sustained enquiry into several possible dimensions of the matter is yet to have been conducted.This dissertation makes an attempt to conduct the aforementioned enquiry in some detail. In doing this, the study will try to analytically compare Camusian philosophy and Dudeism and bring out the similarities between them. This does not imply that there are no differences between the two; but the focus of this study is the similarities and not the differences. Dudeism, for the purpose of t

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14

蔡明燕. "A comparative study of Camus's The Outsider and Singer's Gimpel the fool." Thesis, 1989. http://ndltd.ncl.edu.tw/handle/36776805828198269415.

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15

Chen, Ying-hua, and 陳映華. "No More Absurdity?! Absurdist and Psychoanalytic-ethic Readings of Albert Camus’s The Stranger." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/65083834014580574062.

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碩士<br>淡江大學<br>英文學系碩士班<br>97<br>The thesis centers on Camus’s philosophy of Absurdism, Freud’s and Lacan’s perspectives of the psychoanalytic-ethic readings. It explores how Meursault’s attitude reflects on his mindset and eventually determines his death in The Stranger. The related issues comprise the Absurd outlook on life, the neurotic tendency resulting from covert collusion underneath a superficial confrontation between the superego and the death drive, and a porous m(O)ther being brought into action due to an imaginary identification. The thesis is composed of three chapters. Chap

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