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Journal articles on the topic 'A. Camus'as'

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Published: 4 June 2021

Last updated: 15 February 2022

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1

Cervo, Nathan. "Camus's L'Hote." Explicator 48, no. 3 (1990): 222–24. http://dx.doi.org/10.1080/00144940.1990.9934002.

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2

Illing, Sean. "Between Nihilism and Transcendence: Camus's Dialogue with Dostoevsky." Review of Politics 77, no. 2 (2015): 217–42. http://dx.doi.org/10.1017/s0034670515000042.

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AbstractThis article examines the influence of Fyodor Dostoevsky on Albert Camus's political philosophy of revolt. The aim is to clarify Camus's reactions to the problems of absurdity, nihilism, and transcendence through an analysis of his literary and philosophical engagement with Dostoevsky. I make three related claims. First, I claim that Camus's philosophy of revolt is informed in crucial ways by Dostoevsky's accounts of religious transcendence and political nihilism. Second, that Camus's conceptualization of the tension between nihilism and transcendence corresponds to and is personified

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3

Abecassis, Jack I. "Camus's Pulp Fiction." MLN 112, no. 4 (1997): 625–40. http://dx.doi.org/10.1353/mln.1997.0043.

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4

Scherr, Arthur. "Camus's the Stranger." Explicator 59, no. 3 (2001): 149–53. http://dx.doi.org/10.1080/00144940109597118.

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5

Strange, Alice J. "Camus's the Stranger." Explicator 56, no. 1 (1997): 36–38. http://dx.doi.org/10.1080/00144949709595247.

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6

McGuire, Kathryn B. "Camus's the Stranger." Explicator 50, no. 1 (1991): 50–53. http://dx.doi.org/10.1080/00144940.1991.9938712.

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7

Ray, Joan Klingel. "Camus's the Plague." Explicator 50, no. 1 (1991): 53–55. http://dx.doi.org/10.1080/00144940.1991.9938713.

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8

Hopkins, Patricia. "Caligula: Camus's Anti-Shaman." Rocky Mountain Review of Language and Literature 48, no. 1 (1994): 33. http://dx.doi.org/10.2307/1347882.

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9

Schehr, Lawrence R. "Renaud Camus's Roman Columns." SubStance 21, no. 1 (1992): 111. http://dx.doi.org/10.2307/3685350.

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10

Blanchard, Marc. "Before Ethics: Camus's Pudeur." MLN 112, no. 4 (1997): 666–82. http://dx.doi.org/10.1353/mln.1997.0047.

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11

POTTS, D. "CAMUS'S CALIGULA IN PARIS." French Studies Bulletin 12, no. 43 (1992): 18–19. http://dx.doi.org/10.1093/frebul/12.43.18.

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12

CHURCHILL, CHRISTOPHER. "CAMUS AND THE THEATRE OF TERROR: ARTAUDIAN DRAMATURGY AND SETTLER SOCIETY IN THE WORKS OF ALBERT CAMUS." Modern Intellectual History 7, no. 1 (2010): 93–121. http://dx.doi.org/10.1017/s147924430999028x.

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This essay examines Albert Camus's considerable debt to Antonin Artaud. Camus was not only a dramatist, but he also employed dramaturgical techniques in his more famous fiction and essays. In this regard, Artaud's ideas on social reconstitution through aesthetic terror were crucial to the development of many of Camus's most famous works, written both in Algeria and in France before and after World War II. This article considers the ways in which aesthetic–political techniques adapted from Artaud's Theatre of Cruelty were employed to challenge fascism in Algeria and France, by simultaneously su

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13

Golomb, Jacob. "Camus's Ideal of Authentic Life." Philosophy Today 38, no. 3 (1994): 268–77. http://dx.doi.org/10.5840/philtoday199438314.

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14

Sherman, David. "Camus's Meursault and Sartrian Irresponsibility." Philosophy and Literature 19, no. 1 (1995): 60–77. http://dx.doi.org/10.1353/phl.1995.0049.

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15

SCHALK *, DAVID L. "Was Algeria Camus's Fall?1." Journal of Contemporary European Studies 12, no. 3 (2004): 339–54. http://dx.doi.org/10.1080/1460846042000312090.

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16

O’Dwyer, Kathleen. "Camus’s Challenge." Journal of Humanistic Psychology 52, no. 2 (2011): 165–77. http://dx.doi.org/10.1177/0022167811402999.

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17

MARGERRISON, C. "THE DARK CONTINENT OF CAMUS'S L'ETRANGER." French Studies LV, no. 1 (2001): 59–73. http://dx.doi.org/10.1093/fs/lv.1.59.

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18

Waters, Valerie. "Camus's 'La Femme Adultère': Janine's Dream." Romance Studies 10, no. 1 (1992): 65–73. http://dx.doi.org/10.1179/ros.1992.10.1.65.

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19

Margerrison, C. "History, Ideology, and Camus's 'Le Renegat'." French Studies 64, no. 4 (2010): 423–37. http://dx.doi.org/10.1093/fs/knq121.

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20

Margerrison, C. "THE DARK CONTINENT OF CAMUS'S L'ETRANGER." French Studies 55, no. 1 (2001): 59–73. http://dx.doi.org/10.1093/fs/55.1.59.

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21

Waters, Valerie. "Camus's 'La Femme Adultère': Janine's Dream." Romance Studies 9, no. 2 (1991): 65–73. http://dx.doi.org/10.1179/026399092786578522.

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22

Bright, Gillian. "On Being the “Same Type”: Albert Camus and the Paradox of Immigrant Shame in Rawi Hage’s Cockroach." Cambridge Journal of Postcolonial Literary Inquiry 5, no. 1 (2017): 69–89. http://dx.doi.org/10.1017/pli.2017.40.

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A characterization of the shame-inducing legacy of colonialism lies at the heart of Rawi Hage’s Cockroach. By employing Albert Camus’s aesthetic style, Hage’s novel investigates the ironic paradoxes in Camus’s philosophy of absurdism and his political stance regarding Algerian independence from France. Through the motif of the “gaze,” (the mode of looking that shames the specular object), the novel links shame to what Kalpana Seshadri-Crooks calls the “regime of the look,” a system of visualizing and encoding race. Through three textual manifestations of shame, Cockroach points out that Camus’

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23

Seyhan, Azade. "Why Major in Literature—–What Do We Tell Our Students?" PMLA/Publications of the Modern Language Association of America 117, no. 3 (2002): 510–12. http://dx.doi.org/10.1632/003081202x61296.

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It is precisely because of the elusive character of real life that we need the help of fiction to organize life retrospectively, after the fact, prepared to take as provisional and open to revision any figure of emplotment borrowed from fiction or from history.–Paul RicoeurIn the aftermath of what has come to be known as Nine One One, literary texts became the last resort of consolation in a vast desert of mindless media commentary and aggressive but ultimately futile political rhetoric. The Philadelphia Inquirer promptly published email messages exchanged by four University of Pennsylvania st

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24

Fahmi, Ari Khairurrijal. "ABSURDITAS ALBERT CAMUS DALAM NOVEL TERJEMAHAN KARYA ZURIYATI MENCARI PEREMPUAN YANG HILANG." Hortatori : Jurnal Pendidikan Bahasa dan Sastra Indonesia 3, no. 2 (2020): 81–90. http://dx.doi.org/10.30998/jh.v3i2.219.

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Abstract: The aim of this study is to describe depthly about an Albert Camus Absurdity in a translation novel by Prof Zuriyati "Mencari Perempuan yang Hilang". The focus of this research is an expressions and words in the novel which have elements of life uncertainty, feelings of turmoil, and death in Albert Camus's concept. This study uses the Content Analysis method with expressions in the form of sentences as data derived from the novel book " Mencari Perempuan yang Hilang " as a data source. The researcher noted several patterns of expressions found in the novel in the form of uncertainty

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25

Cervo, Nathan. "Camus’s the Plague." Explicator 52, no. 2 (1994): 111–13. http://dx.doi.org/10.1080/00144940.1994.11484114.

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26

Apter, Emily S. "Out of Character: Camus's French Algerian Subjects." MLN 112, no. 4 (1997): 499–516. http://dx.doi.org/10.1353/mln.1997.0045.

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27

Solomon, Robert C. "Pathologies of Pride in Camus's The Fall." Philosophy and Literature 28, no. 1 (2004): 41–59. http://dx.doi.org/10.1353/phl.2004.0014.

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28

Black, Moishe. "Camus's ‘L'Hôte’ as a Ritual of Hospitality." Nottingham French Studies 28, no. 1 (1989): 39–52. http://dx.doi.org/10.3366/nfs.1989.004.

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29

Oswald, John. "Re-appropriating Europe: Albert Camus's wartime Europeanism." Modern & Contemporary France 9, no. 4 (2001): 483–93. http://dx.doi.org/10.1080/09639480120086699.

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30

Talmor, Sascha. "Albert Camus's last book—Le premier homme." History of European Ideas 21, no. 5 (1995): 675–87. http://dx.doi.org/10.1016/0191-6599(95)00033-p.

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31

Davis, Colin. "Camus's "La Peste": Sanitation, Rats, and Messy Ethics." Modern Language Review 102, no. 4 (2007): 1008. http://dx.doi.org/10.2307/20467547.

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32

Kritzman, Lawrence D. "Camus's Curious Humanism or the Intellectual in Exile." MLN 112, no. 4 (1997): 550–75. http://dx.doi.org/10.1353/mln.1997.0058.

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33

Sterling, Elwyn F. "Albert Camus's Adulterous Woman: A Consent to Dissolution." Romance Quarterly 34, no. 2 (1987): 155–63. http://dx.doi.org/10.1080/08831157.1987.11000436.

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34

Quinn, Philip L. "Hell in Amsterdam: Reflections on Camus's The Fall." Midwest Studies in Philosophy 16 (1991): 89–103. http://dx.doi.org/10.1111/j.1475-4975.1991.tb00232.x.

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35

COX, M. "THE BISHOP'S SECRET: JEAN-PIERRE CAMUS'S UNACKNOWLEDGED SOURCE." French Studies Bulletin 21, no. 77 (2000): 5–7. http://dx.doi.org/10.1093/frebul/21.77.5.

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36

Elsayed, Hanan. "The Trial of Meursault." Romanic Review 111, no. 2 (2020): 316–32. http://dx.doi.org/10.1215/00358118-8503492.

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Abstract This essay focuses on Kamel Daoud’s “response” to Albert Camus’s L’Étranger by highlighting the differences in and implications of their writing styles and narrative voices. Daoud’s narrative refigures the concept of the absurd and his linkage of Camus’s silences to the colonial condition. However, the colonial legacy continues to pervade Daoud’s own narrative particularly in his portrayal of contemporary Algeria and Islam. There are unresolved contradictions in the fabric of Daoud’s text as well as a silence that emerges from a hyperbolic bavardage.

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37

Lapaire, Pierre Jean. "Sensing, Seeing, Saying in Camus's Noces: A Meditative Essay." Irish Journal of French Studies 5, no. 1 (2005): 127–28. http://dx.doi.org/10.7173/164913305818418819.

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38

Mouat, Ricardo Gutiérrez. "Vargas Llosa's Poetics of the Novel and Camus's "Rebel"." World Literature Today 67, no. 2 (1993): 283. http://dx.doi.org/10.2307/40149068.

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39

HUGHES, E. J. "Review. Camus's 'L'Etranger': Fifty Years On. King, Adele (ed.)." French Studies 48, no. 2 (1994): 236. http://dx.doi.org/10.1093/fs/48.2.236.

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40

Beer, J. "Le Regard: Face to Face in Albert Camus's 'L'Hote'." French Studies 56, no. 2 (2002): 179–92. http://dx.doi.org/10.1093/fs/56.2.179.

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41

Schweikart, David. "Sartre, Camus and a Marxism for the 21st Century." Sartre Studies International 24, no. 2 (2018): 1–24. http://dx.doi.org/10.3167/ssi.2018.240202.

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In 1952 Albert Camus wrote a caustic letter to Les Temps Modernes in response to the journal’s negative review of The Rebel, addressed, not to the author of the review, but to “M. Le Directeur,” i.e. to Sartre. Sartre’s response published in the journal ended their friendship. This article examines the deep cause of this rupture, Camus’s political views moving rightward, Sartre’s moving left. I examine Camus’s critique of Marx and Marxism, then ask the question, “What is Marxism, Anyway?” I defend a version of Sartrean “existential Marxism” as appropriate for our time.

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42

Churchill, Christopher. "The Unlikely Barrèsian Inheritance of Albert Camus." Journal of the Canadian Historical Association 23, no. 2 (2013): 251–97. http://dx.doi.org/10.7202/1015795ar.

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This essay examines the considerable intellectual debt left-wing Albert Camus owed to one of the most unlikely of sources: far-right intellectual Maurice Barrès. Before achieving fame in France as an existential writer, he developed as a settler intellectual in colonial Algeria. The far-right exerted a profound influence on settler intellectual communities in Algeria. Many of Camus’s colleagues and friends were deeply inspired by Barrès. He was as well. Examining Camus’s complex intellectual debts to Barrès requires both a contextualization of his development as an intellectual in both Algeria

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43

Nédelec, Claudine. "Les Muses camuses des burlesques." Littératures classiques N°102, no. 2 (2020): 81. http://dx.doi.org/10.3917/licla1.102.0081.

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44

O'Donohoe, Benedict. "L'Étranger and the Messianic Myth, or Meursault Unmasked." PhaenEx 2, no. 1 (2007): 1–18. http://dx.doi.org/10.22329/p.v2i1.61.

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This paper attacks received ideas about Camus’s iconic hero as honest, modest, innocent, and even messianic. Reviewing these notions, first, as collated in Édouard Morot-Sir’s critical conspectus, ‘Actualité de L’Étranger’ (1996), I trace them back to Sartre’s seminal critique (1943), then to Camus’s characterisation of Meursault as ‘the only Christ we deserve’, in 1955. By close reading of the text, I show that, far from being the modern messiah of authenticity, Meursault is in fact a monster of male chauvinism and an unreconstructed misogynist, whose much-vaunted indifference and amorality o

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45

ORME, M. "THE THEME OF REVOLTE IN ALBERT CAMUS'S ECRITS DE JEUNESSE." French Studies Bulletin 18, no. 65 (1997): 5–7. http://dx.doi.org/10.1093/frebul/18.65.5.

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46

Christiansen, Hope. ""Rire est le Propre de L'Homme": Laughter in Camus's L'Étranger." Romance Notes 57, no. 2 (2017): 189–99. http://dx.doi.org/10.1353/rmc.2017.0016.

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47

Warren, Thomas H. "On the Mistranslation of La Mesure in Camus's Political Thought." Journal of the History of Philosophy 30, no. 1 (1992): 123–30. http://dx.doi.org/10.1353/hph.1992.0004.

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48

Nelson, James Lindemann. "Desire's Desire for Moral Realism: A Phenomenological Objection to Non-Cognitivism." Dialogue 28, no. 3 (1989): 449–60. http://dx.doi.org/10.1017/s0012217300015961.

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Roughly thirty years ago, R. M. Hare told an Anglo-French philosophy conference about a young Swiss student who came to stay with his family in Oxford. It seems that the student was doing very nicely, until, in a burst of misguided hospitality, the Hares provided him with one of their few French books, Camus's L'Etranger. Reading Camus had the effect of changing the student from an affable, altogether attractive young man into a chain-smoking recluse for whom “rien, rien n'avait d'importance”.

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49

Royal, Derek Parker. "Camusian Existentialism in Arthur Miller'sAfter the Fall." Modern Drama 43, no. 2 (2000): 192–203. http://dx.doi.org/10.3138/md.43.2.192.

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50

Paylor, A. J. "“Hello World!” Gwenpool: Marvel’s Camusian absurd hero." Journal of Graphic Novels and Comics 11, no. 3 (2019): 259–70. http://dx.doi.org/10.1080/21504857.2018.1556174.

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