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1

Hopenhayn, Daniel. "“ALBERT CAMUS” / “ALBERT CAMUS”." Revista de Estudios Sociales, no. 25 (December 2006): 65–66. http://dx.doi.org/10.7440/res25.2006.07.

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2

Wilder, Hugh. "Camus." Radical Philosophy Review of Books 5, no. 5 (1992): 61–65. http://dx.doi.org/10.5840/radphilrevbooks199256.

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3

Conlon, James. "Camus." Modern Schoolman 72, no. 4 (1995): 337–48. http://dx.doi.org/10.5840/schoolman199572422.

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4

Foxlee, N. "Camus." French Studies 66, no. 1 (2011): 109. http://dx.doi.org/10.1093/fs/knr210.

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5

Lungu-Badea, Georgiana. "Camus." Dialogues francophones 18, no. 1 (2012): 213–17. http://dx.doi.org/10.1515/difra-2015-0026.

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6

van der Heiden, Gert-Jan. "Camus." Wijsgerig Perspectief 53, no. 4 (2013): 34–35. https://doi.org/10.5117/wp2013.4.005.heid.

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7

Dunwoodie, P. "Albert Camus, 22: Camus et l'Histoire." French Studies 66, no. 3 (2012): 421–22. http://dx.doi.org/10.1093/fs/kns100.

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8

Błaszczyk, Marek. "Revolt in Albert Camus’ works." Świat i Słowo 35, no. 2 (2020): 369–74. http://dx.doi.org/10.5604/01.3001.0014.5485.

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The paper presents a critical approach to Buntownik. Ewolucja i kryzys w twórczości Alberta Camusa [The Rebel. Evolution and Crisis in the Works of Albert Camus] by Maciej Kałuża (Kraków 2017). Its goal is, firstly, to present the basic theses described in the dissertation; secondly – to depict them in a broader context of contemporary existential philosophy; thirdly – to encourage the readers to reflect on the issues of revolt in the works by Albert Camus.
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9

Dunwoodie, Peter, and Philip Thody. "Albert Camus." Modern Language Review 86, no. 2 (1991): 480. http://dx.doi.org/10.2307/3730618.

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10

Bruera, Franca. "Camus multiple." Cahiers de la Méditerranée, no. 94 (June 15, 2017): 143–48. http://dx.doi.org/10.4000/cdlm.8611.

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11

Knapp, Bettina L., and Alba Amoia. "Albert Camus." World Literature Today 64, no. 1 (1990): 74. http://dx.doi.org/10.2307/40145817.

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12

Fife, James D., and Phillip H. Rhein. "Albert Camus." World Literature Today 64, no. 2 (1990): 279. http://dx.doi.org/10.2307/40146425.

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13

Dumas, Robert. "Camus, l’instituteur." Médium 44-45, no. 3 (2015): 178. http://dx.doi.org/10.3917/mediu.044.0178.

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14

Force, Pierre, and Dominique Jullien. "Renaud Camus." Yale French Studies, no. 75 (1988): 285. http://dx.doi.org/10.2307/2929380.

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15

Lamb, Matthew. "Albert Camus." Philosophy Today 54, no. 2 (2010): 191–98. http://dx.doi.org/10.5840/philtoday201054227.

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16

Strachan, John. "Albert Camus." Modern & Contemporary France 24, no. 1 (2015): 105. http://dx.doi.org/10.1080/09639489.2015.1109503.

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17

Walmsley, Jonathan. "Albert Camus." Philosophers' Magazine, no. 23 (2003): 52. http://dx.doi.org/10.5840/tpm20032357.

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18

Tarpley, James. "Azouz Camus." Contemporary French and Francophone Studies 11, no. 1 (2007): 85–91. http://dx.doi.org/10.1080/17409290601136078.

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19

Barilier, Etienne. "Camus L’Universel." Língua e Literatura 15 (December 19, 1986): 41. http://dx.doi.org/10.11606/issn.2594-5963.lilit.1986.113980.

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20

Roussin, Philippe. "Camus communiste." Critique 859, no. 12 (2018): 1005. http://dx.doi.org/10.3917/criti.859.1005.

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21

Wahl, Jean, and Albert Camus. "Camus débutant." La Nouvelle Revue française N° 626, no. 5 (2017): 118–24. https://doi.org/10.3917/nrf.626.0118.

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22

Sändig, Brigitte. "Camus und die Deutschen – die Deutschen und Camus." Romanische Forschungen 126, no. 3 (2014): 341–62. http://dx.doi.org/10.3196/003581214813537513.

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23

Lambeth, John, and David R. Ellison. "Understanding Albert Camus." South Atlantic Review 57, no. 1 (1992): 133. http://dx.doi.org/10.2307/3200351.

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24

Orme, Mark, and James S. Williams. "Camus: 'La Peste'." Modern Language Review 97, no. 3 (2002): 723. http://dx.doi.org/10.2307/3737545.

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25

Youcef, Ouarda Larbi. "Sartre and Camus." Sartre Studies International 28, no. 2 (2022): 67–76. http://dx.doi.org/10.3167/ssi.2022.280205.

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On July 5, 2021, Algeria celebrated the fifty-ninth anniversary of her independence. The eight-year war, which broke out on November 1, 1954, cost the country much blood and resulted in 1.5 million deaths. This article looks at this page of history. My objective is to show why the Algerians took up arms, and to reexamine the conflict between the French philosopher Jean-Paul Sartre and the Algeria-born philosopher Albert Camus in light of the War of Independence. I argue that the friendship between the two philosophers can be seen as one casualty of this war, a friendship that had no chance of
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26

Isibasi Pouchin, María Elena. "Albert Camus: traductor." Anuario de Letras Modernas 19 (February 28, 2017): 75–82. http://dx.doi.org/10.22201/ffyl.01860526p.2014.19.546.

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Albert Camus ha sido, sin duda alguna, uno de los autores franceses del siglo xxmás leídos. Sin embargo, pocos son los estudios que abordan su quehacer de traductor.En búsqueda del lenguaje trágico propio de la época en que vive, Camusse aventura en la traducción y adaptación de dos obras españolas de los Siglos deOro, de una obra de Dino Buzzati y finalmente de una de William Faulkner. Elresultado, en ocasiones más creativo que fiel, da cuenta de su propia poética.
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27

Aronson, Ronald. "Sartre versus Camus." Radical Philosophy Review 4, no. 1 (2001): 102–16. http://dx.doi.org/10.5840/radphilrev200141/223.

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28

Strachan, John. "Camus in Context." Modern & Contemporary France 20, no. 1 (2012): 105–8. http://dx.doi.org/10.1080/09639489.2011.640126.

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29

Cervo, Nathan A. "Camus' the Plague." Explicator 62, no. 3 (2004): 169–72. http://dx.doi.org/10.1080/00144940409597211.

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30

DURAN, JANE. "THE PHILOSOPHICAL CAMUS." Philosophical Forum 38, no. 4 (2007): 365–71. http://dx.doi.org/10.1111/j.1467-9191.2007.00274.x.

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31

Jones, Emyr Tudwal. "Camus and Neoplatonism." Romance Studies 5, no. 2 (1987): 61–70. http://dx.doi.org/10.1179/026399088786621311.

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32

Jones, Emyr Tudwal. "Camus and Neoplatonism." Romance Studies 6, no. 1 (1988): 61–70. http://dx.doi.org/10.1179/ros.1988.6.1.61.

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33

Isaac, Jeffrey C. "Camus on Trial." Dissent 63, no. 1 (2016): 145–50. http://dx.doi.org/10.1353/dss.2016.0018.

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34

Watts, Philip. "Camus and Film." Romanic Review 105, no. 1-2 (2014): 133–42. http://dx.doi.org/10.1215/26885220-105.1-2.133.

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35

Jørgensen, Steen Bille, and Hans Peter Lund. "Camus et Faulkner." Revue Romane / Langue et littérature. International Journal of Romance Languages and Literatures 52, no. 1 (2017): 1–2. http://dx.doi.org/10.1075/rro.52.1.01edi.

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36

Roger, Philippe. "Géopolitique de Camus." Critique 859, no. 12 (2018): 980. http://dx.doi.org/10.3917/criti.859.0980.

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37

Audin, Marie-Louise. "Camus : journaliste-écrivain ?" Cahiers de l'Association internationale des études francaises 48, no. 1 (1996): 129–47. http://dx.doi.org/10.3406/caief.1996.1241.

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38

Sarkonak, Ralph. "Renaud Camus érographe." French Studies 60, no. 4 (2006): 552–53. http://dx.doi.org/10.1093/fs/knl163.

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39

Golsan, R. J. "Camus, Our Contemporary." Comparative Literature 64, no. 3 (2012): 316–24. http://dx.doi.org/10.1215/00104124-1672970.

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40

Cordeiro, Cristina Robalo. "Camus, o Africano." Mediapolis – Revista de Comunicação, Jornalismo e Espaço Público, no. 1 (October 18, 2015): 119–26. http://dx.doi.org/10.14195/2183-6019_1_7.

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Antes de abordar diretamente a questão da africanidade de Albert Camus, preciso de descrever o caminho que me levou até aí. Depois de ter ‘ensinado’ a obra e falado sobre o homem durante muito tempo nas minhas aulas de literatura, descobri em mim, através do contacto prolongado com o norte de África e da prática da escrita ficcional, a força e a fecundidade da sua influência. Essa influência é, sem dúvida, a da terra africana, do seu clima brutal, da violência das suas paisagens, de onde o escritor fez surgir o lirismo das suas mais belas páginas. Mas será este fascí nio físico, tão vividament
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41

Birchall, Ian. "Reading Camus Carefully?" Historical Materialism 27, no. 1 (2019): 306–18. http://dx.doi.org/10.1163/1569206x-12341502.

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Abstract Michel Onfray’s L’Ordre libertaire is a passionate defence of Camus as a philosopher, and an attempt to co-opt him as a representative of Onfray’s own Nietzschean, hedonistic, libertarian, atheist beliefs. But the account is far from successful. Onfray’s presentation is highly repetitive, and though he promises us a ‘careful reading’, in fact his work contains many errors and misrepresentations. His vituperative attacks on Marxism in general, and on Sartre in particular, are often based on serious inaccuracies. His attempt to defend Camus en bloc makes him frequently insensitive to th
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42

Woodward, Ashley. "Camus and Nihilism." Sophia 50, no. 4 (2011): 543–59. http://dx.doi.org/10.1007/s11841-011-0274-0.

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43

Baetens, Jan. "«Camus, comme l’écrivain ?»." Textuel 34/44 34, no. 1 (1998): 165–72. https://doi.org/10.3406/textu.1998.1460.

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44

Rioux, Jean-Pierre. "Camus a Combat. Editoriaux et articles d'Albert Camus (1944-1947)." Vingtième Siècle. Revue d'histoire, no. 80 (October 2003): 159. http://dx.doi.org/10.2307/3771779.

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45

Hines, Thomas M. "Albert Camus, and: Albert Camus (review)." MFS Modern Fiction Studies 37, no. 2 (1991): 314–17. http://dx.doi.org/10.1353/mfs.0.0720.

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46

Tang, Mingpei. "Research on Camus' Philosophy of Rebellion." Journal of Education, Humanities and Social Sciences 38 (September 28, 2024): 286–91. http://dx.doi.org/10.54097/bd73dt48.

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The thoughts of the famous French writer and philosopher Albert Camus are profound. His literary works, imbued with his philosophical ideas, are embodied in characters like Meursault from "The Stranger" and Sisyphus pushing the rock uphill. Camus seeks the meaning of life through the "rebellion" against the absurd, which is fundamental to his philosophical significance. Camus' philosophy of rebellion is influenced by Christian existentialism and Nietzsche's "superman philosophy," among other thoughts. "Absurdity" is the target of Camus' philosophy of rebellion; it is omnipresent and unavoidabl
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47

Sharpe, Matthew. "Guests, Hosts, Strangers: Far From Men and Camus' Algerians." Film-Philosophy 21, no. 3 (2017): 326–48. http://dx.doi.org/10.3366/film.2017.0054.

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I argue that David Oelhoffen's 2014 film Far From Men (Loin des Hommes), while departing from the letter of Camus' 1957 story, “The Guest/Host”, does remarkable cinematic justice to its spirit. Oelhoffen's Daru and the Arab character Mohamed, it is suggested, represent embodiments of Camus’ idealised Algerian “first men”, in the vision Camus was developing in Le Premier Homme at the time of his death in January 1960. Part 1 frames the film in light of Camus’ “The Guest/Host”, and Part 2 frames Camus’ story in light of Camus’ agnonised struggle to come to terms with the Algerian situation. Part
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48

Oliveira, Jelson Roberto de. "ALBERT CAMUS: GNOSTICISMO, EXISTENCIALISMO E NIILISMO." Kriterion: Revista de Filosofia 64, no. 155 (2023): 483–99. http://dx.doi.org/10.1590/0100-512x2023n15508jro.

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RESUMO O presente artigo tem por objetivo analisar as teses de Albert Camus sobre os movimentos gnósticos de grande influência sobre o cristianismo primitivo. Para tanto, parte-se de um exame da relação entre gnosticismo e modernidade, para, então, demonstrar como, segundo o pensador francoargelino, as seitas gnósticas representam o fil rouge que liga a tradição grega (da racionalidade) às perspectivas cristãs (principalmente a ideia de redenção). Além disso, a análise pretende demonstrar como, para Camus, o gnosticismo e a modernidade mantêm laços estreitos, principalmente pelo conceito de ex
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49

Malarkey, Jim, Olivier Todd, and Benjamin Ivry. "Albert Camus: A Life." Antioch Review 56, no. 4 (1998): 493. http://dx.doi.org/10.2307/4613757.

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50

Baetens, Jan. "Renaud Camus, romancier barthésien ?" Littérature 97, no. 1 (1995): 3–13. http://dx.doi.org/10.3406/litt.1995.2357.

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