Relevant bibliographies by topics / A christmas carol

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'A christmas carol'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 April 2022

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Journal articles on the topic "A christmas carol"

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Луцюк, Марія. "Диглосія вірувань у гуцульській колядковій традиції." Studia Ucrainica Varsoviensia 7 (November 27, 2019): 85–95. http://dx.doi.org/10.5604/01.3001.0013.6014.

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In the article the problem of diglossia in the Christmas carol of Hutsuls based on the interaction of Christian and heathen elements is discussed. The sources of the study are the texts of the Christmas carol which were recorded in the village of Kryvorivnia (Verkhovyna district, Ivano-Frankivsk region). These texts are analyzed in a diachronic section: the phenomena of Christianization and dual-faith and their implementation in the Christmas carol tradition of Hutsuls are considered. Based on the content and formal analysis of the text of the Christmas carol, the main motifs and images are singled out. It is emphasized that in these motifs and images of diglossia features are realized. The article outlines the main ideological principles, embodied in Christmas carols, and analyzes the main thematic features of the calendar ritual folklore of a winter cycle. The diff erentiation of terminology, content and formal features of church carols and carols was also conducted. Based on the results of the content analysis of the text content of the carolytic tradition, its main functions are determined. The conclusions state that the modern Christmas carol tradition of Hutsuls reveals a syncretic completion, which combines Christian and pagan elements, and diglossia features most often appear on the content level. Descriptive and comparative methods, as well as elements of discourse analysis, were used for the study.
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Even, Zef. "A Christmas Carol." European Employment Law Cases 3, no. 4 (December 2018): 1. http://dx.doi.org/10.5553/eelc/187791072018003004001.

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Jones, Dorothy E. "The Christmas Carol." Music Reference Services Quarterly 6, no. 4 (March 4, 1998): 147–52. http://dx.doi.org/10.1300/j116v06n04_27.

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Nazarene, Robert. "A Christmas Carol." Callaloo 22, no. 2 (1999): 430. http://dx.doi.org/10.1353/cal.1999.0090.

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Silva, Alyne, and Germana Henriques Pereira de Sousa. "A CHRISTMAS CAROL:." Belas Infiéis 1, no. 1 (September 20, 2012): 69–82. http://dx.doi.org/10.26512/belasinfieis.v1.n1.2012.11162.

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O objetivo deste artigo é propor uma breve análise da condensação do clássico do romancista inglês Charles Dickens A Christmas Carol feita pela escritora Cecília Meireles, intitulada Um Hino de Natal, com o intuito de identificar e justificar as escolhas da tradutora. Para a comparação, utilizaremos uma edição original e uma tradução integral intitulada Conto de Natal, de Jorge Vidal Pessoa.
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Worthington, P. "Another Christmas carol." BMJ 311, no. 7021 (December 23, 1995): 1702–4. http://dx.doi.org/10.1136/bmj.311.7021.1702.

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McGurk, Valerie. "A Nightingale Christmas Carol." Nursing Standard 32, no. 13 (November 22, 2017): 34. http://dx.doi.org/10.7748/ns.32.13.34.s28.

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Freeman, Paul B. "An optometric Christmas Carol." Optometry - Journal of the American Optometric Association 80, no. 12 (December 2009): 671–72. http://dx.doi.org/10.1016/j.optm.2009.10.002.

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Kendra Preston Leonard. "Louise Talma's Christmas Carol." Notes 66, no. 4 (2010): 739–44. http://dx.doi.org/10.1353/not.0.0339.

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Burleson, Donald R. "Dickens's a Christmas Carol." Explicator 50, no. 4 (July 1992): 211–12. http://dx.doi.org/10.1080/00144940.1992.9935321.

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Dissertations / Theses on the topic "A christmas carol"

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Lundquist, Jack. "A "Time-Conscious" Christmas Carol." BYU ScholarsArchive, 2013. https://scholarsarchive.byu.edu/etd/3832.

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Shortly after Charles Dickens's A Christmas Carol was released in 1843, a tradition of adaptation began which has continued seemingly unabated to the present day. Consequently, the tale has become so widely known that one is arguably as likely to have first encountered the iconic miser Scrooge through any number of audio-visual adaptations as through the original work itself. Significant critical attention has been paid to the nature of Scrooge's drastic change from miser to philanthropist. Many would argue that the change, happening both literally and figuratively overnight, is not representative of a genuine psychological transformation. On Christmas day, 2010, Stephen Moffat, Show-runner of the popular sci-fi series Doctor Who, became the latest adapter of the classic tale, with a Christmas themed episode of the series titled Doctor Who: A Christmas Carol. This paper addresses the Scrooge Problem, or the debated legitimacy of Scrooge's transformation. A study of A Christmas Carol and Doctor Who: A Christmas Carol reveals that Dickens in fact represents a genuine transformation based on one primary concept, time as a cyclical journey. This concept accommodates Dickens's belief in the transformative power of childhood memory and the nature of sympathy. Scrooge's transformation is brought to pass in part through his evolving understanding of the nature of time, a phenomenon which becomes even more apparent in Doctor Who: A Christmas Carol.
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Almeida, Wilson Filho Ribeiro de. "O autor em cena: as leituras públicas de A Christmas Carol, de Charles Dickens." Universidade Federal de Uberlândia, 2012. https://repositorio.ufu.br/handle/123456789/11831.

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior
The object of this study was the novelette A Christmas Carol, by the English writer Charles Dickens (1812-1870+), specially concerning about its presentation on Dickens Public Readings, spectacles in which, on stage, the author would read pieces of his books. The objective was to observe the transformation process of the novelette to the Public Reading performances. Dickens adapted the text for stage through manuscript notes on a printed edition of the original text. This volume, named by Philip Collins as prompt-copy and by us, in Portuguese, as Roteiro de Leitura (Reading Script), was used as a guide for rehearsals and performances. We had access to the prompt-copy by means of the manuscript facsimile, edited by Philip Collins in the book A Christmas Carol: the Public Reading Version (1971). Firstly published in 1843, the novelette A Christmas Carol was already on the repertoire of the author s first Public Reading, presented, in 1853, with the intention of collecting funds for charity. Five years later, Dickens began to perform professionally, in a career that lasted twelve years. His repertoire counted with sixteen items, being A Christmas Carol one of the most enjoyed by the author and by the public. Such repertoire was carefully adapted for the stage. Dickens not only read the contents, but interpreted each character, seeking to create a variety of voices, gestures and emotions. Altogether, he presented about 470 times, in England, in Ireland, in Scotland, in Paris and in the United States. A Christmas Carol, the longest item in the repertoire, was read in no less than 127 performances, being part of the author s last Reading, in 1870. First, we made a historic contextualization of Dickens Public Readings, seeking to understand which aspects of that context were favorable to their good reception and that made them possible. Then, understanding Paul Zumthor s concept of performance, we analyzed A Christmas Carol s Public Readings, observing them with respect to the textual and performance aspects. In this way, we tried both to perceive the adaptation process of the text, through the analyses of the manuscript, and to form an idea about the scenic aspects of the Public Readings, by registers of spectators who witnessed them.
O objeto deste estudo foi a novela A Christmas Carol, do escritor inglês Charles Dickens (1812-1870+), em especial o que se refere à sua apresentação nas Leituras Públicas de Dickens, espetáculos em que, no palco, o autor lia trechos de seus livros. O objetivo foi observar o processo de transformação da novela para as performances de Leituras Públicas. Dickens realizou a adaptação do texto para o palco por meio de anotações manuscritas feitas em uma edição impressa do texto original. Esse volume, o qual nomeamos de Roteiro de Leitura, era usado como guia para os ensaios e para as performances. Tivemos acesso ao Roteiro por meio do fac-símile do manuscrito, editado por Philip Collins no livro A Christmas Carol: the Public Reading Version (1971). Inicialmente publicada em 1843, a novela A Christmas Carol já constava no repertório da primeira Leitura Pública do autor, realizada, em 1853, com o intuito de arrecadar fundos para caridade. Cinco anos mais tarde, Dickens passou a se apresentar profissionalmente, numa carreira que durou doze anos. Seu repertório contou com dezesseis itens, sendo A Christmas Carol um dos preferidos do autor e do público. Tal repertório era cuidadosamente adaptado para o palco. Dickens não apenas lia o conteúdo, mas interpretava cada personagem, buscando criar uma variedade de vozes, gestos e emoções. Ao todo, ele se apresentou por volta de 470 vezes, na Inglaterra, na Irlanda, na Escócia, em Paris e nos Estados Unidos. Item mais longo do repertório, A Christmas Carol foi lida em não menos que 127 performances, fazendo parte da última Leitura do autor, em 1870. Inicialmente, fizemos uma contextualização histórica das Leituras Públicas de Dickens, procurando entender quais aspectos daquele contexto favoreceram-lhes a boa acolhida e tornaram-lhes possível a realização. Num segundo momento, entendendo o conceito de performance de Paul Zumthor, analisamos as Leituras Públicas de A Christmas Carol, observando-as com respeito a dois aspectos: o textual e o performático. Desse modo, procuramos tanto perceber o processo de adaptação do texto, pela análise do manuscrito, quanto formar uma ideia dos aspectos cênicos das Leituras Públicas, por meio de registros de espectadores que as testemunharam.
Mestre em Teoria Literária
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Sabey, Mark Brian. "Ethical Metafiction in Dickens's Christmas Hauntings." BYU ScholarsArchive, 2013. https://scholarsarchive.byu.edu/etd/4045.

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Many critics have examined metanarrative aspects of Dickens's writing, and many have studied Dickens's ethics. None, however, has yet assessed the ways in which Dickens's directly interrogates the ethics of fiction. Surprisingly philosophical treatments of the ethics of fiction take place in A Christmas Carol and A House to Let, both of which turn the ghost story of the traditional winter's tale to metafictional purposes. No one has yet dealt with Dickens's own meta-commentary on the ethics of fiction with the degree of philosophical nuance it deserves. Writings about the ethics of Dickens's fiction (and of fiction generally) often involves a simplistic separation of the real and the fictional: the text is ethical inasmuch as it effects positive change in the "real world." Yet Dickens constantly blurs the line between the real and the fictional. He adopts a somewhat Kantian stance, namely that both the real and the fictional are fundamentally imagined. Dickens reflexively makes the ghosts in A Christmas Carol embodiments of the fictional imagination, seen most explicitly in the Ghost of Christmas Past, who is closely associated with the narrator, with imagination, with memory, and with fiction. The other two spirits also personify aspects of the fictional imagination: that of Christmas Present embodies social imaginings; the Ghost of Christmas Yet to Come embodies intentions. Dickens shows that these imagined realities are crucial parts of the real, proving that fiction cannot be defined as that which is merely "imagined." How, then, is "fiction" to be defined? Dickens's answer anticipates Levinas: the ethical encounter determines the real as real; its absence is what defines fiction. A House to Let is also strongly Levinasian: its very structure makes it a parable of the ethical relation. The plot centers on Sophonisba's "haunting" by an eye seen in the supposedly uninhabited house to let opposite. This "eye" and its effect are described in terms that equate it with the Levinasian "face," or the foundational ethical reality that precedes and conditions all discourse. Sophonisba reacts to this haunting by enlisting her closest male companions, Jarber and Trottle, to investigate the house. These two characters come to symbolize different general comportments by their reactions. The text unfavorably represents Jarber's primarily narrative orientation, and approves Trottle's response, which disrupts narrative self-satisfaction in favor of real-world intervention in behalf of the Other. There is a productive friction, then, between the metafictional message of A Christmas Carol (looking back to Kant and emphasizing fiction's positive effects) and that of A House to Let (looking forward to Levinas and emphasizing fiction's ethical dangers), evidencing Dickens's complex awareness of both narrative and pre-narrative levels of ethical reality.
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Nicely, Brenna. "Belief and Christmas: Performing Belief and the Theory and Practice of Christmas Performance." Master's thesis, University of Central Florida, 2013. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/5683.

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In the United States, Christmastime has become a time of tension between the holy ideals of family togetherness, childhood innocence, and goodwill towards men and commercial idolatry. Christ and Santa Claus are pitted against each other in the war on Christmas between religion and secularism instead of feasting together on ham and figgy pudding in the traditional fashion. While many would agree that the everyday realities of the Christmas season do not often live up to the ideals imposed upon the holiday, few are able to tell why this is so or even trace the roots of their discontent. In an exploration of the unique anomaly of the hierosecular American Christmas, I propose that the unique systems of Christmas belief extend beyond the usual boundaries of sacred and secular to create a complex web of different beliefs that are performed together to create the unique feeling of Christmas. From a performance theory perspective, I use performance as both traditionally theatrical and as a paradigm for understanding and expressing belief in an effort to explore the essential but elusively defined cultural signifiers of the American Christmas. Through a series of case studies focusing on various traditions of Christmas performance, I apply the performance theories of Diana Taylor, Patrice Pavis, Victor Turner and others to such Christmas staples as Charles Dickens' A Christmas Carol and Tchaikovsky's The Nutcracker. In doing so, I propose different points for viewing Christmas and introducing new points of inquiry for questioning the meaning of Christmas, belief, and performance.
M.A.
Masters
Theatre
Arts and Humanities
Theatre
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Bacala, Desiree. "Updating the Classics: An Actor's Approach to Portraying Dickensian Characters in a Modern Script." Master's thesis, University of Central Florida, 2009. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/2271.

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The focus of this thesis is my performance in the play The Trial of Ebenezer Scrooge by Mark Brown. I will research and perform the role of The Ghost of Christmas Past, a role which also plays the parts of Fan and Belle from Charles Dickens's A Christmas Carol. I shall perform in The Trial of Ebenezer Scrooge at the Orlando Shakespeare Theatre, in Partnership with UCF in December 2008 as a part of their 2008-2009 Signature Series season. The main focus of this thesis is the exploration of how to create a performance of a classical character for a modern audience. I hope to maintain the integrity of Dickens's characters written in 1843, while performing in a contemporary script written by Mark Brown in 2004. My performance and research question is how to successfully communicate Brown's version of the story and still keep the spirit of the Dickensian characters as they were first written. I aim to discover and address the problems that may arise in combining the two versions of the characters. I will begin with my belief that contemporary humor and storytelling balanced with the essence of the classic characters that audiences may remember from the novel or other versions of this story will give the most effective, rich performance. Playwright Mark Brown strives for this balance in his script and my research for the role will focus on finding elements in my performance that satisfy both elements. My research will include deep examination of Fan, Belle, and the Ghost of Christmas Past, as they appear in both Dickens' novel A Christmas Carol and in The Trial of Ebenezer Scrooge. I will look at different interpretations of the characters in the many stage and film versions of this story that have been created since the original to investigate how others have attempted to update or recreate the roles for their audiences. My research will also include an interview with the playwright for insight about his process of integrating old with new. My written thesis will include the findings of my research and preparation, a detailed rehearsal and performance journal, and extensive analysis of my discoveries, all of which will hopefully lead to a conclusive and useful approach for portraying contemporary characters derived from classical literature.
M.F.A.
Department of Theatre
Arts and Humanities
Theatre MFA
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Lerman, Mark J. "MOBILE ENCHANTMENT: THE VIRGINIA THEATRE MACHINE LLC, A NEW TWIST ON DRIVE-IN THEATRE." VCU Scholars Compass, 2018. https://scholarscompass.vcu.edu/etd/5337.

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A disassembling of the Virginia Theatre Machine (VTM), LLC and its annual restaging of an adaption of Charles Dickens’ novella, A Christmas Carol. The VTM is a custom-built trailer theater that combines the performance energy of street theater with the magic and wonder of a fully designed theatrical production. I provide a historical context for this 21st century revising of mobile theater that switches the paradigm of the traditional theater experience by bringing the stage to audiences, for free. I draw from critical social and cultural theory to make sense of the audience impact in public and private outdoor spaces. I examine how each new performance environment brings its own resonance to bear on the wonder of the presentation at hand. I present the VTM as an alternative business model and form of theater outreach to inspire a new generation of theater-makers to rethink the traditional constraints of producing theatre.
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Hartvigsen, Kathryn. "Nineteenth-Century Theatrical Adaptations of Nineteenth-Century Literature." Diss., CLICK HERE for online access, 2008. http://contentdm.lib.byu.edu/ETD/image/etd2510.pdf.

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Baker, Tami Lynn. "Historical linguistic analysis of traditional English Christmas carols." [Johnson City, Tenn. : East Tennessee State University], 2001. http://etd-submit.etsu.edu/etd/theses/available/etd-0325101-141215/unrestricted/BakerT0416.pdf.

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Buschmann, Christian Friedrich Carl [Verfasser]. "Essays on Sovereign Risk / Christian Friedrich Carl Buschmann." Frankfurt am Main : Frankfurt School of Finance & Management gGmbH, 2018. http://d-nb.info/116284809X/34.

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Kierdorf, Christian [Verfasser]. "Carl Schmitts Idee einer politischen Theologie. / Christian Kierdorf." Berlin : Duncker & Humblot, 2015. http://d-nb.info/1238435521/34.

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Books on the topic "A christmas carol"

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Teasdale, Sara. Christmas carol. New York: H. Holt, 1993.

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Dickens, Charles. Christmas carol. New York: Stewart, Tabori & Chang, 1990.

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ill, Innocenti Roberto, ed. Christmas carol. Mankato, Minn: Creative Editions/Harcourt Brace & Co., 1990.

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Dickens, Charles. A Christmas Carol. Newbury: Express Publishing, 2002.

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Francis, Pauline. A Christmas carol. New York: Windmill Books, 2010.

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A Christmas carol. New York: Pocket Books, 2003.

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1812-1870, Dickens Charles, ed. A Christmas carol. New York: Dramatists Play Service, 1996.

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Dickens, Charles. A Christmas carol. Mankato, MN: Creative Education, 1990.

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Dickens, Charles. A Christmas carol. Cheswold, Delaware: Prestwick House Literary Touchstone Press, 2005.

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ill, Goodrich Carter, ed. A Christmas carol. New York: W. Morrow, 1996.

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Book chapters on the topic "A christmas carol"

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Maack, Annegret. "Dickens, Charles: A Christmas Carol in Prose." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_8368-1.

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Sherer, James A., Nichole L. Sterling, Laszlo Burger, Meribeth Banaschik, and Amie Taal. "An Investigator’s Christmas Carol: Past, Present, and Future Law Enforcement Agency Data Mining Practices." In Advanced Sciences and Technologies for Security Applications, 251–73. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-97181-0_12.

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Schuhmann, Karl. "Carl Christian Mez." In Edmund Husserl: Briefwechsel, 3159–61. Dordrecht: Springer Netherlands, 1994. http://dx.doi.org/10.1007/978-94-011-0745-7_269.

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Florence, Ronald, Steven N. Shore, Steven N. Shore, Christian Nitschelm, Thomas R. Williams, Raghini S. Suresh, Stephen Gaukroger, et al. "Bruhns, Karl [Carl] Christian." In The Biographical Encyclopedia of Astronomers, 178–79. New York, NY: Springer New York, 2007. http://dx.doi.org/10.1007/978-0-387-30400-7_213.

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Raiser, Konrad. "Levels of Christian Theology: A Comment on Luther." In Carl Friedrich von Weizsäcker, 91–96. Cham: Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-03704-2_8.

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Grasso, Fabrizio, Matteo Negro, and Carla Biondi. "Between The Buribunks and the Christian Epimetheus." In Carl Schmitt and The Buribunks, 321–35. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003091066-21.

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Fantappiè, Carlo. "Arturo Carlo Jemolo (1891–1981)." In Law and the Christian Tradition in Italy, 420–31. Abingdon, Oxon ; New York, NY : Routledge, 2020. | Series: Law and religion | “Produced by the Center for the Study of Law and Religion, Emory University”: Routledge, 2020. http://dx.doi.org/10.4324/9781003014539-26.

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John, Matthias. "Carl Christian Erhard Schmid und die Naturwissenschaften." In Naturwissenschaften um 1800, 83–95. Stuttgart: J.B. Metzler, 2001. http://dx.doi.org/10.1007/978-3-476-02828-0_5.

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Gross, Raphael. "Jesus oder Christus? Überlegungen zur "Judenfrage" in der politischen Theologie Carl Schmitts*." In Metamorphosen des Politischen, edited by Andreas Göbel, Dirk van Laak, and Ingeborg Villinger, 75–94. Berlin, Boston: De Gruyter, 1995. http://dx.doi.org/10.1515/9783050071398-004.

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Hoeren, Thomas. "Carl Friedrich Bahrdt und Christian Wolff – zu den rechtsphilosophischen Grundlagen des europäischen Präjakobinismus." In Frühmoderne, 393–406. Köln: Böhlau Verlag, 1997. http://dx.doi.org/10.7788/boehlau.9783412301156.393.

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Conference papers on the topic "A christmas carol"

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Corbet, Megan. "Disney's A Christmas Carol." In ACM SIGGRAPH 2010 Computer Animation Fesitval. New York, New York, USA: ACM Press, 2010. http://dx.doi.org/10.1145/1836623.1836638.

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"The Analysis of Charles Dickens’ Novel A Christmas Carol—―From the Essence of the Novel to Western Culture." In 2017 International Conference on Social Sciences, Arts and Humanities. Francis Academic Press, 2017. http://dx.doi.org/10.25236/ssah.2017.68.

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"The Analysis of Charles Dickens’ Novel A Christmas Carol—―From the Essence of the Novel to Western Culture." In 2017 4th International Conference on Literature, Linguistics and Arts. Francis Academic Press, 2017. http://dx.doi.org/10.25236/iclla.2017.58.

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Siciov, Serghei. "Christmas traditions of the russians from Moldova (based on massmedia materials)." In Ethnology Symposium "Ethnic traditions and processes", Edition II. Institute of Cultural Heritage, Republic of Moldova, 2021. http://dx.doi.org/10.52603/9789975333788.11.

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In this article, the author examines the reflection of the Christmas traditions of the Russians of the Republic of Moldova in print and electronic media. Mass media analysis suggests that Russian winter rituals have undergone a significant transformation in the urban environment in recent decades. The main images of the holiday were identified and described, as well as the features of their holding in modern urban conditions. The main attention of the mass media was focused on theatrical performances related to the theme of Christmas. Russian ethno-cultural centers held Christmas events, where carols were performed, a Christmas story contest was organized, and thematic conversations about the birth of Jesus Christ were held. Special emphasis in the media was placed on the organization and holding of the Russian Christmas Ball in Chisinau. This event is also a reconstruction of balls that took place in the XIX century. Information technologies have contributed to the emergence of new forms of information presentation. One of these forms was the holding of master classes on making Christmas wreaths to decorate the festive table on video hosting sites.
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Majed, Arya, and Phil Cooper. "Nonlinear Drop Simulations of a Christmas Tree in Deep Waters." In ASME 2014 33rd International Conference on Ocean, Offshore and Arctic Engineering. American Society of Mechanical Engineers, 2014. http://dx.doi.org/10.1115/omae2014-24284.

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This paper presents an investigation of the still water sink trajectories of an accidentally dropped Christmas Tree (XT). A 3D coupled nonlinear dynamics/hydrodynamics model of the XT is constructed and simulations executed from surface to seabed. XT initial water entry orientations are randomly varied in a Monte-Carlo simulation to predict the seabed impact zone. Still water simulation results are compared to simplified cone-angle type method predictions. The effect of XT flat panels on excursion mitigation is investigated. Finally, the influence of non-uniform current effects is studied.
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Стрікаленко, Т. В. "ОБРАЗ-СИМВОЛ «ВОДА» В МЕНТАЛЬНОСТІ, КУЛЬТУРІ ТА ЕТИЦІ УКРАЇНСЬКОГО НАРОДУ." In Proceedings of the XXVI International Scientific and Practical Conference. RS Global Sp. z O.O., 2021. http://dx.doi.org/10.31435/rsglobal_conf/25022021/7421.

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The article analyzes the features in mentality, culture and ethics of the Ukrainian people in theirs attitude to image-symbol of "water". Opoetization of water, of the water world is some kind of narodnopoetichesky dominant which is shown in folklore, the art word. Opoetization of water often defines outlook of Ukrainians, gets into national consciousness, speaks about valid and her even solemn perception. The respect of water and its mystified image can be tracked in all components of spiritual culture of Ukrainians: in folklore, ceremonial songs, Christmas carols, etc. It is proved that such relation has historical roots, but today it is necessary to create new ethics of relationship of the person and water. It is of great importance taking into account new relationship of the person with the nature in general. This relationship demands new responsibility of the person to the nature, new culture of the relations of the person with water and its sources, new ethics of relationship of the person and water.
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7

Davico, Pia. "Fortificazioni della Tunisia contese tra Spagnoli e Turchi a metà del secolo XVI, documentate dall’iconografia coeva. Un’analisi dal ter-ritorio all’architettura." In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11347.

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Abstract:
Tunisian fortifications disputed between Spaniards and Turks in the mid-sixteenth century, documented by coeval iconography. An analysis from the territory to the architectureThe five volumes of the precious archival collection of drawings called Architettura Militare (Military Architecture), kept at the Archivio di Stato di Torino (Turin State Archive), propose documents made mostly by military engineers from the half of the sixteenth to the following first decade. The tomes collect mostly drawings of places under the aegis of the Duchy of Savoy, apart from the second one, dedicated to documents of Spanish military interest (Mediterranean Sea and Lombardy maps). As I pointed out at Fortmed Convention 2018, the reason why these documents are kept at the Turin State Archives is because of their belonging to Catherine of Aragon, daughter of the Spanish king and wife of Carlo Emanuele I di Savoia. In the volume Architettura Militare II (Military Architecture II) 26 tables, all datable from 1522 (Rhodes) to 1596 (Cadiz), concern territories, walled cities and fortifications, of islands and Mediterranean coasts, disputed by Christians and Turks for the supremacy on the sea. In the previous study I had examined drawings about Egypt, eastern Ottoman territories and Holy Land coasts, Spanish possessions as Perpignan and Cadiz bay. In this new study instead, I would like to examine in depth the iconography about Tunisia. Those drawings, so different from each other for scale and graphic quality, document those phases in which the Spanish control is characterized by alternate situations: the Iberian presidio dates back to 1535, reconquered by Ottomans in 1570, it is taken back in three years by Christians who keep it until 1574 only, when the whole Tunisian territory, precious bastion for the control of routes and trades, definitely returns in the hands of the Turks.
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