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Relevant bibliographies by topics / A nakedness of mind

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Academic literature on the topic 'A nakedness of mind'

Author: Grafiati

Published: 4 June 2021

Last updated: 15 February 2022

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Journal articles on the topic "A nakedness of mind"

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Kazarinova, Ksenija. "The Grammar of the Fall." Semiotika 13 (December 20, 2017): 35–56. http://dx.doi.org/10.15388/semiotika.2017.16724.

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The aim of this analysis is to show the way of sin formation in one’s mind. As illustration for it, the biblical text is chosen. The story of original sin is quite short, but mysterious. How does it happen that Adam and Eve choose evil instead of God? Are they thrown into the sin or construct it by their selves?Using the semiotics of passions the author of the article tries to show the mechanism of transformation of the subject’s conscious-ness. The doubt about God makes subject to choose another axio-logical system. What is more, he is trying to become god himself. The formation of sin goes through the main phases: communica-tion with the tempter and interest → the doubt about God → eu-phoric visions of the future → rebellion against God → rebellious action.The consequences of sin are painful and not such euphoric as it seemed before. The person loses the harmony with everything in the world, he can only feel his own nakedness and vulnerability. However, notwithstanding human betrayal, God makes everything to save the mankind.

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Rule, Peter. "Nakedness." English Academy Review 4, no. 1 (January 1987): 193–98. http://dx.doi.org/10.1080/10131758785310151.

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Elliot, Alistair. "Nakedness." Critical Quarterly 42, no. 1 (April 2000): 7. http://dx.doi.org/10.1111/1467-8705.00275.

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Jones, D. A. "On nakedness at work." BMJ 344, mar21 1 (March 21, 2012): e1368-e1368. http://dx.doi.org/10.1136/bmj.e1368.

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Rosenstock, Gabriel, Mario Virgilio Monanez, and Mark Aldrich. "Your nakedness / Tu desnudez." Sirena: poesia, arte y critica 2006, no. 1 (2006): 168–69. http://dx.doi.org/10.1353/sir.2006.0087.

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Jirásek, Ivo. "Nakedness and Movement Culture." Physical Culture and Sport. Studies and Research 47, no. 1 (December 1, 2009): 95–102. http://dx.doi.org/10.2478/v10141-009-0036-7.

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Nakedness and Movement CultureThe paper deals with a topic which is not very frequent in kinanthropology; it concerns the phenomenon of the naked body in the environment of movement culture. Within the individual aspects of this cultural subsystem (sport, movement education, movement recreation, movement therapy, and movement art), it points out a variety of meanings and contexts adding sense to nudity on a continuum ranging from naturalness and functionality through erotization and sexualization to pornoization of particularly sport environment. The author prefers a functional naturalness of nudity and rejects the instrumentalization and changing human body into a thing and, thus, exceeding the characteristics of the sphere of movement culture.

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Levine, Philippa. "Naked Truths: Bodies, Knowledge, and the Erotics of Colonial Power." Journal of British Studies 52, no. 1 (January 2013): 5–25. http://dx.doi.org/10.1017/jbr.2012.6.

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AbstractIf clothing can be said to have political and cultural meaning, then the same must surely be true of its absence. In the British Empire, where the calibration of difference was paramount, nakedness acquired hierarchical significance. The sensibilities of the Victorians clashed with those of their colonial subjects on this topic over and over again, and nakedness came to define savagery and subjecthood. Through the optics of scientific literature, popular photography, and art, this essay examines the colonial politics of nakedness, its gendered dynamics, and the tensions between the erotic and the scientific.

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Mazza, Cris. "Introduction to Focus: Literary Nakedness." American Book Review 34, no. 6 (2013): 3. http://dx.doi.org/10.1353/abr.2013.0109.

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Mahapatra, Jayanta. "The Nakedness of the World." Sewanee Review 124, no. 4 (2016): 591–94. http://dx.doi.org/10.1353/sew.2016.0105.

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Menon, Rekha. "The Politics of the Sensuous and the Sacred Body in India." Paragrana 18, no. 1 (September 2009): 284–305. http://dx.doi.org/10.1524/para.2009.0017.

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AbstractThis paper is written inspired by looking at the hypocritical neocolonial/postcolonial Indians who claim to be the moralistic proper Hindu Indians. The paper discusses contemporary Indian aesthetic creations, specifically visual images and plastic arts, and correlates them with the excessive psychological, ethical, social, and gender judgments in which they are placed. Nakedness and naked bodies, the sensuous and the sacred body are judged within different hermeneutical contexts. By nakedness I do not mean just the nude body or the sexed body/body-ness, but nakedness in all its ambivalence. The paper focuses on various events in India to show how the domain of the expressive lifeworld of the sensuous and the sacred is still a question of debate, which has not changed since the Victorian moral codes.

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Dissertations / Theses on the topic "A nakedness of mind"

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Ekstrand, Julian. ""A Nakedness of Mind": Gender, Individualism and Collectivism in Jack Kerouac's On the Road." Thesis, Stockholms universitet, Engelska institutionen, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-100041.

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This essay focuses on gender roles, individualism and collectivism in Jack Kerouac’s classic road-trip novel On the Road. In order to put the discussion into a meaningful context, I look at the novel from a historical perspective and examine how it relates to post-war American society. I argue that the novel is, in many ways, representative of a society existing in a field of tension between individualism and collectivism, and that its notion of individual freedom, at the time revolutionary, can be seen as retrogressive with regard to the book’s portrayal and treatment of women. The essay features a discussion of what kind of individual freedom is presented in On the Road and how this freedom relates to typical American individualism as well as American post-war societal norms, the norm of the nuclear family in particular. This is followed by a brief analysis of how the novel influenced future generations, specifically in terms of sexual liberation. This analysis introduces a discussion of the way in which women are portrayed in the book and how this portrayal both represents collective progress in post- war America—women are often described as financially independent—and a phallocentric type of individualism. I then show that this individualism is connected to an unthinking optimism which, I argue, is one of the key causes of the retrogressive view of women exemplified by the book. My study ultimately demonstrates that the novel’s notion of individualism—an individualism which was highly influential for future generations and is usually viewed as progressive—can arguably be seen as retrogressive in terms of Kerouac's representation of gender roles.

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Forsell, Mari Jonel. "Soaking Sensual Nakedness: Haptic Bathhouse Explorations." Thesis, Virginia Tech, 2016. http://hdl.handle.net/10919/70455.

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How can architecture stimulate an increased haptic experience? People with sight lack the everyday immediacy of sensory awareness as compared with people with significant sight impairment. When sight is lost, the mind compensates by heightening the other senses for receiving information. In particular, people who are sight impaired depend on their "somesthesis," or skin sense, for information. In contrast, people who are sighted do not depend on somesthesis to accomplish everyday tasks. Many may go through an entire day without considering their sense of touch. If awareness exists, it is likely through discomfort such as that first barefooted encounter on ice cold tile first thing in the morning or grabbing a burning steering wheel after it baked all day in the hot summer sun. Heschong writes "If sight allows for a three-dimensional world, then each other sense contributes at least one, if not more, additional dimensions." (Heschong, p. 28-29) The sighted rely so heavily on the visual sense for information. They miss many simple tactile encounters along with all their contiguous sensational experiences, constricting the development of these additional dimensions, thus significantly diminishing the depth and complexity of their existence. This is an exploration of touch, a bathhouse, just south of Dupont Circle in the urban fabric of Washington DC. Experiencing a place where the entire body can intimately converge with a building saturated with tactile opportunities, the surprise of stimulating skin-to-surface encounters will remind us of our wonderful somatosensation. How we feel during these sensual unions will add vividness to our lives and a desire to again search for more tactile stimuli feeding our rejuvenated mindfulness.
Master of Architecture

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Gilroy-Ware, Cora. "Marmorealities : classical nakedness in British sculpture and historical painting, 1798-1840." Thesis, University of York, 2013. http://etheses.whiterose.ac.uk/5541/.

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Exploring the fortunes of naked Graeco-Roman corporealities in British art achieved between 1798 and 1840, this study looks at the ideal body’s evolution from a site of ideological significance to a form designed consciously to evade political meaning. While the ways in which the incorporation of antiquity into the French Revolutionary project forged a new kind of investment in the classical world have been well-documented, the drastic effects of the Revolution in terms of this particular cultural formation have remained largely unexamined in the context of British sculpture and historical painting. By 1820, a reaction against ideal forms and their ubiquitous presence during the Revolutionary and Napoleonic wartime becomes commonplace in British cultural criticism. Taking shape in a series of chronological case-studies each centring on some of the nation’s most conspicuous artists during the period, this thesis navigates the causes and effects of this backlash, beginning with a state-funded marble monument to a fallen naval captain produced in 1798-1803 by the actively radical sculptor Thomas Banks. The next four chapters focus on distinct manifestations of classical nakedness by Benjamin West, Benjamin Robert Haydon, Thomas Stothard together with Richard Westall, and Henry Howard together with John Gibson and Richard James Wyatt, mapping what I identify as the increasing aestheticisation and eroticisation of the naked figure onto the changing political milieu.

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Rode, Susan Lill. "A Christian perspective of contemporary nudity, theological and ethical reflections on symbolic nakedness." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp02/NQ58293.pdf.

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Rode, Susan L. "A Christian perspective of contemporary nudity: Theological and ethical reflections on symbolic nakedness." Thesis, University of Ottawa (Canada), 2000. http://hdl.handle.net/10393/9302.

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This thesis represents and records the results of investigations in the area of contemporary nudity in North American society and the meanings attached and applied to human nakedness by our culture. We wanted to uncover and reveal why human nakedness seems to be considered only in connection with sexuality and given mostly negative interpretations. We identified a symbolic paradigm of nudity at work within both society and Christian discourse, a paradigm which connects human nakedness to fallen humanity, usually represented by references to Adam and Eve. This tie or relationship appears to lead to negative constructs of nudity, to interpretations of nakedness which communicate a sexuality considered only in a negative fashion. We have coined the phrase---"the Adam and Eve (Adam/Eve) connection"---to clarify, indicate and identify this joining of contemporary nudity to the Genesis couple. The thesis looks to Christian tradition in an attempt to retrieve some basis for an alternate model, a model which would specifically connect our nudity to Christ and in this way symbolically reflect our redeemed nature as well as our fallen state. We expressed such a relationship or tie with the phrase---"the Christ connection". Inspired by the research on nudity conducted by ethicist Andre Guindon and the theory of symbolism developed by theologian Paul Tillich, we turned to early baptismal texts and Christian iconography. Guindon's bold and innovative work on nudity and the Christian faith guides our own investigations and frames our discussions. Tillich's symbolic theory has influenced and been implemented by many researchers in various disciplines and seems especially appropriate for investigations into nudity as a symbol within our North American culture. An examination of the second baptismal catechesis of Cyril of Jerusalem and Renaissance images of the naked Christ as documented by Leo Steinberg, enabled us to construct a Christocentric symbolic paradigm. This paradigm indicates and provides meanings of Christ's symbolic nudity. The baptismal instructions given by Cyril explicates and clarifies the connection between the initiate and Christ, a relationship which Cyril indicates with the use of nudity as a symbol. The connection between the believer and Christ is symbolized and actualized by the nudity of both. Nudity forms the symbolic bond connecting Christ and the neophyte. Steinberg's exploration of theological meanings communicated by artistic imagery of the naked Christ, led us to delinate meanings and interpretations of the symbolic nudity of Christ. These meanings were then applied in a new model which was employed to offer constructive, positive meanings of human nudity. Finally, we indicated theological and ethical implications of the implementation of this Christocentric paradigm. Such a model presents nudity in a positive fashion because it indicates and reveals our graced relationship with and in the risen Christ. In the light of our new model, human nakedness may be considered as a positive, affirming symbol (nudity). (Abstract shortened by UMI.)

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Routledge, Amy. "'Dress and undress thy soul' : nakedness and theology in early modern literature and culture." Thesis, University of Birmingham, 2014. http://etheses.bham.ac.uk//id/eprint/5536/.

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This thesis examines how concepts and images of nakedness are used to shape literary and theological meaning and experience within the literature and culture of early modern England. It considers how nakedness functions within a number of key literary and spiritual forms, including theological treatises, the spiritual allegory, religious lyrics, and drama. The first three chapters establish the rich cultural and spiritual heritage of nakedness, through an examination of the Bible, the works of Martin Luther and John Calvin, Anglican Church practice and debate, and anatomical texts and practices. The final three chapters offer a close analysis of the meaning and affect of nakedness within three distinct literary forms. This thesis contends that nakedness has a spiritual potency: a spiritual charge recognised and utilised by early modern theologians, preachers and writers, as they debated, defined and expressed their faith. It considers how far the meaning of nakedness is shaped by gender, and how early modern society negotiated the tensions between bodily sanctity and obscenity, naked praise and pornography. The thesis concludes by reflecting how far tropes and experiences of nakedness in our time remain obscurely charged, albeit in non-theological contexts, with something like theological meaning.

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Galván, Oré Liliana. "Mind Map." Universidad Peruana de Ciencias Aplicadas - UPC, 2006. http://hdl.handle.net/10757/272396.

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Raees, Aisha. "Peirce's mind /." Available to subscribers only, 2007. http://proquest.umi.com/pqdweb?did=1402172741&sid=1&Fmt=2&clientId=1509&RQT=309&VName=PQD.

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Grinols, Susan. "Mind states /." Online version of thesis, 1990. http://hdl.handle.net/1850/11308.

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Etminan, Arvin. "Eldritch Mind." Thesis, Luleå tekniska universitet, Institutionen för ekonomi, teknik och samhälle, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:ltu:diva-36898.

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Detta examensarbete handlar om hur ett påhittat skräck-dataspel som heter Eldritch Mind interagerar med en spelares kropp och sinnen, och hur detspelet möjligtvis skulle kunna vara ett steg i framtiden inom spelutveckling. Mycket av vikten ligger på designartefakten som är en animerad film. Filmen ska presentera olika grundkoncept om spelets funktioner och hur spelet interagerar med spelaren. I uppsatsen beskrivs examensarbetet steg för steg: från kreativa idéer till produktion.

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Books on the topic "A nakedness of mind"

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Beyond nakedness. Los Angeles, Cal: Elysium Growth Press, 1985.

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Degrees of nakedness: Stories. Stratford, Ont: Mercury Press, 1995.

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Degrees of nakedness: Stories. Toronto: House of Anansi Press, 2004.

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Ffrench, Geraldine Margaret. Nudity, nakedness and representation. Manchester: University of Manchester, 1994.

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Górnicka, Barbara. Nakedness, Shame, and Embarrassment. Wiesbaden: Springer Fachmedien Wiesbaden, 2016. http://dx.doi.org/10.1007/978-3-658-15984-9.

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Kwakye, Benjamin. The clothes of nakedness. Trenton, NJ: Africa World Press, 2008.

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Bowman, Paul M. Nakedness and the Bible. Ferndale, WA: Amity Marketing Service, 2001.

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The clothes of nakedness. Portsmouth, NH: Heinemann, 1998.

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ʻĀdil, Ghulām ʻAlī Ḥaddād. Zhylan︠g︡achtanuunun madanii︠a︡ty zhana madanii︠a︡ttyn zhylan︠g︡achtanuusu = The culture of nakedness and the cultural nakedness. Bishkek: Altyn Tamga, 2007.

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Alkalay-Gut, Karen. The love of clothes and nakedness. [Israel]: "Sivan" Israel federation of writers union publishers, 1999.

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Book chapters on the topic "A nakedness of mind"

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Crago, Hugh. "‘Not in Utter Nakedness’." In The Stages of Life, 13–30. Abingdon, Oxon; New York, NY: Routledge, 2016.: Routledge, 2016. http://dx.doi.org/10.4324/9781315684703-2.

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Górnicka, Barbara. "Setting the nude scene." In Nakedness, Shame, and Embarrassment, 13–27. Wiesbaden: Springer Fachmedien Wiesbaden, 2016. http://dx.doi.org/10.1007/978-3-658-15984-9_1.

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Górnicka, Barbara. "Among the naturists." In Nakedness, Shame, and Embarrassment, 29–43. Wiesbaden: Springer Fachmedien Wiesbaden, 2016. http://dx.doi.org/10.1007/978-3-658-15984-9_2.

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Górnicka, Barbara. "From lewd to nude: becoming a naturist." In Nakedness, Shame, and Embarrassment, 45–84. Wiesbaden: Springer Fachmedien Wiesbaden, 2016. http://dx.doi.org/10.1007/978-3-658-15984-9_3.

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Górnicka, Barbara. "The sociogenesis of nudism." In Nakedness, Shame, and Embarrassment, 85–110. Wiesbaden: Springer Fachmedien Wiesbaden, 2016. http://dx.doi.org/10.1007/978-3-658-15984-9_4.

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Górnicka, Barbara. "Natural bodies? Nakedness, eroticisation and shame." In Nakedness, Shame, and Embarrassment, 111–41. Wiesbaden: Springer Fachmedien Wiesbaden, 2016. http://dx.doi.org/10.1007/978-3-658-15984-9_5.

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Górnicka, Barbara. "Nakedness as a theoretical problem." In Nakedness, Shame, and Embarrassment, 143–64. Wiesbaden: Springer Fachmedien Wiesbaden, 2016. http://dx.doi.org/10.1007/978-3-658-15984-9_6.

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Górnicka, Barbara. "Nakedness and the theory of taboo." In Nakedness, Shame, and Embarrassment, 165–78. Wiesbaden: Springer Fachmedien Wiesbaden, 2016. http://dx.doi.org/10.1007/978-3-658-15984-9_7.

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Górnicka, Barbara. "Conclusion." In Nakedness, Shame, and Embarrassment, 179–85. Wiesbaden: Springer Fachmedien Wiesbaden, 2016. http://dx.doi.org/10.1007/978-3-658-15984-9_8.

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Lee, Jiann-Shu, Yung-Ming Kuo, and Pau-Choo Chung. "Detecting Nakedness in Color Images." In Studies in Computational Intelligence, 225–36. Berlin, Heidelberg: Springer Berlin Heidelberg, 2010. http://dx.doi.org/10.1007/978-3-642-11756-5_10.

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Conference papers on the topic "A nakedness of mind"

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Zhou, Jing. "Ch'an mind, zen mind series." In ACM SIGGRAPH 2008 art gallery. New York, New York, USA: ACM Press, 2008. http://dx.doi.org/10.1145/1400385.1400466.

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Berretti, Stefano, Jamie Callan, Henrik Nottelmann, Xiao Mang Shou, and Shengli Wu. "MIND." In the 26th annual international ACM SIGIR conference. New York, New York, USA: ACM Press, 2003. http://dx.doi.org/10.1145/860435.860556.

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Zaman, Anis, Vincent Silenzio, and Henry Kautz. "MIND." In PervasiveHealth '20: 14th EAI International Conference on Pervasive Computing Technologies for Healthcare. New York, NY, USA: ACM, 2020. http://dx.doi.org/10.1145/3421937.3421959.

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Johnson, Jeff A. "Designing with the Mind in Mind." In CHI '17: CHI Conference on Human Factors in Computing Systems. New York, NY, USA: ACM, 2017. http://dx.doi.org/10.1145/3027063.3027111.

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Johnson, Jeff A. "Designing with the Mind in Mind." In CHI '19: CHI Conference on Human Factors in Computing Systems. New York, NY, USA: ACM, 2019. http://dx.doi.org/10.1145/3290607.3298802.

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Johnson, Jeff A. "Designing with the Mind in Mind." In CHI '18: CHI Conference on Human Factors in Computing Systems. New York, NY, USA: ACM, 2018. http://dx.doi.org/10.1145/3170427.3170640.

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Johnson, Jeff. "Designing with the Mind in Mind." In CHI'16: CHI Conference on Human Factors in Computing Systems. New York, NY, USA: ACM, 2016. http://dx.doi.org/10.1145/2851581.2856666.

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Johnson, Jeff A. "Designing with the Mind in Mind." In CHI '15: CHI Conference on Human Factors in Computing Systems. New York, NY, USA: ACM, 2015. http://dx.doi.org/10.1145/2702613.2706667.

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Johnson, Jeff. "Designing with the Mind in Mind." In CHI '21: CHI Conference on Human Factors in Computing Systems. New York, NY, USA: ACM, 2021. http://dx.doi.org/10.1145/3411763.3444997.

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Long, Kiel, and John Vines. "Mind pool." In CHI '13 Extended Abstracts on Human Factors in Computing Systems. New York, New York, USA: ACM Press, 2013. http://dx.doi.org/10.1145/2468356.2479588.

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Reports on the topic "A nakedness of mind"

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Christe, Karl O., and B. Jenkins. Quantitative Measure for the Nakedness of Fluoride Ion Sources. Fort Belvoir, VA: Defense Technical Information Center, April 2003. http://dx.doi.org/10.21236/ada415192.

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Anderson, Rachel, and Donny Guerra. Free the Mind. Ames: Iowa State University, Digital Repository, November 2016. http://dx.doi.org/10.31274/itaa_proceedings-180814-1654.

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Lee, Jung Soo, and Hyunji Roh. Ever-Changing Mind. Ames: Iowa State University, Digital Repository, November 2015. http://dx.doi.org/10.31274/itaa_proceedings-180814-1271.

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Minsky, Marvin. Society of Mind Project. Fort Belvoir, VA: Defense Technical Information Center, August 1988. http://dx.doi.org/10.21236/ada200313.

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Seybold, Patricia. Services on Our Mind. Boston, MA: Patricia Seybold Group, January 2003. http://dx.doi.org/10.1571/psgp1-16-03cc.

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Gennaioli, Nicola, and Andrei Shleifer. What Comes to Mind. Cambridge, MA: National Bureau of Economic Research, June 2009. http://dx.doi.org/10.3386/w15084.

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Gerken, M., J. A. Boatz, A. Kornath, R. Haiges, and K. O. Christe. Are 19F NMR Shifts a Measure for the Nakedness of Fluoride Ions? Fort Belvoir, VA: Defense Technical Information Center, March 2002. http://dx.doi.org/10.21236/ada410513.

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none,. U.S. Biofuels Industry. Mind the Gap. Office of Scientific and Technical Information (OSTI), April 2010. http://dx.doi.org/10.2172/1218862.

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McKelvy, Dolan M. Psychic Warfare: Exploring the Mind Frontier. Fort Belvoir, VA: Defense Technical Information Center, May 1988. http://dx.doi.org/10.21236/ada202099.

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Scassellati, Brian. Theory of Mind...for a Robot. Fort Belvoir, VA: Defense Technical Information Center, January 2005. http://dx.doi.org/10.21236/ada434148.

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