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Books on the topic 'A poetics of listening'

Author: Grafiati

Published: 4 June 2021

Last updated: 10 February 2022

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1

Hopwood, Mererid. Singing in chains: Listening to Welsh verse. Gomer, 2004.

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2

The listening: Poems. University of Georgia Press, 2004.

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3

Ninety-five nights of listening. Houghton Mifflin Co., 2002.

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4

Grossman, Florence. Listening to the bells: Learning to read poetry by writing poetry. Boynton/Cook Publishers, 1991.

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5

Scott, Peter Dale. Listening to the candle: A poem on impulse. New Directions Book, 1992.

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6

Scott, Peter Dale. Listening to the candle: A poem on impulse. McClelland & Stewart, 1992.

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7

Scott, Peter Dale. Listening to the candle: A poem on impulse. McClelland & Stewart, 1992.

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8

Wolvin, Andrew D. Listening. 3rd ed. Wm. C. Brown Publishers, 1988.

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9

Thorn, Michael. Listening. Cassell, 1993.

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10

Green, John. Listening. Cassell, 1991.

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11

Saint Mary's University (Halifax, N.S.). Canada/China Language and Cultural Program., ed. Listening. Prentice-Hall Allyn and Bacon Canada, 1998.

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12

Gwynn, Coakley Carolyn, ed. Listening. 2nd ed. W.C. Brown, 1985.

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13

Green, John. Listening. Cassell, 1987.

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14

Anne, Long. Listening. Darton, Longman and Todd, 1990.

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15

Gwynn, Coakley Carolyn, ed. Listening. 4th ed. Wm. C. Brown Publishers, 1992.

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16

Gwynn, Coakley Carolyn, ed. Listening. 5th ed. McGraw-Hill, 1996.

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17

Listening. HarperPerennial, 1995.

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18

Thorn, Michael. Listening. Cassell, 1987.

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19

Rixon, Shelagh. Listening. O.U.P, 1988.

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20

Brownell, Judi. Listening. Routledge, 2017. http://dx.doi.org/10.4324/9781315441764.

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21

Merker, Hannah. Listening. HarperCollinsPublishers, 1994.

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22

Wolvin, Andrew D. Listening. 5th ed. Brown & Benchmark, 1996.

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23

Hodges, Susan. Listening. Totline Publications, 1998.

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24

Green, John. Listening. Cassell, 1992.

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25

Green, John. Listening. Cassell, 1987.

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26

McKay, Dave. Listening. 2nd ed. [Dave McKay.], 2008.

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27

Worthington, Debra L., and Margaret E. Fitch-Hauser. Listening. Routledge, 2018. http://dx.doi.org/10.4324/9781315389202.

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28

Mall, Julian. Poetics. University of Salzburg, 1995.

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29

Aristóteles. Poetics. Theatre Communications Group, 1999.

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30

Poetics. Harvard University Press, 1995.

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31

Edwards, Paul M. Poetics of place: Poetics of place. Herald Pub. House, 1994.

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32

Vaquer, Mary-Elizabeth. Poetics of Curriculum, Poetics of Life. SensePublishers, 2016. http://dx.doi.org/10.1007/978-94-6300-465-7.

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33

Reynolds, Jonathan G. Poetic Listening. iUniverse.com, 2003.

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34

Neyra, Ren Ellis. Cry of the Senses: Listening to Latinx and Caribbean Poetics. Duke University Press, 2020.

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35

The Cry of the Senses: Listening to Latinx and Caribbean Poetics. Duke University Press Books, 2020.

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36

1950-, Bernstein Charles, ed. Close listening: Poetry and the performed word. Oxford University Press, 1998.

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37

Listening booth. Academy of American Poets, 1997.

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38

Shono, Susumu. Choshu no shigaku: J. Keji kara soshite J. Keji e = Poetics of listening. Keiso Shobo, 1991.

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39

Skoulding, Zoë. Poetry & Listening. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781789621792.001.0001.

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Listening has always mattered in poetry, but how does poetry change when listening has been transformed? In Poetry and Listening: The Noise of Lyric, the field of sound studies, which has revolutionised research in contemporary music, is brought into dialogue with new lyric criticism. Examining poetry as mediated by performance, technology and translation, this book discovers how contemporary poetry has been re-energised by the influence of recorded sound and influenced by the creative methods that emerged with it. It offers an exploration of contemporary poetry’s acoustic contexts, moving bey

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40

Boutin, Aimée. Listening to the Glazier’s Cry. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039218.003.0005.

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This chapter draws on a network of discourses including the picturesque and flâneur-writing, panoramic literature on the Cris, and reflections on populist song, in order to show how different writers harmonized the glazier's cry into poetic prose. It compares Arsène Houssaye's “La Chanson du vitrier” and Charles Baudelaire's “Le Mauvais Vitrier”. It shows how Houssaye's transcriptions of the glazier's cry and his use of the cry as refrain relate to efforts by musicians such as Mainzer and Kastner to document the cry for posterity. Houssaye harmonizes the cry to exploit its pathos and, in tande

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41

Markham, Malinda. Ninety-Five Nights of Listening: Poems. Houghton Mifflin Harcourt Publishing Company, 2002.

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42

Nuns Looking Anxious, Listening to Radios. Brick Books, 1990.

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43

Eavesdropping: A Memoir of Blindness and Listening. Norton & Company Limited, W. W., 2020.

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44

Kuusisto, Stephen. Eavesdropping: A Memoir of Blindness and Listening. Norton & Company, Incorporated, W. W., 2006.

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45

Kuusisto, Stephen. Eavesdropping: A Memoir of Blindness and Listening. W. W. Norton, 2006.

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46

LeVen, Pauline A. Echo and the Invention of the Lyric Listener. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198805823.003.0010.

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This chapter investigates the notion of lyric listening and concentrates on the particular role of the adverb δηὖτε‎ (‘once again’) in constructing a poetics of delayed repetition in several archaic melic poets (Alcman, Sappho, and Anacreon). Building on the model provided by a reading of the mythical nymph Echo in Longus’ Daphnis and Chloe to understand the seduction and role of delay and repetition in lyric listening, it is argued that ‘once again’ works as a form of gramophone, allowing the listener of the poem to experience the immediacy of poetry through the imagined distance and delay in

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47

Hurd, Barbara. Listening to the Savage: River Notes and Half-Heard Melodies. University of Georgia Press, 2017.

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48

Listening to the Savage: River Notes and Half-Heard Melodies. University of Georgia Press, 2016.

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49

Iselin, Pierre. ‘More, I prithee, more’: Melancholy, Musical Appetite and Medical Discourse in Shakespeare’s Twelfth Night. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474427814.003.0005.

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Pierre Iselin broaches the subject of early modern music and aims at contextualising Twelfth Night, one of Shakespeare’s most musical comedies, within the polyphony of discourses—medical, political, poetic, religious and otherwise—on appetite, music and melancholy, which circulated in early modern England. Iselin examines how these discourses interact with what the play says on music in the many commentaries contained in the dramatic text, and what music itself says in terms of the play’s poetics. Its abundant music is considered not only as ‘incidental,’ but as a sort of meta-commentary on th

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50

Steyaert, Chris. Michel Serres (1930b). Edited by Jenny Helin, Tor Hernes, Daniel Hjorth, and Robin Holt. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780199669356.013.0034.

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Michel Serres, a French philosopher and mathematician, is known for his enquiry into the interrelationships between various systems ranging from science and philosophy to mythology and poetry/literature. Such systems can be compared with one another to determine what each tries to exclude (for example, noise, disorder, or turbulence). This chapter examines Serres’ philosophy and its relevance to processual organization studies. It considers his conceptions of time, translation and mediation, the third-excluded and the third-instructed, multiplicity and complexity, the body and the senses, and

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