Relevant bibliographies by topics / A Raymond (Firm)

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'A Raymond (Firm)'

Author: Grafiati
Published: 4 June 2021
Last updated: 6 February 2022

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Journal articles on the topic "A Raymond (Firm)"

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Dong, Andy, Maaike Kleinsmann, and Dirk Snelders. "The Design of Firms: Part 2 - Competitive Advantage." Design Issues 37, no. 3 (2021): 59–77. http://dx.doi.org/10.1162/desi_a_00648.

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Abstract One of the essential aspects of a company's design is its source of competitive advantage. Extrapolating from Raymond Loewy's famous design strategy acronym, MAYA—the Most Advanced Yet Acceptable Principle—and treating the firm as the object of design, this article explains the competitive advantage of firms from a design perspective. Our design-based recommendation for the competitive advantage of firms is to focus on shaping heterogeneity-based advantages of the firm in ways its paying customers would deem valuable. The novelty and conventionality dynamics of its industry will influence the degree of heterogeneity of the firm. Firms can shape their heterogeneity-based advantages through policies relating to organizational structure, routines, and product portfolio to name a few. Going beyond the role of a design in creating rents above and beyond what other firms can imagine, our claim focuses on the ways in which heterogeneity is a fundamental driver of its competitive advantage. If correct, the design-based view suggests that the ideal level of heterogeneity of the firm relative to current competitive conditions and evolution paths adopted by the firm and its competitors is more fundamental to firm profitability than its resources.
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Polan, Dana. "Raymond Williams on Film." Cinema Journal 52, no. 3 (2013): 1–18. http://dx.doi.org/10.1353/cj.2013.0023.

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Everson, William K. "Raymond Rohauer: King of the Film Freebooters." Grand Street, no. 49 (1994): 188. http://dx.doi.org/10.2307/25007765.

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OMBOM, Yevette Nathalie Moui, and Penn Collins CHI. "Accounting information system and performance of industrial firms in Douala, Cameroon." Net Journal of Social Sciences 8, no. 3 (December 2020): 52–63. http://dx.doi.org/10.30918/njss.83.20.022.

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Accounting information is very essential in the taking of value creation decisions in an organization. Therefore the objective of this study is to identify the relation between the quality of the Accounting Information System and overall Performance within industrial firms. More specifically it builds on the model of Ives, Hamilton and Davis (1980) and Raymond (1984), to propose the conceptual framework of success factors of an accounting information system. The research is an inductive/interpretative research based on the content analysis of five case studies. A conceptual framework of success factors in the light of the model of Raymond (1984) in the Cameroon context is presented based on the analysis of the data suggesting that organizational factors are based on size, the environment and differentiation of information system. While individual factors are based on level of education, leadership style, recruitment etc. Industrial firms should differentiate and integrate their accounting information systems so that they can improve their overall performance. Keywords: Accounting information system, industrial organization, overall performance, differentiation, integration, coordination mechanisms.
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Desjardins, Molly. "‘A mirror to the room’: Pyer Moss, specular strategy and Black Lives Matter." Fashion, Style & Popular Culture 8, no. 1 (January 1, 2021): 21–36. http://dx.doi.org/10.1386/fspc_00064_1.

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Drawing on Walter Benjamin’s version of historical materialism and with reference to the concept of despecularization from psychoanalytic film theory, this article looks at the historical and cultural significance of Pyer Moss’s Spring/Summer 2015 fashion show, where Kerby Jean-Raymond, the artist and designer behind the label, used the runway to bring attention to state-enforced violence against Black men and women.
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Tse, K., Y. Peña, K. Arntsen, S. C. Bae, L. Bloch, I. N. Bruce, K. Costenbader, et al. "AB1338-HPR GLOBAL PATIENT PERSPECTIVE ON TOP CHALLENGES IN LUPUS CARE AND RESEARCH PARTICIPATION." Annals of the Rheumatic Diseases 79, Suppl 1 (June 2020): 1957.1–1957. http://dx.doi.org/10.1136/annrheumdis-2020-eular.2871.

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Background:The Addressing Lupus Pillars for Health Advancement (ALPHA) Project is a global consensus initiative to identify, prioritize and address top barriers in lupus drug development, clinical care and access to care. The Lupus Foundation of America convenes ALPHA with Tufts Center for the Study of Drug Development and a Global Advisory Committee of lupus experts representing clinician-scientists, industry and patients.Objectives:Collect global patient input to determine alignment with the lupus clinician-scientist community on prior published consensus of top lupus barriers.Methods:A 23-question online Qualtrics survey was developed to identify challenges across lupus diagnosis, clinical care and research participation. The survey, available in English, Spanish, Korean and simplified Chinese, was fielded in November 2019 to people with lupus and caregivers of children <18 with lupus. SPSS 26 and SAS 9.4 were used for descriptive statistics and sub-analysis.Results:Analysis included only consented responses with ≥ 68% survey completion (n=3,447) received across 83 countries. 95% were female with a mean age of 45. Respondents reported being White (57%), Black or of African descent (14%), Hispanic or Latino (18%) and Asian (10%). 65% resided in the US while 35% resided in countries outside of the US. 97% were people with lupus while 3% were caregivers to children <18 with lupus.Highest ranked challenges were similar globally and across children and adults: medication side effects, lack of treatment options and high out-of-pocket costs. Managing side effects ranked significantly higher (p<.05) outside of the US (48%) compared to US (40%). 50% of caregivers reported managing side effects as the top challenge for children compared to 43% of adults (p<.05). Research participation was low (24%) and lower among children (16%). The top reason for not participating in a clinical trial was not being asked by their doctor.Conclusion:This global survey revealed that medication side effects and lack of effective treatments are top challenges for people with lupus, including children. Most respondents were never asked by their doctors to participate in a clinical trial, which may explain difficulties in trial recruitment. These barriers are consistent with prior published barriers identified by the clinician-scientist community.Acknowledgments:ALPHA sponsors: EMD Serono, GSK, Aurinia, MallinckrodtDisclosure of Interests:Karin Tse: None declared, Yaritza Peña: None declared, Kathleen Arntsen: None declared, Sang-Cheol Bae: None declared, Lauren Bloch Consultant of: Faegre Drinker Consulting is a division of Faegre Drinker Biddle & Reath, a law and consulting firm that represents patient advocacy organizations and sponsors developing drugs, Ian N. Bruce Grant/research support from: Genzyme Sanofi, GSK, and UCB, Consultant of: Eli Lilly, AstraZeneca, UCB, Iltoo, and Merck Serono, Speakers bureau: UCB, Karen Costenbader Grant/research support from: Merck, Consultant of: Astra-Zeneca, Bradley Dickerson Employee of: Aurinia, Thomas Dörner Grant/research support from: Janssen, Novartis, Roche, UCB, Consultant of: Abbvie, Celgene, Eli Lilly, Roche, Janssen, EMD, Speakers bureau: Eli Lilly, Roche, Samsung, Janssen, Kenneth Getz: None declared, Amy Kao Employee of: EMD Serono, Susan Manzi: None declared, Eric F. Morand Grant/research support from: AstraZeneca, Consultant of: AstraZeneca, Speakers bureau: AstraZeneca, Sandra Raymond: None declared, Brad H Rovin Grant/research support from: GSK, Consultant of: GSK, Laura Schanberg Grant/research support from: Sobi, BMS, Consultant of: Aurinia, UCB, Sanofi, Victoria Werth Grant/research support from: Biogen, Celgene, Gilead, Janssen, Viela, Consultant of: Biogen, Gilead, Janssen, Abbvie, GSK, Resolve, AstraZeneca, Amgen, Eli Lilly, EMD Serono, BMS, Viela, Kyowa Kirin, Joan Von Feldt Shareholder of: GSK, Employee of: GSK, David Zook Consultant of: Faegre Drinker Consulting is a division of Faegre Drinker Biddle & Reath, a law and consulting firm that represents patient advocacy organizations and sponsors developing drugs, Leslie Hanrahan: None declared
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O‘Rawe, Des. "Ten Minutes For John Lennon." Film Studies 9, no. 1 (2006): 64–67. http://dx.doi.org/10.7227/fs.9.9.

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This essay interweaves an analysis of Raymond Depardons short documentary film, 10 minutes de silence pour John Lennon (1980), with some broader reflections on time, cultural history, and silence. Shot in a single take, the film records the expressions, movements, and reactions of some of 200,000 mourners who gathered in Central Park to commemorate Lennons life six days after his death in December, 1980. Despite its observational form and aesthetic reticence, 10 minutes de silence renders unexpected coincidences of colour, perspective, gesture, and noise, spontaneous formations and patterns that resonate beyond the films actual moment and journalistic raison dêtre.
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Murphy, A. Mary, and Gene D. Phillips. "Creatures of Darkness: Raymond Chandler, Detective Fiction, and Film Noir." Rocky Mountain Review of Language and Literature 55, no. 1 (2001): 131. http://dx.doi.org/10.2307/1348174.

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Wearing, Sadie. "‘I am not particularly despondent yet’: The Political Tone of Jill Craigie's Equal Pay Film To Be a Woman." Journal of British Cinema and Television 18, no. 4 (October 2021): 423–41. http://dx.doi.org/10.3366/jbctv.2021.0588.

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To Be a Woman is a short campaigning film made in 1950–1 by documentary film-maker Jill Craigie. This article offers an account of the film which aims to recover the affective life of both the film text and the archival correspondence between Craigie and the General Secretary of the National Union of Women Teachers, which refers to its production history. The article analyses the ‘feeling tones’ of the letters that describe both Craigie's attempts to get the film made and her difficulties in distributing it. It is argued that paying attention to these affective aspects of the archive and the film together enables a recalibration of (in a variant of Raymond Williams's formulation) the structure of feminist feeling in both the film and, to an extent, the wider public realm in the immediate post-war period. Paying attention to the film's affective dynamics in this way is also revealing, it is suggested, of its class and race positionality, enabling a more nuanced critical account of its politics.
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Tutter, Adele. "Set This House on Fire: the Self-Analysis of Raymond Carver." Psychoanalytic Quarterly 80, no. 4 (October 2011): 915–59. http://dx.doi.org/10.1002/j.2167-4086.2011.tb00112.x.

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Dissertations / Theses on the topic "A Raymond (Firm)"

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Cherqui, Marie-Claude. "Raymond Queneau, écrivain de cinéma." Thesis, Paris 3, 2009. http://www.theses.fr/2009PA030005.

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Raymond Queneau, né en 1903, grandit et vit au rythme du cinématographe, à peine plus âgé que lui. Toute sa vie il rendra compte dans ses écrits intimes, journaux et lettres, de sa vie de spectateur assidu au Havre, puis à Paris. Il peuplera sa langue, sa poésie et ses romans, de l’univers foisonnant des salles de cinéma, des stars de l’écran et de ses œuvres mythiques. Il fera apparaître un monde rêvé et pensé, fait de ses ombres et de sa lumière. Nourri de cinéma, il sera aussi nourri par lui. Parallèlement à son travail de poète en littérature, il pratiquera tout au long de sa vie, et sans jamais se défaire de son humour légendaire, le travail, parfois ingrat, d’écrivain de cinéma, art dans lequel il occupera plusieurs postes : critique cinématographique, juré de festivals, auteur de commentaires de films, scénariste, dialoguiste, auteur de chansons… A l’occasion, il deviendra même réalisateur ou acteur. Rendre compte de manière chronologique puis analytique de l’ensemble de ses travaux, appréhender le traitement de l’art cinématographique dans son œuvre littéraire, c’est ce que se propose cet ouvrage : partir à la recherche de Raymond Queneau, écrivain du vingtième siècle et « homo-cinématographicus »
Raymond Queneau, who was born in 1903, grew up and lived at the pace of cinematograph that was hardly older than him. Througout his life, in his journals and letters, he reported his life as a regular movie-watcher. He filled his writings, his poetry and his novels with the blossoming universe of movie theatres, movie stars and masterpeices. In his work appears a dreamed and thougt out world, made of his shadows and his lights. Fed with cinema, he also fed it. Aside from his work as a poet in literature, he also, all along his life and without losing his legendary sense of humour, worked as a cinema writer. In this sometimes ungrateful job, he occupied many different positions : film critic, juryman in festival, writer of comments on movies, script writer, dialogue writer, songwriter, etc... He even occasionally became a filmmaker or an actor. To report chronologically of the totality of his work, to approach the treatment of the cinematographic art in his literary work, is what we suggest in this study : looking for Raymond Queneau writer of the twentieth century and “homo-cinematographicus”
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Oxenhall, Johan. "The Thin Man och Film Noir : En Jämförande Studie i Genre." Thesis, Linnéuniversitetet, Institutionen för film och litteratur (IFL), 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-66857.

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Syftet med den här uppsatsen är att genomföra en jämförande studie av den klassiska Hollywood-deckaren, representerad av de tre första filmerna i Thin Man-serien, och film noir. Analysen utgår ifrån Thin Man-filmerna The Thin Man (1934), After the Thin Man (1936) och Another Thin Man (1939) och noir filmerna The Maltese Falcon (1941), Laura (1944), The Big Sleep (1946) och Dark Passage (1947). Den grundläggande teorin för uppsatsen är genreteori och hur den klassiska Hollywood-deckarfilmen skilde sig ifrån film noir. Analysen är uppdelad i fyra kapitel, i vilka olika delar av innehållet i både Thin Man-filmerna och de fyra exemplen av film noir analyseras. De olika kapitlen handlar om manliga huvudkaraktären, den kvinnliga huvudkaraktären, hur de olika filmerna hanterade ämnen berörande sex och sexualitet och hur samhället och människorna representeras i filmerna. Slutsats omfattar sedan en diskussion om uppsatsens resultat och svaret på varför Thin Man-filmerna inte räknas som film noir.
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Bullot, Érik. "Théorie de la démarche le film et son double Renversements : notes sur le cinéma. 1 Renversements : notes sur le cinéma. 2 Sortir du cinéma : histoire virtuelle des relations de l'art et du cinéma Sayat Nova de Serguei Paradjanov : la face et le profil." Thesis, Paris 10, 2019. http://www.theses.fr/2019PA100041.

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La thèse sur travaux, intitulée THÉORIE DE LA DÉMARCHE, présente un ensemble de recherches et d’enquêtes autour du cinéma et de ses métamorphoses. La mutation technique du médium, sa dissémination dans l’espace social ont transformé nos usages. Nous continuons à appeler cinéma un médium désormais dissocié de son dispositif technologique. Il semble persister sous son avatar numérique à la manière d’une promesse, d’un fantôme ou d’un double. La série des travaux étudient cette transformation dans les relations du cinéma à l’art contemporain, son devenir performatif, ses marges et ses frontières. À la manière d’une histoire contre-factuelle, les travaux privilégient les figures oubliées, les impasses, les seuils, les trous noirs, les fantômes, les rencontres sans suite, les anachronismes. Un mémoire original est consacré aux relations de l’écrivain Raymond Roussel au cinéma, à la lumière des travaux sur le cinéma des premiers temps, l’archéologie des médias et le processus de remédiation. Si le cinéma est absent, au sens littéral, de l’œuvre de Roussel, il ne cesse de l’informer par le biais d’allusions aux dispositifs optiques, au cinéma des attractions, au cinéma vivant. À travers cette enquête, le cinéma semble être devenu, au fil de ses transformations et de ses avatars, un « signifiant flottant »
Under the general title of “THEORY OF WALKING”, this thesis presents a series of previous and new research around the metamorphoses of cinema. The technical mutation of the cinematographic medium, its dissemination in the social space, have transformed its usage. We continue to call cinema a medium now dissociated from its technological device. Cinema then seems to persist under his digital avatar like a promise, a specter or a double. The series of essays presented in this thesis scrutinize this transformation through the relations between cinema and contemporary art, the becoming-performance of the film, its margins and its borders. Following the genre of counter-factual history, the different essays gathered in the thesis focus on the forgotten figures, the dead ends, the thresholds, the black holes, the ghosts, the meetings without continuation, the anachronisms, that are at work in the recent history of cinema, and may account for its mutations. The thesis comprises an original memoir devoted to Raymond Roussel's relationship with cinema, developed in the light of early cinema studies, archeology of media and remediation process. If the cinema is absent, in the literal sense, from Roussel's work, he is still present by means of allusions to optical devices, to the cinema of attractions, and living cinema. Exploring this labyrinthic questioning, I wonder if cinema has become, because of its transformations and avatars, a “floating signifier”
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Hills, Paul R. "Neural narratives and natives: cognitive attention schema theory and empathy in Avatar." Diss., 2020. http://hdl.handle.net/10500/26659.

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This study offers a fine-grained analysis of James Cameron’s film, Avatar (2009), on several theoretical fronts to provide a view of the film from a cognitive cultural studies perspective. The insights gained from cognitive theory are used to situate the debate by indicating the value cognitive theories have in cultural criticism. The critical discourse analysis of Avatar that results is a vehicle for the central concern of this study, which is to understand the diverse, often contradictory, meaning-making exhibited by Avatar audiences. A focus on the construction of empathic responses to the film’s messages investigates the success of this polysemy. Ihe central propositions of the study are that meanings and interpretations of the experience of viewing Avatar are made discursively; they are situated in definable traditions, mores and values; and this meaning-making takes place in a cognitive framework which allows for the technical reproduction and reception of the experience while providing powerful, emerging and cognitively plausible narratives. In an attempt to situate the film’s commercial success and its plethora of awards, including an Oscar for best art direction, the analysis takes a critical view of Cameron’s use of cultural stereotypes and the framing of the exotic other, and considers the continuing development of these elements over the whole series and product line or, as Henry Jenkins (2007) defines it, “transmedia”. In drawing the theoretical boundaries of the methodologies used in this study and in arguing for their complementarities, the study contributes to a renewal of Raymond Williams’ (1961) mostly forgotten claim of the cross-disciplinary cognitive dimension of cultural studies and demonstrates an affirmation of this formulation as cognitive cultural studies.
Art History, Visual Arts and Musicology
M.A. (Art History)
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Books on the topic "A Raymond (Firm)"

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Industrialiser mode d'emploi: Le modèle d'entreprise "A Raymond". Paris: L'Harmattan, 2012.

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Raymond Chandler and film. 2nd ed. Tallahassee: Florida State University Press, 1991.

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Raymond Chandler in Hollywood. Los Angeles: Silman-James Press, 1996.

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Raymond Burr: A film, radio, and television biography. Jefferson, N.C: McFarland, 1994.

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Raymond Chandler, du roman noir au film noir. Paris: M. Houdiard, 2009.

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Gelly, Christophe. Raymond Chandler, du roman noir au film noir. Paris: M. Houdiard, 2009.

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Phillips, Gene D. Creatures of darkness: Raymond Chandler, detective fiction, and film noir. Lexington: University Press of Kentucky, 2000.

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Raymond, Deroo, ed. Soldats du feu: Histoire illustrée des sapeurs-pompiers : la collection de photographies du commandant Raymond Deroo. Paris: Taillac, 2011.

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James, Murray. Phoenix to the world: The story of Clyde Industries and Sir Raymond Purves, CBE. Sydney: Playright Pub., 1992.

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Short cuts: Formen filmischen und literarischen Erzählens bei Robert Altman und Raymond Carver. Alfeld-Leine: Coppi, 2000.

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Book chapters on the topic "A Raymond (Firm)"

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Mazdon, Lucy. "Profils paysans: Raymond Depardon’s Rural Trilogy." In Film Trilogies, 198–210. London: Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9780230371972_11.

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Honsberger, John D. "12. Raymond and Honsberger: A Small Firm That Stayed Small, 1889–1989." In Inside the Law. Toronto: University of Toronto Press, 1996. http://dx.doi.org/10.3138/9781442632912-015.

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"“Cette nouvelle réalité”: at the Mouviez with Raymond Queneau." In Stealing the Fire, 215–30. Brill | Rodopi, 2010. http://dx.doi.org/10.1163/9789042031654_017.

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"RAYMOND FEDERMAN in 'Film Quarterly,' 1966-7." In Samuel Beckett, 294–302. Routledge, 2003. http://dx.doi.org/10.4324/9780203197318-66.

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Gurau, Calin. "Business IT Systems Implementation." In Business Information Systems, 1234–42. IGI Global, 2010. http://dx.doi.org/10.4018/978-1-61520-969-9.ch076.

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The traditional channels of marketing are gradually being transformed by, or assimilated into, the global network represented by the Internet and modern information technology (IT) applications. Unfortunately, in most cases, the current IT systems are not fluid and dynamic enough to cope with ubiquitous customers who can contact the firm through a multitude of communication channels, such as mobile phones, Internet, or fax. The effective implementation of modern marketing strategies depends on the effective use of IT systems and procedures. Internet-based technology can facilitate information dissemination, file transformation, data mining, and processing (Roberts, Raymond, & Hazard, 2005), which creates opportunities for the development and implementation of efficient customer relationship management systems. On the other hand, the new information technologies can also be used to increase the employees’ satisfaction and productivity (Dorgan, 2003; Eichorn, 2004). Thus, the implementation and use of an efficient IT system for business and marketing activities becomes a fundamental task, which should be managed jointly by business specialists and IT professionals (Wierenga & Van Bruggen, 2000). Unfortunately, these opportunities are hindered by many challenges at organisational or managerial levels, such as defining and restructuring the internal and the external sources of information, centralising the marketing database, and integrating the IT and marketing procedures at operational level. Considering all these issues this paper attempts, on the basis of secondary data, to provide an overview of the main issues related with the implementation of IT systems in business organisations and the challenges related with the integration between information technology and marketing systems. After a brief presentation of the previous research on this topic, the paper presents the stages of a gradual integration of IT systems in a business organisation and proposes a theoretical model
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Bellour, Raymond. "35 Years On: Is the ‘Text’, Once Again, Unattainable?" In Beyond the Essay Film. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789463728706_ch01.

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In this reflection on his classic mid 1970s essay, ‘The Unattainable Text’, Raymond Bellour considers the paradoxical situation of cinematic art and film studies in the present digital era: the filmic text may have become greatly ‘accessible’ (via DVD, etc.) and freezable, but is it truly ‘graspable’ in a more profound sense? By analysing paradoxical, cross-media works by Michael Snow, Bill Viola, Danielle Vallet Kleiner, and James Coleman, as well as prominent examples of the scholarly ‘video-essay’ format, Bellour gestures to the ways in which cinema, and the special experience of cinema, remain, in his terms, fundamentally and tantalizingly ‘unattainable’ phenomena.
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"Erratum... Errata... Erasum...: The Selection of Sources for Raymond Queneau’s Le Chiendent." In Stealing the Fire, 205–14. Brill | Rodopi, 2010. http://dx.doi.org/10.1163/9789042031654_016.

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Naremore, James. "1. The idea of film noir." In Film Noir: A Very Short Introduction, 1–18. Oxford University Press, 2019. http://dx.doi.org/10.1093/actrade/9780198791744.003.0001.

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The term ‘film noir’ originated with French film critics during the 1930s, but it soon became associated with American films in the mid-1940s. ‘The idea of film noir’ explains the strong influence of the Surrealists on French attitudes toward the new American films. The first and most important book on film noir was A Panorama of the American Film Noir: 1941–1953, compiled by Raymond Borde and Etienne Chaumeton. They define noir in terms of five affective qualities typical of Surrealist art: oneiric, strange, erotic, ambivalent, and cruel. Film noir continued through the 1950s, 1960s, and 1970s, and forms of the genre have spread all around the world.
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Álvarez López, Cristina, and Adrian Martin. "To Attain the Text. But Which Text?" In Beyond the Essay Film. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789463728706_ch02.

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Raymond Bellour’s 1975 essay ‘The Unattainable Text’ has, in recent years, enjoyed new life as a founding text of the loose, global movement devoted to the making and theorizing of audiovisual essays. Where the film-text was once unattainable to scholars and artists, now we can get our hands on it thanks to the various technological waves that were once only a distant dream. However, there are challenges in Bellour’s text that are conveniently overlooked in its optimistic interpretation; in particular, the multiple meanings attached to the word text itself. Attaining this ‘text’ is not a straightforward procedure of downloading and re-editing digital files. What more is at stake that we need to make explicit today in discussing the audiovisual essay?
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Naremore, James. "2. The modernist crime novel and Hollywood noir." In Film Noir: A Very Short Introduction, 19–47. Oxford University Press, 2019. http://dx.doi.org/10.1093/actrade/9780198791744.003.0002.

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‘The modernist crime novel and Hollywood noir’ considers how an atmosphere of ‘modernism’ in 1940s American film noir is largely due to the ‘thriller genre’ in literature. Many aspects of modernity—the interest in subjectivity and multiple points of view, the unorthodox handling of time, the stripping away of genteel rhetoric, the critique of modernity, explicit sex, and fears of women—came together in film noir, but were a potential threat to the entertainment industry. The tension was evident in Hollywood adaptations of four influential crime writers and major contributors to film noir—Samuel Dashiell Hammett, Graham Greene, James M. Cain, and Raymond Chandler—whose work needed to be lightened or ameliorated.
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Conference papers on the topic "A Raymond (Firm)"

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Soares, Rita C. M., and Letícia M. Raposo. "Desempenho de ferramentas genotípicas e stacking na predição de tropismo do subtipo C do HIV-1." In Anais Estendidos do Simpósio Brasileiro de Computação Aplicada à Saúde. Sociedade Brasileira de Computação (SBC), 2020. http://dx.doi.org/10.5753/sbcas.2020.11565.

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Diversas ferramentas desenvolvidas para classificar o tropismo do HIV-1 foram projetadas com base em cepas do subtipo B e, portanto, podem não apresentar desempenhos satisfatórios para outros subtipos. O presente estudo avaliou o desempenho de algoritmos genotípicos na predição do tropismo do HIV-1 subtipo C e aplicou a técnica de stacking a fim de buscar um modelo com melhor desempenho. A Regra de Raymond apresentou melhor desempenho geral, porém o Geno2Pheno 0,20 teve maior sensibilidade. O modelo proposto apresentou desempenho igual ao Geno2Pheno 0,10, com sensibilidade e especificidade maiores que 90%. A técnica de stacking pode ser útil para melhorar a predição do tropismo sem novos testes.
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