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Relevant bibliographies by topics / Abbey, Edward

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Academic literature on the topic 'Abbey, Edward'

Author: Grafiati

Published: 4 June 2021

Last updated: 7 February 2022

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Journal articles on the topic "Abbey, Edward"

1

White, Melissa, and James M. Cahalan. "Edward Abbey: A Life." Environmental History 7, no. 4 (2002): 700. http://dx.doi.org/10.2307/3986077.

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Nelson, B. B. "Edward Abbey: A Life." Interdisciplinary Studies in Literature and Environment 11, no. 1 (2004): 269–70. http://dx.doi.org/10.1093/isle/11.1.269.

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Holliday, Shawn. "Edward Abbey: A Life." Appalachian Heritage 31, no. 2 (2003): 89–91. http://dx.doi.org/10.1353/aph.2003.0066.

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Cahalan, James M. "Edward Abbey, Appalachian Easterner." Western American Literature 31, no. 3 (1996): 233–53. http://dx.doi.org/10.1353/wal.1996.0105.

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Wise, James N. "Edward Abbey: A Life (review)." Criticism 44, no. 3 (2002): 314–17. http://dx.doi.org/10.1353/crt.2003.0010.

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Cahalan, J. M. "Edward Abbey. Matter Journal 13." Interdisciplinary Studies in Literature and Environment 18, no. 3 (2011): 682–83. http://dx.doi.org/10.1093/isle/isr061.

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Kleiman, Jordan. "Edward Abbey: A Life (review)." Technology and Culture 44, no. 1 (2003): 167–68. http://dx.doi.org/10.1353/tech.2003.0026.

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Jenkins, Starr. "Hayduke Lives! by Edward Abbey." Western American Literature 25, no. 4 (1991): 372–73. http://dx.doi.org/10.1353/wal.1991.0045.

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Bryant, Paul T. "Edward Abbey and Environmental Quixoticism." Western American Literature 24, no. 1 (1989): 37–43. http://dx.doi.org/10.1353/wal.1989.0141.

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Loeffler, Jack. "Edward Abbey, Anarchism and the Environment." Western American Literature 28, no. 1 (1993): 43–49. http://dx.doi.org/10.1353/wal.1993.0033.

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Dissertations / Theses on the topic "Abbey, Edward"

1

Jacobs, Pamela. "Unearthing the Spiritual Message in Edward Abbey's Desert Solitaire." Thesis, University of North Texas, 1998. https://digital.library.unt.edu/ark:/67531/metadc277699/.

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Unearthing Edward Abbey's spiritual philosophy is not an easy task. One must sift through Abbey's humor, sort through Cactus Ed's flamboyant character, look under the veneer of this character, and beyond Abbey's overt objective of convincing readers to defy the destruction of wilderness, and only then does the spiritual philosophy of Abbey become visible. To understand his perception of spirituality, one must define what constitutes a mystic and determine what American theological philosophies mystics tend to adopt. Once these are defined, one can apply those principles to Abbey's Desert Solit

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2

Johnston, Mark Warren. "Edward Abbey's D̲e̲s̲e̲r̲t̲ s̲o̲l̲i̲t̲a̲r̲e̲ it's relationship to the Bible /." Theological Research Exchange Network (TREN), 1990. http://www.tren.com.

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Feiten, Katherine T. "Environmentalism and memory the ethereal landscapes of Edward Abbey and Terry Tempest Williams /." Laramie, Wyo. : University of Wyoming, 2009. http://proquest.umi.com/pqdweb?did=2066589681&sid=5&Fmt=2&clientId=18949&RQT=309&VName=PQD.

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4

Mallory, Kevin D. "Attitudes of regard, dignity, mystery, and desire in Barry Lopez, Edward Abbey, and Annie Dillard." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/NQ48108.pdf.

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Nickl, Tyler Austin. "Farmer, Miner, Ranger, Writer: Interpreting Class and Work in the Writing of Wendell Berry and Edward Abbey." DigitalCommons@USU, 2012. https://digitalcommons.usu.edu/etd/1283.

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The writings of Wendell Berry and Edward Abbey are often read for their environmental ethics only. This approach blinds readers to the social significance of their texts. In order to recover some of that social significance, I read both writers' most popular works with an attention to how labor, occupation, and class are represented. The great array of material this approach uncovers demonstrates that nature cannot be considered apart from class and economy. Using four works by Wendell Berry--Hannah Coulter (2004), Remembering (1988), The Unsettling of America (1977), and Nathan Coulter (1960)

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6

Rogers, Kent Murray. "A rhetorical study of Edward Abbey's picaresque novel The fool's progress." CSUSB ScholarWorks, 2001. https://scholarworks.lib.csusb.edu/etd-project/2079.

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This thesis addresses this question of why Abbey employed such rhetoric and what resulting effects he hoped to achieve. Examining Abbey's rhetoric in terms of classical Western rhetorical traditions, the genre of the picaresque, and his own ideological stance can aid in understanding what his intentions are in this controversial work.

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7

Hilliard, Lyra. "Desert Solecisms: The Revitalization of Self and Community through Edward Abbey, the Cold War, and the Sacred Fire Circle." DigitalCommons@USU, 2009. https://digitalcommons.usu.edu/etd/481.

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This creative thesis is a braided narrative in which I explore the promised lands of Utah through my travels in the summer of 2008, the Cold War defense industry, and the early career of writer Edward Abbey. America's domestic and foreign policy shifts in the first decade of the Cold War contributed to the rise of modern environmentalism and to the creation of countless new religious movements in the late 1960s and early 1970s. To illustrate the cataclysmic upheavals of this era, each chapter of this thesis has been organized according to anthropologist Anthony F. C. Wallace's schema of revit

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Ryan, Michael C. "From the Wilderness Act to the Monkey Wrench Gang seeking wild nature in American environmental writing, 1964-1975 /." Ohio : Ohio University, 2007. http://www.ohiolink.edu/etd/view.cgi?ohiou1193230655.

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Hunt, Alexander J. "Narrating American space : literary cartography and the contemporary Southwest /." view abstract or download file of text, 2001. http://wwwlib.umi.com/cr/uoregon/fullcit?p3024517.

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Thesis (Ph. D.)--University of Oregon, 2001.<br>Typescript. Includes vita and abstract. Includes bibliographical references (leaves 239-250). Also available for download via the World Wide Web; free to University of Oregon users. Address: http://wwwlib.umi.com/cr/uoregon/fullcit?p3024517.

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Zacks, Cindy Lee Falsken. "Desert Solitaire: Using literature to develop a sense of place and stewardship of wilderness in high school students." CSUSB ScholarWorks, 2000. https://scholarworks.lib.csusb.edu/etd-project/1753.

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The Desert Solitaire curriculum was designed as a basis for exploring Edward Abbey's book, of the same name, in a high school field ecology class. Students read the book over a period of six weeks during the middle of the school year. Lessons were designed to aid students in exploring their home ecosystem, the Mojave Desert, via comparison with Arches National Monument as described in Desert Solitaire. This exploration fosters in students a sense of place and connection with their home environment. With little alteration, the curriculum can be used by students to examine their own ecosystem, e

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Books on the topic "Abbey, Edward"

1

Edward Abbey: A life. University of Arizona Press, 2001.

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2

Abbey, Edward. The best of Edward Abbey. 2nd ed. Sierra Club Books, 2005.

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Abbey, Edward. The best of Edward Abbey. Sierra Club Books, 1988.

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4

Ronald, Ann. The New West of Edward Abbey. 2nd ed. University of Nevada Press, 2000.

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5

Ronald, Ann. The new West of Edward Abbey. University of Nevada Press, 1988.

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6

Ökologie im Naturessay bei Edward Abbey. P. Lang, 1995.

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7

Abbey, Edward. Earth apples: Edward Abbey--collected poems = Pommes de terre. St. Martin's Griffin, 1995.

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8

Abbey, Edward. Earth apples = (Pommes des terre): The poetry of Edward Abbey. St. Martin's Press, 1994.

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9

Abbey, Edward. Confessions of a barbarian: Selections from the journals of Edward Abbey. Johnson Books, 2003.

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10

Loeffler, Jack. Adventures with Ed: A portrait of Abbey. University of New Mexico Press, 2002.

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Book chapters on the topic "Abbey, Edward"

1

Payne, Daniel G., and Richard S. Newman. "Edward Abbey (1927–1989)." In The Palgrave Environmental Reader. Palgrave Macmillan US, 2005. http://dx.doi.org/10.1007/978-1-349-73299-9_26.

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2

Dean, Joan FitzPatrick, and Radvan Markus. "The Internationalist Dramaturgy of Hilton Edwards and Micheál mac Liammóir." In Cultural Convergence. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-57562-5_2.

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Abstract In part because the Gate explored an experimental dramaturgy, its artistic directors Micheál mac Liammóir and Hilton Edwards often wrote, spoke and advocated for a drama that could move beyond realism. The analysis of Hilton Edwards’s dramatic commentary reaches from his early articles on dramaturgy right up to his encounter with the Berliner Ensemble in 1956 that influenced Edwards’s most elaborate statement on drama, The Mantle of Harlequin (1958). An important part of Edwards’s vision was his cosmopolitanism, his refusal to view drama within a restricted national framework. Nationality, on the other hand, was more important for the self-styled Irishman Micheál mac Liammóir. On close inspection, however, we find that his outlook did not differ much from Edwards’s. Mac Liammóir’s main concern was for Irish(-language) drama to absorb elements from abroad, to escape the straitjacket of Abbey realism and to become distinctive in a global context.

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3

Licence, Tom. "Dominion." In Edward the Confessor. Yale University Press, 2020. http://dx.doi.org/10.12987/yale/9780300211542.003.0006.

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This chapter recounts how London had recovered its Roman pre-eminence as the principal city of the realm since the days of Edward the Confessor's father. It explains that for Æthelred, his son Edmund, and Cnut, defence had been the key to controlling both halves of England, the English territory, and the Danish territory. It also looks into Edward's decision to re-found Westminster abbey because it occupied a delightful spot near Westminster and lay near the main channel of the river. The chapter analyzes the work on Westminster as a way to improve Edward's secular residence, which is seen as a possible distraction from the spiritual edifice that manifested Edward's piety. It also points out that Westminster is the perfect location Edward could proclaim his status as a European monarch, commanding a global network that brought him Asian silks, Andalusi carpets, and spices from the Arabian Sea.

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4

Austen, Jane. "Chapter VIII." In Northanger Abbey, Lady Susan, The Watsons, Sanditon. Oxford University Press, 2008. http://dx.doi.org/10.1093/owc/9780199535545.003.0046.

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The two Ladies continued walking together till rejoined by the others, who as they issued from the Library were followed by a young Whitby running off with five volumes under his arm to Sir Edward’s Gig—and Sir Edward approaching Charlotte, said ‘You may perceive...

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5

"St Edward the Confessor’s Chapel Pavement." In The Cosmatesque Mosaics of Westminster Abbey. Oxbow Books, 2019. http://dx.doi.org/10.2307/j.ctv13gvh7k.13.

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6

Garnett, George. "Edward the Confessor." In The Norman Conquest in English History. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198726166.003.0005.

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Chapter 4 shows how during John’s reign the baronial opposition appropriated the figure of the recently canonized Edward the Confessor, and used him as a standard against which to judge the current king. A key part was played by the London Collection of the Leges Anglorum, which compiled and in important respects elaborated and extended the compilations of Old English law codes made during the twelfth century. The Collection informed opposition thinking prior to the crisis which produced Magna Carta. The chapter also subjects to minute analysis two very unusual episodes recorded in thirteenth-century annals of provincial churches. First, the St Augustine’s, Canterbury account of Duke William’s having allowed the men of Kent, uniquely, to continue to use Old English Laws and customs. This episode is supposed to have taken place at Swanscombe Down in 1066. The second is the Burton Abbey account of what purports to be a dialogue between King John and a papal legate, allegedly in 1211. The nub of the dialogue is a disagreement about the role of Edward the Confessor. The chapter then shows how Henry III re-appropriated St Edward for the royal cause, but by emphasizing his saintliness rather than his alleged legislation. Henry focussed on the development of the cult, expressed in liturgical, artistic, and architectural terms, and focussed on the rebuilt Westminster Abbey. The chapter concludes with a brief envoi on the later medieval expression of the cult, especially under Richard II.

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7

"The Coronations of Edward VI, Mary I, and Elizabeth I, and the Transformation of the Tudor Monarchy." In Westminster Abbey Reformed. Routledge, 2018. http://dx.doi.org/10.4324/9781315198248-14.

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8

"The Shrine–Tomb of St Edward the Confessor, I:." In The Cosmatesque Mosaics of Westminster Abbey. Oxbow Books, 2019. http://dx.doi.org/10.2307/j.ctv13gvh7k.20.

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9

"The Shrine-Tomb of St Edward the Confessor, II:." In The Cosmatesque Mosaics of Westminster Abbey. Oxbow Books, 2019. http://dx.doi.org/10.2307/j.ctv13gvh7k.21.

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10

Austen, Jane. "Chapter VII." In Northanger Abbey, Lady Susan, The Watsons, Sanditon. Oxford University Press, 2008. http://dx.doi.org/10.1093/owc/9780199535545.003.0045.

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The popularity of the Parkers brought them some visitors the very next morning;—amongst them, Sir Edward Denham and his Sister, who having been at Sanditon H— drove on to pay their Compliments; and the duty of Letter-writing being accomplished, Charlotte was settled with Mrs....

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