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1

Fata, Ika Apriani, Bukhari Daud, Lussi Maunira, and Eka Wahjuningsih. "Linguistics Pattern on Acehnese Reduplicative System: Classifications and Meanings." OKARA: Jurnal Bahasa dan Sastra 16, no. 2 (2022): 195–214. http://dx.doi.org/10.19105/ojbs.v16i2.6326.

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The significance of reduplication in language studies was to construct a linguistics pattern. However, linguists tend to disregard the functions of individual creativity and the core language meaning-making approach at the discourse level. Therefore, we should investigate this intriguing topic more to describe the repetition of words. Many studies analyzed classification reduplication in Acehnese through documentation techniques, in contrast, this current study investigated classifications and meanings of reduplication in Acehnese through observation and interview. Sulaiman's paradigm as the framework stated that reduplication had three parts: complete, affix, and ablaut reduplication. In addition, the researchers used the Ali et al. framework, which suggested eight meanings of reduplication, mainly grammatical meanings. The findings revealed that full reduplication was the most common among the 100 data of utterances. Furthermore, the meanings of reduplications are to convey the collective and distributive meaning, to express resemblance, and to express simultaneously and continuously were not discovered. The current study looked at how people could use morphological perspectives on reduplication in community discussions. Acehnese reduplication may vanish.
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2

Ambarita, Esron, and Milisi Sembiring. "The Patterns of Ablaut Reduplication in Toba Batak: A Construction-Based Approach." REiLA : Journal of Research and Innovation in Language 7, no. 1 (2025): 29–44. https://doi.org/10.31849/reila.v7i1.17024.

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The study addresses a critical gap in morphological research by investigating the understudied patterns of ablaut reduplication in Toba Batak (TB), an endangered Austronesian language, through a construction-based approach. While ablaut reduplication has been widely examined in Indo-European languages like English and German, its manifestations in TB remain largely unexplored, despite the language’s cultural significance and vulnerability. This study fills this gap by employing a modified version of Halle’s (1973) generative morphology model, tailored to TB’s unique linguistic features, to analyze data collected from 12 native speakers in Samosir Regency. The findings reveal three distinct categories of ablaut reduplication in TB: verbal (VAR), nominal (NAR), and adjectival (AAR), each exhibiting specific vowel patterns. For instance, monosyllabic words typically alternate between [u]/[e] and [a]/[u], while disyllabic words follow a [u-a] to [a-I]/[a-u] sequence. Notably, the study demonstrates that TB’s ablaut reduplication is unproductive, lacking grammatical meaning and affixation, with lexical meaning derived solely from vowel alternations. The modified Hallean model, incorporating orthographic and phonological rules, proves effective in capturing these nuances, offering a novel framework for analyzing non-Indo-European languages. By documenting these patterns, the study not only enriches the understanding of TB’s morphological system but also contributes to broader linguistic typology and the preservation of endangered languages. The implications extend to applied fields such as language education and cultural revitalization, underscoring the urgency of safeguarding regional languages like TB amidst globalization. This research thus bridges theoretical linguistics and practical conservation efforts, advocating for further studies on underrepresented languages.
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3

Minkova, Donka. "Ablaut reduplication in English: the criss-crossing of prosody and verbal art." English Language and Linguistics 6, no. 1 (2002): 133–69. http://dx.doi.org/10.1017/s1360674302001077.

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The two properties that characterize Ablaut reduplication in English (chit-chat, dilly-dally) are: (1) identical vowel quantity in the stressed syllabic peaks, (2) maximally distinct vowel qualities in the two halves, with [i] appearing most commonly to the left and a low vowel to the right. In addition, Ablaut reduplicatives are described as having a trochaic contour, yet there is a great deal of uncertainty regarding the stress on the second part of the formation. Historically, Ablaut reduplication appeared long after Copy reduplication (boo-boo, yo-yo) and flourished during the Renaissance; its productivity declined sharply in the twentieth century.This article treats Ablaut reduplicatives as verbal art products, analogs of dipodic poetic meter. The naturalness of the template ensues from the interaction of conflicting segmental and prosodic constraints on identity and markedness. An independently established hierarchy blocks high back vowels from appearing in these forms. The height difference is a response to the principle of INTEREST which favors maximum perceptual differentiation between the stressed vowels. The linear ordering of the vowels correlates with domain-final lengthening. The ambiguity between compound stress and level stress that these words exhibit is related tentatively to the existence of a separate prosodic domain, a dipodic colon. The article provides Optimality-theoretic support for the analytical relevance of gradient phonetic properties and the relevance of the colon as a separate prosodic layer, and potentially enriches the taxonomy of metrical forms in English.
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4

Begimqulova, Dilobar. "COMPARATIVE ANALYSIS OF MORPHOLOGICAL EXPRESSION OF REDUPLICATE IN ENGLISH AND UZBEK LANGUAGES." International journal of word art 5, no. 3 (2022): 86–92. https://doi.org/10.5281/zenodo.6642484.

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The phenomenon of reduplicativeness plays an important role in the formation of new words in language, as it participates in the formation of a certain number of new words as a method of word formation. The phenomenon of reduplication exists in a large number of languages in the world language system, and it is activated in one form or another (phonetic, morphological, syntactic) in all languages. As the phenomenon of simple repetition, the hesitation is observed in almost all languages, and it is considered a phenomenon belonging to different linguistic levels. This article provides a comparative analysis of the morphological aspects of the formation of reduplicative units in English and Uzbek. The ideas have been proven by discussing a number of specific examples and their meanings.
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5

Jasanoff, Jay H. "From Reduplication to Ablaut: The Class VII Strong Verbs of Northwest Germanic." Historical Linguistics 120, no. 1 (2007): 241–84. http://dx.doi.org/10.13109/hisp.2007.120.1.241.

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6

Jasanoff, Jay H. "From Reduplication to Ablaut: The Class VII Strong Verbs of Northwest Germanic." Historical Linguistics 120, no. 1-2 (2007): 241–84. http://dx.doi.org/10.13109/hisp.2007.120.12.241.

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7

van de Weijer, Jeroen, Weiyun Wei, Yumeng Wang, Guangyuan Ren, and Yunyun Ran. "Words are constructions, too: A construction-based approach to English ablaut reduplication." Linguistics 58, no. 6 (2020): 1701–35. http://dx.doi.org/10.1515/ling-2020-0169.

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AbstractIn this article we present a new approach to words of the type zigzag, chitchat, etc. in English. Such words form a formal (phonological) and functional (semantic) pattern in English. We argue that this pattern should be analysed in a construction-based approach, which has clear advantages over other approaches, e.g. analyses involving extragrammaticality or a synchronically productive reduplication process. We propose to extend the construction-based approach beyond its original scope (syntactic constructions) to words that may even no longer be morphologically complex. Finally, we make a tentative suggestion about how the difference between productive and unproductive patterns could be captured in the construction-based approach.
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8

Kinash, L. Y. "Ways of coining reduplicated idioms." Bulletin of Luhansk Taras Shevchenko National University, no. 3 (341) (2021): 20–26. http://dx.doi.org/10.12958/2227-2844-2021-3(341)-20-26.

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The article focuses on the phenomenon of reduplication on the idiomatic level. Reduplicated idioms are characterized by emotional coloring, expressiveness and peculiar rhythmic melodies, they serve as a means of creating emotional expressions by giving some stylistic coloring to the context in which they are used. The groups of reduplicated idioms have been chosen from lexicographical sources, created by means of onomatopoeia, lexical repetitions in singular and plural, with linking elements (conjunctions, particles) or without them. Their belonging to the morphological class of nouns, verbs, adjectives in the comparative and superlative degree of comparison, numerals, pronouns and exclamations has been established. Their inherent positive and negative connotations, the correlation with various spheres of human activity have been proved. The way of creating reduplicated idioms has been demonstrated to be productive – the alternation of vowels and consonants at the beginning and at the end of the repetition. Such word-forming processes as conversion, affixation and reduplication have taken an active part in the creation of reduplicated idioms, and in most cases transformations of forms are accompanied by semantic derivation. It has been confirmed that the practical value of the study is, first of all, that the selected examples of reduplicated idioms can be used in classes on lexicology, stylistics and serve as material for further research. We see the prospect of further research in the study of the effectiveness of the affix potential for the creation of reduplicated idioms, particularly the use of ablaut reduplication, rhyming compounds, fully reduplicated echoic expressions in different discourses.
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9

Kusumawardhani, Paramita, and Eklesia Sihombing. "INFLECTIONAL MORPHEMES IN THE LYRICS OF THE CALUM SCOTT’S SONGS IN THE ALBUM, BRIDGES." JOURNAL OF LANGUAGE 6, no. 1 (2024): 192–200. http://dx.doi.org/10.30743/jol.v6i1.9188.

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Inflectional morphology is part of morphology which is the smallest significant unit of grammar. Morphology itself means the study of morphemes which are the smallest significant units of grammar. There are two parts in morphology here are: derivational morphology which is related to affixes such as suffixes, infixes, prefixes, ablaut and reduplication, meanwhile inflectional morphology which is related to plural, possessive, past time, progressive, and comparative and superlative. There are two kinds of morpheme; they are free morpheme and bound morpheme. Morpheme that can stand on their own are called free, and ones that cannot are bound. This research focused on inflectional morpheme in the lyrics of the Calum Scott’s Songs in the album Bridges. The lyrics in the album Bridges were used as the data of the research. Qualitative method was used as the method and the results were some inflectional morphemes found in the lyrics of the Calum Scott’s Songs in the album Bridges.
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10

Silalahi, Masriani Mery Rosmida, and Siwi Rakasiwi. "A Morphosyntactic Analysis on Narrative Writing of the Fresh Year Students’s of Management Informatics AMIK MEDICOM." Journal of Classroom Action Research 1, no. 2 (2022): 29–42. http://dx.doi.org/10.52622/jcar.v1i2.90.

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The purpose of the research is to analyze about morphology and sintactic structure in writing an English narrative essay. Morphology and Sintax are very important studies in learning English. Morphology is the study of how words are structured and how they are put together from smaller part, as morphemes are the smallest significant units of grammar. Meanwhile syntax discusses how sentences are structured. The purposes of this research are to cover the students morphosintactic errors operating on the students of the management informatics students’ narrative writing and how these errors affect the whole clause structure, the inflectional morphemes, derivational morphemes and the pattern of clause structure in the students narrative writing. The method used in this reserch is qualitative describtion where the data sources are taken from the fresh year students narrative writing. The finding revealse are two kinds of morphology, they are derivational and inflectional. Affixes such as suffixes, infixes, prefixes, ablaut and reduplication are kinds of derivational morphology, meanwhile plural, possessive, past time, progressive, comparative, and superlative are kinds of inflectional morphology. Syntactically, the errors occur becuse of not being aware how to build a phrase or a sentence in English. They write more than one verb in a phrase or a sentence which does not need but one. As well they are not sure about word order in English and how to build a simple sentence. They like to miss subject or object pronoun in their sentence. We can explain that by saying that all these forms do not exist in Bahasa Indonesia (Indonesian Language), resulting in the tendency for the students to omit or add these forms in their writing. Too many clauses in one sentence often occur in their sentece.
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11

Perridon, Harry. "Frans van Coetsem, Ablaut and Reduplication in the Germanic Verb (Alfred Bammesberger (Hrsg.) Untersuchungen zur vergleichenden Grammatik der germanischen Sprachen. 3. Band). - Carl Winter, Heidelberg 1990, 144 p. (ISBN 3-533-04266-9)." Amsterdamer Beiträge zur älteren Germanistik 36, no. 1 (1992): 221–26. http://dx.doi.org/10.1163/18756719-03601024.

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12

Ourn, Noeurng, and John Haiman. "Symmetrical Compounds in Khmer." Studies in Language 24, no. 3 (2000): 483–514. http://dx.doi.org/10.1075/sl.24.3.02our.

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Binomial coordinate compounds like English give and take are frequent in Khmer. Once the semantic motivation of these is opaque, the ones that survive are predominantly those which manifest some formal symmetry in the structure of their conjoined roots. The result is that Khmer has an enormous number of words like pell mell or zigzag, but, unlike the English examples, these have neither playful nor pejorative connotations. Moreover, the structural basis of their symmetry is neither rhyme, as in pell mell, nor ablaut, as in zigzag, but alliteration. A cursory survey of some other languages in which symmetrical reduplicative compounds exist reveals that alliteration is extremely rare outside of Southeast Asian languages. At the very least, the abundance of compounds of the spic and span type is an areal feature. But it may be that it correlates with an even more restricted typological feature as well. Khmer, like Thai, is an exclusively prefixing language. There is a well-known cognitive basis for preserving parallelism or symmetry in the backgrounded rather than the focussed portions of things that are brought together. It may be that this principle can account for the tendency to mark symmetry in the initial portion of words in a prefixing language.
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13

Kentner, Gerrit. "On the emergence of reduplication in German morphophonology." Zeitschrift für Sprachwissenschaft 36, no. 2 (2017). http://dx.doi.org/10.1515/zfs-2017-0010.

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AbstractThis paper discusses reduplication as a technique of word formation in German. In contrast to previous approaches, which consider reduplication as extra-grammatical and unproductive, this study identifies rhyme and ablaut reduplication as truly reduplicative processes in the morphology of German. A sizeable corpus of these reduplications and an acceptability rating study attest the productivity of this phenomenon. Other contemplable cases of reduplicative structures are properly treated as either phonological doubling, lexical sequencing, or (special cases of) compounding. An analysis in terms of Optimality Theory (OT) is offered which suggests that both rhyme and ablaut reduplication emerge when a segmentally and prosodically underspecified expressive morpheme is attached to a base – given that the base strictly obeys certain word prosodic requirements. The present approach considers the morphophonology to be blind to morphosyntactic structure and consequently eschews constraints that make explicit reference to base-reduplicant correspondence. The OT grammar successfully models the emergence of the fixed bipedal structure, the obligatory segmental deviance of the reduplicant, non-exponence of the expressive morpheme in the case of non-trochaic bases, the variable linearization of base and reduplicant in ablaut reduplication, and the interaction of reduplication with segmental alternations. Certain (crosslinguistic) correlations regarding constraints on reduplicative word formation and poetic devices, such as rhyme and meter, are discussed.
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14

Wivell, Grace, Veronica Miatto, Ayla Karakaş, Kalina Kostyszyn, and Lori Repetti. "All about ablaut: a typology of ablaut reduplicative structures." Linguistic Typology, May 23, 2024. http://dx.doi.org/10.1515/lingty-2023-0018.

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Abstract In this typological study, we identify 31 languages that have reduplication with a changed vowel, as in English tick-tock, referred to as ablaut reduplication. Cross-linguistically, this type of reduplication typically manifests as total reduplication with a changed vowel whose quality may or may not be fixed, and when it is not fixed the vowel differs maximally from the corresponding vowel in the base. The order of the copy relative to the base can be fixed or variable, and when it is variable the order enforces a language-specific vowel contour across the two components, such as a low vowel in the first constituent and a high vowel in the second, regardless of which constituent is the base. Furthermore, all cases of ablaut have strikingly similar semantics (playfulness, onomatopoeia, movement, etc.). We review previous treatments of the topic and outline the necessary components of a unified analysis that accommodates the typological patterns.
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15

Cristina, Bahón Arnaiz. "The Role of Ideophones: Phonological and Morphological Characteristics in Literature." International Journal of Business, Human and Social Sciences 12.0, no. 4 (2019). https://doi.org/10.5281/zenodo.2702536.

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Many Asian languages, such as Korean and Japanese, are well-known for their wide use of sound symbolic words or ideophones. This is a very particular characteristic which enriches its lexicon hugely. Ideophones are a class of sound symbolic words that utilize sound symbolism to express aspects, states, emotions, or conditions that can be experienced through the senses, such as shape, color, smell, action or movement. Ideophones have very particular characteristics in terms of sound symbolism and morphology, which distinguish them from other words. The phonological characteristics of ideophones are vowel ablaut or vowel gradation and consonant mutation. In the case of Korean, there are light vowels and dark vowels. Depending on the type of vowel that is used, the meaning will slightly change. Consonant mutation, also known as consonant ablaut, contributes to the level of intensity, emphasis, and volume of an expression. In addition to these phonological characteristics, there is one main morphological singularity, which is reduplication and it carries the meaning of continuity, repetition, intensity, emphasis, and plurality. All these characteristics play an important role in both linguistics and literature as they enhance the meaning of what is trying to be expressed with incredible semantic detail, expressiveness, and rhythm. The following study will analyze the ideophones used in a single paragraph of a Korean novel, which add incredible yet subtle detail to the meaning of the words, and advance the expressiveness and rhythm of the text. The results from analyzing one paragraph from a novel, after presenting the phonological and morphological characteristics of Korean ideophones, will evidence the important role that ideophones play in literature. 
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16

"Die Ablaute der 7. Reihe starker Verben im Nord- und Westgermanischen – Ursprung und Unterschiede in den Einzelsprachen." Beiträge zur Geschichte der deutschen Sprache und Literatur 134, no. 3 (2012): 307–29. http://dx.doi.org/10.1515/pbb-2012-0030.

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Abstract The Germanic accent shift led to the formation of new ablauts in reduplicating verbs with vocalic initials in North and West Germanic languages. These new ablauts then spread over the subclasses to which these verbs belonged on account of the inseparable relation between ablauts and stem forms. Based on reinterpretation of the relation between the newer monosyllabic and the older disyllabic past stems further ablauts were formed analogically by omitting the former root initials and contraction in the other subclasses. The differences of new ablauts among the languages are mainly due to the ablaut ē 1/ō of verba pura, vowel changes before and after contraction and analogical leveling.
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17

Green, Viola, and David Birdsong. "Binomials in English and French: ablaut, rhyme and syllable structure." Linguistics, February 27, 2024. http://dx.doi.org/10.1515/ling-2020-0115.

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Abstract Binomial expressions (e.g., hocus-pocus; dribs and drabs) are irreversible sequences of two types: reduplicative binomials (e.g., pitter-patter) and conjoined binomials (e.g., wheeling and dealing). Both types exhibit similar phonological features such as rhyme, alliteration and ablaut alternation. The present study investigates English and French speaker preferences for phonological templates in binomials. Elicitation of preferences was carried out using nonsense sequences exemplifying the templates Simple Rhyme (e.g., fiply-biply; fudette-budette), Complex Onset Rhyme (e.g., settip and slettip; ni cougui ni crougi), and Ablaut (e.g., gesky and gosky; fudette-fudotte), which were pitted against each other, e.g., gesky and gosky (Ablaut) versus gesky and glesky (Complex Onset Rhyme). Results of two experiments – the first involving nonce sequences containing disyllabic terms, the second involving nonsense items with monosyllabic constituents – reveal that English speakers prefer Simple Rhyme in items containing disyllabic constituents, and Ablaut for items containing monosyllabic terms. In contrast, French speakers prefer Ablaut in both the disyllabic term and the monosyllabic term conditions. In both experiments, Simple Rhyme is preferred to Complex Onset Rhyme. The experimental results for English align with statistical distributions of phonological templates in the Thun (1963. Reduplicative words in English: A study of formations of the types tick-tick, hurly-burly and shilly-shally. Lund: Carl Bloms) corpus of binomials. Our testing of English and French respondents further reveals that certain preferences are dissimilar across languages. Our findings lead us to propose that constraint rankings for reduplicatives in English and French under Optimality Theory should be sensitive to the number of syllables in constituent terms. In sum, the study of binomial expressions is enhanced by experimental evidence of speakers’ preferences when presented with competing sequencing patterns.
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