Dissertations / Theses: 'Abri de culture'

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Collange, Béatrice. "Vers une Gestion Agronomique des Bioagresseurs Telluriques en Maraîchage sous Abri : Evaluation de Systèmes de Culture." Thesis, Aix-Marseille 2, 2011. http://www.theses.fr/2011AIX22032.

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Du fait de la réduction de l'usage des produits phytosanitaires, les bioagresseurs du sol, notamment les champignons Sclerotinia et les nématodes à galles Meloidogyne, sont de plus en plus préoccupants en maraîchage sous abri. Des techniques alternatives existent, mais leurs efficacités partielles et variables nécessitent la recherche de nouvelles stratégies pour leur gestion.Cette étude vise à déterminer l'intérêt de combiner deux techniques, la solarisation et l'engrais vert (Sorgho sudanense) et les influences des successions culturales et des fréquences d'utilisation de ces techniques sur leurs efficacités.Pour cela, un dispositif en parcelles de producteurs a permis de suivre l'évolution des incidences et sévérités de Sclerotinia et Meloidogyne dans différents systèmes de culture.Les effets des cultures de melon sont prédominants sur ceux des techniques alternatives, de façon opposée pour ces deux bioagresseurs. Les successions incluant du melon favorisent les plus fortes attaques de Meloidogyne alors qu'elles réduisent celles de Sclerotinia. Pour ce pathogène, l'utilisation de solarisation tous les ans ou un an sur deux en combinaison avec l'engrais vert en assure le contrôle le plus efficace. Par contre, la culture de melon étant très sensible à Meloidogyne, elle masque les effets des techniques alternatives.Des propositions d'amélioration de systèmes de culture, basées sur la modification des fréquences de culture du melon et sur l'optimisation de l'usage des techniques alternatives, ont été faites pour la gestion commune de Sclerotinia et Meloidogyne.Ces résultats montrent les interactions entre les différentes pratiques culturales utilisées sur une parcelle et l'intérêt des études agronomiques systémiques. De plus, les effets opposés observés d'un même système de culture soulignent l'intérêt d'études multi-bioagresseurs, pour ne pas faire de propositions qui résolvent un problème mais en aggravent d'autres
In the current context of the reduction of pesticide use, soilborne pests and diseases, and especially the fungi Sclerotinia and the root-knot nematodes Meloidogyne, become more and more worrying in vegetable production under shelter in Southern France. Alternative techniques exist, but their partial and varying efficiencies require the search for new strategies of management of these pests and diseases fit for producers.Therefore, the aim of this study is to determine the benefit of combinations of two techniques, soil solarisation and green manure (Sorghum sudanense). It is also to determine the influences of crop successions and frequences of these techniques on their individual efficiencies.To this effect, a setup of producers' plots has been designed. The spatiotemporal evolution of incidences and severities of Sclerotinia and Meloidogyne in several cropping systems has been observed on this setup.The presence of a melon crop has a major influence on the efficiency of the alternative techniques. Opposite effects for the two considered pests and diseases appeared. Crops successions with melon are most favourable to highest infestations of Meloidogyne whereas, Sclerotinia infections are reduced. For this pathogen, a solarisation every year or every two years ensures the most effective control. On the contrary, in the case of Meloidogyne, the melon crop is very sensitive to this pest, a characteristic that masks the positive effects of alternative techniques

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Sway, Cortés Ricardo. "Proposition d'une méthode pour la représentation et l'interprétation de la dynamique de projets socio-techniques en agronomie : application au cas des serres." Montpellier, ENSA, 2003. http://www.theses.fr/2003ENSA0015.

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Au moyen d'une démarche de recherche qualitative, un outil d'analyse et de représentation de la dynamique des projets socio-techniques dans le monde agricole, cas des serres en particulier, a été construit. Il a la forme d'un tableau de bord avec quatre indices : le temps physique et les phases du projet, la représentation graphique du réseau d'acteurs et de leurs liens, la caractérisation et l'analyse de ce réseau, et finalement la dynamique du projet. Cet outil a été confronté à un cas de projet socio-technique, le projet «abris froids» en Agenais. Le tableau de bord répond aux principaux objectifs de cette recherche: tous les acteurs du projet socio-technique y trouvent une place, les liens formels, de compétition et de conflit y apparaissent, la dynamique du projet est dûment représentée, aussi bien par l'évolution des différents indices le long du développement du projet, que par le diagramme de la trajectoire du projet qui illustre la distance à la situation finale envisagée
By means of a qualitative method of research, a device has been developed for the analysis and representation of the dynamics of socio-technical projects on agriculture, particularly on greenhouses. It consists of a control panel with four indicators: the physical time and the project phases, the graphical representation of the actors network and links, the characterization and analysis of such network, and finally the project dynamics. The device has been tested in a real case of socio-technical project known as "cold shelters", carried out in the region of Agen, France. The control panel fulfils the initial objectives of this research work: it gathers ail the actors of the project. It also gathers the formal relations as well as those in competition and relations of conflict. Finally, it represents the dynamics of the project in two different but complementary ways, by comparison of the indicators between stages of the project and in respect of the desired target

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Van, Sterthem Annie. "Influence des minis tunnels sur le développement et la productivité des fraisiers aphotopériodiques." Thesis, Université Laval, 2013. http://www.theses.ulaval.ca/2013/29704/29704.pdf.

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L’utilisation de minis tunnels pour la culture du fraisier aphotopériodique «Seascape», en première année de production, a été évaluée au cours d’une expérience réalisée en 2010 et 2011 à l’Île d’Orléans (Québec). L’influence des minis tunnels, ainsi que de différents films de polyéthylène (standards, thermiques #1 et #2 et Voen) et de niveaux d’aération (0%, 1% et 2%) sur le développement et la productivité des fraisiers ont été déterminées. Des différences significatives au niveau de la croissance, des rendements et du contenu en solides solubles ont été mesurées en 2011 seulement, saison caractérisée par un temps frais et pluvieux. Au printemps, l’émergence des feuilles et des fleurs a été plus rapide sous minis tunnels, mais les fraisiers n’ont pas donné de rendements plus hâtifs qu’en plein champ. À l’automne, les minis tunnels ont offert plus de rendements vendables, mais n’ont pas allongé la période de production. En général, les différents films de polyéthylène et les niveaux d’aération évalués n’ont pas présenté de différences significatives pour l’ensemble des paramètres mesurés.

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Gay, Frédéric. "Elaboration d'une méthode d'évaluation des risques de pollution nitrique et des pertes de rendement en parcelles agricoles : application à la gestion des irrigations en culture de laitues sous abri froid." Montpellier, ENSA, 2002. http://www.theses.fr/2002ENSA0021.

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Medina, Ysela. "Influence de différents paillis de plastique sur le microclimat, l'activité photosynthétique, la productivité et la qualité des fruits de fraisiers (var. Seascape) cultivés sous grands tunnels." Thesis, Université Laval, 2008. http://www.theses.ulaval.ca/2008/25518/25518.pdf.

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Raymond, Bayne Sarah-Ann. "Effets des bâches réfléchissantes, du type de palissage, de la densité, et du pinçage des tiges, sur la productivité du framboisier annuel (Rubus daeus L. cv. Autumn Britten) cultivé sous grands tunnels." Master's thesis, Université Laval, 2012. http://hdl.handle.net/20.500.11794/23314.

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Une expérience a été menée en 2009 et 2010 à l'Ile d'Orléans, Québec, Canada, pour déterminer l'effet des bâches réfléchissantes Extenday™, de deux types de palissage (V et haie simple), de quatre densités (12, 18, 24, et 30 tiges/m linéaire), et du pinçage des tiges, sur la productivité du framboisier annuel 'Autumn Britten' (Rubus idaeus L.) cultivé sous tunnels. Ce projet démontre pour la première fois qu'il est possible d'augmenter le rendement du framboisier grâce aux bâches réfléchissantes, et ce jusqu'à 36%. Aucune différence significative n'a été observée entre les rendements des deux types de palissage, mais le palissage en V a permis une précocité de la récolte. Le pinçage a causé un retard d'une semaine dans la mise à fruit, mais n'a pas diminué le rendement. Les plants pinces étaient plus courts, et la récolte a été facilitée. Aucune différence significative n'a été observée entre les quatre densités pour le rendement/unité de surface d'Autumn Britten'.

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Xu, Qihe. "Growth and yield of red raspberries cultivated under open field condition vs. high tunnel or rain shelter in the northern canadian climate." Doctoral thesis, Université Laval, 2016. http://hdl.handle.net/20.500.11794/27084.

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La culture sous abris avec des infrastructures de type grands tunnels est une nouvelle technologie permettant d’améliorer la production de framboises rouges sous des climats nordiques. L’objectif principal de ce projet de doctorat était d'étudier les performances de ces technologies (grands tunnels vs. abris parapluie de type Voen, en comparaison à la culture en plein champ) et leur effets sur le microclimat, la photosynthèse, la croissance des plantes et le rendement en fruits pour les deux types de framboisiers non-remontants et remontants (Rubus idaeus, L.). Puisque les pratiques culturales doivent être adaptées aux différents environnements de culture, la taille d'été (pour le cultivar non-remontant), l’optimisation de la densité des tiges (pour le cultivar remontant) et l’utilisation de bâches réfléchissantes (pour les deux types des framboisiers) ont été étudiées sous grands tunnels, abris Voen vs. en plein champ. Les plants cultivés sous grands tunnels produisent en moyenne 1,2 et 1,5 fois le rendement en fruits commercialisables que ceux cultivés sous abri Voen pour le cv. non-remontant ‘Jeanne d'Orléans’ et le cv. remontant ‘Polka’, respectivement. Comparativement aux framboisiers cultivés aux champs, le rendement en fruits des plants sous grands tunnels était plus du double pour le cv. ‘Jeanne d’Orléans’ et près du triple pour le cv. ‘Polka’. L’utilisation de bâches réfléchissantes a entrainé un gain significatif sur le rendement en fruits de 12% pour le cv. ‘Jeanne d’Orléans’ et de 17% pour le cv. ‘Polka’. La taille des premières ou deuxièmes pousses a significativement amélioré le rendement en fruits du cv. ‘Jeanne d'Orléans’ de 26% en moyenne par rapport aux framboisiers non taillés. Des augmentations significatives du rendement en fruits de 43% et 71% du cv. ‘Polka’ ont été mesurées avec l’accroissement de la densité à 4 et 6 tiges par pot respectivement, comparativement à deux tiges par pot. Au cours de la période de fructification du cv. ‘Jeanne d'Orléans’, les bâches réfléchissantes ont augmenté significativement la densité de flux photonique photosynthétique (DFPP) réfléchie à la canopée inférieure de 80% en plein champ et de 60% sous grands tunnels, comparativement à seulement 14% sous abri Voen. Durant la saison de fructification du cv. ‘Polka’, un effet positif de bâches sur la lumière réfléchie (jusqu’à 42%) a été mesuré seulement en plein champ. Dans tous les cas, les bâches réfléchissantes n’ont présenté aucun effet significatif sur la DFPP incidente foliaire totale et la photosynthèse. Pour le cv. ‘Jeanne d'Orléans’, la DFPP incidente sur la feuille a été atténuée d’environ 46% sous le deux types de revêtement par rapport au plein champ. Par conséquent, la photosynthèse a été réduite en moyenne de 43% sous grands tunnels et de 17% sous abris Voen. Des effets similaires ont été mesurés pour la DFPP incidente et la photosynthèse avec le cv. Polka. En dépit du taux de photosynthèse des feuilles individuelles systématiquement inférieur à ceux mesurés pour les plants cultivés aux champs, la photosynthèse de la plante entière sous grands tunnels était de 51% supérieure à celle observée au champ pour le cv. ‘Jeanne d’Orléans’, et 46% plus élevée pour le cv. ‘Polka’. Ces résultats s’expliquent par une plus grande (près du double) surface foliaire pour les plants cultivés sous tunnels, qui a compensé pour le plus faible taux de photosynthèse par unité de surface foliaire. Les températures supra-optimales des feuilles mesurées sous grands tunnels (6.6°C plus élevé en moyenne que dans le champ), ainsi que l’atténuation de la DFPP incidente (env. 43%) par les revêtements de tunnels ont contribué à réduire le taux de photosynthèse par unité de surface foliaire. La photosynthèse de la canopée entière était étroitement corrélée avec le rendement en fruits pour les deux types de framboisiers rouges cultivés sous grands tunnels ou en plein champ.
Protected culture such as high tunnels is a new technology to improve red raspberry crop production under Northern climates as found in Quebec, Canada. The main objective of this Ph.D. research was to assess the performance of high tunnels vs. Voen shelters, a novel umbrella-shaped cover structure, in comparison to open field cultivation, in terms of microclimate, photosynthetic performance, plant growth, and fruit yield for both floricane- and primocane-fruiting types of red raspberries (Rubus idaeus, L.). As cultural management practices need to be tailored to the different modified growing environments, relevant practices like summer pruning (for floricane-fruiting cultivar), cane density optimization (for primocane-fruiting cultivar) and reflective mulch (for both fruiting types) were tested under high tunnel and Voen shelter vs. open field. Plants grown under high tunnel produced on average 1.2 and 1.5 times more marketable fruit yield than under Voen shelter for floricane-fruiting cv. ‘Jeanne d’Orléans’ and primocane-fruiting cv. ‘Polka’, respectively. Compared to plants grown in open field, the fruit yield of high tunnel-grown plants was more than double for cv. ‘Jeanne d’Orléans’ and almost three times higher for cv. ‘Polka’. The use of reflective mulch had a significant positive effect on fruit yield, namely 12% for cv. ‘Jeanne d’Orléans’ and 17% for cv. ‘Polka’. Pruning the first or second flush of stems from the rhizome significantly improved fruit yield of cv. ‘Jeanne d’Orléans’ by 26% on average compared to unpruned plants. As cane density increased, the fruit yield of cv. ‘Polka’ increased significantly, namely by 43% and 71% for a cane density of 4 and 6 canes per pot, respectively, as compared to the standard lower cane density of 2 canes per pot. During the fruiting period of cv. ‘Jeanne d’Orléans’, reflective ground cover significantly increased the photosynthetic photon flux density (PPFD) reflected to the lower canopy by 80% in open field and 60% under high tunnel, compared to only 14% under Voen shelter. During the fruiting season of cv. ‘Polka’, a positive reflective mulch effect on the reflected light (up to 42%) was only found in open field. In all cases, ground cover had no significant effect on the total leaf PPFD and photosynthesis under any growing conditions. For cv. ‘Jeanne d’Orléans’, the leaf PPFD was attenuated by approx. 46% under both types of protective covering compared to open field. Correspondingly, photosynthesis was on average reduced by 43% under high tunnel and by 17% under Voen shelter. Cultivar ‘Polka’ plants shared a similar growing condition effects on leaf PPFD and photosynthesis. Despite the fact that lower individual leaf photosynthetic rates were consistently measured in tunnel-grown plants, once leaf-level photosynthesis was scaled up to the whole canopy, the photosynthetic production of tunnel-grown plants was found to be 51% higher than that observed in open field for cv. ‘Jeanne d’Orléans’, and 46% higher for cv. ‘Polka’. This was explained by the greater (nearly twice) leaf area of tunnel-grown plants, which compensated for their lower photosynthetic rate per unit leaf area, the latter being caused by the supra-optimal leaf temperatures found under high tunnel (6.6°C higher on average than in open field) as well as the attenuation of the leaf PPFD (approx. 43%) by the tunnel coverings. Whole-canopy photosynthesis was positively correlated with fruit yield for both fruiting types of red raspberry, whether cultivated under high tunnel or in open field.

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Landry, Guy-Anne. "Influence de bâches plastiques réfléchissantes, du mode de palissage et de la densité de tiges sur le rendement de framboisiers remontants (cv. 'Autumn Britten') cultivés sous grands tunnels." Thesis, Université Laval, 2011. http://www.theses.ulaval.ca/2011/28631/28631.pdf.

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Agsous, Safia. "Stratigraphie et sédimentologie de l'abri Pataud (Les Eyzies de Tayac, Dordogne, France) : contribution à l'étude des paléoenvironnements des cultures du paléolithique supérieur ancien du Périgord." Paris, Muséum national d'histoire naturelle, 2008. http://www.theses.fr/2008MNHN0035.

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Le site préhistorique de l’abri Pataud constitue une référence internationale pour les cultures matérielles de la première partie du Paléolithique supérieur français. Une importante séquence stratigraphique a été mise à jour. Quatorze niveaux archéologiques y avaient été identifiés : 9 niveaux aurignaciens, 4 niveaux gravettiens et 1 niveau solutréen. L’abri Pataud est le seul site français à offrir une séquence complète des cultures datant de cette période, entre 34 000 et 20 000 ans B. P. (fin du stade isotopique 3 et première moitié du stade isotopique 2). L’étude lithostratigraphique, sédimentologique et micromorphologique du site ont permis de reconnaître les processus dynamiques ayant mis en place le remplissage de l’abri et d’appréhender l’impact de ces processus sur la formation des niveaux archéologiques. Trois principales sources d’apports sont identifiées : le calcaire encaissant, un cône détritique qui pénètre l’abri par le sud et les apports éoliens. L’éboulisation et la solifluxion sont les principaux mécanismes qui ont participé à l’accrétion du remplissage. Le ruissellement et les apports éoliens jouent un rôle minoritaire. L’implication paléoenvironnementale de chaque processus reconnu est discutée. L’interprétation paléoenvironnementale a permis de caler la séquence de Pataud aux évènements climatiques globaux et de proposer un essai de corrélation avec deux autres sites du Sud-Ouest de la France. Cette interprétation montre que la séquence de l’abri Pataud est un bon enregistreur paléoenvironnemental et de ce fait peut être considéré comme une séquence de référence pour la période concernée
The prehistoric site of Abri Pataud is an international reference for material cultures of the first period of the French Upper Paleolithic. An import stratigraphic sequence was discovered in which fourteen archeological levels were identified : 9 aurignacian levels, 4 gravettian levels and 1 solutrean level. L’abri Pataud is the only French site which provides a complete sequence of cultures from this period, between 34 000 and 20 000 years B. P. (the end of the OIS 3 and first half of OIS 2). The lithostratographical, sedimentological and micromorphological study of the site led to the recognition of sedimentary processes and to the understanding of the impact of these processes on the development of archeological levels. Three principal sedimentary sources are identified as : the limestone country, a detrital cone which seeps inside the rock shelter from the south, and the contribution of the wind. Debris fall and solifluxion are the main mechanisms which are responsible for the accretion of the sedimentation. The contribution of runoff and wind play a minor role. The paleoenvironmental role of each known process is discussed. The paleoenvironmental analysis enabled the alignment of the Pataud sequence with global climate events and hence to propose a correlation with two other sites in the southwest of France. This study shows that the abri Pataud sequence is a good paleoenvironmental record and that therefore it can be considered to be a reference sequence for the given period

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Lima, Íris Teresa Pires. "Descendentes de cabo-verdianos e angolanos após o 25 de Abril: identidade pessoal e cultural." Master's thesis, Instituto Superior de Ciências Sociais e Políticas, 2013. http://hdl.handle.net/10400.5/6578.

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Tese de Mestrado em Política Social
A geopolítica mundial, após a 2ª Guerra Mundial “obrigou” vários países a aceitar a descolonização. No caso das colónias portuguesas e após anos de guerra colonial, o 25 de Abril originou a saída das tropas portuguesas levando à independência e em algumas colónias à guerra civil. A vinda de imigrantes e refugiados provenientes das ex-colónias, em específico de Angola e Cabo-Verde, para Portugal, provocou mudanças sociais e culturais, não só na sociedade de acolhimento, mas no próprio indivíduo acolhido. Angola e Cabo-Verde têm uma identidade subjacente ao seu país, às pessoas que o compõem e ao próprio processo de colonização. A cabo-verdianidade ou a angolanidade são exemplos de formas de estar características desses países que se definem por aspetos específicos da sua cultura. A mudança para Portugal trás um novo contexto social e o indivíduo acolhido é sujeito ao processo de aculturação, em que a assimilação de uma nova realidade cultural e social pode ter impacto na identidade pessoal e cultural do indivíduo, sendo a família, a escola e as instituições sociais fatores importantes na construção do Eu relacionado com o Tu. Os testemunhos reais recolhidos para este estudo pretendem perceber o impacto do novo contexto social nos indivíduos entrevistados.
The geopolitical world, after the 2nd World War "forced" to accept various countries decolonization. In the case of the Portuguese colonies and after years of colonial war, April 25 forced the departure of the Portuguese troops leading to independence and in some colonies to civil war. The arrival of many immigrants and refugees from the former colonies, in particular from Angola and Cape Verde to Portugal caused social and cultural changes, not only in the host society, but the individual himself. Angola and Cape Verde have an identity behind his country, the people who make up and to the process of colonization. The cabo-verdianidade or angolanidade are examples of ways to be characteristics of those countries, which are defined by specific aspects of their culture. Moving to Portugal behind a new social context and the individual is accepted subject to the process of acculturation, assimilation into a new cultural and social reality can impact personal and cultural identity of the individual, the family and the school and social institutions are important factors in the construction of an I related to a you. The testimonials collected for this study are intended to realize the impact of the new social context in the individuals interviewed.

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Mota, Rosiane Dias. "“Senhor dono da casa, se não for muito custoso, vem abrir a vossa porta que nós viemos de pouso”: as territorialidades produzidas pelos Grupos das Folias de Reis em Goiânia." Universidade Federal de Goiás, 2011. http://repositorio.bc.ufg.br/tede/handle/tede/5360.

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Conselho Nacional de Pesquisa e Desenvolvimento Científico e Tecnológico - CNPq
This current research examines the territorialities which emerge from the relations established in the presentations and meetings of the ‘Giros of Folias de Reis’ in Goiânia. This binomial cultural-religious manifestation consists of an after Christmas seasonal Catholic popular festivity, which is permeated with Christian rites, beliefs and memories. ‘Giros of Folias’ are, therefore, collective walks practiced by specific fancily-dressed festive groups. Symbolically, ‘giros’ means the Christ walks, and ‘Folias’ represents the ‘Three Kings celebration’. The research has its conceptual and theoretical approaches within the Cultural Geography realm. It seeks to have readings on the meanings of these expressions of popular culture. The ‘Folias de Reis’ produce "inscriptions" in space and time (territory, territoriality, identity), which become part of symbolic landscapes. The territorial relations and symbolic landscapes produced by the ‘Folias de Reis’, even within different realities and contexts, do not have their essence, such as devotion and tradition, changed. These festive groups adapt themselves, or have physical and structural modifications, depending on the situation in which they become part of, but their devotion gets strengthened every time they practice the ‘Giros’. The theoretical and methodological aspects used in the research are based, but not limited to, on the contributions of Adams (2005, 2006, 2010) who debates the territorial relations within the Cultural Geography domain; on the work of Geertz (2001), who addresses conceptual approaches related to ‘culture’; on the insights of Hobsbawm (1997) who provides a reflection on two types of tradition: real and invented one; and, on the work of Cosgrove (2004), who discusses the symbolic landscapes and its reading. For this investigation, the used methodological procedures and tools were: literature review, documented material, fieldwork, maps production, and data analysis. The findings reveal that the “Folia de Reis” entails a festivity replete with social relations which, per se, put in evidence – during the “Giros” - , a symbolic universe composed of rural elements, but, in this particular case, celebrated in an urban environment. The territorialities and cultural landscapes are then produced during the festival with the songs and the hospitality of the festive groups, and it is an event which takes place cyclically according to a Christmas event calendar of Goiania.
permeada de ritos, crenças e lembranças. A presente investigação, apoiada na abordagem da geografia cultural, tem como objetivo analisar as territorialidades que emergem pelas relações estabelecidas nos “giros”, apresentações e encontros de Folias de Reis na cidade de Goiânia, bem como obter uma leitura dos significados destas como manifestação e expressão da cultura popular. As Folias de Reis produzem “marcas” no espaço-tempo (território, territorialidades, identidades) que se configuram em paisagens simbólicas. As relações territoriais e as paisagens simbólicas produzidas pelas Folias de Reis, mesmo em diferentes realidades, não modificam sua essência de devoção e tradição. Esses grupos se adaptam ou sofrem modificações físicas e estruturais de acordo com a situação em que se inserem, mas o sentido devocional se mantém e se fortalece a cada cantoria. Os aspectos teórico-metodológicos utilizados no desenvolvimento desta têm como base, entre outras, às contribuições de Almeida (2005; 2006; 2010), que discute relações territoriais no âmbito da geografia cultural; de Geertz (2001), o qual aborda questões conceituais referentes à cultura; de Hobsbawn (1997), com uma reflexão acerca da tradição genuína e inventada; e de Cosgrove (2004), que discute as paisagens simbólicas e sua leitura. Utilizou-se, como procedimentos metodológicos, levantamento bibliográfico, pesquisa documental, trabalho de campo, tratamento de dados, produção de mapas, entre outros. Conclui-se que a Folia de Reis consiste em uma festa permeada de relações sociais que evidenciam, durante os “giros”, um universo simbólico dotado de elementos rurais no meio urbano da Capital. São nas celebrações, cantorias e na hospitalidade dos foliões, que são produzidas pelas folias, as territorialidades e as paisagens culturais presentes no calendário festivo do ciclo natalino da cidade.

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Mogendorff, Janine Regina. "A cidade ofertada pelo jornalismo cultural : análise da coluna Seleção da semana de O Estado de S. Paulo (abril-setembro de 2012)." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2013. http://hdl.handle.net/10183/77927.

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Esta dissertação analisa que cidade é oferecida pelo jornalismo cultural a partir da perspectiva da urbe como mercadoria. Para problematizar a questão, nossa escolha recaiu sobre o estudo da coluna Seleção da semana, do Caderno 2 de O Estado de S. Paulo. Primeiramente fizemos um percurso teórico que teve início no cruzamento entre o nascimento do jornalismo e a expansão das cidades, para então desenvolver o conceito de jornalismo cultural, um produto próprio das cidades em um contexto nascente de consumo cultural. A cidade é então o lugar da cultura e da comunicação; o jornalismo, por sua vez, como uma construção da realidade, é um intermediário desse sistema cultural. As transformações sociais, políticas e econômicas do século XX alçaram as cidades como protagonistas do cenário global e consolidaram práticas de mercantilização da cultura, passando o consumo a ser um referencial de identidade. Após o aprofundamento teórico, na segunda parte da nossa pesquisa nos debruçamos sobre 27 edições da coluna Seleção da semana, totalizando um universo de 162 textos. Por meio da análise de conteúdo, buscamos identificar que tipo de produção cultural circula pela coluna, em que lugares de São Paulo a cultura acontece e, tendo respondido a isso, verificar a existência de um mapa de consumo da cultura na cidade. A partir dessa análise verificamos que o jornalismo cultural mostra uma cidade que reúne um mundo dentro de si e que é um lugar de convergência da cultura, fazendo jus a título de uma das doze capitais culturais do mundo.
This Master’s degree final work examines which city is offered by cultural journalism from the perspective of the metropolis as a commodity. To discuss this issue, our choice fell on the study of Seleção da semana section, from Caderno 2 of O Estado de S. Paulo newspaper. First we did a theoretical course which began at the intersection between the birth of Journalism and the expansion of cities, and then we developed the concept of Cultural Journalism, itself a product of the rising cities in a context of cultural consumption. Then, the city is the place of culture and communication, Journalism, in turn, as a construction of reality, is an intermediate in this cultural system. The social, political and economic changes in the twentieth century took up the cities as protagonists of global and consolidated practices of culture commercialization, turning consumption into a referential identity. After the theoretical study, at the second part of our research we analyzed 27 editions on Seleção da semana section, in a universe of 162 texts. Through content analysis, we seek to identify which kind of cultural production flows through the section, in which places of São Paulo culture happens and, having the answer to this, we found a map of consumer culture in the city. From this analysis we found that Cultural Journalism shows a city that brings together a world within itself, and that is a place of convergence culture, living up to the title of the twelve cultural capitals of the world.
Esta tesina analiza qué ciudad es oferecida por el periodismo cultural desde el punto de vista de la metrópoli como mercancía. Para discutir el tema, nuestra elección recayó en el estudio de la columna Seleção da semana, Caderno 2 de O Estado de S. Paulo. Primero hicimos un recorrido teórico que se inició en la intersección entre el nacimiento del periodismo y la expansión de las ciudades y a continuación desarrollamos el concepto de periodismo cultural, un producto propio de las ciudades en un contexto naciente de consumo cultural. La ciudad es entonces el lugar de la cultura y de la comunicación, el periodismo, a su vez, como una construcción de la realidad, es un intermediario de ese sistema cultural. Los cambios sociales, políticos y económicos del siglo XX elevaron las ciudades como protagonistas de un escenario global y se profundizaron las prácticas de mercantilización de la cultura, pasando el consumo a ser un referencial de identidad. Después del estudio teórico, en la segunda parte de nuestra investigación nos concentramos sobre 27 ediciones de la columna Seleção da semana, para un universo total de 162 textos. A través del análisis de contenido, tratamos de identificar qué tipo de producción cultural circula por la columna, en qué lugares de São Paulo ocurre y respondiendo a eso, comprobar la existencia de un mapa de consumo de la cultura de la ciudad. A partir de este análisis verificamos que el periodismo cultural muestra una ciudad que reúne un mundo dentro de sí misma y que es un lugar de convergencia de la cultura, haciendo justicia al título de una de las doce capitales culturales del mundo.

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Cassard, Laura. "Systèmes de production céramique des premiers paysans du domaine liguro-provençal (VIème millénaire BCE) : Traditions techniques des décors." Thesis, Université Côte d'Azur, 2020. http://www.theses.fr/2020COAZ2030.

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La diffusion et l’évolution du Néolithique au cours du VIème millénaire en Méditerranée nord-occidentale ont été particulièrement étudiées à partir de la décoration des céramiques, perçue comme un des principaux « fossiles directeurs » utilisés pour définir les cadres chrono-culturels. Ornées majoritairement par impression, les poteries illustrent un fort polymorphisme qui relève de l’interaction de groupes aux traditions techniques différentes. Les approches stylistiques et technologiques de la décoration mises en œuvre jusqu’à présent ont permis de définir les diverses entités à l’œuvre à l’échelle de l’aire culturelle, mais peinent à établir une phylogénie fine des modes décoratifs à l’échelle régionale et locale.Cette thèse s’est attachée à renouveler la méthode d’analyse des décors à l’échelle du site. Chaque maillon de la chaîne opératoire décorative a été décomposé et décrit afin de restituer la dynamique générale du décor. La démarche, fondée sur l’imagerie tridimensionnelle et l’expérimentation, offre des démonstrations pertinentes et quantifiées, de l’échelle de l’empreinte à la celle du vase. Les analyses ont été entreprises systématiquement sur chaque individu céramique. L’ensemble des données sur le sous-système des décors a ensuite été replacé dans le système de production céramique afin d’avoir une vision intégrée.Mise en œuvre sur le site de Castellar-Pendimoun, la méthode a livré des résultats multiples. Des outils jusqu’alors indéterminés ont été identifiés, des procédés d’ornementation ont été détaillés, mais surtout, les schémas opératoires de réalisation des décors ont été mis en évidence. Ce dernier aspect, totalement inédit dans l’étude des décors Impresso-Cardial de Méditerranée du nord-ouest, a permis de mieux comprendre les règles de construction de l’ornementation et les modes de manipulation des vases au cours de leur décoration. Les méthodes métriques mises en œuvre pour identifier les genres et gabarits des coquilles utilisées comme outil de décor ont été révisées. Des méthodes développées, entre autre en médecine légale, sur les empreintes digito-unguéales ont été adaptées aux empreintes décoratives afin de discuter l’identité des potiers : d’une part leur âge, grâce aux négatifs des ongles, et d’autre part leur genre, grâce aux empreintes digitales. Les analyses multivariées combinant les types d’outils et les gestes décoratifs ont permis d’identifier sur des bases qualitatives et quantitatives robustes les tendances distinctives et évolutives pour une des rares séquence d’assemblages décorés du premier Néolithique d’Europe occidentale, entre 5720 et 5020 BCE. Les résultats ont été mis en perspective à l’échelle de l’aire liguro-provençale notamment en les confrontant aux données des Arene Candide et, plus largement, dans le contexte de la céramique imprimée occidentale, depuis l’Italie du sud jusqu’aux rivages languedociens. Cette nouvelle méthode d’étude contribue ainsi à une meilleure perception des dynamiques à l’œuvre au cours du VIème millénaire BCE dans cette aire culturelle
The diffusion and evolution of the Neolithic during the 6th millennium BCE in the north-western Mediterranean has been particularly studied from the pottery decoration, which is one of the main fossiles directeurs used to define chrono-cultural frameworks. Decorated mostly by impression, ceramics illustrate a strong polymorphism due to the presence and interaction of groups bearing different technical traditions. The stylistic and technological approaches to decoration implemented so far have allowed defining the various entities acting at the scale of the cultural area; however these approaches are struggling to establish a fine phylogeny of decorative modes at the regional and local scale.This thesis focused on renewing the methods for analyzing decors at the site level. Each link of the decorative chaîne opératoire has been broken down and described in order to restore the general dynamic of the decor. The approach, based on three-dimensional imaging and experimentation, offers relevant and quantified demonstrations, from the scale of the imprint to that of the vase. Analyses were systematically undertaken on each individual ceramic. All the data on the decoration subsystem was then placed back into the ceramic production system to have an integrated view.Implemented on the Castellar-Pendimoun site, the method delivered multiple results. Previously undetermined tools were identified, ornamentation processes were specified, but above all, the operating pattern for the realization of the decorations were highlighted. The latter aspect, which is a brand new one within the study of Impresso-Cardial decors of north-western Mediterranean, has allowed a better understanding of the rules of construction of ornamentation, as well as the methods of handling the pots during their decoration. The metric methods used to identify the types and sizes of shells used as decoration tools were revised. Methods developed in Forensics and other fields have been adapted to digito-nail imprints in order to discuss the identity of the potters: on the one hand their age, through nail negatives, and on the other hand their gender, through fingerprints. Multivariate analyses combining types of tools and decorative gestures allowed to identify on robust qualitative and quantitative bases the distinctive and evolutionary trends for one of the rare decorated pottery series of the first Neolithic period in Western Europe, between 5720 and 5020 BCE. The results were put into perspective at the scale of Liguria and Provence, notably by comparing them with data from Arene Candide and, more broadly, in the context of the Impressed Ware complex, from southern Italy to the shores of Languedoc. This new study thus contributes to a better perception of the dynamics at work during the 6th millennium BCE in this cultural area

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Milani, Vanessa Pironato [UNESP]. "Samba em fascículos: vertentes do gênero na coleção História da Música Popular Brasileira em tempos de consolidação da indústria cultural brasileira." Universidade Estadual Paulista (UNESP), 2015. http://hdl.handle.net/11449/132098.

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O presente trabalho tem como objetivo central conhecer e compreender, à luz do processo de consolidação da indústria cultural brasileira, o amplo espaço dedicado ao samba em duas versões - a primeira (1970/72) e a terceira (1982/84) - da coleção História da Música Popular Brasileira, produzida e lançada pela Abril Cultural, bem como os expedientes e o tratamento que ela dispensou às múltiplas vertentes e compositores que o gênero abarcara ao longo da sua história. Nessa direção, vale ressaltar que esta pesquisa de mestrado não pretende realizar uma análise musicológica das diferentes vertentes do samba, mas, antes, proceder a uma análise histórica das representações que a Coleção dispensou a elementos, durante o trabalho de difusão da história e sonoridades do gênero. Para tanto, serão consideradas as implicações das alterações experimentadas pela indústria cultural brasileira, notadamente no que concerne à interseção entre a indústria editorial e fonográfica, às inflexões do debate sobre o nacional/popular e às relações então vigentes entre o samba e a indústria fonográfica. Assim, o intento central consiste em trazer a lume dados e análises a respeito do papel da Abril Cultural no mercado de coleções, estabelecendo relações com o lançamento da Coleção, bem como com o período em que esteve no mercado; destacar a contribuição dos diferentes profissionais da mídia envolvidos na produção deste bem cultural; pontuar e ressaltar a consolidação da indústria cultural brasileira e sua relação com o conteúdo dos fascículos; e, finalmente, abordar historicamente a trajetória do samba na Coleção, tendo em vista os aspectos editorias e fonográficos empregados nos fascículos deste lançamento da Abril Cultural
This present dissertation has as a central objective to get to know and understand, in the light of the Brazilian cultural industry consolidation process, the ample space dedicated to samba in two versions - the first (1970/72) and the third (1982/84) - of the collection História da Música Popular Brasileira (History of Brazilian Popular Music), produced and released by Abril Cultural, as well as the records and treatment given to the multiple strands and composers the musical genre included throughout its history. In this sense, it is worth mentioning that this master research does not intend to do a musicological analysis of the different aspects of samba, but rather a historical analysis of representations that the Collection presented in the diffusion of this musical genre history and sonorities in relation to changes in the Brazilian cultural industry, notably with regard to the intersection between the phonographic and editorial industries, the inflections of the debate on the national /popular and the existing relations between samba and the phonographic industry at that moment. Thus, the central purpose of the work is to bring to light and analyze the role of Abril Cultural in the music collection market, establishing relations with the Collection launch, as well as with the period of time it was in the market; highlight the contribution of different media professionals involved in the production of this cultural asset; punctuate and highlight the consolidation of the Brazilian cultural industry and its relations with the fascicles contents and approach samba historically in the Collection, taking into consideration the phonographic and editorial aspects in the fascicles of this Abril Cultural release

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Pimor, Tristana. "En famille dans la rue : trajectoires de jeunes de la rue et carrières zonardes." Thesis, Bordeaux 2, 2012. http://www.theses.fr/2012BOR21968/document.

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À partir d’une approche ethnographique collaborative entre chercheur et enquêtés, mêlant observation participante, récits de vie, entretiens auprès de jeunes vivant dans un squat et auprès de travailleurs sociaux, de commerçants, de riverains nous avons tenté de saisir ce qui dans les trajectoires des acteurs favorisait l’inscription dans cet univers de la rue qu’est la Zone et dans sa culture, ce qui jouait dans les divers inclinements identitaires zonards. Différents modes d’être « jeune en errance », ou plutôt zonard ont été repérés. En usant des théories de la socialisation, de la déviance, des interactions goffmaniennes et de l’ethnicité, nous avons pu mettre à jour des logiques synchroniques et diachroniques explicatives. L’orientation vers la Zone ne s’effectue pas sans les influences de la famille, de l'institution scolaire, du contexte écologique. Ils provoquent des désajustements auxquels la socialisation juvénile de pairs répondra par la pratique d’activités délinquantes. Le positionnement plus ou moins engagé dans la Zone dépend par ailleurs de certaines spécificités biographiques et de l'investissement dans la carrière zonarde. Des facteurs exogènes comme le traitement sanitaire et social en direction de ces jeunes et les représentations du sens commun qui leurs sont attachées, concourent à un étiquetage social, une discrimination, qui associés aux expériences passées des acteurs favorisent alors la pérennisation de l’identité zonarde et accentuent sa déviance en érigeant des frontières entre zonards et normaux
To study French young homeless we use an ethnographic collaborative approach with one population of the following study fields: young homeless of one squat (interviews, participant observation, life interviews) ; and interviews, reunion observations with social workers, storekeepers and local residents. We tried to understand which street youth life trajectories facilitated the enrolment in that street world that is designated: "the Zone" and what contributes to "zonard" identity and culture. Various ways to be "wandering youth", or rather "zonard" were located. By using socialization, deviance, Goffman’s interactions and ethnicity theories, we were able to shed light on synchronic and diachronic logics leading them to it. The Zone orientation needs specific family, school, ecological, and neighbourhood backgrounds, which provoke adjustment problems. We find that young peers socialization and it activities answer to background life tensions. The position of being more or less committed in the Zone depends on actors’ biographies specificities and on their Zone careers investment. Exogenous factors such as the sanitary and social treatments, the common sense representations of youth street contribute to a social labelling, a discrimination. Associated with past backgrounds, they encourage the Zone identity continuation, increase deviant practices and build borders between normals and Zonards

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Abbud, Claudia Talavigna. "A pedagogia da empregabilidade no site da Associação Brasileira de Recursos Humanos (ABRH)." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2017. http://hdl.handle.net/10183/158251.

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A tese analisa como a discursividade empresarial brasileira direcionada aos Recursos Humanos mobiliza sua comunidade a aprender sobre as competências que credenciam o gestor de pessoas (líder) a alcançar uma empregabilidade bem-sucedida quando acionados certos domínios de ação sobre si. Sustentada por um quadro teórico inscrito na linha de pesquisa dos Estudos Culturais em Educação, na vertente pós-estruturalista, buscou-se apoio teórico em Larrosa (2011), Marín-Díaz (2012), Sennett (2006, 2008), Miller e Rose (2012), Camozzato (2012, 2014) e Saraiva (2009, 2013, 2015), além de em produções acadêmicas voltadas à discussão de como se configura o trabalho contemporâneo e suas interconexões com a educação. Os procedimentos metodológicos envolvem um rigoroso escrutínio de artigos publicados no site da Associação Brasileira de Recursos Humanos (ABRH) no período de 2011 a 2015. Nesse recorte temporal, foi possível compreender que há uma intrincada e complexa produção de textos que se interpenetram em um jogo de possibilidades na produção do sujeito. As particularidades, descontinuidades e rupturas percebidas conduziram à construção do corpus de análise. A direção das discussões buscou acompanhar algumas das distintas maneiras de acionar competências que transcendam o "eu" profissional. Considerou-se que a produção cultural examinada aciona uma pedagogia da empregabilidade ao promover e ensinar práticas que dão destaque a aspectos tais como a busca do autoconhecimento, a resiliência e a inteligência emocional e social, para que associados e leitores do site se alinhem aos moldes dos procedimentos que as postulações neoliberais sobre o mercado indicam ser pertinentes para o alcance de uma bem-sucedida carreira profissional.
This thesis analyzes the way that the Brazilian entrepreneurial discursivity directed to Human Resources has mobilized its community to learn about competences that qualify people managers (leaders) for successful employability when certain actions are taken. Supported by a theoretical framework inscribed in the research line of Cultural Studies in Education in its post-structuralist approach, I have searched for theoretical support in Larrosa (2011), Marín-Díaz (2012), Sennett (2006, 2008), Miller & Rose (2012), Camozzato (2012, 2014) and Saraiva (2009, 2013, 2015), besides academic productions discussing how contemporary work is arranged. The methodological procedures have involved a strict examination of articles published on the website of the Brazilian Association of Human Resources (ABRH) from 2011 to 2015. In this time span, it has been possible to understand that an intricate and complex production of texts intertwines in a game of possibilities and acts in the production of subjects. Particularities, discontinuities and disruptions have guided the construction of the corpus. The discussions have been focused on different ways of triggering competences that transcend the professional "self". It has been considered that the cultural production under examination puts into action a kind of employability pedagogy by both fostering and teaching practices that highlight some aspects, such as self-knowledge, resilience, as well as emotional and social intelligence, so that the website members and readers can be in line with the standards that neoliberal assumptions about the market have pointed out as pertinent to the achievement of a successful professional career.

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Alvarez, Valverde Shirley Yissela. "La cultura y el clima organizacional como factores relevantes en la eficacia del Instituto de Oftalmología. abril - agosto 2001." Bachelor's thesis, Universidad Nacional Mayor de San Marcos, 2002. https://hdl.handle.net/20.500.12672/3149.

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La presente investigación tuvo como objeto principal destacar la importancia de la cultura y clima organizacional como factores determinantes en la eficacia del personal en el sector salud, específicamente en el Instituto de Oftalmología(INO). Para el desarrollo del título ya citado, se tomó en consideración el manejo de los términos utilizados en el instituto, los elementos culturales que influyen sobre la eficacia del personal y la relación de los elementos identificados con el desarrollo de la cultura dominante que se debería ver reflejada en un clima organizacional motivante, retador y participativo. Considerando que la Cultura Organizacional es el impulsador del éxito en las organizaciones, surgió la inquietud de sembrar la reflexión sobre la importancia de la misma como una herramienta estratégica que debe ser considerada por la institución, para alcanzar altos grados de productividad y sobre todo mejorar el nivel de calidad en la atención brindada. Esta investigación se llevó a cabo a través de una revisión bibliográfica y la aplicación de encuestas a los diferentes públicos que forman parte de la institución, con referencia a la parte teórica se desarrolló el presente estudio como de tipo descriptivo - participativo. Se concluyó que la cultura orienta todos los procesos administrativos de la institución y determina el clima organizacional de la misma. Se recomendó a la Dirección General de la institución gestionar un programa de cambio cultural que permita lograr un mayor compromiso de los grupos de referencia que la integran.
Tesis

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Almeida, Júnior Jair de. "“Aquele Abraço”: o discurso identitário cultural brasileiro que se abre para o mundo." Universidade Presbiteriana Mackenzie, 2015. http://tede.mackenzie.br/jspui/handle/tede/3056.

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It analysis the Brazilian and Lusophone cultural identity discourse through three-way path. First, it is emphasized that it was marked decisively by Portuguese culture, first of its interacting with Indian culture and then with the African culture. The culture of settlers of Brazil was eminently Catholic, a direct result of religious discourse and constituent medievalism that religion. The concept of "cornerstone" is employed for the role of Portuguese culture in the colonization, borrowed from the Christian Scriptures that apply to the Biblical Christ as the one who ruled in his life and teachings of Christianity. Similarly, in the construction of the Brazilian identity building, Portuguese culture is established as the main stone in its foundation, determining and giving basis to all that would follow its implementation in Brazil. The carnival, attachment to the monarchy and fears, seen today as "superstitions" in our society, they were constitutive medievalism of the cultural identity of the nation discourse, Portuguese heritage. The second way that is exploited to analyse the formation of the Brazilian cultural identity discourse is in the application of Heidegger's thought as a tool for understanding of the transition from religious to secular, the shift that occurred especially in the late nineteenth century to the twentieth. It will be highlighted his concepts of memory, Dasein, as well as Augustinian beata vita secularized in his philosophy. The importance of Heidegger is already on its path from youth Catholic militant to existentialist philosopher, highlighting the secularism that results from his writings in the process of building their own identity. The third way is linked to the discourse analysis by greimasian optics, in which will be perceived the essential interaction of religious discourse in the Brazilian life until the nineteenth century, when there is the great secular turn. This was due to pressure from various modernist ideas were beginning to operate a detachment of a secular identity, because until this moment, there was only eminently Catholic national identity. It demonstrates how the centrality of Virgin Mary invocations contributed to this, drawing to itself the religious identification of the country, paving the way for the Cristo Redentor, has assimilated the Rio’s landscape yet, became the great Brazilian cultural icon, with its original intent secularized to represent a prosperous and happy life, open to all peoples and all cultures.
Aborda-se o discurso identitário cultural brasileiro e lusófono perfazendo o trajeto de três vias. Primeiramente, destaca-se que foi marcado, determinantemente, pela cultura portuguesa, primeiro no seu cruzamento com a índia e depois com a africana. A cultura dos colonizadores do Brasil era eminentemente católica, resultado direto do discurso religioso e dos medievalismos constitutivos dessa religião. Emprega-se o conceito de “pedra angular” para o papel da cultura portuguesa na colonização, emprestada das Escrituras Cristãs que a aplicam ao Cristo Bíblico, como aquele que determinou em sua vida e ensinamentos o cristianismo. Analogamente, na construção do edifício identitário brasileiro, a cultura portuguesa estabelece-se como principal pedra em seu alicerce, determinando e dando base a tudo o que se seguiria à sua implantação no Brasil. Como medievalismos constitutivos do discurso identitário cultural da nação, herança portuguesa, destaca-se o carnaval, o apego à monarquia e os medos, tidos hoje como “superstições” em nossa sociedade. A segunda via que é explorada para a análise da formação do discurso identitário cultural brasileiro está na aplicação do pensamento de Heidegger como ferramenta para compreensão da transição do religioso para o secular, o deslocamento que ocorreu especialmente na virada do século XIX para o XX. Daquele filósofo, serão destacados seus conceitos de memória, o Dasein, bem como, beata vita agostiniana secularizada em sua filosofia. A importância de Heidegger está já em sua trajetória de militante católico na juventude, para filósofo existencialista, destacando-se nesse processo de construção de sua própria identidade, a “mundanização” que resulta de seus escritos. A terceira via liga-se à análise de discurso pela ótica greimasiana, onde serão percebidos a essencial interação do discurso religioso à vida do brasileiro até o século XIX, quando há a grande virada secular. Esta se dá devido à pressão de várias ideias modernistas que já começavam a operar um descolamento de uma identidade secular da, até então, única identidade nacional eminentemente católica. Demonstra-se como a centralidade das invocações marianas contribuiu para tal, atraindo para si a identificação religiosa do país, abrindo espaço para que o Cristo Redentor, já assimilado à paisagem carioca, se tornasse o grande ícone cultural brasileiro, tendo seu intento original secularizado para representar a vida próspera e feliz, aberta a todos os povos e todas as culturas.

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Moraes, Gabino Ribeiro. "A Chave do tamanho abre o conhecimento do espaço geográfico." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2006. http://hdl.handle.net/10183/8500.

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A presente dissertação caracteriza-se por uma proposta de instrumentalização do ensino de Geografia na perspectiva da interdisciplinaridade. Uma experiência de simbiose entre Geografia e Literatura foi realizada com a participação dos alunos do Projeto Amora, da quinta série do Ensino Fundamental do Colégio de Aplicação da Universidade Federal do Rio Grande do Sul. A obra A chave do tamanho, de Monteiro Lobato, foi utilizada como subsídio para a percepção do conceito de escala geográfica, muitas vezes confundindo com escala cartográfica. Esse elo pretende possibilitar a construção de um aluno cidadão, com ênfase na leitura e na imaginação. O projeto foi desenvolvido na perspectiva da pesquisa-ação, que aborda os significados humanos presentes nos conteúdos escolares, refazendo as teias de relações das nossas tradições e raízes culturais, bem como da memória coletiva. As operações mentais que os alunos utilizam para estabelecer relações entre os objetivos, situações, fenômenos e pessoas ou personagens são modalidades estruturais de inteligência que se transformam em habilidades. Três níveis distintos de relações podem estabelecer-se entre o aluno e a obra literária. O nível básico de operações mentais torna presente o objeto do conhecimento para o sujeito por meio das ações de identificar, localizar, descrever, perceber e reconhecer. O nível operacional de relações com e entre os objetos reúne os procedimentos necessários de comparar, compor, medir, organizar, representar e transformar, entre outros. O nível global envolve as operações mais complexas de aplicação de conhecimento, as quais exigem as capacidades de analisar, explicar, abstrair e construir. O objetivo deste estudo é oportunizar condições que favoreçam ou interfiram na construção das relações espaciais no plano do ensino e da aprendizagem, analisar as orientações presentes nas propostas curriculares e visualizar novas hipóteses ou possibilidades para o entendimento das relações espaciais. Esta pesquisa está referenciada em uma abordagem qualitativa que tem por base um projeto desenvolvido em sala de aula. Para isso, as aulas foram ministradas por uma dupla de professores que realizaram leituras e reflexões sobre a temática, utilizando os seguintes recursos: desenhos, atividades escritas, mapas conceituais, leitura dos dez primeiros capítulos da obra literária, observações e participação dos alunos. Os dados levantados sugerem a viabilização da obra A chave do tamanho, de Monteiro Lobato, como recurso didático na prática do ensino de Geografia. Além de facilitar o entendimento da noção de escala geográfica, este projeto oferece também novas oportunidades para facilitar a compreensão da realidade local e global.
This dissertation intends to provide a tool to assist in the teaching of geography based on an interdisciplinary perspective. A project integrating geography and literature was carried out with students from the Amora project, at the primary education Aplicação School, of the Federal University of Rio Grande do Sul. Monteiro Lobato’s book A Chave do Tamanho was employed to help students’ perception of the concept of geographic scale, frequently mistaken with cartographic scale. This link was intended at fostering the development of more conscious students by focusing on reading and imagination. The project was developed from a research-action perspective, which addresses the human significations present in school contents, rethreading the relationship webs formed by our traditions and cultural roots, as well as our collective memory. The mental operations students employ to establish relations between objectives, situations, phenomena and persons/characters are structural kinds of intelligence that are turned into abilities. Three distinct levels of relations can be established between the student and the literary work. The basic level of mental operations occurs during reading, when students can perform processes involving identification, location, description, perception and recognition. The operational level happens through the relations established within the context of the book and involves the processes of comparison, composition, measurement, organization, representation and transformation amongst others. The global level involves more complex knowledge application operations, which require capabilities to analyse, explain, abstract and construct. The purpose of this study is to improve understanding of spatial relations at both teaching and learning levels; examine the orientations contained in the curricular proposals; and envisage new hypothesis or possibilities for understanding spatial relations. This research is grounded on a qualitative approach and based on a project developed within a classroom. To that aim, classes were undertaken by a pair of teachers who performed readings and reflections on the issue, using the following resources: drawings, written activities, conceptual maps, reading of the first ten chapters of the book, observations and students participation. The data collected suggest the viability of youth literature as a didactic resource for the teaching of geography. Besides facilitating the understanding of the notion of geographic scale, this project also provides new opportunities to improve the comprehension of the local and global realities.

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Watters, Nicolas. "Optimisation de la production hors-sol de fraise à jours neutres sous abris." Master's thesis, Université Laval, 2017. http://hdl.handle.net/20.500.11794/27643.

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Au Canada, les producteurs de fraise doivent faire face à plusieurs enjeux majeurs. La période de production est courte, la compétition est forte et la production de plein champ doit composer avec la rémanence d’importants agents pathogènes telluriques. La production hors-sol de fraises pourrait permettre de pallier à ces problématiques. Afin d’optimiser la productivité de la production hors-sol, un dispositif expérimental a été mis en place en 2013 et 2014 à la ferme Onésime Pouliot, sur l’île d’Orléans dans la province de Québec. Ce projet tente de démontrer qu’en production hors-sol, les abris de type parapluie permettent de produire plus de fruits vendables en plus de diminuer les risques de maladie foliaire tout en évaluant certaines méthodes de culture qui pourraient permettre d’allonger la période de production (forçage en serre) ou d’optimiser l’utilisation de l’eau et des fertilisants (matelas capillaire, substrat alternatif). Cinq traitements ont été testés, les quatre premiers sous abri de type parapluie (T1-T4) et le dernier sans couverture (C). Le traitement T1 a été cultivé sur de la tourbe (PE) et T2 sur un mélange de sciure de bois et de tourbe (PS25). Pour T3, c’est le démarrage forcé en serre de plants à racines nues qui a été testé pour allonger la récolte. Le traitement T4 était cultivé en substrat PE et était déposé sur un matelas capillaire. Lorsque comparés avec le témoin, les traitements sous parapluie ont mené à une incidence significativement plus faible du mildiou [Sphaerotheca macularis (Wall. ex Fries)] et un rendement supérieur en fruits vendables. En conditions de croissance protégée, les plants forcés en serre ont permis d’atteindre un pic de production au moment de la période la plus rentable pour les fraises fraîches au Québec pour l’été 2013. Le matelas capillaire (T4) s’est avéré intéressant puisque pour un rendement en fruit semblable, il a permis d’utiliser moins d’eau et de fertilisants. Nos résultats mettent donc la lumière sur le potentiel des abris parapluies en production de fraises hors sol au Québec et offrent des recommandations appropriées quant aux méthodes de production les plus rentables et les plus durables pour les producteurs locaux.
In Canada, the strawberry producers are facing several major challenges. The production period is short, the competition is strong and the production has to deal with important telluric pathogens. The soilless production could help overcome these problems. To maximize productivity, experimental device was set up in 2013 and 2014 to Onésime Pouliot farm on the island of Orleans in the province of Quebec. This project seeks to demonstrate that in soilless production, the umbrella like rain shelter can produce more marketable fruit and decrease the risk of foliar disease. The project also aimed to evaluate some methods of culture that could help to extend the production period (greenhouse forcing) or optimize the use of water and fertilizers (capillary mat, alternate substrate). Five treatments were tested, the first four under umbrella like rain shelters (T1-T4) and the last one without coverage (C). The treatments T1 was grown on peat (PE) and T2 on a mixture of sawdust and peat (PS25). For T3, plants forced greenhouse were tested to extend the harvest. T4 treatment was cultivated on PE substrate and deposited on a capillary mat. When compared with the control, umbrella covered treatments led to a significantly lower incidence of late blight [Sphaerotheca macularis (Wall. Ex Fries)] and a higher yield of marketable fruit. In protected growing conditions, the plants forced in greenhouses achieved peak production at the most profitable period for fresh strawberries in Quebec for the summer of 2013. The capillary mat (T4) proved interesting since for a similar yield fruit, it had to use less water and fertilizer. Our results put lights on the potential of using umbrella production above ground strawberries in Quebec and offers appropriate recommendations as to the most cost-effective and sustainable production methods for local growers.

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Silva, Anderson de Sousa. "O salÃo de abril em dois momentos: sociedade cearense de artes plÃsticas (SCAP) e prefeitura municipal de Fortaleza (1944-1970)." Universidade Federal do CearÃ, 2015. http://www.teses.ufc.br/tde_busca/arquivo.php?codArquivo=15142.

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Conselho Nacional de Desenvolvimento CientÃfico e TecnolÃgico
Por meio da trajetÃria do SalÃo de Abril, entre as dÃcadas de 1940 e 1960, a pesquisa aqui desenvolvida tem por objetivo compreender a formaÃÃo de um campo artÃstico no CearÃ, sobretudo no perÃodo em que o SalÃo foi liderado pela Sociedade Cearense de Artes PlÃsticas (1944-1958), e seu processo de institucionalizaÃÃo, a partir do momento em que a Prefeitura de Fortaleza passa a dar continuidade Ãs realizaÃÃes da mostra artÃstica desde o ano de 1964, fazendo parte de um contexto de intensificaÃÃo das polÃticas culturais no Brasil e no CearÃ. Abordamos o SalÃo de Abril nestes dois perÃodos: o da consolidaÃÃo de um campo para as artes plÃsticas no CearÃ e, em seguida, sua institucionalizaÃÃo, como reflexo de conjunturas distintas, tanto no que se refere Ãs tendÃncias artÃsticas em voga, com destaque para as mÃltiplas faces do Modernismo, quanto Ãs estruturas polÃticas e sociais que tambÃm estiveram imbricadas com o meio artÃstico.

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Bueno, Marcos Cordeiro. "O Fetiche da Capoeira Patrimônio: Quem quer abrir mão da história da capoeira?" Universidade Federal de Pelotas, 2012. http://repositorio.ufpel.edu.br/handle/ri/1785.

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This research sought to identify the assumptions of the process of the capoeira patrimony. For Both, this cultural well was historically considered, listing the main moments that metamorphosed from its early records still exist, its criminalization and decriminalization, its subsumption to capital to its most advanced stage of evolution as a Cultural Patrimony of Brazil. As a result of this process was analyzed from the discourses contained in documents that formalize their patrimony as well as the public policies implemented to capoeira to date. Countersigned by historical and dialectical materialism, this research found that the capoeira to be recognized by the Brazilian State, is perpetrated by the commodity fetish, so that its producers - Masters and Teachers - and its practitioners need to pay attention to the exploitation of the inherent labor relations for the production of capoeira at this stage of commodification. It was shown that the way in which the Brazilian government has proposed to encourage capoeira, two trends are implicit crucial to the future of cultural well: The first is the denial of its history, reducing its character of "resistance" to the mode of production capitalist in instrument of "world peace", the latter manifests itself to propose, in response to community desire for improved capoeirana of their class status, the regulation of the profession of capoeira. With this, the official tandem repeat history as it is happening in the field of physical education, which after being regulated has nothing to celebrate. It is concluded that the community capoeirana reference the capoeira as "cultural well" - founded the historical project of the working class that is beyond the capital - and not "patrimony", because it represents a "showcase" by the Brazilian capoeira to the world, which in turn does not guarantee the permanence and update of its existence, separating it from its historical characteristics. At the same time that the state fulfills its function effectively and perform cultural policies for the capoeira unit without her bourgeois ideology, but given the incentive to all teachers who owns his legacy, regardless of age or amount of benefit. Policies that are put into practice the help of barns in the organization of a democratic and transparent, unlike the evidence regarding the interference of the MinC / IPHAN / GTPC
Esta pesquisa buscou apreender os pressupostos do processo de patrimonialização da capoeira. Para tanto, esse bem cultural foi analisado historicamente, elencandose os principais momentos que a metamorfosearam, desde seus primeiros registros ainda existentes, sua criminalização e descriminalização, sua subsunção ao capital até seu estágio evolutivo mais avançado como Patrimônio Cultural do Brasil. Em decorrência desse processo, foi analisado os discursos contidos dos documentos que a oficializam em sua forma patrimônio, bem como as políticas públicas implementadas para a capoeira até o presente momento. Referendada pelo Materialismo Histórico e Dialético, essa pesquisa constatou que a capoeira, ao ser reconhecida pelo Estado brasileiro como patrimônio cultural, está perpetrada pelo fetiche da mercadoria, de modo que seus produtores Mestres e Professores e seus praticantes necessitam atentar-se para a exploração inerente das relações de trabalho para produção da capoeira nesse estágio de mercadorização. Foi evidenciado que a forma em que o Estado brasileiro tem se proposto a incentivar a capoeira, estão implicitas duas tendências cruciais para o futuro desse bem cultural: A primeira é pela negação de sua história, reduzindo seu caráter de resistência ao modo de produção capitalista a intrumento de paz no mundo ; a segunda manifestase no sentido de propor, em resposta a ânsia da comunidade capoeirana por melhorias de sua condição de classe, a regulamentação da profissão da capoeira. Com isso, o discurso oficial tande a repetir a história tal qual vem ocorrendo no campo da educação física, a qual após ser regulamentada nada tem a comemorar. Conclui-se que a comunidade capoeirana referende a capoeira como bem cultural alicerçada no projeto histórico da classe trabalhadora que está para além do capital e não patrimônio , pois o mesmo representa uma vitrinização da capoeira pelo Estado Brasileiro para o mundo, que em troca não garante a permanência e atualização de sua existência, decompondo-a de suas características históricas. Ao mesmo tempo, sugere-se que o Estado cumpra sua função e efetivamente execute políticas culturais para a capoeira sem aparelhá-la a ideologia burguesa, mas garantindo o incentivo a todos os mestres que detém seu legado, sem distinção de idade, nem quantidade de beneficiados. Políticas que devem por em prática o auxilio na organização dos capoeiras de maneira democrática e transparente, diferentemente do que evidenciamos com relação as ingerências do Ministério da Cultura via Instituto do Patrimônio Histórico e Artístico Nacional e do Grupo de trabalho Pró-Capoeira

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Mira, Maria Celeste. "O leitor e a banca de revistas : o caso da Editora Abril." [s.n.], 1997. http://repositorio.unicamp.br/jspui/handle/REPOSIP/280039.

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Orientador: Renato Ortiz
Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas
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Resumo: Este trabalho procura reconstituir a história das revistas no Brasil em suas relações com o mercado e os leitores. Para tanto, retoma-se, em traços mais gerais, o período que vai do século XIX a 1950 e, a partir daí, detém-se nas publicações da Editora Abril e de sua coligada, Editora Azul. Duas questões teóricas recortam todo o estudo: a globalização e a segmentação. Em relação à primeira, busca-se descobrir a origem e os caminhos pelos quais certos modelos de revistas chegaram e se adaptaram ao mercado e às condições de vida dos leitores brasileiros. No tocante à segunda, cujo objetivo é compreender a enorme diversidade dos produtos e dos públicos, procura-se distinguir e, ao mesmo tempo, entrelaçar os fatores que direcionaram o processo de segmentação no período estudado: o gênero, a geração e a classe social, sendo que o primeiro deles, de especial relevância no meio revista, constitui um terceiro eixo teórico a partir do qual o texto final pode ser lido.
Abstract: Not informed.
Doutorado
Doutor em Sociologia

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Silva, Anderson de Sousa. "O salão de abril em dois momentos: sociedade cearense de artes plásticas (SCAP) e prefeitura municipal de Fortaleza (1944-1970)." www.teses.ufc.br, 2015. http://www.repositorio.ufc.br/handle/riufc/14517.

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SILVA, Anderson de Sousa. O salão de abril em dois momentos: sociedade cearense de artes plásticas (SCAP) e prefeitura municipal de Fortaleza (1944-1970). 2015. 160f. – Dissertação (Mestrado) – Universidade Federal do Ceará, Programa de Pós-graduação em História, Fortaleza (CE), 2015.
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Por meio da trajetória do Salão de Abril, entre as décadas de 1940 e 1960, a pesquisa aqui desenvolvida tem por objetivo compreender a formação de um campo artístico no Ceará, sobretudo no período em que o Salão foi liderado pela Sociedade Cearense de Artes Plásticas (1944-1958), e seu processo de institucionalização, a partir do momento em que a Prefeitura de Fortaleza passa a dar continuidade às realizações da mostra artística desde o ano de 1964, fazendo parte de um contexto de intensificação das políticas culturais no Brasil e no Ceará. Abordamos o Salão de Abril nestes dois períodos: o da consolidação de um campo para as artes plásticas no Ceará e, em seguida, sua institucionalização, como reflexo de conjunturas distintas, tanto no que se refere às tendências artísticas em voga, com destaque para as múltiplas faces do Modernismo, quanto às estruturas políticas e sociais que também estiveram imbricadas com o meio artístico.

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Barrière, Virginie. "Gestion des bio-agresseurs et réduction des pesticides en culture de laitue sous abris froids : apports croisés d’expérimentations factorielles et systémiques." Thesis, Avignon, 2015. http://www.theses.fr/2015AVIG0668/document.

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La réduction de la dépendance aux pesticides des systèmes de culture de laitue constitue un objectif à relativement court terme, partagé par les pouvoirs publics et les acteurs de la filière de production. Atteindre cet objectif suppose de disposer de moyens techniques permettant de substituer aux pesticides d’autres méthodes limitant les dégâts de bio-agresseurs de la laitue.Ces techniques peuvent être destinées à minimiser l’entrée d’inoculum dans les parcelles, à limiter la propagation des bio-agresseurs, à diminuer la sensibilité des plantes, ou à éradiquer les bio-agresseurs présents sur les cultures. L’évolution des systèmes de culture repose sur la démonstration de l’efficacité, en termes de protection des plantes, de ces techniques alternatives aux pesticides lorsqu’elles sont intégrées et combinées dans les itinéraires techniques. Elle dépend aussi de l’impact socio-économique et environnemental des itinéraires techniques alternatifs, dans un contexte commercial et réglementaire exigeant. L’objet de cette thèse a été de développer des stratégies alternatives de gestion des bio-agresseurs de la laitue d’hiver cultivée sous abri froid,plus économes en pesticides, et d’évaluer leurs performances agronomiques, économiques et environnementales,garantes de la durabilité des systèmes de production.Sur la base des techniques déjà disponibles, deux stratégies alternatives, nommées stratégie intermédiaire et stratégie bas-intrant ont été conçues, et testées dans deux exploitations agricoles et un domaine expérimental de l’INRA pendant deux hivers, en comparaison avec une stratégie conventionnelle, représentative des pratiques actuelles. Les stratégies intermédiaire et bas-intrant ont permis de réduire de 32% et 48% l’usage des pesticides, respectivement, et ont été suffisamment efficaces pour obtenir une qualité visuelle et des rendements équivalents à la stratégie conventionnelle. Le bénéfice environnemental de leur mise en oeuvre a également été démontré. La mise en place de ces stratégies a cependant entrainé un surcoût de production,essentiellement lié à la lutte biologique, d’environ 10 à 13%. Parallèlement, deux orientations techniques originales, dont l’efficacité n’était pas caractérisée, ont été explorées. Une première série d’essais expérimentaux a porté sur l’influence du génotype de l’hôte et de l’environnement de la plante sur sa sensibilité à deux champignons pathogènes d’importance majeure, Botrytis cinerea et Sclerotinia sclerotiorum. Il a été montré que le choix d’un génotype moins sensible couplé à une optimisation du rapport fructose : saccharose de la plante diminuait les symptômes observés après inoculation. Une deuxième démarche expérimentale, portant sur la lutte biologique contre le puceron Nasonovia ribisnigri, a révélé l’incapacité de parasitoïdes du genre Aphidius à contrôler les pucerons en fin de culture, lorsque la structure du couvert végétal devient trop complexe.En plus d’inscrire ces travaux de recherche dans un processus d’amélioration continue de l’efficacité et des performances des stratégies alternatives aux pesticides, la démarche scientifique utilisée, articulant approche analytique et approche intégrative, a permis d’étudier des techniques ayant potentiellement un impact sur plusieurs bio-agresseurs, telles que la réduction de la fertilisation azotée ou l’optimisation de l’espacement entre les laitues, qui pourraient permettre une meilleure gestion des pathogènes responsables de la pourriture du collet et des pucerons
The reduction of pesticide reliance in lettuce cropping systems is a short term objective sharedby public authorities and by the stakeholders of lettuce market. Reaching this goal implies thesubstitution of pesticides by others techniques which may limit pest and pathogen damage. Thesetechniques can be intended to mitigate pest and pathogen invasion or propagation, to increaseplant defenses or to remove pests and pathogens from the crop. The improvement of currentcropping systems relies on i) the demonstration of the ability of alternative techniques to managediseases and pests when they are combined and integrated during the crop cycle; ii) theassessment of the socio-economic and environmental impacts of alternative strategies in a stringentcommercial and regulatory context. The objective of this thesis was to design alternativestrategies for pest and pathogen management of lettuce grown in winter under shelter, with fewerpesticide applications, and to assess their agronomic, economic and environmental performancesso as to ensure the sustainability of production.Based on currently available techniques, two alternative strategies, called intermediate andlow-input, were designed, and tested in two farms and an INRA experimental station duringtwo winters and compared to a conventional strategy representing current practices. The alternativestrategies enabled to reduce pesticide applications by 32% and 48% respectively. Theywere efficient enough to obtain similar yield and quality as compared to the conventional strategy.The environmental benefits of their implementation were also demonstrated. However, thesestrategies required a 10-13% extra production costs, almost exclusively due to biological controlproducts.In parallel, two original technical orientations, which efficacy had not been previously described,were examined. In a first set of experiments, the impact of lettuce genotype and growthconditions on plant susceptibility to two major pathogens, Botrytis cinerea and Sclerotinia sclerotiorum,was investigated. The use of a genotype displaying low susceptibility to these fungi,associated with an optimization of the ratio of fructose : sucrose in plants, appeared to reducethe symptoms after inoculation. A second experimental approach, dealing with biological controlagainst the aphid Nasonovia ribisnigri, highlighted the inability of Aphidius parasitoids tocontrol aphid populations at the end of the crop cycle, when the canopy structure becomes toocomplex.In addition to a contribution to cropping systems improvement, the scientific method used,combining analytical and integrative approaches enabled us to highlight the effect of techniquesacting on several pests and/or pathogens, such as the reduction of nitrogen fertilization or theoptimization of plant spacing, which could improve the management of fungi causing basal rotas well as aphids

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Tranier, Marie-Stéphane. "Production de biopesticides pour lutter contre les nématodes à galles des cultures intensives sous abris de tomates au Maroc." Thesis, Aix-Marseille, 2015. http://www.theses.fr/2015AIXM4361.

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Ce projet industriel porte sur la production de biopesticides actifs sur les nématodes à galles des cultures intensives de tomates sous abris au Maroc. Les travaux portent sur (i) l’isolement de souches de champignons filamenteux nématophages provenant des sols des cultures infectées par les nématodes, (ii) la réalisation de cultures de ces souches sur un milieu adapté à la Fermentation en Milieu Solide, technique optimale à la biologie des champignons filamenteux et présentant des avantages technologiques et économiques exploitables à une échelle industrielle, (iii) la production de biomasse et de molécules actives extrapolable à une échelle semi-industrielle, (iv) la mise en œuvre d’essais agronomiques pour valider l’efficacité d’un biopesticide produit par FMS dans des dispositifs innovants.24 souches de champignons filamenteux nématophages ont été isolées à partir des sols des cultures intensives de tomate sous serre au Maroc, mais également à partir de produits commerciaux. Le milieu FMS composé de sous-produits agro-industriels permettant une production de l’ordre de 1010 spores par gramme de substrat PS a été validé, et les conditions de cultures des souches établies. 4 dispositifs de Fermentation en Milieu Solide dont un à usage unique, de 300 à 5 000 g ont été mis au point, et ont été protégés par 3 brevets. Enfin, des essais agronomiques de différentes tailles (quelques billons à plusieurs hectares de tomates) ont été mis en place au Maroc de manière à valider l’utilisation de champignons filamenteux actifs contre les nématodes à galles comme étant une alternative écologique à l’utilisation de produits chimiques
This industrial project involves the production of biopesticides active against root knot nematodes of intensive greenhouse tomato cultures in Morocco. This work focuses on (i) the isolement of nematophagous filamentous fungi from agricultural soils infected with nematodes, (ii) the cultures of these strains on a suitable medium for Solid State Fermentation (SSF), which is the optimal cultural technique for filamentous fungi, presenting technological and economical benefits at an industrial scale, (iii) the production of biomass and active molecules at a semi-industrial scale, (iv) the installation of agronomic assays to validate the effectiveness of a biopesticide production by SSF in innovative devices.24 nematophagous filamentous fungi strains were isolated from intensive greenhouse tomato culture soils, but also from commercial products. The SSF medium composed of agro-industrial by-products allowing a production of about 1010 spores per gram of DW substrate was validated, and the culture conditions of these strains were established. 4 SSF devices including one at single use, from 300 to 5 000 g DW substrate were developed, and were protected by 3 patents. Finally, agronomic assays of different sizes (from few lines to several hectares of tomatoes) were carried out in Morocco in order to validate the use of active filamentous fungi against root-knot nematodes as an ecological alternative to the use of chemical products

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LIMA, Beatriz Furtado Alencar. "Abril despedaçado transmutado para o cinema: da Albânia ao Brasil a tragédia em cena." Universidade Estadual do Ceará (UECE), 2008. http://www.repositorio.ufc.br/handle/riufc/17995.

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LIMA, Beatriz Furtado Alencar. Abril Despedaçado transmutado para o cinema: da Albânia ao Brasil a tragédia em cena. 2008. 174f. – Dissertação (Mestrado) – Universidade Estadual do Ceará, Curso de Mestrado em Linguística Aplicada, Fortaleza (CE), 2008.
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No presente trabalho, pesquisamos o processo tradutório do livro Abril Despedaçado, de Ismail Kadaré, para o filme homônimo do diretor Walter Salles. Partindo do pressuposto de que as duas obras possuíam muitas características que as ligavam à tragédia, nos propusemos a analisar a tradução dos elementos trágicos presentes no romance de Kadaré para o filme de Salles. Para isso, nos baseamos em: Burke (2006), especificamente em seu conceito de tradução cultural, uma vez que estamos analisando duas obras de culturas aparentemente diferentes; em Carvalhal (2003), no que diz respeito à Literatura Comparada; e, em Avellar (2007) que trata sobre a teoria do cinema. Este concebe, em alguns aportes das estratégias cinematográficas e em estudos sobre a mitologia e a tragédia gregas, o processo de tradução de criações em livros para o cinema como uma imagem/reflexão e não como uma imagem/reflexo. Com base nesse suportes identificamos os elementos trágicos presentes no livro e traçamos comparações desses elementos com obras da Antiguidade. Estas também detentoras de elementos trágicos. E, por fim, verificamos como essas comparações foram trabalhadas na obra cinematográfica. A partir desse método, três elementos trágicos foram identificados com suas respectivas traduções para o filme: o coro trágico, o sangue como um miasma e o conflito trágico. Nosso estudo levou-nos a observar que os elementos trágicos analisados sofreram ressignificações culturais no pólo-receptor para o qual foram traduzidos, possibilitando que a cultura albanesa e a brasileira se recriassem uma na outra, perfazendo um movimento circular constantemente renovado.
Dans ce travail nous avons recherché le processus de traduction du livre Avril Brisé, de Ismail Kadaré au film homonyme du directeur Walter Salles. Tenant compte des nombreuses caractéristiques tragiques des deux uvres, nous offrons ici l analyse de la traduction de ces éléments tant du roman de Kadaré comme du film de Salles. Cettte analyse est fondée: dans le concept de traduction culturelle de Burke (2006) et d autres théoriciens étant donné le fait que les deux uvres que nous travaillons appartiennent à des cultures apparamment differentes; dans les caractéristiques de la littérature comparée travaillée par Carvalhal (2003); et dans la perspective adoptée par Avellar (2007) qui, dans quelques appports des stratégies cinématografiques et dans des études sur la mythologie et la tragédie grecque a conçue le processus de traduction de livres pour le cinéma comme image/reflexion plutôt que image/reflexe. A partir de cette idée nous avons identifiée l élément tragique présent dans le livre et elaborer des comparaisons de cet élément avec des uvres de l Antiquité qui detiennent aussi des éléments tragiques. Ensuite ces comparaisons sont travaillées dans l uvre cinématografique. A partir de cette méthode, trois éléments tragiques sont identifiés avec leur respectives traductions pour le film: le c ur tragique, le sang comme un miasme et le conflit tragique. Notre étude nous a fait observer que les éléments tragiques analisés ont souffert des ressignifications culturelles dans le pôle-recepteur pour lequel ont été traduits en faisant que tant la culture albanaise comme la brésilienne se récréent l une dans l autre dans un mouvement circulaire constamment renouvelé.

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Tahsildar, Abir. "Cross-cultural marriage and hybrid identities of characters in three anglophone novels." Thesis, Tours, 2013. http://www.theses.fr/2013TOUR2015/document.

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Cette thèse étudie le thème du mariage interculturel et des identités hybrides de personnages dans The Pickup (2001) de Nadine Gordimer, The Translator (1999) de Leila Aboulela et A Mighty Collision of Two Worlds (2002) de Safi Abdi. L’étude cherche à explorer comment les identités culturelles des protagonistes changent lorsqu’ils se marient avec une personne d’une culture différente des leurs et qu’ils rencontrent de nouvelles traditions et de nouvelles croyances. La théorie de l’hybridité développée par Homi Bhabha et par d’autres théoriciens de l’hybridité peut être un outil pertinent pour analyser l’identité des personnages. Bhabha soutient que ceux qui traversent les cultures vivent dans un “in-between space” ou un “third space,” fluctuant entre leur culture d’origine et leur culture d’accueil. Cependant, les conclusions de l’étude montrent que ces personnages de fiction présentent des cas qui n’ont pas été explorés par les théoriciens de l’hybridité. On s’aperçoit d’autre part, que plusieurs facteurs de nature culturelle, religieuse, personnelle ou sociale influencent les protagonistes dans les romans : soit ils leur identité hybride s’affirme, soit ils conservent la façon de vivre de leur pays d’origine. On remarque aussi que les mariages interculturels et l’identité hybride sont liés entre eux. Le mariage interculturel peut être à la fois la manifestation de l’hybridité, et dans ce cas il est perçu comme une affirmation du vécu hybride servant du même coup de moyen d’aller vers l’hybridité. Contrairement à ce à quoi on pourrait s’attendre, on observe que parfois les relations interculturelles entraînent une réaction anti-hybride
This dissertation studies the subject of cross-cultural marriage and hybrid identities of characters in Nadine Gordimer’s The Pickup (2001), Leila Aboulela’s The Translator (1999), and Safi Abdi’s A Mighty Collision of two Worlds (2002). The study seeks to find out how the cultural identities of the protagonists in the novels change when they marry across cultures and face new traditions and beliefs. Hybridity theory, which is developed by Homi Bhabha and other hybridity theorists, can be a relevant tool for analysis of the characters’ identities. Bhabha contends that those who cross cultures live in an “in-between space” or “third space” in which they oscillate between their native culture and the host culture. However, results show that fictional characters present cases which have not been explored by hybridity theorists. In addition, it is stressed that various factors of a cultural, religious, personal, and social nature affect the protagonists in the novels to either develop a hybrid identity or maintain their native way of life. It is also found that cross-cultural marriage and hybridity are correlated. The former can be both a manifestation of hybridity, where the protagonists’ cross-cultural marriage is seen as an assertion of their hybrid experience, and as a means to hybridity. Contrary to expectations, it is observed that cross-cultural relationships lead to an anti-hybrid reaction

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Viitman, Milena. "Same story told differently how the socio-cultural factors influenced the creation of Abre los Ojos and Vanilla Sky." Master's thesis, Akademie múzických umění v Praze.Filmová a televizní fakulta. Knihovna, 2015. http://www.nusl.cz/ntk/nusl-202887.

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K tomu, abych ilustrovala jak se stejný příběh výrazně mění v závislosti na zemi původu, použiji příkladu Abre Los Ojos (Otevři oči, Španělsko, 1997) a jeho remake-u Vanilla Sky (Vanilkové nebe, USA, 2001). Cílem mé práce není dokazování které zpracování je lepší, ale spíše poukazování na skutečnost, že rozdíly jsou důsledkem rozdílné ideologické a kinematografické tradice. Nejprve budu psát o typech nových filmových zpracování, a o tom proč Hollywood předělává evropské filmy. Pak začnu porovnávat hlavní postavy obou filmů a ukáži jak odrážejí sociálně-behaviorální normy dle země původu. Poté budu pokračovat s dalšími kulturními rozdíly, které jsou patrné v jazyce, kinematografii, střihu, hudbě, herectví a režii. Hlavní sociologický, tím pádem i kinematografický rozdíl, který je přítomný ve všech aspektech a sekcích těchto filmů je ten, že zatímco Abre los Ojos se zabývá vnitřním zápasem protagonistů, Vanilla Sky je milostný film. Tento rozdíl v tématu odhaluje mnoho o preferencích v Evropě a v Americe.

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Rocha, Marcella Godoy Evangelista da. "O jornal Correio Braziliense no processo de constru????o da cultura de Bras??lia: das origens ao dia 21 de abril de 1961." Universidade Cat??lica de Bras??lia, 2016. https://bdtd.ucb.br:8443/jspui/handle/tede/2247.

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This study aims to identify the forms which the newspaper Correio Braziliense contributed to the formation of Brasilia???s cultural identity during the first year after its opening (April 21, 1960 to April 21, 1961). The newspaper???s first edition was published on the same day the city was inaugurated. This research was carried out at Brasilia???s Documentation Center of Associated Journals ??? CEDOC, and aims to analyze and identify issues related to events that happened in the city during it???s first year as the new capital of Brazil. Initially, the newspaper???s story was considered, since its founding by Hip??lito Jos?? da Costa in London, in the nineteenth century, until its revival in Brasilia. The newspaper's structure (the only printed media in Brasilia during this period), its contribution to the formation of the cultural identity of the city, the customs and routines acquired by the pioneers of the city, were also analyzed in this research. To this end, interviews were conducted with pioneers considering their relationship with the newspaper at the time. Finally, the categories used for the establishment and corpus analysis were: Cultural, religious, leisure and entertainment activities; Trade and services in general - including radio and TV programming; Education and Sport. As a result of the research, we identified that culture can hardly be categorized and that a complex design of the cultural process is best suited to the objectives of the work. We therefore appealed to Edgar Morin???s (2005) perception on culture in order to understand the process of feedback between the newspaper and the life in the city in the cultural formation of Brasilia.
Este trabalho tem como objetivo identificar as contribui????es do Jornal Correio Braziliense para a forma????o da cultura de Bras??lia, durante o primeiro ano ap??s sua inaugura????o, de 21 de abril de 1960 a 21 de abril de 1961. No mesmo dia em que foi inaugurada a cidade, veiculou-se a primeira edi????o do jornal. Dessa forma, a partir da pesquisa documental realizada no acervo do Centro de Documenta????o dos Di??rios Associados em Bras??lia ??? CEDOC, o conte??do publicado foi analisado com vistas ?? identifica????o e ?? categoriza????o dos assuntos relacionados aos acontecimentos ocorridos na cidade durante o primeiro ano da nova Capital do Brasil. Inicialmente, contemplou-se a hist??ria do jornal, desde sua funda????o por Hip??lito Jos?? da Costa, em Londres, ainda no s??culo XIX, at?? seu ressurgimento em Bras??lia. Observou-se, igualmente, a gradual estrutura????o editorial do jornal, ainda como o ??nico ve??culo de comunica????o impresso de Bras??lia no decorrer desse per??odo, assim como sua contribui????o efetiva para as atividades culturais da cidade de modo geral, a partir da identifica????o dos costumes e rotinas adquiridos pelos pioneiros na capital rec??m-inaugurada. Para tal, foram realizadas entrevistas com pioneiros contemplando sua rela????o com o jornal ?? ??poca. Finalmente, as categorias utilizadas para a constitui????o e an??lise do corpus foram as atividades culturais, religiosas, de lazer e entretenimento; o com??rcio e servi??os em geral - incluindo programa????o de r??dio e TV; a educa????o e o esporte. Como resultado da pesquisa, identificou-se que a cultura dificilmente pode ser categorizada e que uma concep????o complexa do processo cultural ?? mais adequada aos objetivos do trabalho. Recorrese, portanto, ?? percep????o de Edgar Morin (2005) sobre cultura para se entender o processo de retroalimenta????o entre o jornal e a vida na cidade na forma????o cultural de Bras??lia.

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Barbosa, Maria Cristina Brito. "Indústria cultural da violência: uma análise da cobertura telejornalística do assassinato de 12 estudantes no bairro de Realengo, Rio de Janeiro, abril 2011." Universidade Presbiteriana Mackenzie, 2013. http://tede.mackenzie.br/jspui/handle/tede/1863.

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Universidade Presbiteriana Mackenzie
This is an insight on television generated violence deriving from the image production techniques and the news treated as merchandise. Following thoughts of Régis Debray, Theodor Adorno, Max Horkheimer, Marcia Tiburi and Vilém Flusser, the author approaches the subject starting from a theoretical dialogue between the image idolatry, the consumer s view and the television set. The research is then widened by exploring the upbringing of the news-violence tandem, found not only in the popular media but also in the upper class media considered as serious . As an empiric subject of analysis, this work looks at the news on the Realengo Massacre as produced by the night television news and the Sunday entertainment programmes featured by the Jornal Nacional, Jornal da Record, Fantástico and Domingo Espetacular.
Esta é uma reflexão sobre a violência exposta pela televisão com enfoque na produção e no consumo de imagens técnicas na lógica de mercantilização da notícia. Sob a ótica de conceitos dos filósofos Régis Debray, Theodor Adorno, Max Horkheimer, Marcia Tiburi e Vilém Flusser, a pesquisa aborda o tema a partir do diálogo teórico entre idolatria da imagem, olhar consumista e aparelho televisão. Busca-se ampliar a investigação da construção da notícia-violência, muitas vezes restrita aos programas sensacionalistas, ao trazer a análise de noticiários diários e semanais qualificados de "sérios", que não têm no sensacionalismo da violência sua principal matéria-prima. Como objeto empírico de análise, o trabalho traz a observação da notícia produzida a partir do massacre de Realengo pelos telejornais noturnos e programas dominicais Jornal Nacional, Jornal da Record, Fantástico e Domingo Espetacular.

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Figueiredo, Carolina Ferreira de. "Traços de uma haifa vermelha : um estudo sobre a cultura visual da sociedade palestina/israelense através de charges e ilustrações do artista palestino Abed Abdi (1972-1982)." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2016. http://hdl.handle.net/10183/142947.

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Este trabalho tem por objetivo analisar a cultura visual presente em Israel e na Palestina durante as décadas de 1970 e 1980, através da singular interação entre o universo das imagens e a luta política da Palestina. O estudo parte da preocupação em compreender territórios e alcances da visualidade palestina, especialmente em decorrência da ruptura ocasionada a partir de 1948 – ano de criação do Estado de Israel, conhecido Nakba - e seus diversos desdobramentos. Visando aprofundar a compreensão das reverberações visuais na experiência política de artistas (e) palestinos/as, serão exploradas imagens de apelo cotidiano e de grande alcance, em especial charges e ilustrações, produzidas pelo artista palestino Abed Abdi entre os anos de 1972 e 1982: as primeiras, publicadas no jornal Al-Ittihad (1972-1981), e as segundas produzidas para a revista literária Al-Jadid (1980-1982). O recorte temporal escolhido ambienta um momento de uma rica produção do artista, devido suas posições ideológicas de esquerda, a filiação ao Partido Comunista de Israel e os estudos formais realizados em Dresden, elementos fundamentais da biografia de Abdi. Sua produção crítica e marcadamente política proporcionam retratos de um cenário complexo das relações entre Israel, Palestina, outros países do Oriente Médio e do restante do mundo no período. Assim, no entremeio da história e arte, visualidade e política, são abordadas temáticas como a construção identitária e historiográfica do Nakba, as produções artísticas do Nakba, a construção da Nação, a inserção do Comunismo, a natureza dos periódicos, a presença de uma intelectualidade palestina, entre outros. O problema, enfim, consiste na hipótese de uma centralidade do visual no processo de afirmação, discussão, enfrentamento e expressão das causas palestinas no século XX. Nesse cenário, as imagens produzidas por Abed Abdi durante as décadas de 1970 e 1980 encontram relevância ao fornecer um repertório visual que discute a Palestina em termos políticos, não apenas em suas relações com Israel e com um Mundo Árabe, mas a partir de seus próprios termos.
This work aims to analyze the visual culture presented in Israel and Palestine during the 1970s and 1980s, through the unique interaction between the images spectrum and the political struggle in Palestine. The study is concerned to understand territories and the scope of Palestinian visuality, especially due to the disruption caused since 1948 - the birthdate of the State of Israel, known as Nakba - and its various developments. To deepen the understanding of visual reverberations in the political experience of artists (and) Palestinians, it will be explored images of everyday appeal and far-reaching, specifically cartoons and illustrations produced by the Palestinian artist Abed Abdi between the years 1972 and 1982: the first ones published in the Al-Ittihad newspaper (1972-1981), and the second ones produced for the literary magazine Al-Jadid (1980-1982). The time frame chosen is set in a moment of a rich production of the artist, also due to his leftist ideological position, filiation to the Communist Party of Israel and the formal studies taken in Dresden, underlying elements to Abdi´s biography. His critical production, markedly political, provides pictures of a complex scenario of relations between Israel, Palestine, other Middle Eastern countries and the rest of the world in the period. Therefore, in between history and art, visuality and politics, it is addressed themes such as identity and historiographical construction of the Nakba, the artistic productions of the Nakba, the construction of the Nation, the insertion of Communism, the nature of the journals, the presence of Palestinian intellectuals, among others. The problem, finally, consists in the hypothesis of the centrality of the visual in the processes of afirmation, discussion, confrontation and expression of the Palestinian causes in the twentieth century. In this scenario, the images produced by Abed Abdi during the 1970s and 1980s are relevant because they provide a visual repertoire in discussing Palestine politically, not only in its relations with Israel and an Arab World, but from their own terms.

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Santos, Luiz Gustavo Vieira. "Gaveta de notícia, tipos de cultura jurídica: direito e escravidão nas páginas da Gazeta de Notícias e crônicas Bons Dias! de Machado de Assis (abril e maio de 1888)." Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/2/2139/tde-27012015-165355/.

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As oito primeiras crônicas da série Bons Dias!, publicada anonimamente entre abril de 1888 e agosto de 1889, no periódico carioca Gazeta de Notícias, e, posteriormente, atribuída a Machado de Assis, são o fio condutor deste estudo. De 4 de abril de 1888 a 27 de maio de 1888, o foco da publicação literária, em constante interação com o suporte em que se insere, foi a abolição da escravatura, um dos temas centrais na historiografia brasileira e caro ao universo jurídico. A partir do inventário e análise qualitativa das informações contidas nessas fontes primárias, que não eram as oficiais da época, tem-se um amplo registro acerca de um tema jurídico e político fora das publicações especializadas, tais como manuais e compêndios de direito, decisões de tribunais, pareceres do Conselho de Estado etc. Da constatação de que há vocabulário e semântica comuns entre o espaço jurídico especializado e o cotidiano oitocentista, toma-se o tradicional conceito de cultura jurídica para ser desdobrado calcado nas noções de descentramento e circulação de ideias , com o intuito de ampliar o entendimento do que a compõe por meio da interação dessas diferentes falas e de seu legado. Analisadas as fontes e problematizada a composição da cultura jurídica, subsiste uma questão: estava de fato livre o Brasil? O trabalho visa, em suma, demonstrar o que essas publicações, marginais no tradicional estudo da cultura jurídica, tem a sugerir a respeito daquela transição jurídica para além da letra de lei que aboliu o trabalho escravo.
The first eight features in the Bons Dias! column, anonymously published in the Rio de Janeiro Gazeta de Notícias periodical, and later credited to Machado de Assis, form the common thread of this study. From April 4, 1988 to May 27, 1888, the focus of literary publications in constant interaction with the background they are included in, was on the abolition of slavery, one of the central themes in Brazilian historiography and a subject dear to the legal universe. From the research made and the qualitative analysis of the data contained in these primary sources which were not the official ones at that time an extensive record was gathered concerning a legal and political theme outside specialized publications such as manuals and law textbooks, besides court decisions and legal opinions passed by state councils etc. Considering evidence found that there is a lexical and semantic common ground between the specialized legal arena and the everyday life of the 1880s, the traditional concept of legal culture was approached and unfolded based on notions of decentralization and diffusion of ideas aiming at expanding the understanding of what it consists of through the interaction among such diverse discourses and their legacy. Once the sources have been analysed and the composition of the legal culture has been problematized, one question remains: was Brazil really free? In short, this study aims at showing what those publications marginal ones in conventional studies of legal culture suggest with regard to that legal transition beyond the letter of the law which abolished slave labor in Brazil.

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Alva, Vargas Samanta Nicole. "Tratamiento de la vida privada como componente en los espacios culturales periodísticos: análisis de las ediciones impresas de los diarios El Comercio, La República y Correo de abril a junio de 2017." Bachelor's thesis, Universidad Peruana de Ciencias Aplicadas (UPC), 2018. http://hdl.handle.net/10757/623348.

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Se centra en el terreno del periodismo cultural, cuyos espacios en los diarios han ido cambiando y evolucionando con el paso del tiempo, desde breves notas dispersas, pasando por el armado de una página cultural hasta llegar a la consolidación de un espacio destinado a esta rama del periodismo, llamada sección cultural. Asimismo, interpretar de qué manera se incluye el elemento de la vida privada en las secciones culturales de los diarios actuales, con la intención de demostrar que se ha producido un giro en los conceptos y objeto del quehacer cultural, redirigiendo la atención hacia la vida privada de las personas que se desarrollan en el ámbito de la puesta en escena o las producciones culturales.

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Basílio, Guilherme. "Os Saberes Locais e o novo Currículo do Ensino Básico." Pontifícia Universidade Católica de São Paulo, 2006. https://tede2.pucsp.br/handle/handle/9925.

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Made available in DSpace on 2016-04-27T14:31:50Z (GMT). No. of bitstreams: 1 Guilherme Basilio.pdf: 368709 bytes, checksum: 4c84000d7abdc06fce6aa78f181cec33 (MD5) Previous issue date: 2006-07-25
The paper discusses the local knowledge and the new curriculum of Basic Education with the aim of rescuing it to School. This discussion is supported by the institutionalization of local curriculum which opens possibility of integrating the local contents and practices in the education programs. The reason for integrating the local curriculum in to the education programs is to reduce the distance between two cultures; the modern School and the local traditional. The new curriculum of Basic Education integrate a local curriculum component to create relevant learning and for rescing local knowledge to School. This thesis supports the idea that the schools must rescue autochthonou s culture and its intrinsic values. It is argued that the inclusion of local knowledge in the school can facilitate the learning process and contextualize the local socio-cultural conditions. With the introduction of local curriculum a local knowledge a sociability space is open and a challenge is launched to the teachers in order to take responsibility in the production and systematization of knowlodge. The theoretical support for this work is based on the curriculum theory of Moreira and Silva (2002) as well as the theses of Geertz (1997) and Gramsci (2004). The empiric material was collected based on the reports of INDE documents (1999 2004). The need to better the learning in schools and to set students in their cultural perspective brought transformation for Mozambican curriculum of Basic Education. From the curricular reformation the research gave priority to perception about the local knowledge and assesses the method of integration of relevant local contents and practices in the target schools located in Nampula province. Lessons were observed with the objective of evaluating this process of integrating local knowledge into new curriculum. In addition to interview with teachers, students and the community people s views about their culture were also collected for their integration into the Basic Education curriculum.
O trabalho discute a questão de saberes locais e o novo currículo do Ensino Básico com finalidade de resgatar aqueles para a escola. Esta discussão é fundamentada pela institucionalização do currículo local que abre a possibilidade de integrar os conteúdos e as práticas locais nos programas do ensino. A finalidade da introdução do currículo local nos programas do Ensino é reduzir a distância entre a cultura da escola moderna e a cultura tradicional local. O novo currículo do Ensino Básico integra a componente do currículo local para criar aprendizagem relevante e resgatar os saberes locais para a escola. Esta tese sustenta que as escolas devem resgatar a cultura autóctone e o seu valor intrínseco. Defende-se que a inclusão dos saberes locais na escola pode facilitar aprendizagem e contextualizar as condições sócioculturais locais. Com a introdução do currículo local, cria-se um espaço de convivência dos saberes local e universal e la nça-se um desafio aos professores no sentido de serem responsáveis na produção e sistematização do conhecimento. O referencial teórico do trabalho é buscado em teoria curricular de Moreira e Silva (2002) assim como as teses defendidas por Geertz (1997) e Gramsci (2004). O material empírico foi recolhido com base nos relatórios e documentos do INDE (1999 e 2004). A necessidade de melhorar a aprendizagem na escola e enraizar o aluno na sua respectiva cultural levou a transformação do currículo moçambicano do ensino Básico. A partir da reforma curricular, a pesquisa prioriza as percepções sobre os saberes locais e avalia os métodos de integração de conteúdos e práticas locais relevantes nas escolas experimentais localizadas na Província de Nampula. Assim, foram observadas as aulas com a finalidade de avaliar o processo de integração dos saberes locais e realizadas as entrevistas aos professores, alunos e pessoas das comunidades com o objectivo de recolher a percepção sobre os saberes locais a serem integrados no Ensino Básico.

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Oliveira, Vin?cius Peruzzi de. "Influ?ncia da profundidade e dos par?metros ambientais sobre o desenvolvimento de Gracilaria birdiae (Rhodophyta, Gracilariales) em viveiro de camar?o." Universidade Federal do Rio Grande do Norte, 2007. http://repositorio.ufrn.br:8080/jspui/handle/123456789/12471.

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Made available in DSpace on 2014-12-17T14:01:56Z (GMT). No. of bitstreams: 1 ViniciusPO.pdf: 1959283 bytes, checksum: a0ff605126178472baa83d52b610e562 (MD5) Previous issue date: 2007-12-03
Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior
This study evaluates the influence of depth and environmental parameters on the development of Gracilaria birdiae Plastino & Oliveira (Gracilariaceae Rhodophyta) in an organic shrimp pound (Litopenaeus vannamei) under euthrophical conditions. PVC structures (module) witch four ropes laden with 150 g of macroalgae each, were kept during 35 days at three different depths (surface, 10 and 20 cm depth). Wet biomass weighing and environmental parameters (temperature, salinity, turbidity, pH, transparence, precipitation, evaporation, insolation, accumulated solar radiation, nitrite, nitrate, ammonium and orthophosphate) were measured weekly. At all three proposed depths, the macroalgae displayed a higher biomass at the end of experiment than at the initial inoculations. The module kept at a 10 cm depth presented the greatest average biomass (186,3), followed by that kept at 20 cm (180,4 g) and the surface module (169,9 g). Biomass variations showed algae to suffer the direct effects of depths. Biomass loss was associated with the factors that influence light penetration, such as sediment deposits above the thallus, rate of evaporation and precipitation. The smallest loses occurred in the algae kept on surface (0,16%), followed by the algae kept at 20 cm (0,20%) and 10 cm (0,22%). The specific growth rate (SGR) of G. birdiae showed no significant difference between the three depths nor the sample periods. Nevertheless, the modules kept at 10 and 20 cm depths presented similar growth evolution, both growing 0,38%?per day-1, while the module kept on surface had an average SGR of 0,36%?day-1. The models related to growth rate demonstrated temperature, salinity, pH, orthophosphate, ammonium, precipitation and turbidity as the principal environmental parameters influencing the development of G. birdiae
Este estudo avalia a influ?ncia da profundidade e dos par?metros ambientais sobre o desenvolvimento de Gracilaria birdiae Plastino & Oliveira (Gracilariaceae Rhodophyta) em condi??es eutr?ficas de um viveiro org?nico de camar?o Litopenaeus vannamei. Estruturas de PVC (m?dulos), contendo quatro cordas com 150 g de macroalgas, foram mantidas por 35 dias em tr?s profundidades distintas (superf?cie, 10 e 20 cm de profundidade). Semanalmente foram realizadas as pesagens de biomassa ?mida e o monitoramento dos par?metros ambientais (temperatura, salinidade, turbidez, pH, transpar?ncia, precipita??o pluviom?trica, taxa de evapora??o, insola??o, radia??o solar acumulada, nitrito, nitrato, ?on am?nio e ortofosfato). Nas tr?s profundidades propostas, as macroalgas apresentaram, no fim do experimento, biomassa superior ao in?culo inicial. O m?dulo mantido a 10 cm de profundidade apresentou a maior m?dia de biomassa (186,3 g), seguido pelo m?dulo mantido a 20 cm (180,4 g) e o m?dulo mantido na superf?cie (169,9 g). As varia??es de biomassa apontaram que as algas sofrem efeitos diretos da profundidade. As perdas de biomassa estiveram associadas aos fatores que influenciam na penetra??o de luz como a deposi??o de sedimento sobre os talos, taxa de evapora??o e taxa de precipita??o. As menores perdas ocorreram nas algas mantidas na superf?cie (0,16%), seguidas pelas algas mantidas a 20 cm (0,20%) e a 10 cm (0,22%). As taxas de crescimento espec?fico (TCE) de G.birdiae n?o apresentaram diferen?as significativas entre as tr?s profundidades e nem entre os per?odos amostrais. Entretanto, os m?dulos mantidos a 10 e 20 cm mostraram evolu??es de crescimento bastante semelhantes, ambos cresceram 0,38%?dia-1, enquanto o m?dulo mantido na superf?cie obteve a TCE m?dia de 0,36%?dia-1. Os modelos relacionados ?s taxas de crescimento apontaram a temperatura, salinidade, pH, ortofosfato, ?on am?nio, precipita??o e turbidez como os principais fatores ambientais a influenciar no desenvolvimento de G. birdiae

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Vololona, Marie Fidèle. "Urbanisme et disparités sociales à Fianarantsoa. Contribution à l'étude de l'espace urbain à Madagascar." Thesis, Paris, INALCO, 2020. http://www.theses.fr/2020INAL0025.

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L’espace urbain de Fianarantsoa, sur les Hautes Terres centrales sud de Madagascar, a été modelé dans un milieu physique contrasté caractérisé, entre autres, par un relief accidenté, un climat tropical d’altitude, une hydrographie assez abondante. Les géosymboles changent suivant les périodes, mais ceux ayant une connotation de disparités sociales sont omniprésents. Pendant le « royaume de Madagascar », époque où cette ville est née (1830), ses fondateurs ont voulu créer une réplique de la ville de Tananarive. Fianarantsoa a été ainsi bâti suivant la stratification altitudinale selon la hiérarchie sociale ou les fonctions. Sous la colonisation, la Nouvelle ville, attribuée aux Européens, est caractérisée par un plan géométrique, un espace aéré, tandis que les Malgaches vivaient dans la Ville indigène. Actuellement, Fianarantsoa est devenue une ville multifonctionnelle, dans laquelle prévalent édifices religieux, rizières, cultures de bas-fond et sur tanety, et quelques quartiers à plan géométrique. Cependant, ceux qui sont désorganisés prédominent. Ce sont des géosymboles dénotant la prédominance de la religion chrétienne, des activités rurales dans la ville. Par ailleurs, les inégalités sociales y règnent
The urban area of Fianarantsoa, on South Central Highland of Madagascar, has been shaped in a physical space that is contrasted by a ragged relief, an altitude tropical climate, a quite abundant hydrography. Geosymbols change according to period, but those having a connotation of social disparities are omnipresent. During Malagasy Kingdom, period where that city was born (1830), its founders wanted to replicate the city of Antananarivo, Fianarantsoa has been built in accordance with altitudinal stratification as per the social hierarchy or functions. During colonisation, the new city, attributed to Europeans, is characterized by a geometric plan, airy space, while Malagasy people live in indigenous city. Currently, Fianarantsoa becomes a multifunctional city in which prevail religious buildings, rice fields, shallow farming and tanety farming; some neighborhoods with geometric plan, however deorganized ones, predominate. Geosymbols indicate predominance of christian religion, rural activities in the city, in addition social differences prevail

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Medina, Ysela. "Influence de différents paillis de plastique sur le microclimat, l'activité photosynthétique, la productivité et la qualité des fruits de fraisiers (var. seascape) cultivés sous grands tunnels /." 2008. http://www.theses.ulaval.ca/2008/25518/25518.pdf.

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Gonçalves, Ricardo Manuel dos Ramos. "A cultura ao serviço da revolução: campanhas de dinamização cultural e acção cívica do MFA." Master's thesis, 2018. http://hdl.handle.net/10071/18503.

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Ao longo desta investigação pretende-se analisar de que forma se caracterizaram as designadas Campanhas de Dinamização Cultural e Acção Cívica do MFA, procurando-se determinar quais as noções de cultura que norteavam esta iniciativa. Num contexto historicamente revolucionário, estas campanhas de carácter político-cultural consubstanciaram-se em acções desenvolvidas por militares e civis com objectivo de reforçar a ligação entre os militares e as populações locais, com insuficientes recursos monetários e materiais. Para isso foram integradas intervenções artísticas e culturais, com a finalidade de se criar uma nova rede cultural no país, o que constitui um primeiro prenúncio de descentralização cultural para o território. Tuteladas pela 5ª Divisão e planeadas por uma Comissão Dinamizadora Central (CODICE), as Campanhas de Dinamização Cultural assumiram-se assim como umas das primeiras iniciativas culturais no Portugal pós-25 de Abril. Neste sentido, esta dissertação pretende ainda situar as campanhas no seio das políticas culturais desenvolvidas em Portugal depois de 1974.
This research aims at analyzing how the so called Cultural Dynamization and Civic Action Campaigns of the Armed Forces Movement were characterized and determining the underlying cultural notions. In a historically revolutionary context, these political-cultural campaigns consisted of military and civil actions with the goal of reinforcing the connection between the military and the local population, which lacked monetary and material resources. For this purpose, artistic and cultural interventions were integrated to create a new cultural network in the country, which represented a foresight to the country’s cultural decentralization. Overseen by the 5th Division and planned by the Central Dynamizing Commission (CODICE), the Cultural Dynamization Campaigns constituted one of the first cultural initiatives in Portugal after the 25th of April. Therefore, this dissertation also intends to place the campaigns in the context of the cultural politics developed in Portugal after 1974.

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Fu, Bor-han, and 傅柏翰. "The Influence of Russian Literature to Kazakh Culture on the Example of Abai Kunanbaev ’s creativity." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/09487025259145800083.

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博士
中國文化大學
俄國語文學系
100
Title of dissertation: The Influence of Russian Literature to Kazakh Culture on the Example of Abai Kunanbaev ’s creativity Key words: Russian Literary, Kazakh Culture, Abai Kunanbaev Name of Institute: Graduate Institute of Russian Language and Literature, Chinese Culture University Graduate date: 27 December 2011 Degree conferred:Doctor Name of Student: Fu Borhan Advisor: Li, Hsi-mei Abstract The purpose of the research is retracing of the Russian-Kazakh interrelations from the perspective of influence of Russian literary on the Kazakh literary and culture taking as an example the creativity of Abai Kunanbaev. The purpose implies the dealing with following issues: the retracing of origin of Russia-Kazakh connections in culture, the issue of interpreting by Mr. Olzhas Suleymenov of the “Word on Igor’s regiment” within the framework of interconnections between Ancient Russia and Polovtsian steep. the assessment of the degree of influence of Russia literary on development of Kazakh written literary in pre Abai epochs. the assessment of the influence of Russian literary on the social activity and creativity of poets and writers of early XX Chakarim and Mukhtar Auezov and successors of Abai’s traditions. The object of the research is the poetry and prose by Abai, translations from Pushkin, Lermontov made by Abai in 1880-1900th and also translations of Abai’s works into Russian and also pieces of other representatives of Kazakh literary of XIX-XX. The subject of the research is the peculiarities of the afore-mentioned literary works as the artistic structures. The text analysis enables us to get full knowledge about it, to determine the artist’s conception, to understand his viewpoint and to reveal the aesthetic value of literary works. The novelty of dissertation research consists in the attempt of retracing of development of literary connections of Russia and Kazakhstan as an historically consistent process with assessment of the degree of influence of Russian literature on the Kazakh culture. In the research the attempt was made of resolving using the specific creative materials the issues of creative dialogue between Krylov, Ryleev, Pushkin, Lermontov, Turgenev on Abai Kunanbaev and representatives of his school. The practical value of the research is determined by the possibility to use the material presented there at schools and universities while studying the Kazakh literature. The first chapter of the research is entitled “Russia and Kazakhstan dialogue of cultures in X-XIX centuries”. It is dedicated to the origin of russian-kazakh literature interconnections. The second chapter is Abai and Russia literature,Russian origin in the Abai Kunanbaev’s creativity. It includes the maturity of the creative personality: Abai and political exiles in Semipalatinsk; Abai and Russian literary, Pushkin traditions in the Abai’s lyrics. The third chapter is devoted following problems: the problem of Russian lyrics and prose in the translations of poets of Abai’s epoch; Lermontov’s lyrics in the translator’s interpretation of Abai Kunanbaev ; tradition of Russian literature in the creativity of representatives of Abai’s school: Pushkin and Shakarim Kudayberdyev; Mukhtar Auezov and Russian literature: issues of literary education and influence. The conclusion gives the obtained results that enabled the author to show influence of the Russian literature on Abai Kunanbaev.

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André, Paula Maria Gonçalves. "Espiritualidade franciscana hospitaleira : uma chave que abre horizontes na Educação Moral e Religiosa Católica." Master's thesis, 2018. http://hdl.handle.net/10400.14/25610.

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O presente Relatório pretende descrever a Prática de Ensino Supervisionada (PES) no âmbito do Mestrado em Ciências Religiosas que, para mim, foi uma oportunidade de descoberta e aprendizagem no meu percurso profissional. Durante este itinerário de estágio, tomei consciência, mais uma vez, de que, sem dúvida, os contextos culturais onde nascemos e crescemos influenciam o nosso comportamento e que, também, sem dúvida, a Escola é uma instituição de transmissão e construção de cultura. É assim que este Relatório começa fazendo uma destrinça entre culturas, e cultura do cristianismo, de forma a contextualizar a Prática Letiva da lecionação das Unidades Letivas 1 e 4 do Programa de Educação Moral e Religiosa Católica (EMRC), do quinto ano de escolaridade, “Viver Juntos” e “Construir Fraternidade”. Por isso, no desenvolvimento de todo o processo, surgiu a questão: qual o papel da disciplina de EMRC na escola e qual o seu contributo para a construção do bem comum e do cuidado do outro? A partir desta questão, foi feita uma reflexão de modo a apresentar algumas chaves de leitura para essa construção do Bem Comum e do Cuidado do Outro e sobre a forma como o concretizar, na ação educativa, com a contribuição desta disciplina. Sendo múltiplas as chaves que poderíamos encontrar, concluímos que a EMRC é uma; e outra possível é a Cultura Franciscana Hospitaleira, cuja espiritualidade se distingue, na sua essência, pelo cuidar o outro, definindo-se através de um caminho - a pedagogia do amor. Esta pedagogia veicula a prática dos valores da simplicidade, da alegria, do acolhimento e da hospitalidade, expressos na proximidade ao outro. E é a partir destas chaves que, por fim, se apresenta uma proposta pedagógica - a implementação da dinâmica “O Chaveiro”, cujos objetivos promovem o envolvimento dos alunos, familiares e comunidade educativa, e divulgam os conteúdos mais significativas da disciplina de EMRC.
This Report intends to describe the Supervised Teaching Practice (ESP) within the Master's Degree in Religious Sciences, which for me was an opportunity for discovery and learning in my professional career. During this internship, I became aware once again that, without doubt, the cultural contexts where we are born and grow influence our behavior and that the School is also an institution of transmission and construction of culture. This is how this Report begins, making a distinction between cultures, and culture of Christianity, in order to contextualize the Learner Practice of Units 1 and 4 of the Catholic Religious and Moral Education Program (EMRC), in the fifth year of schooling: "Living Together" and "Building Fraternity". Therefore, in the development of the whole process, the question arose: what is the role of the EMRC discipline in the school and what is its contribution to the construction of the common good and the care of the other? From this question, a reflection was made in order to present some keys of reading for this construction of the Common Good and Care of the Other and about how to concretize it in the educational action with the contribution of this discipline. With multiple keys we could find, we conclude that the EMRC is one; and another possible is the Franciscan Hospitaller Culture, whose spirituality is distinguished, in its essence, by caring for the other, defining itself through a path - the pedagogy of love. This pedagogy conveys the values of simplicity, joy, and hospitality expressed in the proximity to the other. It is from these keys that, finally, a pedagogical proposal is presented - the implementation of the "O Chaveiro" dynamics, whose objective promotes the involvement of students, families and the educational community, and disseminate the most significant contents of the EMRC discipline.

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Hsu, Chiung-Fang, and 許瓊方. "A Research of the Relation between Spanish Culture Festivals and City Competitiveness under Globalization: Cases Study of "San Fermin" and " Semana Santa & Feria de Abril"." Thesis, 2006. http://ndltd.ncl.edu.tw/handle/91594791140253494443.

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Lopera, Realpe Laura Maria. "Mitología y ritualidad guerrillera insurgente en Colombia : el imaginario político del Movimiento 19 de abril, M-19." Thèse, 2016. http://hdl.handle.net/1866/19514.

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Depuis la deuxième moitié du XXe siècle, la Colombie se trouve submergée dans un conflit interne permanent qui s´étend pour plus de cinquante ans. Dans celui-ci convergent des divers acteurs armés : l`armée colombienne, les groupes paramilitaires et la guérilla, qui jouent un rôle central dans la définition du conflit et de la réalité sociale et politique du pays. Pourtant, l’image que chacun se fait autant du conflit que d’eux-mêmes dépend de l’interprétation que chacun donne aux faits et à la manière dans laquelle ils se perçoivent en intervenant dans la construction de cette réalité. Ainsi, avec le but d’indaguer dans l’interprétation d’une partie des acteurs du conflit, et cherchant faire un apport à la compréhension de cette période de l`histoire de la Colombie, une approche à l`imaginaire insurgé du Movimiento 19 de Abril, M-19, est ici proposé. Ce groupe étant l’une des guérillas les plus actives dans le pays, étant donné la magnitude de ces opérations armées, est aussi l’une des premières à établir depuis seize ans d’activité militante, des accords avec le gouvernement de la Colombie, signant un accord de paix et se transformant finalement en parti politique (1990). Pour ce faire, des récits des exmilitants de l’organisation s’incluent dans l’investigation afin de que ceux-ci apportent, depuis ses perspectives, à une meilleure compréhension et à la reconstruction de l’histoire du pays ; de cette façon on peut comprendre aussi ce qui les a amenés au soulèvement en armes et sa vision du monde. Dans la quête de faire connaître ses propositions et ses interprétations de ce qui se passait dans l`époque en Colombie, le M-19 déploie des actions et des discours, avec lesquels fait allusion aux ressources symboliques et matérielles afin de se représenter en tant que groupe insurgé et exprimer ainsi, ses dénonciations, ses propositions et ses interprétations de la réalité. C’est à partir de ces éléments que l’on peut constater l’existence d’une narrative insurgent ainsi que certaines pratiques encadrées dans les rites de passage. C’est donc à travers l’analyse de ces rites qui marquent les transformations internes du groupe, ainsi qu’à travers la reconstruction du mythe insurgent, compris en termes d’un réseau discursive construit à partir du langage, des symboles et des pratiques avec lesquelles les ex-militants se souviennent des années actives dans la guérilla, qu’une approche à l’imaginaire du M-19 peut se faire.
During the second half of the XXth Century, Colombia was submerged into a permanent internal conflict that has extended for much of half a century. In such conflict, there are different converging armed actors: The Colombian army, the guerrilla and paramilitary groups, who have played a significant role defining the conflict and the social and political reality of the country. However, the image each one creates of it and of themselves, depends profoundly on the interpretation that each one makes of the facts, as well as on the way in which they picture themselves intervening in the construction of this reality. Thus, aiming at getting insight of the interpretation of this reality made by one of the groups in the conflict, while contributing at the same time at understanding further this historical moment in Colombia, a study of the insurgent imaginary of the Movimiento 19 de Abril, M-19 is proposed. The M-19 was one of the most active guerrillas in the country due to the scope of its operations and one of the first that, after 16 years of militancy, establishes accords with the central government, signing a peace agreement and finally, becoming a political party (1990). In order to proceed, accounts from the organization`s ex militants are the main source of information integrated in the research so that they can contribute, from their perspective, to better understand and reconstruct the history of Colombia, and in this way, understand what led them to raise in arms and their vision of the world. In the search to make public their proposals and their interpretation of what was happening in Colombia during that time, the M-19 deploys several actions and discourses in which they make reference to symbolic and material resources in order to establish themselves as an insurgent group; and to express in this way, their demands, their proposals and their interpretations of the reality. From these elements, the existence of an insurgent narrative as well as of certain practices framed in what is known as rites of passage can be ascertained. Thus, It is through the analysis of these rites that mark the internal transformations of the group, as well as through the reconstruction of the insurgent myth –understood here in terms of a discursive patchwork composed by the language, the symbols and the practices through which the ex-militants recall their active years in the guerrilla- that an approach of the collective imaginary of the M-19 can be made.
A partir de la segunda mitad del siglo XX, Colombia se encuentra sumegida en un conflicto interno permanente que se extiende por más de medio siglo. En él, convergen diferentes actores armados: ejército, paramilitares y guerrilla, que juegan un rol principal en la definición del conflicto y de la realidad social y política del país. Pero la imagen que cada cual se hace de este y de sí mismos depende de la interpretacion que cada cual da de los hechos y de la manera en que ellos se ven interviniendo en la construcción de dicha realidad. Con el fin de indagar en la interpretación de una parte de los actores del conflicto y aportar en la comprensión de este periodo histórico en Colombia, se propone aquí realizar un acercamiento al imaginario insurgente del Movimiento 19 de Abril, una de las guerrilas más activas dada la magnitud de sus operativos y un de las primeras, que tras 16 años de militancia, logra entablar acuerdos con el gobierno, firmar la paz y transformarse a un movimiento político (1990). Para hacerlo, se incluyen los relatos de ex militantes de la organización para que, desde su perspectiva, aporten a un mejor entendimiento y a la reconstrucción de la historia del país y así comprender qué los llevo al alzamiento armado y cuál era su visión de mundo. En la búsqueda de dar a conocer sus propuestas e interpretaciones de lo que estaba ocurriendo en Colombia en esa época, el M-19 despliega diferentes acciones y discursos, en donde hace alusión a recursos simbólicos y materiales para representarse como grupo insurgente y expresar así sus denuncias, sus propuestas y sus interpretaciones de la realidad. A partir de estos elementos se constata la existencia de un relato insurgente y de ciertas prácticas que se enmarcan dentro de lo que se conoce como ritos de paso; a través del análisis de estos ritos que marcan las transformaciones internas del grupo y de la reconstrucción del mito insurgente, entendido como un entramado discursivo construido por el lenguaje, los símbolos y las prácticas con los que se reviven los años en la guerrilla, se hace un acercamiento al imaginario colectivo del M-19.

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Farinha, Ilda Maria Alves. "O Semeador - Grupo de Trabalho e Acção Cultural G.T.A.C. : uma história de educação popular e associativismo em Portalegre no 25 de Abril de 1974." Master's thesis, 2010. http://hdl.handle.net/10400.26/8405.

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É no contexto de forte movimento popular que nasce em Portalegre uma Associação, “O Semeador” – Grupo de Trabalho e Acção Cultural – GTAC. Foi escolhido este objecto de estudo pelo interesse, curiosidade e necessidade de compreensão das lógicas e das dinâmicas que deram origem à sua criação, do impacto que teve na época, do desenvolvimento que teve ao longo dos anos e da herança que deixou. Este trabalho, sustentado por um estudo de caso, tem como enfoque o associativismo, a educação popular e a alfabetização, elementos chave do contexto político-cultural em que o “O Semeador”- GTAC, associação para a promoção da democracia, foi constituído, logo após o 25 de Abril de 1974.
It is in the context of a strong popular movement that an association, “O Semeador” – Group of Work and Cultural Action G.T.A.C. – is born. This object of study has been chosen for the interest, curiosity and need for understanding the logics and dynamics that originated its creation, the impact it had at the time, how it developed throughout the years and the heritage it left. This work focuses on associativism, popular education and literacy teaching, key elements of the political and cultural context in which “O Semeador” – G.T.A.C., an association that promoted democracy, was created, right after the 25th April of 1974.

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Beja, Rui Manuel Monteiro de Oliveira. "O livro em transição: edição e comércio do livro em Porugal (1970-1980)." Doctoral thesis, 2018. http://hdl.handle.net/10773/24872.

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A década de 1970, ao abranger o período que medeia entre a fase final do antigo regime e a consolidação do regime democrático iniciado em 25 de Abril de 1974, foi rica em acontecimentos que marcaram a história de Portugal nos domínios político, cultural e socioeconómico. Neste contexto de viragem e de vincadas rupturas, a presente tese debruça-se sobre o conjunto de políticas públicas, instituições, protagonistas e práticas que impulsionaram uma dinâmica de mudança na indústria do livro e analisa o respectivo contributo no domínio da evolução sociocultural da população portuguesa. A estratégia teórico-metodológica utilizada articula conceitos portadores de sensibilidades interdisciplinares próprias dos estudos culturais, assente num modelo que orienta a investigação empírica no sentido de traçar o percurso do livro e do mundo da edição no contexto do período em observação. As dimensões de análise, definidas em função do âmbito e objectivo do estudo, são discutidas com base em métodos qualitativos, com recurso a fontes secundária/documental e análise primária/entrevistas, num modelo integrado de recolha e tratamento da informação compatível com os métodos de investigação social e que visa colmatar, com o testemunho de profissionais do livro, a escassez de fontes secundárias relativas à evolução histórica da edição em Portugal nos anos 70. O presente trabalho procura apresentar, descrever e comentar: (i) o estádio de divulgação do livro face à conjuntura política, estratégia ideológica e constrangimentos censórios vigentes no Estado Novo; (ii) os desafios e o contributo da actividade editorial e livreira para as transformações ocorridas na transição da ditadura para a democracia; (iii) as repercussões da democracia na liberdade de expressão, transformações culturais e políticas públicas para a educação, o livro e a leitura; (iv) as transições no panorama da edição em liberdade democrática, com realce para criação de editoras, dinâmica dos profissionais do livro, inovação nos métodos de gestão editorial, nova geração de autores portugueses, novos temas e crescimento de leitores por alargamento a novos públicos; (v) os efeitos da democracia do livro na evolução de hábitos de compra e leitura de livros; (vi) a relação entre as transformações ocorridas na edição e comércio do livro durante a década de 70 do século XX e o comprovado progresso sociocultural da população portuguesa na sequência da instituição da democracia em 25 de Abril de 1974.
By covering the period between the final phase of the Estado Novo regime and the consolidation of the democratic regime emerging from the revolution of April 25th, 1974, the decade of 1970 was rich in events marking the history of Portugal in the political, cultural and socioeconomic domains. In this context of a regime shift and strong disruptions, the present thesis focuses on the whole of public policies, institutions, protagonists and practices that boosted a dynamics leading to profound changes in the book industry, and analyzes how these contributed to the sociocultural development of the Portuguese population. The theoretical-methodological strategy used articulates concepts inherent to the interdisciplinary sensitivities associated with cultural studies, based on a model that directs the empirical investigation towards understanding the pathway of the book and the publishing world in the context of the observation period. The dimensions analyzed, defined in view of the study scope and purpose, are discussed on the basis of qualitative methods, using the analysis of secondary/documental sources and primary/interviews. The integrated model of collecting and analyzing information is in line with the working methods used for social research, taking advantage of the testimony of book professionals to compensate for the lack of secondary sources regarding the historical evolution of the Portuguese publishing industry in the 1970s. This thesis seeks to present, describe and comment: (i) the stage of book dissemination given the political environment, ideological strategy and censorship constraints in force during Estado Novo; (ii) the challenges and the contributes of the publishing and bookselling activity for the changes occurring in the transition from dictatorship to democracy; (iii) the repercussions of democracy on freedom of expression, cultural changes, and public policies for education, the book and reading; (iv) the transitions of the publishing scenario in democratic freedom, with emphasis on the establishment of book publishers, the dynamics of book professionals, the innovation on methods for publishing management, the emergence of a new generation of Portuguese authors, the publishing of new literary subjects, and the increases in readership by reaching new audiences; (v) the effects of book democracy on the evolution of bookbuying and reading habits; and (vi) the relation between the changes occurring in book publishing and selling during the 1970s, and the proven sociocultural progress of the Portuguese population following the democracy established on the 25th April 1974.
Programa Doutoral em Estudos Culturais

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