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Journal articles on the topic 'Abroad fiction'

Author: Grafiati

Published: 2 June 2025

Last updated: 31 July 2025

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1

Cerepanov, M. M. "Alimony from abroad: reality or fiction?" Uzhhorod National University Herald. Series: Law, no. 67 (January 16, 2022): 101–5. http://dx.doi.org/10.24144/2307-3322.2021.67.20.

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The work is devoted to the payment of child support, determining the mechanism of child support, if one of the parents is abroad;According to Article 8 of the Law "On Child Protection" in Ukraine, every child has the right to a standard of living sufficient to satisfy his or her physical, intellectual, moral, cultural and spiritual, and social development. 51 part 2 of the Constitution of Ukraine and Article 180 of the Family Code of Ukraine (hereinafter - the IC of Ukraine), Parents are obliged to raise children to adulthood. The child must be in a family whose parents voluntarily fulfill the

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2

Ellis, Joseph M. "Swedish Crime Fiction and Study Abroad: Literature, Politics and the Foreigner." Frontiers: The Interdisciplinary Journal of Study Abroad 30, no. 2 (2018): 106–16. http://dx.doi.org/10.36366/frontiers.v30i2.415.

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This paper highlights how to use Swedish crime fiction in the classroom to teach politics, especially issues related to immigration and the role of being “foreign”. Furthermore, the paper explores how Swedish crime fiction can be incorporated into a study abroad course, examining one such study abroad – known as W’International – on our campus. I argue that Swedish crime fiction novels make for a perfect venue to explore an array of political problems and challenges, and a palatable way for students unfamiliar with Sweden or crime fiction to relate to real-world issues.

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3

Adania, Luthfina, and Muhammad Luthfi Zuhdi. "NARASI KONTRA TERORISME PADA LITERATUR INDONESIA DAN ANIMASI FIKSI POPULER." Academic Journal of Islamic Principles and Philosophy 4, no. 2 (2023): 181–202. http://dx.doi.org/10.22515/ajipp.v4i2.8144.

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The author explores the potential of fictional media in counter-terrorism efforts, especially as an antidote to the spread of pro-terrorism narratives. Fiction media has the potential to bridge differences by spreading universal values that can transcend language, geography, and cultural boundaries. Multicultural culture helps teach tolerance and respect for one another. The method used is a literature study of previous research results. The selected studies used fiction and memoirs from Indonesia, as well as popular fiction from abroad, namely Avatar: The Legend of Aang and Fullmetal Alchemis

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4

Chenetier, Marc. "Charting Contemporary American Fiction: A View from Abroad." New Literary History 16, no. 3 (1985): 653. http://dx.doi.org/10.2307/468847.

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5

Ghazoul, Ferial. "Iraqi Short Fiction: The Unhomely at Home and Abroad." Journal of Arabic Literature 35, no. 1 (2004): 1–24. http://dx.doi.org/10.1163/1570064041341888.

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6

Li, Manxi, Wenqing Su, and Xinman Li. "New Documentary Film Seeks to Be “More Real”." Scientific and Social Research 3, no. 5 (2021): 169–73. http://dx.doi.org/10.36922/ssr.v3i5.1246.

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After the birth of documentary film, the discussion of “fiction” and “non-fiction” has not stopped. Influenced by the ideological trend of postmodernism, “new documentary film” overturns the concept of traditional documentary film and believes that it is feasible and meaningful for documentary to take “fiction” as a means. Adhering to the “new” exploration of this documentary, the author discusses the historical origin of new documentary films, the authenticity of new documentary films at home and abroad and the creative techniques of new documentary films, in order to provide innovative suppo

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7

Mack, Edward. "The Japanese-Language Newspaper Novel Abroad." Humanities 11, no. 6 (2022): 158. http://dx.doi.org/10.3390/h11060158.

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This article presents initial findings about the history of the publication of serialized novels in Japanese-language newspapers published in North and South America. An under-studied publishing venue for literature to begin with, even less is known about the serialization of novels in these diasporic communities despite them being the most widely circulated fiction. Focusing on what can be reconstructed of the history of these works and their publication, this study focuses on five newspapers and their serialized novels during the 1930s, with a particular focus on the novel Constellations Abl

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8

Dolgushin, Alexey E. "Fiction of Notification in International Civil Process: Legal Rudiment or Efficient Instrument?" Zakon 22, no. 5 (2025): 130–41. https://doi.org/10.37239/0869-4400-2025-22-5-130-141.

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The circumstances existing nowadays effectively refute a statement that the system of international legal assistance stays on a way of linear progression. Many cases demonstrate a failure of international assistance, as the application of legal fictions becomes more common. This article is an attempt to offer a reasonable opinion on how to take an application of legal fiction within a service of legal process abroad. Based on an analysis of the origin and place of legal fiction, the author concludes that the fiction of service of legal process is a way to level down an existing standard of pro

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Viera de Andrade, Constança. "Food, Drink and the Other: Producing Satire and Otherness in Portuguese Literature." Topiques, études satoriennes 5 (September 22, 2021): 27–50. http://dx.doi.org/10.7202/1081522ar.

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Portuguese narrative fiction is plentiful of food and drink references, which vary in meaning and function accordingly to the historical context of production. The peripathetic Portuguese brought culinary knowledge from abroad mainly since the 16th century, merging cultural changes of food and drink with practices from their country of origin. This was a turning point in the history of Portuguese narrative fiction, for it made more present the concept of the "other" through consumption habits. An extremely short travel between 16th and 19th narrrative fiction examples intends to highlight some

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10

Qin, Li. "Strategies for Translating Chinese Colloquial Expressions into English in Science Fiction: A Case Study of English Version of the Three-body Problem." International Journal of Education and Humanities 6, no. 1 (2022): 196–200. http://dx.doi.org/10.54097/ijeh.v6i1.3091.

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In recent years, Liu Cixin’s trilogy the Three-body Problem, a science fiction novel, has broken the monopoly of foreign science fiction, won massive and popular reviews and admiration from Chinese and foreign readers, and has become an important source for Chinese culture to “go global”. To some extent, the result of English translation of science fiction has relatively affected its spread abroad. In the context of cultural differences, in order to enable overseas readers to correctly feel and understand the cultural elements of Chinese science fiction, it is necessary to properly convey spec

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11

AVDIĆ, Alen. "THE DETECTIVE NOVEL BETWEEN MOSCOW AND LONDON (Notes on the Erast Fandorin Series by Boris Akunin)." Lingua Montenegrina 26, no. 2 (2020): 341–68. https://doi.org/10.46584/lm.v26i2.814.

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The Russian detective novel has made a major shift from its beginnings with Dostoevsky’s ‘Crime and Punishment’. This could be largely attributed to Boris Akunin, who has popularized Russian crime fiction beyond Russia with his ‘Erast Fandorin Series’ and in doing so spread its influence well abroad. Akunin parodies the great masters of detective fiction, borrowing at the same time from the Russian literature greats. In doing so he has created the character of Fandorin, who, through a very extensive book series, exists on the margin between parodying and honoring both English and Russian liter

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12

Xinyi, Ma, and Hua Jing. "Humanity in Science Fiction Movies: A Comparative Analysis of Wandering Earth, The Martian and Interstellar." International Journal of Linguistics, Literature and Translation 4, no. 1 (2021): 210–14. http://dx.doi.org/10.32996/ijllt.2021.4.1.20.

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Wandering Earth, released in 2019, is regarded as a phenomenal film that opens the door to Chinese science fiction movies. The Chinese story in the film has aroused the resonance of domestic audiences, but failed to get high marks on foreign film review websites. In contrast, in recent years, science fiction films in European and American countries are still loved by audiences at home and abroad, such as The Martian and Interstellar, which have both commercial and artistic values. It can be seen that the cultural communication of western science fiction movies is more successful than that of C

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13

Chambers, Claire. "Banglaphone Fiction:." Crossings: A Journal of English Studies 6 (December 1, 2015): 20–29. http://dx.doi.org/10.59817/cjes.v6i.182.

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Around the time the Raj was disintegrating, Bengalis, many of them from Sylhet, were coming to Britain in large numbers. Settling in areas such as London’s Spitalfields, these Sylhetis pioneered Britain’s emerging curry restaurant trade, labored for long hours and with few rights in the garment industry, and worked as mechanics. Sylhetis’ inestimable contribution to the fabric of British life is recognized, for example, in their association with Brick Lane, a popular road of curry houses in East London. However, too often their contribution to literature is reduced to one novel, Brick Lane, Mo

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Dr Jyoti Patil. "Emergence of New Novel and Contribution of Salman Rushdie to Indian English Fiction." Creative Launcher 4, no. 2 (2019): 10–17. http://dx.doi.org/10.53032/tcl.2019.4.2.02.

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After the publication of Salman Rushdie’s second novel Midnight’s Children (1980), there is an emergence of New Fiction marking the beginning of New Era in the history of Indian Writing in English. A large number of novelists living in India and abroad write fiction in great number and thereby breaking the stigma of the marginalization of Indian English Fiction. They introduce various components of modern theories regarding the composition of the fiction. They also prove their superiority over their western counterparts by achieving remarkable recognition on international platforms and by winn

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15

Miller, Mary Ashburn. "A Fiction of the French Nation." Historical Reflections/Réflexions Historiques 44, no. 2 (2018): 45–66. http://dx.doi.org/10.3167/hrrh.2018.440204.

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This article examines fictional representations of the emigration of the French Revolution. It focuses on the novels Eugénie et Mathilde, Les Petits émigrés, and Le Retour d’un émigré, which were published in France between 1797 and 1815 as émigrés were seeking to return to the nation they had fled. It argues that these novels should be interpreted as making claims about the ability of émigrés to reintegrate within the nation. The sentimental novels responded to two key anxieties about the émigrés’ return by demonstrating that émigrés had not been transformed into foreigners during their time

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16

Voicehovičs, Renārs. "Analītisks skatījums uz jaunākajiem latviešu zinātniskās fantastikas stāstiem." Aktuālās problēmas literatūras un kultūras pētniecībā: rakstu krājums, no. 25 (March 4, 2020): 176–84. http://dx.doi.org/10.37384/aplkp.2020.25.176.

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The present paper provides a brief look and an analysis of contemporary Latvian science fiction short stories. Three speculative fiction short story collections of the same series have been analysed: „Purpura karaļa galmā” (2013, Zvaigzne ABC), „Zilie jūras vērši” (2015, Zvaignze ABC) and to this day the latest collection of stories „Piena ceļa dvēseles” (2017, Zvaigzne ABC). These short stories are the result of a literary contest. All three books combined add up to fifty-two different stories of the speculative fiction genre. Some of the stories are the author’s literary debut. This article

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17

Ozier, Amadi. "Lynching Modernism: Ulysses , America, and the Negro Minstrel Abroad." Modernism/modernity 30, no. 3 (2023): 539–61. http://dx.doi.org/10.1353/mod.2023.a920256.

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Abstract: In Ulysses , Joyce thematizes the ways that non-American global writers leverage and export narratives of American racial violence in order to mark themselves as modern, cosmopolitan actors, situating themselves within a global discursive network by commentating on spectacular American racism. I use the term "lynching modernism" to delineate the ways both British and Irish creators wielded "Americanness" as a productive cultural fiction that informed their own modes of modern creative production. Blackness, as an aesthetic category, gets juggled carefully to become representative of,

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18

Altorki, Soraya. "Layla al-Jihni's fiction: conceits and deceits*." Contemporary Arab Affairs 3, no. 2 (2010): 207–17. http://dx.doi.org/10.1080/17550911003737745.

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Layla al-Jihni is one of several Saudi women novelists whose work has risen to prominence since the 1990s. She writes in a surrealistic, stream-of-consciousness style that features interior monologues and psychological introspection. Her work is published abroad, but on the basis of interviews I conducted with Saudi women, it is accessible in-country. Although al-Jihni is not an activist, and her works do not directly engage matters of policy, her reasons for writing are more than aesthetic and transcend the ‘art for art';s sake’ ethic. Discourse is a source of power and influence, and al-Jihn

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19

Domb, Risa. "Home and abroad: Israel and Europe in Hebrew fiction of the 1980s." Israel Affairs 1, no. 2 (1994): 322–33. http://dx.doi.org/10.1080/13537129408719330.

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20

Morawski, Wojciech, and Błażej Kuźniacki. "The German-Polish Tax Problems of Cross-Border Workers in the COVID-19 Pandemic – When the Remedy is Worse than the Problem." Białostockie Studia Prawnicze 26, no. 4 (2021): 95–110. http://dx.doi.org/10.15290/bsp.2021.26.04.06.

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Abstract The article pertains to the tax issues arising from the COVID-19 pandemic in respect of cross-border workers. The main issue is the impact of the restriction in cross-border movements during the pandemic on the determination of the place of work. The authors refer to two situations. The first is when a Polish worker employed by a Polish employer and working abroad cannot return to Poland. The second is when he or she performs work at home in Poland instead of at the normal place of work abroad. The authors consider the legal fiction of carrying out work in the place where it would hav

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21

Markova, Ekaterina A. "British and American Reception of The Red Laugh by Leonid Andreev." RUDN Journal of Studies in Literature and Journalism 27, no. 2 (2022): 299–322. http://dx.doi.org/10.22363/2312-9220-2022-27-2-299-322.

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The article deals with the English-language reception of The Red Laugh , one of the most well-known of Leonid Andreev’s texts both in Russia and abroad. As the examples of this reception, a number of newspaper and magazine publications, memoirs, translators’ prefaces, and works of fiction are analyzed. There exist several waves of interest in Andreev’s story. They could be explained either by the appearance of new translations or by significant historic events of the time (the Russian Revolution, World Wars I and II). Andreev’s critics in Britain and America place his story in a variety of con

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22

Bubíková, Šárka. "Ethnicity and Social Critique in Tony Hilleman’s Crime Fiction." Prague Journal of English Studies 5, no. 1 (2016): 141–58. http://dx.doi.org/10.1515/pjes-2016-0008.

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Abstract American mystery writer Tony Hillerman (1925-2008) achieved wide readership both within the United States and abroad, and, significantly, within the US both among white Americans and Native Americans. This article discusses Hillerman’s detective fiction firstly within the tradition of the genre and then focuses on particular themes and literary means the writer employs in order to disseminate knowledge about the Southwestern nations (tribes) among his readers using the framework of mystery (crime) fiction. Hillerman’s two literary detectives Lieutenant Joe Leaphorn and Sergeant Jim Ch

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23

Kroshneva, M. E. "PUBLISHING HOUSE, “EXCELLENTLY PUBLISHING WORTHY BOOKS...”." Bulletin of Udmurt University. Series History and Philology 31, no. 3 (2021): 564–70. http://dx.doi.org/10.35634/2412-9534-2021-31-3-564-570.

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The paper explores the actual features of the historical and literary context of book culture in Finland in Russian. On the example of the publishing house "Biblion" (1919-1921) the information is provided that contributes to the study of the publishing activities of foreign organizations, subjects of Sweden and Finland, contributing to the appearance of books of fiction by many Russian authors, the most famous of which during this period were Leonid Andreev and Alexander Kuprin. For a more complete presentation of the issue of the development of Russian book publishing between 1919 and 1921,

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24

Adamczewska-Baranowska, Izabella. "Белая горячка i White Fever. Jak za granicą (nie) czytają Jacka Hugo-Badera". Polska szkoła reportażu w świecie 18, № 3 (2021): 407–29. http://dx.doi.org/10.4467/23531991kk.21.031.14318.

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Artykuł jest próbą przeanalizowania zagranicznej recepcji książek reporterskich Jacka Hugo-Badera o byłym ZSRR. Przyglądając się sposobowi publikacji i promocji tłumaczeń przeznaczonych na rynek amerykański, autorka wskazuje na osadzanie tych tekstów w ramach globalnej genologii (kategorii survival non-fiction). Świadectwa profesjonalnego i nieprofesjonalnego odbioru Białej gorączki na Ukrainie (gdzie „polska szkoła reportażu” jest ważnym punktem odniesienia) stają się z kolei pretekstem do zarysowania kontekstu postkolonialnego. Za znaczący autorka uznaje brak przekładów książek Hugo-Badera w

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25

Земляна, К. Д., та Л. В. Куценко. "Репрезентація української літератури за кордоном як спосіб міжкультурної комунікації". Mass communication in global and national dimensions, № 13 (27 травня 2020): 47–51. https://doi.org/10.5281/zenodo.3860034.

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Zemliana K., Kutsenko L. Representation of the Ukrainian literature abroad as a way of intercultural communication The article deals with the description of the state of representation of Ukrainian literature abroad; the statistic of the variety of the countries where Ukrainian non-fiction, children’s literature and poems are presented was given in this work. The methods and problems of the representation of Ukrainian literature in other countries were considered in this article. Moreover, the recommendations for improvement of the representation of Ukrainian literature and the image of

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26

Harpham, Geoffrey Galt. "Abroad Only by a Fiction: Creation, Irony, and Necessity in Conrad's The Secret Agent." Representations 37, no. 1 (1992): 79–103. http://dx.doi.org/10.1525/rep.1992.37.1.99p0096b.

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Harpham, Geoffrey Galt. "Abroad Only by a Fiction: Creation, Irony, and Necessity in Conrad's The Secret Agent." Representations 37 (January 1, 1992): 79–103. http://dx.doi.org/10.2307/2928655.

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28

Ni, Zengxin. "On Unnatural Narrative in Post-9/11 Fiction Flight." Advances in Social Sciences Research Journal 6, no. 12 (2020): 190–97. http://dx.doi.org/10.14738/assrj.612.7529.

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In the wake of innumerable and insightful studies on the unnatural narratology at home and abroad, it develops into a post-classical narratology that is comparable to female narratology, rhetoric narratology, and cognitive narratology. Taking the native American writer Sherman Alexie’s Flight as its central concern, the essay attends to explore the unnaturalness of the novel and further elaborates on its thematic meaning. In Alexie’s Flight, as a post-9/11 fiction, its unnaturalness can be explored by such elements as unnatural storyworlds, unnatural minds and unnatural acts of narration. The

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Anita Goswami and Vandna Kumari. "Ethnicity and multiculturalism in Namesake and Interpreter of Maladies." World Journal of Advanced Research and Reviews 17, no. 1 (2023): 106–10. http://dx.doi.org/10.30574/wjarr.2023.17.1.1406.

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India is a land of multiculturalism and Ethnicity. Multiculturalism is the key feature of postcolonial literature. Indian writers of diaspora have immensely contributed to the growth of fiction in English. Postcolonial writers like Bharati Mukherjee’s, SashiTharoor, and Rohinton Mistry, JhumpaLahiri and Harikunjru have all made their names while residing abroad. They searched the root of ethnicity and multiculturalism through their works to show uniformity. The aim of present paper is to find out the unity in diversity in immigrant people on the basis of ethnicity and multiculturalism in the n

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30

Zuyou, WANG. "An Interpretation of A Study of Jewishness Cynthia Ozick." Asia-Pacific Journal of Humanities and Social Sciences 2, no. 3 (2022): 037–44. http://dx.doi.org/10.53789/j.1653-0465.2022.0203.005.p.

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A Study of Jewishness in Cynthia Ozick’s Fiction (2021) is a masterpiece of Chinese research circles on Cynthia Ozick, and the latest contribution made by Chinese scholars to the study of American Jewish literature. This book presents an exhaustive overview of Cynthia Ozick’s studies at home and abroad, with emphasis on the Jewishness in Ozick’s fiction and it follows the principles of Ethical Literary Criticism in analyzing how Ozick inherits and develops the Jewishness in American Jewish fiction and its literary presentation. The author’s ‘Midrash’ of Cynthia Ozick shows great international

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Zuyou, WANG. "An Interpretation of A Study of Jewishness Cynthia Ozick." Asia-Pacific Journal of Humanities and Social Sciences 2, no. 3 (2022): 037–44. http://dx.doi.org/10.53789/j.1653-0465.2022.0203.005.

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A Study of Jewishness in Cynthia Ozick’s Fiction (2021) is a masterpiece of Chinese research circles on Cynthia Ozick, and the latest contribution made by Chinese scholars to the study of American Jewish literature. This book presents an exhaustive overview of Cynthia Ozick’s studies at home and abroad, with emphasis on the Jewishness in Ozick’s fiction and it follows the principles of Ethical Literary Criticism in analyzing how Ozick inherits and develops the Jewishness in American Jewish fiction and its literary presentation. The author’s ‘Midrash’ of Cynthia Ozick shows great international

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32

Brintlinger, Angela. "Fiction as Mapmaking: Moscow as Ivan Bunin's Russian Memory Palace." Slavic Review 73, no. 01 (2014): 36–61. http://dx.doi.org/10.5612/slavicreview.73.1.0036.

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In his fiction written from the 1920s through 1940s Ivan Bunin set a number of stories in Moscow, naming specific places, many of which were closed or destroyed after the 1917 Revolution by the Soviet regime or by Nazi bombing during World War II. In so doing, Bunin used Moscow to map the cultural memory of the Russian emigration, with the ancient city of Moscow standing as its “memory palace” while contributing to the “Moscow text.“ In his 1944 story “Cleansing Monday,” in particular, Bunin conducted this mnemonic project on three levels: historical, spiritual, and didactic. He did so for bot

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33

Brecke, Anna. "’Arry and ’Arriet Beyond Punch : Tourism and Class Tension in Popular Fiction." Victorians: A Journal of Culture and Literature 144, no. 1 (2023): 151–67. http://dx.doi.org/10.1353/vct.2023.a913513.

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ABSTRACT: Rising lower- and middle-class Victorians benefited from affordable opportunities for travel, with the hospitality industry newly opened to travelers of all socioeconomic backgrounds. Travel destinations, domestic and international, became spaces of contention, shared by the wealthy—accustomed to privilege—and the lower classes—who aimed to share in that privilege. Popular periodicals satirized these developments, as in the Punch character ’Arry, a Cockney man known for following the latest trends, including travel. Symbolizing the generic lower-class tourist, ’Arry also appears in n

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Simidchieva, Marta, та ʿAbbās ʿEbādi. "Defamiliarizing the Familiar? Two Reflections on the Longevity of Ṣādeq Hedāyat’s Fiction". Oriente Moderno 104, № 1-2 (2025): 178–97. https://doi.org/10.1163/22138617-12340340.

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Abstract Although Ṣādeq Hedāyat’s works were first published in Iran more than eighty years ago, he remains one of the much-discussed and analyzed modern Iranian authors, both in Iran and abroad. The premise of this article is that the continuing fascination with Hedāyat and the intense focus on his most enigmatic works is partially due to his ability to cast well-established Persian cultural paradigms in novel, unfamiliar moulds. That preconception is tested in two ways: First, by examining trends in the literary discourse about Hedāyat (in Persian, in Iran; and English-language academic publ

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35

Syskina, Anna A., and Irina A. Matveenko. "The Gothic Tradition in Jane Eyre and The Woman in White in Russian Translations, 1849–1860." Gothic Studies 23, no. 3 (2021): 263–79. http://dx.doi.org/10.3366/gothic.2021.0104.

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Elements drawn from the Gothic tradition were of particular interest to the mid-nineteenth-century Russian translators of Jane Eyre and The Woman in White. That interest was stimulated by the democratization of literature, the expanding market for popular fiction, and the consequent search for models from abroad. In this article, we consider how these early translators rendered the Gothic features of these novels, and especially how they intensified and exaggerated the elements of mystery and terror. We also consider contrasts in the reviewers’ responses to Brontë’s and Collins’s texts, contra

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36

Raphael, Lev. "Edith Wharton Changed My Life." Edith Wharton Review 40, no. 1-2 (2024): 134–40. http://dx.doi.org/10.5325/editwharrevi.40.1-2.0134.

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Abstract In this personal essay, the author recounts five decades of reading, teaching, and being inspired by Edith Wharton’s life and work, highlighting meetings with many noted Wharton scholars in the United States and abroad, and recounting the genesis of three of his twenty-seven books that deal with Wharton. Those works are a study of shame in her life and fiction, Edith Wharton’s Prisoners of Shame; an acclaimed comic mystery, The Edith Wharton Murders; and a revisioning of her classic novel The House of Mirth from the point of view of Simon Rosedale and his family, Rosedale in Love.

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Anita, Goswami, and Kumari Vandna. "Ethnicity and multiculturalism in Namesake and Interpreter of Maladies." World Journal of Advanced Research and Reviews 17, no. 1 (2023): 106–10. https://doi.org/10.5281/zenodo.8053718.

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India is a land of multiculturalism and Ethnicity. Multiculturalism is the key feature of postcolonial literature. Indian writers of diaspora have immensely contributed to the growth   of fiction in English. Postcolonial writers like Bharati Mukherjee’s, SashiTharoor, and Rohinton Mistry, JhumpaLahiri and Harikunjru have all made their names while residing abroad. They searched the root of ethnicity and multiculturalism through their works to show uniformity. The aim of present paper is to find out the unity in diversity in immigrant people on the basis of ethnicity and multicu

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38

Li, Chengze. "The Status and Dilemmas of Chinese Online Fiction in the Global Market." BCP Business & Management 37 (February 1, 2023): 76–84. http://dx.doi.org/10.54691/bcpbm.v37i.3548.

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Chinese online novels have gained global influence. After 20 years of rapid development, Chinese web novels have accelerated the pace of "going global", and have demonstrated the cultural self-confidence of the Chinese nation using geographical distribution, genre distribution, and multiple platform distribution from East Asia to North America, gaining a broad space for overseas distribution and activating global cultural and creative energy through Chinese cultural identity. At the same time, the overseas dissemination of Chinese online novels is facing serious piracy, difficulties in protect

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Sehic, Sandro. "Educational Preferences Among Conservatives and Liberals in the United States: A Quantitative Survey Study." Journal of Education and Learning 9, no. 5 (2020): 106. http://dx.doi.org/10.5539/jel.v9n5p106.

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The purpose of this quantitative survey research study was to explore educational preferences among individuals of conservative and liberal political orientation and of both genders in the United States of America with a 13-questionnaire survey that includes questions relating to different educational preferences. The literature review has revealed previously conducted research study that suggest that individuals of conservative and liberal political orientation may have psychological differences in the domain of emotions, attention, self-control, and cognition. However, the literature review

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Taruna. "REFLECTION OF GANDHI'S IDEOLOGY IN THE FICTION OF BHABANI BHATTACHARYA." International Journal of Interdisciplinary Research in Arts and Humanities (IJIRAH) 8, no. 1 (2023): 61–63. https://doi.org/10.5281/zenodo.7826171.

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Gandhiji is an immortal personality who not only served India but also has given most valuable teaching to the entire world through his words of wisdom and great thoughts. Gandhian ideology includes Truth, Non-violence, Satyagraha, Simplicity, Love, Brotherhood, etc. Indian English novels written before and after independence were greatly influenced by Gandhism. He struggled for the sake of Indian freedom and development. He became an immense source of writing and influenced novelists. Bhabani Bhattacharya is one of the most celebrated Indo Anglian writers, who have caught the fancy of quite a

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Luo, Guang Si. "Property and Application of Austempered Ductile Cast Iron." Advanced Materials Research 328-330 (September 2011): 1297–300. http://dx.doi.org/10.4028/www.scientific.net/amr.328-330.1297.

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Austempered ductile cast iron is newly developed engineering material with a favorable combination of comprehensive mechanical properties. Its properties, such as good comprehensive mechanical properties, high fatigue strength, and good fiction and wear characteristics are included. The application of ADI at home and abroad was presented as well. In order to ensure and improve mechanical properties of ADI, it should ensure high rank nodularity in terms of nodular cast iron, improve graphite nodules, reduce segregation and properly cut down the content of silicon and manganese. While in terms o

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Purdon, James. "Rose Macaulay and Propaganda." Modernist Cultures 16, no. 4 (2021): 449–68. http://dx.doi.org/10.3366/mod.2021.0347.

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The novelist Rose Macaulay (1881–1958) had direct professional experience of Britain's secret propaganda operation during the First World War. She was among the first British novelists to take propaganda seriously as a subject for fiction, and wrote insightfully about its methods and its social implications. Moreover, her long career illuminates both the continuity and the development of the British state's clandestine efforts to shape public opinion at home and abroad, from the beginnings of systematic, state-directed propaganda in the First World War to the more diffuse strategies of early C

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Leonard, Karen. "Sandhya Shukla. India Abroad: Diasporic Cultures of Postwar America and England. Princeton, N.J.: Princeton University Press, 2003." Comparative Studies in Society and History 47, no. 3 (2005): 670–72. http://dx.doi.org/10.1017/s001041750524029x.

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Sandhya Shukla has written a highly interdisciplinary comparison of Indian diasporic cultures in Britain and the United States. Specializing in Anthropology and Asian American Studies, she is particularly strong on historical and literary text analysis. She says, “The relational aspects of a range of texts and experiences, which include historical narratives, cultural organizations, autobiography and fiction, musical performance and films, are of paramount importance in this critical ethnography” (20). Contending that the Indian diaspora confronts “a simultaneous nationalism and internationali

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Shmelkova, Vera V., and Yelena V. Makarova. "Semantic changes of the word “home” in the Russian language of the first decades of the 20th century." Russian Language Studies 20, no. 4 (2022): 467–82. http://dx.doi.org/10.22363/2618-8163-2022-20-4-467-482.

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The relevance of the study is determined by the necessity to identify semantic changes of the word “home” in the social consciousness associated with historical, cultural, social, political and economic transformations. This authors describe and analyze the semantic changes of the word “home” in the social consciousness of the Soviet Russia and the Russian diaspora abroad in the first three decades of the 20th century. The purpose of the study is to reveal the semantics of the word “home” in the first three decades of the 20th century through the ana-lysis of fiction texts of that time. For th

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West, M. E. "One rainbow, one nation, one tongue singing: whiteness in post-apartheid pulp fiction." Literator 32, no. 3 (2011): 17–36. http://dx.doi.org/10.4102/lit.v32i3.208.

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A certain brand of fiction has become popular in post-apartheid South Africa that accounts for the relative success of Susan Mann‟s “One tongue singing” (2005). This article seeks to examine the implications of narratives such as this in revealing the normative assumptions that might inform text and reception a decade into a new democracy. It begins with an overview of whiteness studies as a post-colonial frame of reference useful in gauging the continued hegemonic normativity of whiteness as a cultural affiliation. This is followed by an analysis of Mann‟s novel. I argue that it is precisely

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Zanko, Aldona. "På Vej Mod Short Storyen." Folia Scandinavica Posnaniensia 14, no. 1 (2012): 147–56. http://dx.doi.org/10.2478/v10252-012-0013-3.

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ABSTRACT The article derives from the intertextual approach to the notion of literary identity, introduced to the modern literary theory in the 1960’s by Julia Kristeva (born 1941). The main idea behind this approach is that no literary text should be perceived as an isolated unity, but always in relation to other texts, which it refers to. The author applies the intertextual perspective to examine the signs of external literary influences in Lise Andersens minimalist prose collection ”En særlig sommer og andre billeder”, published in 2008. The analysis aims to highlight influences from the Am

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Kossew, Sue, and Nadine Gordimer. "‘Living in Hope’: an Interview with Nadine Gordimer." Commonwealth Essays and Studies 23, no. 2 (2001): 55–61. http://dx.doi.org/10.4000/1248w.

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Sue Kossew spoke to Nadine Gordimer in her home in Johannesburg on 25 January 2001. Nadine Gordimer is the only South African writer to have won a Nobel Prize for Literature. She has been a lifelong fighter for human rights and has championed the cause of political and personal freedom in her native South Africa and abroad. This political dimension has always informed her fiction but, in her Nobel Prize Acceptance Speech, she stated that ‘nothing factual I write or say will be as truthful as my fiction’. Her 1998 novel, The House Gun, like other recent novels written by her contemporary noveli

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De Florio, Giulia. "INTERNATIONAL CONFERENCE « L’AUTRE DANS LA LITTÉRATURE DE JEUNESSE RUSSE »." Children's Readings: Studies in Children's Literature 23 (2023): 465–70. http://dx.doi.org/10.31860/2304-5817-2023-23-1-465-470.

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This review reports on the international research conference « L’autre dans la littérature de jeunesse russe » (“The Other” in Russian Children’s Literature) held at the Clermont Auvergne University. The conference was organised by the Centre de Recherches sur les Littératures et la Sociopoétique (CELIS) and brought together specialists in children’s literature from Russia, France and Italy. Ten papers were presented in which the category of “Stranger/Other” was considered in the material of Russian children’s literature of different epochs and directions and placed in the context of contem

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Lu, Guorong, and Weihong Hao. "Cultural Analysis of the English Version of Folding Beijing from Eco-Translatology." English Language and Literature Studies 13, no. 2 (2023): 32. http://dx.doi.org/10.5539/ells.v13n2p32.

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With the increasingly close global cultural exchanges, it is an inevitable trend for Chinese excellent literary works to go abroad. Folding Beijing is another new record for Chinese science fiction. Starting from the perspective of eco-translatology, this study takes Ken Liu&rsquo;s English translation of Folding Beijing as an example to explain how to achieve cultural translation successfully on the basis of the whole environment of translation ecology. And it mainly covers three aspects: they are material culture,ecological culture and language and social culture respectively. It can be

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Хінкіладзе, Катерина Валеріївна. "ЭЛЕМЕНТЫ «РОМАНА О ПИСАТЕЛЕ» В РОМАНЕ В.П. КРЫМОВА «ФУГА»". Наукові записки Харківського національного педагогічного університету ім. Г. С. Сковороди "Літературознавство" 2, № 81 (2015): 203–14. https://doi.org/10.5281/zenodo.33007.

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The article deals with an element fiction novel “Fugue” by V.P. Krymov  as “a novel about a writer” who coexists with elements of other genre forms  such as the fraudulent novels, an autobiographical, a family and household, an  adventure, an utopia. The author is trying to create a character who capable of  writing reflection, the creativity suffering, a lack of inspiration and to reflect on  techniques of writing. The hero of the novel creates his own novel, which in principle of two themes in fusion is equal to the main storyline of the work.

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