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Journal articles on the topic 'Absalom, Absalom! (Faulkner, William)'

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Published: 4 June 2021

Last updated: 28 July 2025

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1

Pyra, Justyna. "Stream of Consciousness and Polyphony in William Faulkner’s Novels The Sound and the Fury and Absalom, Absalom! An Attempt at Synthesis." Tekstualia 1, no. 44 (2016): 59–70. http://dx.doi.org/10.5604/01.3001.0013.4189.

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The article applies Robert Humphrey’s analysis of the narrative mode of stream of consciousness to William Faulkner’s novels The Sound and the Fury and Absalom, Absalom! It discusses Faulkner’s uses of different types of stream of consciousness and his presumed purposes behind the employment this narrative mode. Unlike some other modernist writers, who treated stream of consciousness as a literary experiment, Faulkner developed it into a complex narrative mode.

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2

Zhang, Duan,. "AN ANALYSIS OF ABSALOM, ABSALOM! FROM THE PERSPECTIVE OF NEW HISTORICISM." Cultural Communication And Socialization Journal 1, no. 2 (2020): 31–33. http://dx.doi.org/10.26480/ccsj.02.2020.31.33.

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New Historicism subverts the traditional binary opposition between literature and history, highlights the operation of “power” and “discourse” within texts, and explores two-way concerns for history and texts. Under the perspective of new historicism, this paper aims to interpret how HISTORICITY OF TEXTS and TEXTUALITY OF HISTORY are embodied in Absalom, Absalom! by William Faulkner. The paper concludes that, Faulkner’s resorting to literary creation, on one hand, reflects the history and on the other hand, highlights the reality, which realizes the interaction between literature and history.

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3

Yarup, Robert. "William Faulkner's Absalom, Absalom!" Explicator 66, no. 3 (2008): 180–84. http://dx.doi.org/10.3200/expl.66.3.180-184.

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Mohammed, Marwan Kadhim, and Mohammed Deraa Farhan. "Moderation of the Narrative Discourse and Historical Authenticity in William Faulkner's ABSALOM, ABSALOM!" Dirasat: Human and Social Sciences 50, no. 6 (2023): 314–25. http://dx.doi.org/10.35516/hum.v50i6.7087.

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Objectives: The study aims to introduce Faulkner's concept of moderation in narrative discourse and its relationship to historical authenticity, to determine how this concept is embodied in the structure and the language of the novel. The study also aims to show how Faulkner's novel Absalom, Absalom! Reflects aspects of historical authenticity by employing the concept of moderation as a basis for balance in narrative discourse.  Methods: Fisher and Ravizza's theory of responding to moderate reasons was chosen as the theoretical framework for the study. The descriptive analytical method w

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Wesley, Charlie. "The Troubled Structures in William Faulkner and Gabriel García Márquez." Explorations: A Journal of Language and Literature 12 (December 6, 2024): 66–79. https://doi.org/10.25167/exp13.24.12.7.

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This paper analyzes the filiations and affiliations of biography, architecture, writing, power, and history between William Faulkner and Gabriel García Márquez. The author argues that the structures of Faulkner’s Absalom, Absalom! and Márquez’s The Autumn of the Patriarch are highly symbolic and charged with a rich palimpsest of personal, historical, and national meanings. The structures are seen as troubled as they evoke both a critique of patriarchal power and violence in history even while they simultaneously reflect both author’s anxieties about newfound fame and the power that comes with

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6

Budiman, Rido. "TEKNIK NARASI DALAM TIGA NOVEL KARYA WILLIAM FAULKNER." Makna: Jurnal Kajian Komunikasi, Bahasa, dan Budaya 1, no. 1 (2010): 41–54. http://dx.doi.org/10.33558/makna.v1i1.758.

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In this research I discuss the narration technique in three of William Faulkner works Absalom, Absalom!, Light in August, and As I Lay Dying. Faulkner uses multiple narrators in those three works. The aim of my thesis writing is to discuss how the narration technique with multiple narrators is used in those three novels. Faulkner applies multiple narrators in a form of narration that completes each other in certain modes of narration hence the readers could understand the story of each novel in many different point of views. There are several modes of narration that Faulkner applies such as su

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Jo, Sunggyung. "The Limits of Reading: Closeted Readers, Safe Pleasure, and Reparation in Absalom, Absalom!" Modernism/modernity 30, no. 4 (2023): 831–46. http://dx.doi.org/10.1353/mod.2023.a925910.

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abstract: In Absalom, Absalom! , William Faulkner creates a secluded reading space within a Harvard dormitory, where characters Quentin and Shreve engage in reading acts fueled by stories, letters, and memories from the Southern past. Within this protected environment, they explore transgressive desires, particularly those of a homoerotic and interracial nature, without jeopardizing their real-world racial and heterosexual privileges. This work connects this issue of reading at a safe distance to the imbalance between the discourse of race and that of homosexuality in our ways of discussing Fa

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8

Virtue, Jordan. "A Civil War of Universities: Harvard and the “Harvard of the South” in William Faulkner." Faulkner Journal 34, no. 2 (2020): 163–89. http://dx.doi.org/10.1353/fau.2020.a930398.

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Abstract: This article uncovers the significance of Harvard College and the University of Mississippi in William Faulkner’s novels, arguing that Faulkner stages a civil war of universities between these two, dueling institutions. Faulkner was a college dropout, yet the university is a pivotal— and seriously understudied—setting in his writing. For Faulkner, these two universities rise above all others, with the University of Mississippi often seen as the “Harvard of the South.” Faulkner sets these universities in dialectical opposition, building a generative sectional rivalry into some of his

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9

سيد ابو بكر عبدالمعز, غاده. ".Implicature in William Faulkner’s Absalom, Absalom!" مجلة بحوث کلية الآداب . جامعة المنوفية 36, no. 142.1 (2025): 0. https://doi.org/10.21608/sjam.2025.427279.

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10

Im, Seo Hee. "The Ghost in the Account Book: Conrad, Faulkner, and Gothic Incalculability." Novel 52, no. 2 (2019): 219–39. http://dx.doi.org/10.1215/00295132-7546745.

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Abstract “The Ghost in the Account Book” claims that the imperial fiction of Joseph Conrad and William Faulkner rejects accounting as a totalizing logic and, by extension, questions the English novel's complicity in propagating faith in that false logic. Accounting, which had remained unobtrusively immanent to realist novels of empire such as Mansfield Park and Great Expectations, surfaces to the diegetic level and becomes available for critical scrutiny in high modernist novels such as Heart of Darkness or Absalom, Absalom! Drawing from writings by Max Weber (on guarantees of calculability) a

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Wainstein, Nathan. "Faulkner's Glitches." Novel: A Forum on Fiction 56, no. 1 (2023): 85–104. http://dx.doi.org/10.1215/00295132-10251262.

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Abstract Formalist novel criticism has a strange relationship to artistic failure. Although an array of twentieth-century theoretical frameworks have taught critics to find value and meaning in negative formal phenomena that may resemble writerly lapses (such as moments of contradiction, discontinuity, or ambiguity), the same critics rarely make actual negative judgments about literary form. This article examines and challenges this critical trend. It begins by introducing the new formal category of the narrative glitch: a microscopic disruption of fictional mimesis that resembles both a forma

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RALJEVIĆ, Selma. "POLYPHONY OF IDENTITY IN SELECTED WORKS OF WILLIAM FAULKNER AND MEŠA SELIMOVIĆ." Lingua Montenegrina 13, no. 1 (2014): 221–37. https://doi.org/10.46584/lm.v13i1.396.

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In this paper, the author intends to critically analyze the polyphony of identity in the following works: The Sound and the Fury, 1929, Light in August, 1932, Absalom, Absalom!, 1936, and Go Down, Moses, 1942, by William Faulkner (1897-1962) and Derviš i smrt (Death and the Dervish, Sarajevo, 1966), Tvrđava (Fortress, Sarajevo, 1970), Ostrvo (The Island, Beograd, 1974)and Sjećanja (Remembering, Beograd, 1976), by Meša Selimović (1910-1982). The author comparatively investigates the parallel in construction and deconstruction of identity in selected works of prose of the American and Bosnian-He

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Maine, Barry, William Faulkner, and Elisabeth Muhlenfeld. "William Faulkner's "Absalom, Absalom!": A Critical Casebook." South Atlantic Review 50, no. 2 (1985): 137. http://dx.doi.org/10.2307/3199253.

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Chen, Haihui. "An Archetypal Study on William Faulkner’s Absalom, Absalom!" Theory and Practice in Language Studies 7, no. 3 (2017): 187. http://dx.doi.org/10.17507/tpls.0703.04.

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This paper attempts to analyze Faulkner’s novel from archetypal perspective with a focus on Biblical allusions in the novel Absalom, Absalom. My purpose is to induce a kind of pattern in Faulkner’s writings which reveals the artist’s capability to assimilate archetypes as well as displace them. His unique method of using archetypes remarkably foregrounds the themes of his fictions and marks him as an innovative and talented writer.

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Karapetyan, Ruzanna. "On Some Syntactic Peculiarities of the Armenian Translation of Faulkner’s Absalom, Absalom!" Translation Studies: Theory and Practice 3, no. 1 (5) (2023): 121–34. http://dx.doi.org/10.46991/tstp/2023.3.1.121.

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The grandiose novel of William Faulkner “Absalom!Absalom!” is a majestic example of a piece of writing which encompasses diverse layers of plots, social layers, and dramatic collisions, revealed through intricate linguistic apparatus, particularly a very specific syntactic organization. The paper is an attempt to make a close comparison of the original and the Armenian texts of the novel, translated by Levon Mkrtchyan. The analysis of the syntactic complexity of the novel and its appropriate rendering into the Armenian language has been conducted within the framework of three sets of translati

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16

Jin, Xiaojing. "An Acoustic Community: Soundscapes and Community Building in The Sound and the Fury." Scientific and Social Research 4, no. 2 (2022): 84–87. http://dx.doi.org/10.26689/ssr.v4i2.3631.

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Among the thematic researches on the late William Faulkner, the auditory exploitation of various points has been on the forefront of attention and increasingly generative. In delving into the question of hearing of, Sarah Gleeson-White and John T. Mathews have respectively tapped into the auditory experiments in Absalom, Absalom! and As I Lay Dying. The distinct Faulknerian sonic qualities, however, could actually be pushed back to The Sound and the Fury. Hearkened to properly combine the acoustic that could be built upon the orchestration of the sounds from the previous cacophony. Based on th

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Fossett, Judith Jackson. "Sold Down the River." PMLA/Publications of the Modern Language Association of America 122, no. 1 (2007): 325–30. http://dx.doi.org/10.1632/pmla.2007.122.1.325.

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in that city foreign and paradoxical, with its atmosphere at once fatal and languorous, at once feminine and steel-hard—William Faulkner, Absalom, Absalom! (1936)Do you know what it means to miss New OrleansAnd miss it each night and dayI know I'm not wrong, the feeling's getting strongerThe longer I stay awayDo you know what it means to miss New OrleansSince that's where you left your heart(And there's something more)I miss the one I care for more than I miss New Orleans—Louis Alter (music) and Eddie DeLange (lyrics),“Do You Know What It Means to Miss New Orleans” (1946)BOMBARDED BY THE DISCO

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18

Raiford, Wanda. "Fantasy and Haiti’s Erasure in William Faulkner’s Absalom, Absalom!" South: a scholary journal 49, no. 1 (2016): 101–21. http://dx.doi.org/10.1353/slj.2016.0032.

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Kim, Jungmin. "‘We’ as Reader-Narrator in William Faulkner’s Absalom, Absalom!" Modern Studies in English Language & Literature 63, no. 4 (2019): 375–90. http://dx.doi.org/10.17754/mesk.63.4.375.

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Linde, E., and D. H. Steenberg. "Intertekstualiteit en die Bose in Kroniek van Perdepoort (Anna M. Louw)." Literator 7, no. 2 (1986): 20–38. http://dx.doi.org/10.4102/lit.v7i2.879.

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In Anna M. Louw’s novel Kroniek van Perdepoort the primal conflict between good and evil is an important constituent element. Well-known authors in world literature have been fascinated by this problem, and it is an enriching experience to bring together allusions and to investigate points of contact with authors such as Feodor Dostoyevsky, Thomas Mann. William Faulkner and Patrick White. In Kroniek van Perdepoort there is a meeting between Klaas Kamer and the devil. Similarities between this meeting and similar meetings in Dr Faustus (Thomas Mann) and The Brothers Karamazov (Dostoyevsky) are

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21

Mehta, Nidhi. "The Collapse of Social Order in the South: Patriarchy and Female Subordination in William Faulkner's Absalom, Absalom!" RESEARCH REVIEW International Journal of Multidisciplinary 05, no. 03 (2020): 55–58. https://doi.org/10.5281/zenodo.3813619.

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Patriarchy is a social organisation in which the father or the eldest male has absolute authority over the family members—women as well as children—and oftentimes, the clan. Marked by male supremacy, patriarchy as an institution of male-rule, and as a society dominated by men, depends heavily on female subordination. The antebellum American South was a typically patriarchal society where women were often subjected to cruel impositions, restricting their freedom of thought and choices to act. In the novel Absalom, Absalom! Faulkner examines how the patriarchal social order in the So

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Intihar Klančar, Nataša. "Faulkner's Southern belle - myth or reality?" Acta Neophilologica 44, no. 1-2 (2011): 47–57. http://dx.doi.org/10.4312/an.44.1-2.47-57.

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The article deals with heroines of William Faulkner's novels Light in August, Absalom, Absalom!, The Sound and the Fury, The Unvanquished, The Town and his short story "A Rose for Emily". The Southern belle features as a recurring character in Faulkner's fiction, her fragility, modesty, weakness yet strength, beauty, sincerity, generous nature, status and her fall from innocence comprise her central characteristics. Confronted with various expectations of Southern society and with the hardships of war, the belle is faced with many obstacles and challenges. Faulkner's heroines face a wide array

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Nugroho, Bhakti Satrio. "A Comparative Study: Anxiety as an Impact of Slavery in Toni Morrison’s Beloved and William Faulkner’s Absalom, Absalom!" J-Lalite: Journal of English Studies 2, no. 1 (2021): 18. http://dx.doi.org/10.20884/1.jes.2021.2.1.3837.

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This paper discusses the anxiety as an impact of slavery reflected in two outstanding African-American novels: Toni Morrison’s Beloved and William Faulkner’s Absalom, Absalom!. These novels are set in around the slavery period which shows how cruel and brutal slavery practices in the United States. The plots consist of some traditions and beliefs among White and African-American which have emerged since the antebellum period. By using a comparative approach, this paper focuses on the types of anxiety mentioned by Sigmund Freud. The analysis shows that both neurotic and moral anxieties play a p

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조동인. "The Effects of Intervening Narrators Represented in William Faulkner’s Absalom, Absalom!" English21 25, no. 1 (2012): 229–45. http://dx.doi.org/10.35771/engdoi.2012.25.1.011.

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Sciuto, Jenna Grace. "Aesthetic Radicals: White Violence as Exclusion in William Faulkner’s US South and Guðbergur Bergsson’s Iceland." Faulkner Journal 34, no. 1 (2020): 21–42. http://dx.doi.org/10.1353/fau.2020.a918220.

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Abstract: Exploring the work of US Southern writer William Faulkner alongside Icelandic novelist Guðbergur Bergsson reveals much about each region’s history and the complexity of colonial dynamics. The narrator of Bergsson’s Tómas Jónsson, Bestseller (1966), Tómas Jónsson, invents a surreal episode during the US Occupation of Iceland in WWII, building from the historical agreement that no Black soldiers would be stationed on the island to the government-sanctioned murder of a mixed-race baby. I relate this vignette to the scenes of lynching in Light in August (1932) and Absalom, Absalom! (1936

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Papadimitriou, Stylianos. "A Fallen Sutpen and a Fallen World: The Concept of the Fall in Absalom, Absalom!" Mississippi Quarterly 76, no. 3 (2024): 303–26. http://dx.doi.org/10.1353/mss.2024.a936601.

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ABSTRACT: Thomas Sutpen's descent from the mountains in William Faulkner's Absalom, Absalom! (1936), a fall from the mountain paradise to the evils of slaveholding society, has long been considered comparable to the biblical Fall of Man. Surprisingly, however, the social, moral, and political overtones of Sutpen's Fall have been critically overlooked to a certain extent. This article explores Sutpen's descent from the mountains as well as the innocence that informs his design in order to showcase the full extent of Faulkner's metaphor of the Fall. I contend that the examination of Sutpen's Fal

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Maia, Mateus de Novaes. "O Pio da Coruja: elementos góticos em S. Bernardo, de Graciliano Ramos." Revista Criação & Crítica, no. 39 (November 20, 2024): 336–61. http://dx.doi.org/10.11606/issn.1984-1124.i39p336-361.

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This article aims to investigate the traces of a Gothic discourse in S. Bernardo (1934) by Graciliano Ramos. The analysis is conducted by identifying conventional elements of the Gothic tradition present in the novel — such as the locus horribilis, the monstrous character, and the ghostly presence of the past. Although the novel does not conform to a typically Gothic narrative, it is understood that the Gothic poetics permeating the text is operationalized according to the conventions of this tradition, expressing the anxieties of the narrator-protagonist regarding modernity and the decline of

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Houamdi, Djamila. "William Faulkner’s Absalom, Absalom!: A Narrative of Inexhaustible Word and Unfathomable Past." IAFOR Journal of Literature & Librarianship 7, no. 1 (2018): 93–106. http://dx.doi.org/10.22492/ijl.7.1.06.

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29

ALTINDIŞ, Hüseyin. "FAULKNERIAN TRAGEDIES AND UNPRODUCTIVE FRUSTRATIONS: LOVE AND DEATH IN WILLIAM FAULKNER S LIGHT IN AUGUST AND ABSALOM, ABSALOM." Journal of International Social Research 11, no. 59 (2018): 24–32. http://dx.doi.org/10.17719/jisr.2018.2610.

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Kim, Hwa-Jeong. "The Saga of Yoknapatawpha and Samai in Absalom, Absalom! by William Faulkner and Honbul by Myung-hee Choi." Journal of Mirae English Language and Literature 28, no. 1 (2023): 1–24. http://dx.doi.org/10.46449/mjell.2023.02.28.1.1.

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31

Michailidou, Artemis. "Patriarchy and incest in William Faulkner's 'Absalom! Absalom!' and Juan Rulfo's 'Pedro Páramo'." Comparative American Studies An International Journal 4, no. 2 (2006): 218–36. http://dx.doi.org/10.1177/1477570006064533.

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Roberts, Jess. "The Poetess Laureate of Yoknapatawpha County: Rosa Coldfield and the Power of Convention." Faulkner Journal 34, no. 2 (2020): 117–37. http://dx.doi.org/10.1353/fau.2020.a930396.

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Abstract: Rosa Coldfield—one of the primary narrators of William Faulkner’s Absalom, Absalom! —wrote hundreds of poems and published some number of them in Jefferson’s local newspaper during the Civil War. She was, the novel tells us, “the town’s and the county’s poetess laureate.” Yet the fact of the poems themselves has attracted little sustained scholarly attention. What’s more, with one exception, no attention has been paid to the significance of Rosa’s trenchant analysis of her own poetry. This article argues that Rosa’s poetry and her anatomization of its relationship to the War and “its

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Long, Adam. "The Haitian Revolution in William Faulkner’s Absalom, Absalom! and George Washington Cable’s The Grandissimes." Faulkner Journal 28, no. 2 (2014): 79–96. http://dx.doi.org/10.1353/fau.2014.0004.

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Schwieler, Elias, and Stefan Ekecrantz. "Towards a model of teaching disciplinary boundaries – History with Literature and Literature with History: Theoretical implications." Arts and Humanities in Higher Education 16, no. 2 (2016): 141–55. http://dx.doi.org/10.1177/1474022215572051.

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In this article it is argued that students can gain a better understanding of both inter- and intra-disciplinary boundaries by inquiring into a single salient point where two disciplines may only partially intersect. Building on Marton's variation theory and Vygotsky's notion of articulation, a teaching model is presented and exemplified by disciplinary intersections regarding narration and narrativity in Literature and History. This is done specifically by investigating the theoretical implications of Shoshana Felman's notion of “key narratives” using William Faulkner's novel Absalom, Absalom

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Sciuto, Jenna Grace. "Postcolonial Palimpsests: Entwined Colonialisms and the Conflicted Representation of Charles Bon in William Faulkner’s Absalom, Absalom!" ariel: A Review of International English Literature 47, no. 4 (2016): 1–23. http://dx.doi.org/10.1353/ari.2016.0044.

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Mohácsi, Eszter Enikő. "Houses and the Fate of Families : A Comparison of “The Fall of the House of Usher” by Edgar Allan Poe and Absalom, Absalom! by William Faulkner." Freeside Europe Online Academic Journal, no. 11 (2020): 1–14. http://dx.doi.org/10.51313/freeside-2020-2-7.

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In Poe’s short story “The Fall of the House of Usher” the house where the events unfold is described as a sentient being, and its first description forebodes the occurrence of dark events. In addition, Poe utilizes the house of Usher to show how the fate of the house and its inhabitants are connected. The House of Usher stands for the building itself as well as the family, and Usher himself believes that the house is alive and can also exert its influence on the people living in it. The house of Thomas Sutpen in Faulkner’s Absalom, Absalom! is equally significant and is used to symbolize Sutpe

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SUN, Jianhong. "From a Shadow to a Woman: the Identity Metamorphoses of Rosa Coldfield in William Faulkner’s Absalom, Absalom!" Research on Literary and Art Development 1, no. 1 (2020): 46–52. http://dx.doi.org/10.47297/wsprolaadwsp2634-786509.20200103.

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Branny, Grażyna Maria Teresa. "What “A Smile of Fortune” Has To Hide: An Intertextual And Comparative Reconsideration of the Texture and Theme of Conrad’s Tale." Yearbook of Conrad Studies 14 (October 2021): 7–33. http://dx.doi.org/10.4467/20843941yc.19.001.13227.

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The present article is part of a larger project on Conrad’s less known short fiction, the area of his writing which is largely undervalued, and even deprecated at times. The paper’s aim is to enhance the appreciation of “A Smile of Fortune,” by drawing attention to its “inner texture” as representative of Conrad’s “art of expression,” especially in view of the writer’s own belief in the supremacy of form over content as well as “suggestiveness” over “explicitness” in his fiction. To achieve this aim a New Critical (“close reading”), intertextual and comparative approaches to Conrad’s story hav

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Carden, Mary Paniccia. "Fatherless Children and Post-Patrilineal Futures in William Faulkner’s Light in August, Absalom, Absalom!, and Go Down, Moses." Faulkner Journal 27, no. 2 (2013): 51–75. http://dx.doi.org/10.1353/fau.2013.0003.

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Ross, Stephen M. "Heart in Conflict: Faulkner's Struggles with Vocation, and: Faulkner and/or Writing: On "Absalom, Absalom!", and: Figures of Division: William Faulkner's Major Novels, and: Faulkner and Women: Faulkner and Yoknapatawpha 1985 (review)." MFS Modern Fiction Studies 33, no. 4 (1987): 677–80. http://dx.doi.org/10.1353/mfs.0.1215.

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Sara Gerend. "“My Son, My Son!”: Paternalism, Haiti, and Early Twentieth-Century American Imperialism in William Faulkner’s Absalom, Absalom!" Southern Literary Journal 42, no. 1 (2009): 17–31. http://dx.doi.org/10.1353/slj.0.0051.

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Lillywhite, Austin. "What Is Telling? The Racial Dimensions of Narrative and Cognition in William Faulkner’s Absalom, Absalom! and Toni Morrison’s A Mercy." MFS Modern Fiction Studies 68, no. 4 (2022): 728–48. http://dx.doi.org/10.1353/mfs.2022.0049.

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Kinney, Arthur F. "Vision and Revisions: Essays on Faulkner, and: The Ink of Melancholy: Faulkner's Novels from The Sound and the Fury to Light in August, and: Sutpen's Design: Interpreting Faulkner's Absalom, Absalom!, and: William Faulkner: The Yoknapatawpha Fiction, and: Faulkner and Modernism: Rereading and Rewriting (review)." MFS Modern Fiction Studies 37, no. 4 (1991): 743–52. http://dx.doi.org/10.1353/mfs.0.0722.

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Simon, Julia. "Property in Absalom, Absalom!: Rousseau’s Legacy in Faulkner." Faulkner Journal 28, no. 2 (2014): 3–24. http://dx.doi.org/10.1353/fau.2014.0000.

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Moreira, Jayme Alves. "RESSONÂNCIAS BÍBLICAS NO ROMANCE ABSALÃO, ABSALÃO! DE WILLIAM FAULKNER." Vértices, no. 19 (December 29, 2017): 84–95. http://dx.doi.org/10.11606/issn.2179-5894.i19p84-95.

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Publicada em 1936, a obra Absalão, Absalão! de William Faulkner apresenta desde o título uma série de ligações com relatos de 2 Samuel, envolvendo a tumultuada saga do rei Davi e sua família. Neste ensaio, é proposta uma análise comparativa das duas narrativas, apontando as singularidades do diálogo que o autor americano estabeleceu com as fontes bíblicas.

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Cawley, Caitlin. "The Old Peace of Absalom, Absalom!: Interwar Faulkner and the Tradition of Nonviolence." Faulkner Journal 31, no. 2 (2017): 127–52. http://dx.doi.org/10.1353/fau.2017.0003.

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Gleeson-White, Sarah. "Auditory Exposures: Faulkner, Eisenstein, and Film Sound." PMLA/Publications of the Modern Language Association of America 128, no. 1 (2013): 87–100. http://dx.doi.org/10.1632/pmla.2013.128.1.87.

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In identifying cinematic qualities—including Eisensteinian montage—in Faulkner's major fiction, scholars have conceived of film as an exclusively visual medium. This essay provides evidence of Faulkner's familiarity with Eisenstein's cinematic praxis by examining the similarities between the novelist's 1934 film treatment of Blaise Cendrars's Sutter's Gold and one that Eisenstein produced in 1930. It then argues that there is a striking continuity between the two treatments in the realm of sound—in particular, the imagining and inscription of film sound. Most surprising is the manner in which

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Gonçalves, Giovana Proença. "‘Fantasmas prolixos, ultrajados, desnorteados’: retratos do gótico sulista a partir de Absalão, Absalão! (1936), de William Faulkner." Revista Criação & Crítica, no. 39 (November 20, 2024): 211–36. http://dx.doi.org/10.11606/issn.1984-1124.i39p211-236.

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Este artigo propõe uma leitura do Gótico Sulista, como os críticos costumam chamar grande parte da literatura produzida no Sul dos Estados Unidos entre o fim da Primeira Guerra Mundial e a década de 1950. Em um primeiro momento, discutimos a imprecisão do termo “gótico” quando vinculado à escrita do Sul e questionamos a tendência crítica de reduzir a literatura da Renascença Sulista ao goticismo. Para isso, propomos uma diferenciação entre o gótico e o grotesco, categoria estética que ganhou destaque entre escritoras mulheres, herdeiras de Faulkner, como Carson McCullers e Flannery O’ Connor.

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Proença Gonçalves, Giovana. "Ascensão e ruína na era do ímpeto modernizante: uma leitura comparativa de São Bernardo, de Graciliano Ramos, e Absalão, Absalão!, de William Faulkner." outra travessia 2, no. 34 (2023): 69–102. http://dx.doi.org/10.5007/2176-8552.2022.e94758.

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O artigo propõe uma leitura comparativa dos romances São Bernardo (1934), de Graciliano Ramos, e Absalão, Absalão! (1936), de William Faulkner. Em nossa análise, evidenciamos a vinculação das duas narrativas ao avanço do ímpeto modernizante capitalista no Brasil e nos Estados Unidos. Essa modernidade, contudo, mostra-se essencialmente problemática. Primeiro, consideramos distinções formais dos dois romances, no que tange à linguagem e ao foco narrativo. Depois, traçamos aproximações, a partir do contexto histórico de modernização e dos protagonistas, Paulo Honório e Thomas Sutpen. Nosso estudo

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Leal, Fábio Antônio Dias. "A matéria do homem: a expansão dos limites do “ser” na narrativa de Absalão, Absalão! de William Faulkner." Letras, no. 53 (December 22, 2016): 273. http://dx.doi.org/10.5902/2176148525096.

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O romance Absalão, Absalão! de Willian Faulkner vale-se de recursos narrativos que aproximam a existência de seus personagens, em múltiplos planos narrativos, à materialidade dos textos orais e escritos de que compõem-se as suas memórias. Este trabalho propõe-se a tarefa de refletir sobre o texto como marca humana e extensão do “ser”, com base na narrativa de Faulkner. Para tanto, mencionaremos a questão da autoria e associaremos a ideia do autor morto à escrita tumular, recorrente na obra, para exemplificar a tentativa do homem de sobreviver ao tempo, e nos apoiaremos no pensamento de Henri B

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