Log in

Relevant bibliographies by topics / Abstract art / Journal articles

To see the other types of publications on this topic, follow the link: Abstract art.

Journal articles on the topic 'Abstract art'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 journal articles for your research on the topic 'Abstract art.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse journal articles on a wide variety of disciplines and organise your bibliography correctly.

1

Ickes, Melinda J., and Stephen F. Gambescia. "Abstract Art." Health Promotion Practice 12, no. 4 (2011): 493–96. http://dx.doi.org/10.1177/1524839911413128.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Kumar, A. Sampath. "Abstract art." Indian Journal of Thoracic and Cardiovascular Surgery 20, no. 1 (2004): 1. http://dx.doi.org/10.1007/s12055-004-0283-5.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Arif, Esen BAYKURT. "EMERGENCE OF LYRIC ABSTRACT ART AND DEVELOPMENT OF TURKISH LYRIC ART AFTER 1950." ASOS JOURNAL 8, no. 103 (2020): 128–41. https://doi.org/10.29228/ASOS.42710.

Full text

Abstract:

Lyrical Abstract Art appeared in post-World War II in Europe (France), while in Turkey it was seen after the 1950s, apart from figurative, landscape and geometric abstraction. The aim of the research is to uncover the differences and similarities between European and American Lyric abstract art and the Lyric art and artists that emerged in Turkey after 1950. The importance of the research is to determine the place of Lyric art in art by revealing its status in Europe and America and its place in Turkish Art. This research was done by qualitative research method and the literature was searched

APA, Harvard, Vancouver, ISO, and other styles

4

Mikulinsky, Romi, and Yanai Toister. "From Abstract Art to Abstracted Artists." Journal of Science and Technology of the Arts 8, no. 1 (2016): 29. http://dx.doi.org/10.7559/citarj.v8i1.219.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Tabulo, Kym. "Abstract sequential art." Journal of Graphic Novels and Comics 5, no. 1 (2013): 29–41. http://dx.doi.org/10.1080/21504857.2013.803994.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Michalowski, Stefan, and Georgia Smith. "Art: Abstract relativity." Nature 470, no. 7332 (2011): 38. http://dx.doi.org/10.1038/470038a.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Cardoso Tederixe, Lisania, Ruth Mariani, and Neuza Rejane Wille Lima. "Handmade Tactile Book about Abstract Art for Blind Children." International Journal of Science and Research (IJSR) 10, no. 1 (2021): 1051–63. https://doi.org/10.21275/sr21118022448.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

Tina, Porwal. "THE IRONIC EXPLORATION FROM ABSTRACT EXPRESSIONISM TO MINIMALISM." International Journal of Research – Granthaalayah 1, no. 2 (2017): 38–47. https://doi.org/10.5281/zenodo.884162.

Full text

Abstract:

An art movement in sculpture and painting that began in the 1950s and emphasized extremesi mplification of form and colour. A school of abstract painting and sculpture that emphasizes extreme simplification of form, as by the use of basic shapes and monochromatic palettes of primary colors, objectivity, and anonymity of style. Also called ABC art, minimal art, reductivism, rejective art. The early 1960s brought about a significant shift in American art, largely in reaction to the critical and popular success of the highly personal and expressive painterlygestures of Abstract Expressionism. Min

APA, Harvard, Vancouver, ISO, and other styles

9

Berry, Kenneth. "ABSTRACT ART AND EDUCATION." British Journal of Aesthetics 32, no. 3 (1992): 266–68. http://dx.doi.org/10.1093/bjaesthetics/32.3.266.

Full text

APA, Harvard, Vancouver, ISO, and other styles

10

Singh, Gary. "Electrifying Digital Abstract Art." IEEE Computer Graphics and Applications 35, no. 2 (2015): 4–5. http://dx.doi.org/10.1109/mcg.2015.27.

Full text

APA, Harvard, Vancouver, ISO, and other styles

11

Thistlethwaite, Jill. "Abstract art and publication." Clinical Teacher 17, S1 (2020): 4–5. http://dx.doi.org/10.1111/tct.13250.

Full text

APA, Harvard, Vancouver, ISO, and other styles

12

Clarke, Jenni. "Deep space abstract art." Practical Pre-School 2013, no. 145 (2013): ix—x. http://dx.doi.org/10.12968/prps.2013.1.145.ix.

Full text

APA, Harvard, Vancouver, ISO, and other styles

13

Toljan, Karlo. "Neuroscience and abstract art." Gyrus 3, no. 1 (2015): 8–10. http://dx.doi.org/10.17486/gyr.3.1002.

Full text

APA, Harvard, Vancouver, ISO, and other styles

14

Wilson, Daniel. "Art and Abstract Objects." British Journal of Aesthetics 55, no. 2 (2014): 255–58. http://dx.doi.org/10.1093/aesthj/ayu020.

Full text

APA, Harvard, Vancouver, ISO, and other styles

15

박소현. "Abstract Art and Tradition in Japan: For Thinking about 'Korean' Abstract Art." Misulsahakbo(Reviews on the Art History) ll, no. 35 (2010): 5–42. http://dx.doi.org/10.15819/rah.2010..35.5.

Full text

APA, Harvard, Vancouver, ISO, and other styles

16

Mullennix, John W., and Julien Robinet. "Art Expertise and the Processing of Titled Abstract Art." Perception 47, no. 4 (2018): 359–78. http://dx.doi.org/10.1177/0301006617752314.

Full text

Abstract:

The effect of art expertise on viewers’ processing of titled visual artwork was examined. The study extended the research of Leder, Carbon, and Ripsas by explicitly selecting art novices and art experts. The study was designed to test assumptions about how expertise modulates context in the form of titles for artworks. Viewers rated a set of abstract paintings for liking and understanding. The type of title accompanying the artwork (descriptive or elaborative) was manipulated. Viewers were allotted as much time as they wished to view each artwork. For judgments of liking, novices and experts b

APA, Harvard, Vancouver, ISO, and other styles

17

Novák, Josef. "Abstract Painting." International Philosophical Quarterly 60, no. 3 (2020): 287–306. http://dx.doi.org/10.5840/ipq2020715152.

Full text

Abstract:

Since the beginning of the twentieth century, abstract art has formed a central stream of modern art. To attain purely aesthetic goals, many avant-garde artists turned painting in particular into a pursuit of breaking off the relations with natural forms. Instead of copying them, they have merely relied on their inner visions. When externalizing these visions directly on the canvas or sheets of paper, the practitioners of abstract art have inadvertently used the phenomenological method and its epoché. In this essay I argue that the philosophies of Kupka and Husserl are largely compatible. This

APA, Harvard, Vancouver, ISO, and other styles

18

Magalhães, Ana Gonçalves, and Adele Nelson. "Introduction. Abstract art in Brazil." MODOS: Revista de História da Arte 5, no. 1 (2021): 105–13. http://dx.doi.org/10.20396/modos.v5i1.8664175.

Full text

Abstract:

In this introduction, we present some of the elements that guided both the formulation of the concepts of this dossier on abstract art in Brazil and our first reflections on the articles by invited authors and those submitted to the open call. Our main aim was to gather a collection of articles that would bring original research and approaches, focusing on aspects yet to be dealt with in the existing scholarship. The contributions brought to light analysis of artworks and women artists yet to be duly considered, as well as unpublished case studies focused outside the artistic milieu of Rio de

APA, Harvard, Vancouver, ISO, and other styles

19

Joosik Min. "Aesthetic Fundamentals of Abstract Art." Misulsahakbo(Reviews on the Art History) ll, no. 34 (2010): 5–38. http://dx.doi.org/10.15819/rah.2010..34.5.

Full text

APA, Harvard, Vancouver, ISO, and other styles

20

Johnson-Laird, P. N., and Keith Oatley. "Emotions, Simulation, and Abstract Art." Art & Perception 9, no. 3 (2021): 260–92. http://dx.doi.org/10.1163/22134913-bja10029.

Full text

Abstract:

Abstract Some people feel emotions when they look at abstract art. This article presents a ‘simulation’ theory that predicts which emotions they will experience, including those based on their aesthetic reactions. It also explains the mental processes underlying these emotions. This new theory embodies two precursors: an account of how mental models represent perceptions, descriptions, and self-reflections, and an account of the communicative nature of emotions, which distinguishes between basic emotions that can be experienced without knowledge of their objects or causes, and complex emotions

APA, Harvard, Vancouver, ISO, and other styles

21

Yi-Zhe Song, D. Pickup, Chuan Li, P. Rosin, and P. Hall. "Abstract Art by Shape Classification." IEEE Transactions on Visualization and Computer Graphics 19, no. 8 (2013): 1252–63. http://dx.doi.org/10.1109/tvcg.2013.13.

Full text

APA, Harvard, Vancouver, ISO, and other styles

22

Séquin, Carlo H. "Topological tori as abstract art." Journal of Mathematics and the Arts 6, no. 4 (2012): 191–209. http://dx.doi.org/10.1080/17513472.2012.708896.

Full text

APA, Harvard, Vancouver, ISO, and other styles

23

Jätzold, Stephan. "ART - the abstract robot toolkit." XRDS: Crossroads, The ACM Magazine for Students 8, no. 5 (2002): 1. http://dx.doi.org/10.1145/991118.991119.

Full text

APA, Harvard, Vancouver, ISO, and other styles

24

Haigh, C. A. "The art of the abstract." Nurse Education Today 26, no. 5 (2006): 355–57. http://dx.doi.org/10.1016/j.nedt.2006.06.002.

Full text

APA, Harvard, Vancouver, ISO, and other styles

25

Selvanathan, Senthil K., Rebecca D. Udani, S. D. Udani, and K. R. Haylett. "The art of the abstract." BMJ 332, Suppl S2 (2006): 060270. http://dx.doi.org/10.1136/sbmj.060270.

Full text

APA, Harvard, Vancouver, ISO, and other styles

26

Elezović, Nadežda. "Sacred in Modern Abstract Art." IKON 11 (January 2018): 153–62. http://dx.doi.org/10.1484/j.ikon.4.2018016.

Full text

APA, Harvard, Vancouver, ISO, and other styles

27

Szanajda, Andrew, and Yu Jie Li. "What is True Abstract Art?" International Journal of Humanities, Social Sciences and Education 10, no. 8 (2023): 7–11. http://dx.doi.org/10.20431/2349-0381.1008002.

Full text

APA, Harvard, Vancouver, ISO, and other styles

28

Subedi, Abhi. "Abstract Paintings and Nepali Context." SIRJANĀ – A Journal on Arts and Art Education 8, no. 1 (2022): 6–21. http://dx.doi.org/10.3126/sirjana.v8i1.46652.

Full text

Abstract:

Abstract art as discussed in this essay covers a period of time that spans about sixty years. The introduction of the abstract art in Nepal marks a certain opening in both art education and practice among the artists. The initial challenge of the abstract art was to make it a familiar subject both among the art lovers as well as among those who respected art but were not able to appreciate it fully. A challenging period came when artists began to work towards making abstract art an acceptable and a very useful artistic practice. The tension between skill of the artists and the indifference of

APA, Harvard, Vancouver, ISO, and other styles

29

Kwon, Youngjin. "The National Art Exhibition and ‘Abstract Academism’ of Korean Art." Journal of Korean Modern & Contemporary Art History 35 (July 31, 2018): 147–74. http://dx.doi.org/10.46834/jkmcah.2018.07.35.147.

Full text

APA, Harvard, Vancouver, ISO, and other styles

30

Sookkaew, Jirawat, Nakarin Chaikaew, Donticha Chiewsuwan, and Somchai Seviset. "A creation in abstract 3D art inspired from Pavo muticus imperator." Indonesian Journal of Electrical Engineering and Computer Science 27, no. 3 (2022): 1419–27. https://doi.org/10.11591/ijeecs.v27.i3.pp1419-1427.

Full text

Abstract:

Creation of art as abstract art by choosing a three-dimensional (3D) art form to be used for creativity, has brought the characteristics of the peacock inspired by its forms, color characteristics, including its habitats to be used as a mixture and elements in creating this art. Therefore, when combined with the key elements of a 3D object with depth dimension of the object in the Z axis, adopting the colors of the space and the atmosphere of the peacock's habitat to the surface of the 3D pieces, which provide creative approaches and techniques that enable abstract 3D art to be realized by

APA, Harvard, Vancouver, ISO, and other styles

31

Savaşer, Işıl. "SOYUT SANATTA HARMONİ VE SOYUT GÜZELLİK ANLAYIŞI." e-Journal of New World Sciences Academy 16, no. 2 (2021): 154–61. http://dx.doi.org/10.12739/nwsa.2021.16.2.d0279.

Full text

APA, Harvard, Vancouver, ISO, and other styles

32

Butler, Rex. "What was Abstract Expressionism? Abstract Expressionism after Aboriginal Art." Australian and New Zealand Journal of Art 14, no. 1 (2014): 76–91. http://dx.doi.org/10.1080/14434318.2014.936529.

Full text

APA, Harvard, Vancouver, ISO, and other styles

33

Kuspit, Donald. "A Freudian Note on Abstract Art." Journal of Aesthetics and Art Criticism 47, no. 2 (1989): 117. http://dx.doi.org/10.2307/431824.

Full text

APA, Harvard, Vancouver, ISO, and other styles

34

Baigell, Matthew. "Robert Kirschbaum’s Art: Abstract, Intellectual, Spiritual." Ars Judaica: The Bar Ilan Journal of Jewish Art 11 (May 2015): 79–90. http://dx.doi.org/10.3828/aj.2015.5.

Full text

APA, Harvard, Vancouver, ISO, and other styles

35

Maeng, Hye-Young. "Abstract Machines and Fine Art Education." Journal of Research in Art Education 21, no. 1 (2020): 1–23. http://dx.doi.org/10.20977/kkosea.2020.21.1.1.

Full text

APA, Harvard, Vancouver, ISO, and other styles

36

Burke, J. Patrick. "Abstract Art and the Interrogative Life." Research in Phenomenology 50, no. 3 (2020): 425–34. http://dx.doi.org/10.1163/15691640-12341460.

Full text

APA, Harvard, Vancouver, ISO, and other styles

37

Doherty, John. "Modeling: Picture Perfect or Abstract Art?" Ground Water 49, no. 4 (2011): 455. http://dx.doi.org/10.1111/j.1745-6584.2011.00812.x.

Full text

APA, Harvard, Vancouver, ISO, and other styles

38

OGILVY, JAY. "Abstract: Scenario Planning, Art or Science?" World Futures 61, no. 5 (2005): 331–46. http://dx.doi.org/10.1080/026040290500561.

Full text

APA, Harvard, Vancouver, ISO, and other styles

39

Brinkmann, Hanna, Laura Commare, Helmut Leder, and Raphael Rosenberg. "Abstract Art as a Universal Language?" Leonardo 47, no. 3 (2014): 256–57. http://dx.doi.org/10.1162/leon_a_00767.

Full text

Abstract:

The concept of abstract art as “world language” became famous after documenta II (1959). Abstract art was considered as universally comprehensible and independent of cultural, political or historical contexts. However, this was never explicitly tested empirically. If these assumptions were true, there should be higher intersubjective coherence in perceiving abstract paintings compared to representational art. In order to test this hypothesis, the authors recorded the eye-movements of 38 participants and collected information on their cognitive and emotional evaluations. The results suggest tha

APA, Harvard, Vancouver, ISO, and other styles

40

Begley, Eva. "Bark: From Abstract Art to Aspirin." Arnoldia 72, no. 3 (2015): 2–13. http://dx.doi.org/10.5962/p.253580.

Full text

APA, Harvard, Vancouver, ISO, and other styles

41

KUSPIT, DONALD. "A Freudian Note on Abstract Art." Journal of Aesthetics and Art Criticism 47, no. 2 (1989): 117–28. http://dx.doi.org/10.1111/1540_6245.jaac47.2.0117.

Full text

APA, Harvard, Vancouver, ISO, and other styles

42

Maura, Behrenfeld F. S. E. "Liturgical Experiences Mediated through Abstract Art." Studia Liturgica 47, no. 1 (2017): 113–18. http://dx.doi.org/10.1177/003932071704700108.

Full text

APA, Harvard, Vancouver, ISO, and other styles

43

Tuddenham, W. J. "On the art of the abstract." RadioGraphics 9, no. 4 (1989): 583–84. http://dx.doi.org/10.1148/radiographics.9.4.2756188.

Full text

APA, Harvard, Vancouver, ISO, and other styles

44

Gong, Jianyu. "Abstract Exploration of Paper-cut Art." International Journal of Education and Humanities 13, no. 3 (2024): 200–206. http://dx.doi.org/10.54097/mhygbh64.

Full text

Abstract:

Chinese paper-cutting art carries the profound and abstract ancient folk culture, uniquely reflects thousands of years of tradition of image recording and information transmission, and at the same time adapts to the ever-changing cultural environment. Among the people, paper-cutting has become a symbol system that integrates images and words, classical and modern, and is an "artistic language" used by artists to express complex emotions about life. Through abstract thinking, the creator combines various symbols to show unique expression techniques and embodies the uniqueness of paper-cutting a

APA, Harvard, Vancouver, ISO, and other styles

45

Ezzeldeen, Omnia. "The Abstract Character of Typography Art." Journal of Design Sciences and Applied Arts 5, no. 2 (2024): 40–48. http://dx.doi.org/10.21608/jdsaa.2024.229906.1365.

Full text

APA, Harvard, Vancouver, ISO, and other styles

46

Böthig, Antonia M., and Gregor U. Hayn-Leichsenring. "Taste in Art—Exposure to Histological Stains Shapes Abstract Art Preferences." i-Perception 8, no. 5 (2017): 204166951773607. http://dx.doi.org/10.1177/2041669517736073.

Full text

Abstract:

Exposure to art increases the appreciation of artworks. Here, we showed that this effect is domain independent. After viewing images of histological stains in a lecture, ratings increased for restricted subsets of abstract art images. In contrast, a lecture on art history generally enhanced ratings for all art images presented, while a lecture on town history without any visual stimuli did not increase the ratings. Therefore, we found a domain-independent exposure effect of images of histological stains to particular abstract paintings. This finding suggests that the ‘taste’ for abstract art i

APA, Harvard, Vancouver, ISO, and other styles

47

Wang, Xinyi, Fengyi Mao, Jinghui Liu, et al. "Abstract 5508: Artesunate increases enzalutamide efficacy in advanced prostate cancer." Cancer Research 83, no. 7_Supplement (2023): 5508. http://dx.doi.org/10.1158/1538-7445.am2023-5508.

Full text

Abstract:

Abstract Prostate cancer (PCa) is the most diagnosed worldwide. PCa development and progression require androgen receptor (AR) signaling, which stimulates its downstream gene expressions and cancer progression. While second-generation anti-androgen drugs plus androgen deprivation therapy (ADT) remains the first-line treatment for advanced prostate cancer patients, around one-third of patients will relapse in a short period. Advanced prostate cancer results in more mortalities than primary PCa patients. Evidence shows that the recurrence is caused by AR overexpression, AR variants, AR mutations

APA, Harvard, Vancouver, ISO, and other styles

48

Zhang, Xiaotong. "On Chinese Aesthetics of Abstract Expressionism Art." Highlights in Art and Design 3, no. 2 (2023): 76–79. http://dx.doi.org/10.54097/hiaad.v3i2.10495.

Full text

Abstract:

In the development trend of modern and contemporary art, abstract expressionism has occupied a decisive position in the history of art since its birth. As a representative art school in the 20th century in the West, it unexpectedly has a very distinctive artistic characteristic of China. In terms of objective environment, the artistic dialogue between China and the West in the 20th century was promoted to the field of metaphysical philosophy. Western artists' interest in oriental art surpassed their superficial understanding of their unique brushwork, and abstract art became the best cultural

APA, Harvard, Vancouver, ISO, and other styles

49

Zepke, Stephen. "Art as Abstract Machine: Guattari's Modernist Aesthetics." Deleuze Studies 6, no. 2 (2012): 224–39. http://dx.doi.org/10.3366/dls.2012.0059.

Full text

Abstract:

Felix Guattari was a modernist. He not only liked a lot of modernist artists, but his ‘aesthetic paradigm’ found its generative diagram in modern art. The most important aspect of this diagram was its insistence on the production of the new, the way it produced a utopian projection of a ‘people to come’, and so a politics whose only horizon was the future. Also important for Guattari's diagram of the ‘modern’ were the forces of abstraction, autonomy and immanent critique. Together these elements construct an artwork that is radically singular and separate, composed of a-signifying, a-temporal

APA, Harvard, Vancouver, ISO, and other styles

50

Schepman, Astrid, Paul Rodway, Sarah J. Pullen, and Julie Kirkham. "Shared liking and association valence for representational art but not abstract art." Journal of Vision 15, no. 5 (2015): 11. http://dx.doi.org/10.1167/15.5.11.

Full text

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!