Academic literature on the topic 'Abstract icons'

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Journal articles on the topic "Abstract icons"

1

Stotts, Daniel Brandon. "The Usefulness of Icons on the Computer Interface: Effect of Graphical Abstraction and Functional Representation on Experienced and Novice Users." Proceedings of the Human Factors and Ergonomics Society Annual Meeting 42, no. 5 (1998): 453–57. http://dx.doi.org/10.1177/154193129804200502.

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Icons have become a main component of interface design (Familant & Detweiler, 1993). This study examined functional representation and graphical abstraction components of icons using experienced and novice computer users. Current interface (e.g. word processing) icons were evaluated in a search and select paradigm. Experienced participants were faster and more accurate than novice participants. Functionally representative and graphically concrete icons were recognized faster and more accurately than functionally arbitrary and graphically abstract icons, respectively. Experienced participan
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Rahrovani, Sanaz, Mahdieh Mirzabeigi, and Javad Abbaspour. "The concreteness of searching module icons and their effectiveness in digital library applications." Electronic Library 36, no. 5 (2018): 800–810. http://dx.doi.org/10.1108/el-10-2017-0227.

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Purpose This study aims to investigate the relationship between the concreteness of searching module icons and their effectiveness in Iranian digital library applications. Design/methodology/approach This study was a correlational survey whose participants consisted of two groups, namely, users and experts. The former consisted of 174 users, all of whom were included because of their scarcity, and the latter included ten experts of knowledge and information science. First, the effective and non-effective icons were identified by users. Then, their concreteness was investigated by the expert pa
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Nolan, Peter R. "Designing Screen Icons: Ranking and Matching Studies." Proceedings of the Human Factors Society Annual Meeting 33, no. 5 (1989): 380–84. http://dx.doi.org/10.1177/154193128903300532.

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Two studies from a screen icon testing program are reported. An appropriateness ranking study is a preliminary procedure that screens several candidate designs and results in a single image content for each icon. Subjects preferred the more concrete icons to the more abstract ones. Familiar image content was also preferred. The matching study determined how well the icons worked as a related set, and how likely it is that individual icons would be confused with each other. The icons for Clock, Drawing, and Voice score high on correct and low on incorrect. The symmetric and asymmetric confusion
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4

Taylor, Matthew A., Airan Li, Jamie L. Estock, Monique Y. Boudreaux-Kelly, Ivan Thibault Pham, and Maureen C. Casey. "Preferred Terms and Icons for Labels on Electrosurgical Units: Survey of VA Nurses." Biomedical Instrumentation & Technology 53, no. 2 (2019): 102–9. http://dx.doi.org/10.2345/0899-8205-53.2.102.

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Abstract Electrosurgical units (ESUs) developed by different manufacturers use varying terminology and icons to label the same components, which can result in confusion among users and the potential for erroneous ESU configuration. The objective of the current study was to identify nurse-preferred terms and icons for labeling ESU components. A total of 165 operating room (OR) nurses from Veterans Health Administration facilities across the United States were surveyed regarding terms and icons found on 25 ESU models. The results showed that 81% of OR nurses preferred ESUs that included both a t
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Salmond, Wendy. "Viktor Vasnetsov’s New Icons." Experiment 25, no. 1 (2019): 131–44. http://dx.doi.org/10.1163/2211730x-12341334.

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Abstract This essay examines Russian artist Viktor Vasnetsov’s search for a new kind of prayer icon in the closing decades of the nineteenth century: a hybrid of icon and painting that would reconcile Russia’s historic contradictions and launch a renaissance of national culture and faith. Beginning with his icons for the Spas nerukotvornyi [Savior Not Made by Human Hands] Church at Abramtsevo in 1880-81, for two decades Vasnetsov was hailed as an innovator, the four icons he sent to the Paris “Exposition Universelle” of 1900 marking the culmination of his vision. After 1900, his religious pain
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Reed, Jacob R., Susan A. Jasko, and Jason C. Senkbeil. "Weather Forecast Semiotics: Public Interpretation of Common Weather Icons." Weather, Climate, and Society 14, no. 1 (2022): 323–35. http://dx.doi.org/10.1175/wcas-d-21-0067.1.

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Abstract Weather icons are some of the most frequently used visual tools that meteorologists employ to communicate weather information. Previous research has shown a tendency for the public to make inferences about weather forecast information on the basis of the icon shown. For example, people may infer a higher likelihood of precipitation, assume a higher intensity of precipitation, or determine the duration of expected precipitation if the weather icon appears to show heavy rain. It is unknown to what extent these inferences align with what the meteorologist who chose the icon intended to c
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Slagle, Amy A. "Icons in the Lived Experience of American Orthodox Christians." Canadian-American Slavic Studies 53, no. 3 (2019): 364–83. http://dx.doi.org/10.1163/22102396-05303009.

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Abstract This article explores how American Orthodox Christians today use and interpret icons in the course of their everyday devotional lives. Drawing upon ethnographic data collected through participant observation and interviews with parishioners of an Orthodox Church in Mississippi in 2015, I highlight the ways that diverse and multiple media within a wider American context of “buffet-style” spiritual appropriation affect informant considerations of and interactions with icons. Fundamental to this article is the tension between informants’ experiences with icons as the conveyance of divine
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8

Gayer, William W. "The SonicFinder: An Interface that Uses Auditory Icons (Abstract Only)." ACM SIGCHI Bulletin 21, no. 1 (1989): 124. http://dx.doi.org/10.1145/67880.1046601.

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9

Lin, Rungtai, and John G. Kreifeldt. "Understanding the Image Functions for Icon Design." Proceedings of the Human Factors Society Annual Meeting 36, no. 4 (1992): 341–45. http://dx.doi.org/10.1177/154193129203600417.

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Because icons vary from very representational to extremely abstract symbols in a user interface, an important issue faced by designers when designing an icon is how to select an appropriate design style for the image. There are no simple rules that can be followed by designers to determine the design style. The present study is intended to help designers to choose a proper design style for the icon at an early design stage. First, a classification of icons is summarized and the levels of stylization are discussed and demonstrated with examples. Then, thirty icons from several drawing packages
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10

Blattner, Meera M., Denise A. Sumikawa, and Robert M. Greenberg. "Earcons and Icons: Their Structure and Common Design Principles (Abstract only)." ACM SIGCHI Bulletin 21, no. 1 (1989): 123–24. http://dx.doi.org/10.1145/67880.1046599.

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