Relevant bibliographies by topics / Absurd Drama

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Absurd Drama'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 July 2025

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Journal articles on the topic "Absurd Drama"

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Susandro, Susandro, Afrizal H, Saaduddin Saaduddin, and Edy Suisno. "PARABOLIC DRAMA: PENYANGKALAN TEORETIK TERHADAP TEATER ABSURD." Melayu Arts and Performance Journal 3, no. 1 (2020): 49. http://dx.doi.org/10.26887/mapj.v3i1.1342.

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ABSTRACTSamuel Beckett's Waiting for Godot is one of the dramas that Martin Esslin calls the Absurd Theater. Furthermore, For Esslin, Theater of the Absurd is not only a term but a theater theory to know conventions and understand the meaning of a drama. In this way, Esslin puts the Absurd Theater into the trajectory of the development of the world's theater arts style, as well as leading the reader or audience to a perception that the life or routine that humans live in is meaningless, pointless and futile. However, the Theater of the Absurd, in the view of Michael Y. Bennett, a term that is
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Tong, Enyue, and Li Liu. "Research on the Theater of Absurd." Arts Studies and Criticism 4, no. 1 (2023): 1. http://dx.doi.org/10.32629/asc.v4i1.1210.

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This essay aims to do research on one of the most important modern drama movements in Europe — the Theater of Absurd, through doing the background research at first and then comparing works of the same type and period including Nobel Prize work. The authors want more people to get to appreciate the art form of Absurd Drama which precisely reveals very serious social issues fundamentally but through vivid and very comic form. That’s quite novel and classic! After researching on the wide ranges of drama movements in the same period like Environmental Theater, Theater of the Oppressed (TO), Epic
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Rais, Rais. "ABSURDITAS DALAM NASKAH DRAMA JALAN LURUS KARANGAN WISRAN HADI DAN IMPLIKASINYA DALAM PEMBELAJARAN SASTRA DI SMA." AKSIS: Jurnal Pendidikan Bahasa dan Sastra Indonesia 1, no. 1 (2017): 44–62. http://dx.doi.org/10.21009/10.21009/aksis.010103.

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This research aims to find out the absurdity in Jalan Lurus drama script by Wisran Hadi. This study uses qualitative descriptive method. The absurdity theory used in this study is based on Albert Camus's opinion on the themes of absurdity. The result of this research shows Jalan Lurus by Wisran Hadi is a form of absurd drama. The absurdity is the meaning of life, alienation, suicide, hope, and rebellion. The theme of life is most often presented in this drama. Meanwhile, the theme of suicide and rebellion in this drama became the least talked theme. Implications in literary learning in high sc
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Al-Mamouri, Muslim Mohd Lehmood, Aqeel Muslim Mohammed, and Ali Ahmed Mohammed. "The Dramatic Structure in the Theatre of Absurd in Iraqi Artist." International Journal of Religion 5, no. 11 (2024): 1322–30. http://dx.doi.org/10.61707/rtv5zn02.

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This research deals with the theatre of the absurd, multiple artistic features are used to express tragic themes in a comic form. The features include anti-character, anti-language, anti-drama, and anti-plot. The research problem centers on the following question: what is one of the most important features of the drama of the absurd in the text of an Iraqi playwright Taha Salim’s play? The importance of the research becomes clear as it represents a study of some Iraqi theatrical achievements with their modern methods and approaches especially the drama of the absurd, this is in addition to des
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Rudolf, Matevž. "Emil Filipčič med ludizmom in dramo absurda." Jezik in slovstvo 53, no. 5 (2024): 55–67. http://dx.doi.org/10.4312/jis.53.5.55-67.

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The article focuses on two early plays by Emil Filipčič: Kegler 6 (staged 1981) and Prisoners of Freedom (staged 1982). In drama analysis of the 1980’s, Filipčič’s drama was normally placed in the context of Luddite literature. Modern literary theory, however, prefers to use the term ‘Luddite elements’ rather than ‘Luddite literature’ – these elements are conceived as one of the techniques of the Drama of the Absurd. Based on an analysis of the degree of their fragmentedness and their dramatic characters, language and humour, we identify elements of the absurd in Filipčič’s dramatic pieces and
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Fadli, Mohammad, Zuriyati Zuriyati, and Saifur Rohman. "STILISTIKA ABSURDITAS DALAM TEKS DRAMA KAPAI-KAPAI." Pena Literasi 5, no. 2 (2022): 152. http://dx.doi.org/10.24853/pl.5.2.152-160.

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Penelitian ini bertujuan untuk mengetahui gaya bahasa teks drama Kapai-Kapai karya Arifin C.Noer dengan kajian absurditas. Pada artikel ini, peneliti membahas gaya bahasa absurditas yang ada pada teks drama Kapai-Kapai. Gaya bahasa absurditas dipadankan dengan konvensi drama absurd menyangkut aspek alur, tokoh dan penokohan, dialog, serta cerita. Teks drama Kapai-Kapai akan diteliti berdasarkan beberapa aspek tersebut sesuai konvensi drama absurd. Berdasarkan hasil, teks drama Kapai-Kapai mempunyai alur yang melingkar, tokoh-tokoh imajiner, dialog yang berulang-ulang, serta cerita yang menunju
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Keturakienė, Eglė. "Lithuanian Literature and Shakespeare: Several Cases of Reception." Interlitteraria 24, no. 2 (2020): 366–79. http://dx.doi.org/10.12697/il.2019.24.2.8.

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The article is based on the reception theory by Hans Robert Jauss and analyses how Shakespeare’s works were read, evaluated and interpreted in Lithuanian literature in the 19th to 21th centuries. Some traces of Shakespeare’s works might be observed in letters by Povilas Višinskis and Zemaitė where Shakespearean drama is indicated as a canon of writing to be followed. It is interesting to note that Lithuanian exodus drama by Kostas Ostrauskas is based on the correspondence between Višinskis and Zemaitė. The characters of the play introduce the principles of the drama of the absurd. Gell’s conce
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Waham, Jihad Jaafar. "LONELINESS AND LACK OF COMMUNICATION IN ABSURD PLAYS." Language Literacy: Journal of Linguistics, Literature, and Language Teaching 7, no. 1 (2023): 15–22. http://dx.doi.org/10.30743/ll.v7i1.6972.

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Loneliness and lack of communication are common themes in absurd drama. This paper explores the portrayal of loneliness and lack of communication in absurd drama through an analysis of selected works of Samuel Beckett, Harold Pinter, and Eugène Ionesco. The method employed in this research is a qualitative analysis of the texts, examining the characters, settings, and language used to convey the themes of loneliness and lack of communication. The findings reach that these themes are central to absurd drama, reflecting the existential condition of modernity. The conclusion proposes that the por
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Yulia, Sari, and Yuli Astuti Amelia. "An Analysis of Ten Symbol of Grandma Death as Reflected in The Edward Albee Sandbox." Jurnal Ilmiah Pendidikan Scholastic 3, no. 2 (2019): 56–68. https://doi.org/10.5281/zenodo.3383438.

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<em>This </em><em>research</em><em> is entitled An Analysis </em><em>o</em><em>f Ten Symbol </em><em>o</em><em>f Grandma&#39;s Death As Reflected In The</em> <em>Edward Albee <strong>Sandbox.</strong> Where in the short story the 85-year-old grandmother who had been left by her husband and after the death of her husband the grandmother fought alone to support her child `namely mommys. But the child that grandmother hoped didn&#39;t care about him. Mommy treats grandma very inhumanely. He put my grandmother under the kitchen and only had a thin blanket and used potluck utensils. Then mommy took
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Baraniecki, Maria. "Gombrowicz’s Drama Within and Without the Absurd." Canadian Slavonic Papers 27, no. 3 (1985): 241–47. http://dx.doi.org/10.1080/00085006.1985.11091804.

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Dissertations / Theses on the topic "Absurd Drama"

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Al-Ghafari, Hanan. "The influence of the theatre of the absurd on Arabic drama." Thesis, University of Leeds, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.364452.

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Cramer, Steven L. "The absurd state : political satire and black comedy in British drama, 1964-1974." Thesis, University of Edinburgh, 1993. http://hdl.handle.net/1842/26416.

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It has become a critical commonplace of recent years that the current period of political drama started with the upheavals of 1968. It is often stated that before that year, playwrights of the post 1956 generation generally held liberal views which were broadly critical of British society's major institutions, but stopped short of criticising such bodies as the Labour Party. My aim will be to reassess this view in the light of the black comedies of the period 1964 to 1974. These plays held in common a number of stylistic characteristics and thematic obsessions, and were particularly notable fo
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Percival, Gary William. "Developments towards a theatre of the absurd in England, 1956-1964." Thesis, University of St Andrews, 1995. http://hdl.handle.net/10023/14879.

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In 1961 Martin Esslin created the term 'Theatre of the Absurd' as a working hypothesis, a device with which to make fundamental traits present in the plays of a number of France-based dramatists accessible to discussion by tracing the features they had in common. Despite the popularity of Esslin's study, there has been no comparable discussion of England-based absurdism. An explanation for this lack of critical attention may be found in the dogged insistence amongst scholars that there are only two absurd playwrights in the English theatre before 1967. My first aim in this thesis is to redress
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Öhman, Marie. ""Här kan jag äntligen tala" : tematik och litterär gestaltning i Åsa Nelvins författarskap." Doctoral thesis, Örebro universitet, Humanistiska institutionen, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:oru:diva-1678.

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The subject of this thesis is Swedish author Åsa Nelvin’s writings. Five books are at the center of attention: The children’s books De vita björnarna (“The White Bears”) (1969) and Det lilla landet (“The Little Country”) (1971), the two novels Tillflyktens hus (“The House of Refuge”) (1975) and Kvinnan som lekte med dockor (“The Woman who played with dolls”) (1977), and the cycle of poems Gattet (“The Inlet”) (1981). The overriding aim of the the thesis is to characterize Nelvin’s literary works and her over-all literary enterprise. A major part of the thesis is devoted to textual analyses, th
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Leite, André Luiz [UNESP]. "O zoológico existencialista de Edward Albee." Universidade Estadual Paulista (UNESP), 2006. http://hdl.handle.net/11449/91594.

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Made available in DSpace on 2014-06-11T19:25:24Z (GMT). No. of bitstreams: 0 Previous issue date: 2006-04-26Bitstream added on 2014-06-13T18:26:25Z : No. of bitstreams: 1 leite_al_me_arafcl.pdf: 864986 bytes, checksum: 0067c970ef9b685707a6e900dd9a6ce9 (MD5)<br>A obra de arte dramática, diferentemente de outras formas artístico-literárias, é a que de forma mais prática e imediata estabelece uma relação entre seu realizador e o público ao qual ela é destinada. Contudo, o drama moderno, produzido a partir do final do século XIX, passou por uma série de crises e adaptações quanto à forma e ao co
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Fanti, Luís Henrique. "Francis não usou LSD: a crítica de Schaeffer à contracultura." Universidade Presbiteriana Mackenzie, 2012. http://tede.mackenzie.br/jspui/handle/tede/1858.

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Made available in DSpace on 2016-03-15T19:42:24Z (GMT). No. of bitstreams: 1 Luis Henrique Fanti.pdf: 1595724 bytes, checksum: a9548bc502a849946a1a9bf7ae6a7687 (MD5) Previous issue date: 2012-12-11<br>Instituto Presbiteriano Mackenzie<br>The current paper has the goal to trace the relationship between Francis Schaeffer's thinking in relation to the counter-culture; the counter-culture movement from the 60's, especially related to the years of 67-69 with the 'beatniks', Flower Power, Timothy Leary and its more remarkable unfoldings; and, finally, the counter-cultural expressions in drug usage
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Leite, André Luiz. "O zoológico existencialista de Edward Albee /." Araraquara : [s.n.], 2006. http://hdl.handle.net/11449/91594.

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Orientador: Alcides Cardoso dos Santos<br>Banca: Iná Camargo Costa<br>Banca: Maria Clara Bonetti Paro<br>Resumo: A obra de arte dramática, diferentemente de outras formas artístico-literárias, é a que de forma mais prática e imediata estabelece uma relação entre seu realizador e o público ao qual ela é destinada. Contudo, o drama moderno, produzido a partir do final do século XIX, passou por uma série de crises e adaptações quanto à forma e ao conteúdo, decorrentes de várias mudanças ocorridas nos mais diversos setores da sociedade. Edward Albee é um dos maiores dramaturgos norte-americanos da
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Aydin, Turkan. "Renunciation Of Language In Harold Pinter." Master's thesis, METU, 2006. http://etd.lib.metu.edu.tr/upload/12607481/index.pdf.

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Based on Harold Pinter&#039<br>s three plays &ldquo<br>The Homecoming,&rdquo<br>&ldquo<br>The Caretaker&rdquo<br>and &ldquo<br>The Dumb Waiter,&rdquo<br>the aim of this study is to explore the idea that an individual cannot be a speaking member of the Symbolic Order, thus of the society unless s/he obeys the prohibitions/commands of language, a concept on which both Pinter and Lacan put great emphasis in their own vision. For Pinter human beings lead a life controlled by some unknown powers and build a disastrous subjective world devoid of linguistic competence. As for Lacan, language imprison
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Niedziela-Janik, Marta. "Realizm magiczny, absurd i dramat – próba interpretacji sztuk Niny Sadur." Doctoral thesis, Katowice : Uniwersytet Śląski, 2016. http://hdl.handle.net/20.500.12128/692.

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Niniejsza praca jest próbą przybliżenia oryginalnej twórczości dramaturgicznej współczesnej rosyjskiej pisarki z Nowosybirska, reżyserki i scenarzystki, miłośniczki i znawczyni teatru, znanej nie tylko w Rosji, ale w całej Europie i w wielu krajach na innych kontynentach. Dramaturgia Niny Sadur nie jest błaha i stereotypowa, to zjawisko niezwykłe, wywołujące kontrowersje i żarliwe dyskusje w literaturze krytycznej. Twórczość Sadur charakteryzuje się wieloznaczeniowością i właśnie ta cecha jej utworów dramaturgicznych jest przyczyną najróżniejszych interpretacji. Sztuki ukazują współczesnego c
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Ceccagno, Douglas. "Mito e absurdo no moderno drama francês e em Nelson Rodrigues." Pontifícia Universidade Católica do Rio Grande do Sul, 2012. http://hdl.handle.net/10923/4249.

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Made available in DSpace on 2013-08-07T19:02:51Z (GMT). No. of bitstreams: 1 000437573-Texto+Completo-0.pdf: 1658499 bytes, checksum: b536f9b7445094d6fe17db55d8d2399f (MD5) Previous issue date: 2012<br>This thesis aims at investigating, in its first part, how new meanings are produced through the use of Greek myths in the French drama between wars and during World War II, when France was under German occupation. The research focuses on the mythical plays of Jean Giraudoux, Jean Cocteau, Jean Anouilh and Jean-Paul Sartre, in which this dissertation analyzes the tensions between the feeling of
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Books on the topic "Absurd Drama"

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Anishchenko, Marina Gennadʹevna. Drama absurda. GITIS, 2011.

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Elyaḳim, Yaron, ред. Teʾaṭron ha-absurd. Zemorah, Bitan, 1985.

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Esslin, Martin. The theatre of the absurd. 3rd ed. Penguin Books, 1991.

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Stephan, Halina. Transcending the absurd: Drama and prose of Sławomir Mrożek. Rodopi, 1997.

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Enoch, Brater, and Cohn Ruby, eds. Around the absurd: Essays on modern and postmodern drama. University of Michigan Press, 1990.

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Rapoport, Vitaliĭ. Absurd i surdinka: Pʹesy i rasskazy. RMCS, 2010.

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Krajewska, Anna. Dramat i teatr absurdu w Polsce. Wydawn. Nauk. UAM, 1996.

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Winch, Antoni. Dramat ciemnych gier: Teatr absurdu pre-postczłowieka. Instytut Sztuki PAN, 2015.

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Pleśniarowicz, Krzysztof. Dylemat jedynego wyjścia: Absurd w dramacie u schyłku realnego socjalizmu. Księg. Akademicka, 2000.

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Sinani, Petrit. Absurdi: Tragjedia moderne e fatit. Shtëpia Botuese Dituria, 1996.

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Book chapters on the topic "Absurd Drama"

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Dean, Joan FitzPatrick, and Radvan Markus. "The Internationalist Dramaturgy of Hilton Edwards and Micheál mac Liammóir." In Cultural Convergence. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-57562-5_2.

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Abstract In part because the Gate explored an experimental dramaturgy, its artistic directors Micheál mac Liammóir and Hilton Edwards often wrote, spoke and advocated for a drama that could move beyond realism. The analysis of Hilton Edwards’s dramatic commentary reaches from his early articles on dramaturgy right up to his encounter with the Berliner Ensemble in 1956 that influenced Edwards’s most elaborate statement on drama, The Mantle of Harlequin (1958). An important part of Edwards’s vision was his cosmopolitanism, his refusal to view drama within a restricted national framework. Nationa
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König, Hans-Dieter. "Politischer Unterricht als absurdes Drama. Tiefenhermeneutische Sekundäranalyse einer Sozialkundestunde über Brasilien." In Kritische Sozialpsychologie. Springer Fachmedien Wiesbaden, 2018. http://dx.doi.org/10.1007/978-3-658-22352-6_14.

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Sieß, Jürgen. "Das Theater des Absurden und die Krise des Dramas." In Die literarische Moderne in Europa. VS Verlag für Sozialwissenschaften, 1994. http://dx.doi.org/10.1007/978-3-322-93545-8_7.

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"Radio drama and the absurd." In British Radio Drama, 1945–63. Bloomsbury Academic, 2019. http://dx.doi.org/10.5040/9781501329722.0011.

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Trensky, Paul I., and William E. Harkins. "The Drama of the Absurd." In Czech Drama Since World War II. Routledge, 2017. http://dx.doi.org/10.4324/9781315171890-5.

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Stephan, Halina. "Early Drama: From The Police to Tango 1958-1963." In Transcending the Absurd. BRILL, 1997. http://dx.doi.org/10.1163/9789004647947_007.

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Baggott, Jim, and John L. Heilbron. "Mutual Admiration." In Quantum Drama. Oxford University PressOxford, 2024. http://dx.doi.org/10.1093/oso/9780192846105.003.0002.

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Abstract The nature of the Bohr–Einstein debate was framed long before our protagonists became engaged in it. Both were reformers, ready to embrace controversy and even absurdity in their theories. But where Einstein held fast to classical principles he considered sacrosanct, Bohr would cheerfully embrace their violent reworking or replacement. Einstein’s 1921 Nobel prize was awarded in 1922. He had entertained the absurd notion that light consists of ‘quanta’, endowing particle-like properties governed by a characteristic wave frequency. Bohr’s 1922 Nobel prize involved entertaining the absur
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Curtin, Adrian. "The absurd drama of modern death denial." In Death in modern theatre. Manchester University Press, 2019. http://dx.doi.org/10.7765/9781526124715.00010.

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Elsky, Julia. "Ionesco, Eugène (1909–1994)." In Routledge Encyclopedia of Modernism. Routledge, 2025. https://doi.org/10.4324/9780415249126-rem2185-1.

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Eugène Ionesco is one of the foundational playwrights of the Theatre of the Absurd. He is known for his post-war drama, which deals with the struggle to communicate through language, the violence of conformism, anti-totalitarian thought, and anguish in the face of death. Born in Romania, he spent his childhood in France and moved back to Romania as an adolescent. He began to publish poetry and literary criticism in Bucharest while witnessing the rise of the fascist Iron Guard. After moving to France during World War II, he began to write and publish drama in French. His most famous plays inclu
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Fraunhofer, Hedwig. "Where Does the Body End? Artaud’s Materialsymbolic Theatre." In Biopolitics, Materiality and Meaning in Modern European Drama. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474467438.003.0007.

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This chapter offers a descriptive reading of Artaud’s most famous play, The Cenci (1935), that respects the materiality and temporality of Artaud’s text, while also including a discussion of the play’s sparse production history. Breaking down immunitarian walls between self and other, Artaud’s theatre of cruelty provides a performative assemblage of human and nonhuman actors or actants, (human) spectators, non-verbal theatrical tools, and forces and energies that transverses the binary distinction between materiality and mind, aesthetic perception and meaning. Together with Brechtian theatre a
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Conference papers on the topic "Absurd Drama"

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Irianto, Adhy, Sukmawati Saleh, Siti Rochania, Yeni Ovikawati, and Jumara Mukti. "Construction of Absurd Theatre Form with Parabolic Drama." In Proceedings of the First International Conference on Arts and Culture: “Transforming New Creative Values in Arts and Culture”, INCARTURE 2023, December 5th-6th, 2023, Bandung, Indonesia. EAI, 2025. https://doi.org/10.4108/eai.5-12-2023.2354783.

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Duta, Florica. "I.L.Caragiale, important precursor and creator of the modern theatre concept." In Universitas Europaea: Towards a Knowledge Based Society Through Europeanisation and Globalisation. Free International University of Moldova, 2025. https://doi.org/10.54481/uekbs2024.v2.10.

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Thanks to the content, to the form of his plays and to the technique used, I.L. Caragiale is considered one of the precursors of the absurd theater and one of the creators of the modern concept of theater because he abandoned the traditional romantic forms of a literary theater in favor of a theatrical theater, revising the original constitutive elements of dramatic art: movement, pantomime, mimicry, puppetry, masks, the plastic element, the play of lights and shadows, the theatrical word. Caragiale's comedies, like the later theater of the absurd, suffer from a crisis of action, his theater i
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