Relevant bibliographies by topics / Absurdism

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Absurdism'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 April 2022

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Journal articles on the topic "Absurdism"

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Pour, Fatemeh Karim, and Modgan Abshavi. "Investigating the Concept of Absurdity in A Doll’s House by Henrik Ibsen: A Critical Study." International Journal of Linguistics, Literature and Translation 4, no. 10 (October 29, 2021): 46–52. http://dx.doi.org/10.32996/ijllt.2021.4.10.7.

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This study aimed at investigating the concept of absurdity in A Doll’s House by Henrik Ibsen. Henrik Ibsen’s play A Doll’s House is the primary source in the present study. The data that is applied in this paper belongs to library studies and research since the focus is on or literary works and materials. The results showed that miscommunication is one of the themes of absurdity, which was identified in the present play. There is a master-slave relationship, one of the themes of absurdism, between Nora and Helmer, which can be traced in the play. Materialism is also portrayed in the play as one of the themes of absurdism. The relationships between characters are based on profit. Telling lies, which can be a sign of absurdism, is shown in the play.
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Rasheed, Nausheen, Mamona Yasmin Khan, and Shaheen Rasheed. "Philosophical Exploration of Absurdism and Existentialism: A Comparative Study of Kafka's Work The Metamorphosis and The Trial." Global Social Sciences Review VI, no. II (June 30, 2021): 94–100. http://dx.doi.org/10.31703/gssr.2021(vi-ii).10.

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The philosophical stance about the existence of being and the meaning of life has been a widely discussed subject among philosophers and critics. Existentialism says that a man can construct his own meaning of life by making judicious use of his awareness, free wills and personal responsibilities, but absurdism believes that there is no meaning of life out there. The focus of this study is to explore the absurdist and existential aspects in Kafka's fiction The Metamorphosis (1915) and The Trial (1925). This is qualitative comparative research, and the data which have been collected for this purpose is through purposive sampling techniques. In this study, Camus' theory of absurdism and theory of existentialism has been adopted as a theoretical framework. The study explores in what ways the traces of absurdism and existentialism are present in Kafka's fiction The Metamorphosis and The Trial. The findings show that characteristics of absurdism and existentialism are found in both the works of Kafka and are comparable with each other. For future recommendations, a comparative stylistic analysis of these selected novels can be carried out.
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Nawaz, Arshad, Muhammad Ijaz, and Khalid Mehmood Anjum. "Postmodern Absurdist Critique of Julian Barnes’s The Only Story." Global Language Review VI, no. II (June 30, 2021): 94–100. http://dx.doi.org/10.31703/glr.2021(vi-ii).11.

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This research paper endeavors to examine the postmodern absurdism as a literary sub genre in postmodern fiction. It delves deep into the concept of absurdism by concentrating upon the characteristics that distinguish it as a postmodern sub genre. Through the analysis of the postmodern novel, The Only Story (2018), this research paper illustrates how the characteristics of absurdism haven impact upon a postmodern society characterized by boredom, meaninglessness, futility, and confusion. It also highlights how different characters, events, and places have been portrayed in the novel to depict the absurdity of human existence. The theoretical paradigm of the research is based upon Thomas Nagel’s Essay “The Absurd” which is about postmodern space of absurdism and was presented in the American Philosophical Association Eastern Division. The study limelight's how the absurd occurrences and bizarre characters found in the researcher's primary text depict the complexity of the postmodern absurd world in both literal and metaphoric dimensions.
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Vogel, Shane. "Waiting for Godot and the Racial Theater of the Absurd." PMLA/Publications of the Modern Language Association of America 137, no. 1 (January 2022): 19–35. http://dx.doi.org/10.1632/s0030812921000766.

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AbstractThis essay argues that the 1957 Black-cast revival of Samuel Beckett's Waiting for Godot stages an Africana absurd sensibility that precedes and supersedes European philosophies of absurdism. While the Continental absurd developed as a repudiation of Western reason and aspired to a universalizing assessment of the human condition, the Africana absurd is situated in the historical formation of racial slavery and colonialism. More specifically, the Africana absurd is a response to the formal meaninglessness and incoherencies of Western racial logic. Locating it within the existential and historical situation of Black theater in the Jim Crow era and attending to theatrical elements such as casting, stage props, and choreography, this essay shows how the production recasts Beckett's absurdism, metatheatricality, and antihumanism to present, rather than represent, the felt absurdity of racial modernity.
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Handayani, Lusi, Sahrul N, and Roza Muliati. "ABSURDISME PELUKIS DAN WANITA KARYA ADHYRA IRIANTO." Grenek Music Journal 9, no. 2 (August 21, 2020): 29. http://dx.doi.org/10.24114/grenek.v9i2.19585.

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This study aims to reveal the absurdism value contained in the show Pelukis dan Wanita by Adhyra Irianto. This study uses a descriptive analysis approach with qualitative research methods. The theoretical framework chosen to answer the research questions is the concept of dramatic structure and the concept of absurdism. Several conclusions resulted from this research, namely, Pelukis dan Wanita by Adhyra Irianto has an indication of absurdism from play texts to performance texts. Painters and Women have plots that are not circular or circular, conflicts without certainty, unbalanced characters and unresolved ending. The indications of absurdism depicted in this work are irregularity, uncertainty and imbalance.
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Mlungwana, Yoliswa. "An African response to absurdism." South African Journal of Philosophy 39, no. 2 (April 2, 2020): 140–52. http://dx.doi.org/10.1080/02580136.2020.1771823.

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Suwandana, Engkin. "EKSISTENSIALISME DAN ABSURDISME DALAM DRAMA KARYA PUTU WIJAYA." Jurnal Pena Indonesia 2, no. 1 (February 21, 2017): 12. http://dx.doi.org/10.26740/jpi.v2n1.p10-21.

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This study aims to (1) describe the existential drama Oh, Edan, and Dag Dig Dug works of Putu Wijaya which include: (a) freedom, (b) anxiety, (c) the failure, (d) the futility, (e) death, (2) describe absurdism in drama Ah, Edan, and Dag Dig Dug by Putu Wijaya which includes: (a) suicide philosophical, (b) the nature of the symbolic, and (c) of tragedy and comedy. This study focuses on (1) existentialism in the drama Oh, Edan, and Dag Dig Dug by Putu Wijaya which include: (a) freedom, (b) anxiety, (c) the failure, (d) the futility, (e) death and (2) absurdism in drama Ah, Edan, and Dag Dig Dug. This study is qualitative research, using descriptive qualitative research data collection. Descriptive method is a method which seeks to describe a phenomenon, the events that occurred at that time. In this study, descriptive method is used to describe the concept of existentialism and absurdism. This research data use existantialism theory and absurdism in playwrights by PutuWijaya. By using the technique with the data source in the form of three plays, the relevant data collection technique is a technique read. Reading the drama text data collection activities conducted by member’s attention totally focused on the object. Reading and listening is a set of techniques to obtain valid data followed by activities recorded data. This study concluded five concepts of existentialism and three concepts of absurdism. The results showed that existentialism in the drama Oh, Edan, Dag Dig Dug by Putu Wijaya, looked in terms of freedom, anxiety, failure, futility, and death. Three absurdism concepts in drama Ah, Edan, Dag Dig Dug by Putu Wijaya looked through suicide philosophical, symbolic nature, tragedy and comedy.
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Jahan, Rownak, and Nihal Farhan Kabir. "Use of Leitmotifs in Samuel Beckett’s Waiting for Godot." International Journal of Linguistics, Literature and Translation 5, no. 4 (March 31, 2022): 26–31. http://dx.doi.org/10.32996/ijllt.2022.5.4.4.

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Samuel Beckett’s Waiting for Godot features leitmotifs as devices to induce the repetitiveness that is usually inherent in absurdist plays. Previous research, which included analysis of leitmotifs in a literary text, viewed leitmotifs as formalistic elements and such research seldom delved into their conceptual implications in regard to the text. This paper aims to provide insight into this opening by analyzing the leitmotifs used in Waiting for Godot. The purpose is to find out how these leitmotifs are used to convey and underscore some of the key concepts or ideas of the play. The theoretical lens is provided by the philosophy of absurdism, and some conceptual understandings of hope/hopelessness and colour/colourlessness aid in this regard as well. Findings from the discourse analysis of the text’s leitmotifs have been viewed in light of such theoretical and conceptual understandings to reach an assessment of how the leitmotifs assist in the play’s conveying of these ideas. This paper’s analysis of the leitmotifs of Waiting for Godot shows that - these leitmotifs highlight the text’s prominent and cyclical states of waiting and going as well as emphasize the exhibited futile natures of fate and sleep, and by such association, they enhance the portrayal of, in addition to bringing elevated focus on, the play’s depiction of the absurdity, hopelessness and colourlessness pervasive in the world of the ‘absurd’.
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Turahmat, Turahmat, and Jupriyanto Jupriyanto. "ABSURDISME INDONESIA DALAM �SUMUR TANPA DASAR� KARYA ARIFIN C. NOER." Jurnal Pendidikan Bahasa Indonesia 5, no. 1 (November 17, 2017): 83. http://dx.doi.org/10.30659/j.5.1.83-98.

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The issue that arises from the limitations of absurdism on the drama's text is: is it possible that the drama STD (The Well Without Basic) by Arifin C.Noer does not in any way recognize the existence of God in his narrative? Another issue is how the form of absurdism in this drama text ?. This research utilizes a hermeneutic approach. Data were collected using reading technique and record technique. There are two sources of data in this study, namely primary data sources and secondary data sources. The primary data source in this research is the drama of No Drawing Well by Arifin C.Noer. The data contained in this research are words, phrases, clauses, or phrases in the drama dialogue of the Unfounded Wells by Arifin C.Noer which allegedly contains markers of drama absurdism. The data were analyzed using hermeneutic readings. Then presented in the form of a neatly arranged and systematic report. The forms of absurdism in this text lie in the following points. First, this drama uses the myth as a source of storytelling. Secondly, in this drama script also occur events outside the logic that utilize the human subconscious. The story of human life or figure in the drama script is oscillated in uncertainty. Third, the storyline in the drama script STD contains events that can still trace the plot. The existence of God still appears in this drama script. The traces of God's power also appear to be intertwined in several dialogues.
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Klein, Emily B. "A New Feminist Absurd?: Women’s Protest, Fury, and Futility in Contemporary American Theatre." Modern Drama 65, no. 1 (March 1, 2022): 24–51. http://dx.doi.org/10.3138/md-65-1-1187.

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Absurdism has long been associated with existentialist white male writers like the ones Martin Esslin analysed in The Theatre of the Absurd (1961), which coined the term that came to define a lasting dramatic genre. More recently, however, several female playwrights have begun to reinvent this movement with an uncanny brand of feminist absurdism in their intimate domestic tragicomedies. In this essay, a close reading of Sheila Callaghan’s Women Laughing Alone with Salad (2015) serves as a touchstone for analysing performances of ludic feminist futility in plays by diverse writers including Ruby Rae Spiegel, Jackie Sibblies Drury, Alice Birch, and others. In their festive moments of anti-structural and non-linear oscillation between rage and glee, these plays mark the messy implosion of an outdated feminist political project, first anticipating and later reflecting the political tensions and crises evidenced in women’s voting, activism, and protest practices since the 2016 US presidential election. Often confining their characters within domestic or interior feminized spaces like kitchens, bedrooms, hidden supermarket aisles, or girls’ locker rooms, these playwrights celebrate failure and madness in the lives and labour of their female characters. By transforming historically feminized sites into dynamic spaces of resistance as well as spectacular failure, these performances of excess, from dieting to devouring, precarity to privilege, force audiences to confront cultural blind spots and failed or incomplete work toward efficacious feminist intersectionality. Furthermore, by bridging contemporary women’s anger research with whiteness and affect studies, this essay identifies a nascent trend in US theatre with a growing international profile that engages an updated absurdist rubric within a larger feminist praxis of political revolt.
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Dissertations / Theses on the topic "Absurdism"

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Al-Ghafari, Hanan. "The influence of the theatre of the absurd on Arabic drama." Thesis, University of Leeds, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.364452.

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Smith, Jared L. "From One to All: The Evolution of Camus's Absurdism." Kent State University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=kent1586797469986232.

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Muhammad, M. M. "Aeschylus, Sophocles and Samuel Beckett : some origins of an absurdism." Thesis, University of Essex, 1985. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.332505.

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Hageland, Dustin Aaron. "Full Circle: The Development Process of Small Box with a Revolver." OpenSIUC, 2021. https://opensiuc.lib.siu.edu/theses/2848.

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This thesis examines the process of bringing Small Box with a Revolver from pre-writing to production at Southern Illinois University in March 2021, and my own growth in that process. I drew inspiration from the general societal behavior during the pandemic and other crises of 2020, as well as absurdist plays like Ionesco’s Rhinoceros and Beckett’s Waiting for Godot. The play was written to my stylistic preference of writing dark comedies about social issues.Chapter One examines where I began and how I developed the plot, characters and stylistic choices. Chapter Two examines the writing process, including initial peer and faculty feedback to the script. Chapter Three looks at the unique pre-production process in trying to bring Small Box with a Revolver to the stage, virtually. Chapter Four details the production itself, what I learned, and what further work I would like to do on the script. Chapter Five details my evaluation of my process throughout the MFA program as a playwright and professional, as well as my final considerations. Also included, is the production script.
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Scebbi, Alyssa E. "The Chromatic Fall." Ohio University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1430230127.

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Cardozo, Elloit. "‘That rug really tied the room together’: Knitting Dudeism and Camusian Philosophy into a Larger Tapestry." Thesis, University of Mumbai, 2017. http://hdl.handle.net/10919/94575.

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Even though parallels between the philosophy of Albert Camus and The Big Lebowski have been drawn repeatedly, a sustained enquiry into several possible dimensions of the matter is yet to have been conducted.This dissertation makes an attempt to conduct the aforementioned enquiry in some detail. In doing this, the study will try to analytically compare Camusian philosophy and Dudeism and bring out the similarities between them. This does not imply that there are no differences between the two; but the focus of this study is the similarities and not the differences. Dudeism, for the purpose of this study, will not be restricted to The Dude and the literature written on The Dude and Dudeism. It will also be expanded to accommodate certain other parts of the larger discourse of Ethan and Joel Coen’s filmography as well as a few other parts of The Big Lebowski itself. It is crucial, however, to “draw a line in the sand” (Walter, The Big Lebowski) at the very outset. In embarking on a comparative analysis between Camusian philosophy and Dudeism, this study does not intend to propose that one of them is influenced by the other and “what-have-you” ("The Editorial Preface" 12). Instead, it simply attempts to point out some of the discursive elements that they share with each other as well as with several of the sub-discourses they comprise of. The analysis in the dissertation that follows is split into three major chapters: 1. ‘Well, I’ll tell you what I’m blathering about’: An analytical frame of reference. 2. ‘You can’t be worried about that shit, life goes on, man’: Life, Death and Absurdity in Camus and Dudeism. 3. ‘Somebody this square community won’t give a shit about’: Camus’ Absurd Man and Dudeism The first chapter, “‘Well, I’ll tell you what I’m blathering about’: An analytical frame of reference”, provides an analytical framework for the discussions that follow in the rest of the dissertation. It is further divided into three sections. The first section lays out a basic understanding of a few fundamental ideas of Dudeism for the readers. The second section discusses a few important aspects of the philosophy of Albert Camus. The third section briefly establishes the connections between Dudeism and the philosophy of Camus which are examined in greater detail later in the study. The second chapter, “‘You can’t be worried about that shit, life goes on, man’: Life, Death and Absurdity in Camus and Dudeism” looks at Camus’ takes on Life, Death and Absurdity while also pointing out the parallels they seem to strike with Dudeism. The chapter is further divided into four sections. The first section examines strands of Camusian thought, especially the Absurd in the other films of Ethan and Joel Coen before establishing a connection to The Big Lebowski. The second section explores the attitudes towards Death in Camusian philosophy and Dudeism. The third section compares the ideologies of Life in the works of Camus and Dudeism. The fourth and final section explores parallels between Camus’ novel The Stranger and The Stranger: the cowboy narrator of The Big Lebowski. The third chapter picks up on the Camusian trope of the Absurd Man and its relation to Happiness in both: the works of Camus as well as the discourses of Dudeism. It comprises of three sections. The first section explores the notion of Alienation in Camusian philosophy and Dudeism and looks at how it eventually leads to the trope of the Absurd Man in Camus. The second section explores Camus’ creation of the Absurd Man through the Cycle of the Absurd and looks at how it fits into Dudeism. The third and final section delves into a comparison of the Absurd Man’s quest for Happiness in Camus and Dudeism.
M.A. Honours with Research in English
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Melin, Thomas. "Sista brevet till Godot : Utvandrarserien som absurd teaterpjäs." Thesis, Umeå universitet, Institutionen för kultur- och medievetenskaper, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-122294.

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Collins, Rachel. "HAPPY DAYS: A MODERN WOMAN’S APPROACH TO ABSURDISM THROUGH FEMINIST THEATER THEORY." Ohio University Honors Tutorial College / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1338311141.

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Booth, Alison C. "The divine dark : absurdism and mysticism in the work of Luigi Pirandello and Eugène Ionesco." Thesis, University of Bristol, 1988. http://hdl.handle.net/1983/51ca1aaf-5a2d-4a97-b765-dcf5485ee19a.

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Mountian, Daniela. "Mitologia poética de Daniil Kharms." Universidade de São Paulo, 2016. http://www.teses.usp.br/teses/disponiveis/8/8155/tde-08032017-142720/.

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A pesquisa tem como objetivo analisar e relacionar as escritas de si do poeta e escritor russo Daniil Kharms (1905-1942): seus apontamentos em cadernetas, sua prosa quasebiográfica, como a novela A velha (1939), suas cartas e seus autorretratos, sobretudo na década de 1930, momento em que essas artes de si mesmo passam a interagir de forma mais pronunciada, quando o criador e sua obra se misturam de maneira muito peculiar. Como o estudo das cadernetas do escritor define ponto medular da pesquisa e este material ainda não foi publicado no Brasil, também será apresentada a tradução de parte de seus cadernos de anotações e do pequeno diário, que abarcam os anos de 1924 a 1940. Além disso, pelo próprio recorte do trabalho, foi delineada uma biografia cuidadosa do autor, um dos fundadores da Oberiu, o último grande grupo do vanguardismo russo, assim como foram definidos alguns diálogos (Krutchónykh, Khlébnikov, Bergson, Malévitch e tchinari) que marcaram o desenvolvimento artístico e filosófico de Daniil Kharms, um dos mais peculiares e talentosos artistas russos de vanguarda, hoje assemelhado a escritores como Franz Kafka, Eugène Ionesco e Samuel Beckett.
The objetive of this thesis is to analyse the self-writing of the Russian poet and writer Daniil Kharms (1905-1942): his notes in notepads, his almost-biographical prose, such as the novel Old Woman (1939), his letters and self-portraits, especially in the 1930s, a time when these arts about oneself start to interact in a more emphatic way, when the writer and his work mix up in a very particular way. As the study on his notepads defines the central element of this research and this material has not been previously published in Brazil, it will be also presented a translation of a part of his notepads and little diary, from 1924 to 1940. Furthermore, by the perspective taken in this study, a detailed biography of the author was conducted. Kharms was one of the founders of Oberiu, the last avant-garde Russian group. Hence, the study also debates the importance of the art and philosophy of Krutchónykh, Khlébnikov, Bergson, Malévitch e tchinari to the work of Kharms, who became one of the most singular and talented contemporary Russian authors, compared to Franz Kafka, Eugène Ionesco e Samuel Beckett.
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Books on the topic "Absurdism"

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New Dutch swing: Jazz + classical music + absurdism. New York: Billboard Books, 1998.

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Demastes, William W. Theatre of chaos: Beyond absurdism, into orderly disorder. Cambridge, U.K: Cambridge University Press, 1998.

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The plays of Harold Pinter: From absurdism to political drama? Marburg: Tectum Verlag, 2009.

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Tacussis, Alex. Absurdía. Stgo. [i.e. Santiago, Chile]: Alfa, 1987.

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Absurdos. Buenos Aires: Adriana Hidalgo, 2004.

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Arena, Joan Sebastian Araujo, ed. ABSURDOS. España: Epublibre, 2004.

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Servín, Alfredo García. Absurdas historias. Querétaro, Qro: Universidad Autónoma de Querétaro, 1997.

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Aranís, Octavio. Cuentos absurdos. Chillán, Chile: Departamento Producción Gráfica, Instituto Profesional de Chillán, 1986.

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Teatro absurdista hispanoamericano. Valencia: Albatros Hispanófila, 1985.

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Absurdi impeerium. Tallinn: Tammeraamat, 2007.

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Book chapters on the topic "Absurdism"

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Mahala, Macelle. "Against Order(s): Dictatorship, Absurdism and the Plays of Sony Labou Tansi." In Performing (for) Survival, 121–40. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/9781137454270_7.

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Christof-Fuechsle, Martin. "Indianness, Absurdism, Existentialism, and the Work of Imagination: Vinod Kumar Shukla’s Naukar kī kamīz." In Imagining Indianness, 131–45. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-41015-9_8.

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Johansson, Bengt, and Christina Holtz-Bacha. "From Analogue to Digital Negativity: Attacks and Counterattacks, Satire, and Absurdism on Election Posters Offline and Online." In Visual Political Communication, 99–118. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-18729-3_6.

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Wyllie, Andrew, and Catherine Rees. "Pinter the Absurdist." In The Plays of Harold Pinter, 25–46. London: Macmillan Education UK, 2016. http://dx.doi.org/10.1057/978-1-137-31567-0_3.

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Schmid, Hans Bernhard. "Augustinian Absurdity." In Evil in Joint Action, 81–113. Abingdon, Oxon; New York, NY: Routledge, 2021.: Routledge, 2020. http://dx.doi.org/10.4324/9780429355332-3.

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Delisle, James R. "Legislative Absurdity . . ." In Dumbing Down America, 111–21. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003234722-6.

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Gburek, Manfred. "Absurdes Theater." In Investment fonds, 139–60. Wiesbaden: Gabler Verlag, 1991. http://dx.doi.org/10.1007/978-3-322-85769-9_11.

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Tredell, Nicolas. "Archetype and Absurdity." In Shakespeare The Tragedies, 68–82. London: Macmillan Education UK, 2015. http://dx.doi.org/10.1007/978-1-137-40490-9_8.

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Glosch, Kathrin. "Existentialismus, Absurdismus, Indifferenz." In »Cela m’était égal«, 178–85. Stuttgart: J.B. Metzler, 2001. http://dx.doi.org/10.1007/978-3-476-02776-4_6.

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Schmidt, Wolf Gerhard. "Narrative des Absurdismus." In Zwischen Antimoderne und Postmoderne, 316–41. Stuttgart: J.B. Metzler, 2009. http://dx.doi.org/10.1007/978-3-476-05233-9_11.

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Conference papers on the topic "Absurdism"

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Han, Ruoqi. "Absurdism in “The Outsider”." In 2021 4th International Conference on Humanities Education and Social Sciences (ICHESS 2021). Paris, France: Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.211220.455.

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Besnard, Philippe. "Absurdity, Contradictions, and Logical Formalisms." In 2010 22nd International Conference on Tools with Artificial Intelligence (ICTAI). IEEE, 2010. http://dx.doi.org/10.1109/ictai.2010.60.

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Al Masykuri, Muh Zakky, Aceng Ruhendi Syaifullah, and Eri Kurniawan. "The Phenomenon of Absurdity in Comics." In 4th International Conference on Language, Literature, Culture, and Education (ICOLLITE 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.201215.071.

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He, Bin-Bin, YangQuan Chen, and Chun-Hai Kou. "On the Controllability of Distributed-Order Fractional Systems With Distributed Delays." In ASME 2017 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. American Society of Mechanical Engineers, 2017. http://dx.doi.org/10.1115/detc2017-67685.

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This paper investigates the controllability of distributed-order fractional systems with distributed delays. By using the controllability Gramian matrix and reduction to absurdity, a necessary and sufficient condition for the controllability of linear system is established, and a sufficient condition for the nonlinear system is obtained. Examples are given to illustrate the effectiveness of the theorems.
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Nurmikko-Fuller, Terhi, and Paul Pickering. "Reductio ad absurdum?: From Analogue Hypertext to Digital Humanities." In HT '21: 32nd ACM Conference on Hypertext and Social Media. New York, NY, USA: ACM, 2021. http://dx.doi.org/10.1145/3465336.3475107.

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Smokotina, V. A. "THE POETICS OF ABSURDITY IN E.L. SCHWARTZ’S SCREENPLAY «MARYA-ISKUSNITSA»." In ACTUAL PROBLEMS OF LINGUISTICS AND LITERARY STUDIES. TSU Press, 2021. http://dx.doi.org/10.17223/978-5-907442-02-3-2021-111.

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Salsabila, Indiana, and Joesana Tjahjani. "Absurdity and The Significance of the Idea of Death in Albert Camus’ L’Étranger." In Proceedings of the 1st Conference of Visual Art, Design, and Social Humanities by Faculty of Art and Design, CONVASH 2019, 2 November 2019, Surakarta, Central Java, Indonesia. EAI, 2020. http://dx.doi.org/10.4108/eai.2-11-2019.2294765.

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Guan, DongXia. "Redemption the Sin of Existence: The Reality and Reason in the Artistic Conception of Absurdity." In 7th International Conference on Humanities and Social Science Research (ICHSSR 2021). Paris, France: Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210519.062.

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Магомадова, Алиса Иналовна. "SUBJECT AND OBJECTIVES OF THE LEXICOLOGY OF THE RUSSIAN LANGUAGE." In Высокие технологии и инновации в науке: сборник избранных статей Международной научной конференции (Санкт-Петербург, Июль 2020). Crossref, 2020. http://dx.doi.org/10.37539/vt186.2020.96.18.011.

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Выступая в языке в качестве его основной значимой единицы, слово предстает перед нами всегда как определенное структурное целое. В лексикологии слова изучаются для познания самих слов, словарного состава языка как такового. Для лексикологии в слове вздор будет важным, что это слово синонимично в определенной степени словам нелепость, чепуха, бессмыслица, бред, чушь, ахинея и т. д., в стилистическом отношении является разговорно-фамильярным, по происхождению исконно русским. Acting in the language as its main significant unit, the word always appears before us as a definite structural whole. In lexicology, words are studied to learn the words themselves, the vocabulary of the language as such. For lexicology in the word nonsense it will be important that this word is synonymous to a certain extent with the words absurdity, nonsense, nonsense, nonsense, nonsense, nonsense, etc. Russian.
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Miś, Katarzyna, Michal Baczynski, and Piotr Helbin. "Some Remarks on the Generalized Scheme of Reduction to Absurdity and Generalized Hypothetical Syllogism in Fuzzy Logic." In Proceedings of the 2019 Conference of the International Fuzzy Systems Association and the European Society for Fuzzy Logic and Technology (EUSFLAT 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/eusflat-19.2019.59.

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