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1

Eugene, Ostashevsky, Yankelevich Matvei, Epstein Thomas 1954-, Bernstein Ilya, and Turovskaya Genya, eds. OBERIU: An anthology of Russian absurdism. Northwestern University Press, 2005.

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2

Demastes, William W. Theatre of chaos: Beyond absurdism, into orderly disorder. Cambridge University Press, 1998.

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3

Tacussis, Alex. Absurdía. Alfa, 1987.

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4

Arena, Joan Sebastian Araujo, ed. ABSURDOS. Epublibre, 2004.

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5

1940-, Damono Sapardi Djoko, and Pusat Bahasa (Indonesia), eds. Absurdisme dalam sastra Indonesia. Pusat Bahasa, Departemen Pendidikan Nasional, 2007.

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1940-, Damono Sapardi Djoko, and Pusat Bahasa (Indonesia), eds. Absurdisme dalam sastra Indonesia. Pusat Bahasa, Departemen Pendidikan Nasional, 2007.

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7

Aranís, Octavio. Cuentos absurdos. Departamento Producción Gráfica, Instituto Profesional de Chillán, 1986.

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8

Servín, Alfredo García. Absurdas historias. Universidad Autónoma de Querétaro, 1997.

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9

Pérez, Luis Alberto Pérez. Cuentos personalmente absurdos. Editorial Capiro, 2008.

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10

Bennett, Michael Y. The Routledge Companion to Absurdist Literature. Routledge, 2024. http://dx.doi.org/10.4324/9781003422730.

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11

Samsonaże, Irakli. Komediidan tragediamde absurdis biletʻitʻ: 7 piesa. Gamomcʻemloba Intelekʻti, 2013.

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12

Olaniyan, Olumide. Lucidity of absurdity: Poems. Kraft Books, 2017.

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13

Smith-Luedke, Jeff. The absurdity of philosophy. Lulu, Inc., 2008.

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14

Shovkun, Viktor. Z︠H︡ytti︠a︡ v absurdi. VNTL-Klasyka, 2005.

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15

Edward Albee and Absurdism. BRILL, 2017.

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16

Shepherd-Barr, Kirsten E. 5. Absurdism, protest, and commitment. Oxford University Press, 2016. http://dx.doi.org/10.1093/actrade/9780199658770.003.0006.

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The decades 1960–80 witnessed a seismic shift in modern drama. The rage that came to define, and fuel, much of the drama in the 1960s and 1970s is directed at the audience. ‘Absurdism, protest, and commitment’ shows it is a post-war rage stemming from many sources: the Vietnam War, the Cold War, a feeling of betrayal by government and politicians, the Civil Rights Movement, Black Power, gay rights, feminism, the growing gap between rich and poor, and ethnic oppression. It is all about denying the audience what it expects of a play, provoking it out of real or perceived complacency, startling,
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17

Hadwen, Debra. The Theatre of the Absurdism. Taylor & Francis, 1997.

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18

OBERIU: An anthology of Russian absurdism. Northwestern University Press, 2006.

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19

Çağlayan, Emre. Poetics of Slow Cinema: Nostalgia, Absurdism, Boredom. Palgrave Macmillan, 2018.

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20

New Dutch swing: Jazz + classical music + absurdism. Billboard Books, 1998.

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21

Çağlayan, Emre. Poetics of Slow Cinema: Nostalgia, Absurdism, Boredom. Palgrave Macmillan, 2018.

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22

Ostashevsky, Eugene. OBERIU: An Anthology of Russian Absurdism (European Classics). Northwestern University Press, 2006.

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23

Demastes, William W. Theatre of Chaos: Beyond Absurdism, into Orderly Disorder. Cambridge University Press, 2005.

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24

Donnelly, Christopher. Variance: An Inductive Analysis of Absurdism in Social Psychology. Independently Published, 2018.

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25

Plays of Harold Pinter: From Absurdism to Political Drama? Tectum Verlag, 2011.

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26

Void. Amazon Digital Services, 2016.

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27

The plays of Harold Pinter: From absurdism to political drama? Tectum Verlag, 2009.

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28

Mr, Lic Guillermo Beltran. Cuentos absurdos: Absurdum tales. CreateSpace Independent Publishing Platform, 2015.

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29

Nickleberry, Jordon. Existentialist Ethics : the Views of Ethic-Nihilistic from Social Acceptance: Absurdism vs Nihilism. Independently Published, 2021.

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30

Gloag, Oliver. Albert Camus: A Very Short Introduction. Oxford University Press, 2020. http://dx.doi.org/10.1093/actrade/9780198792970.001.0001.

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Albert Camus is one of the best known philosophers of the twentieth century, as well as a widely read novelist. Active in the first half of the twentieth century, his views contributed to the rise of absurdism philosophy, and his works have inspired numerous movies and are frequently referenced in contemporary politics. Albert Camus: A Very Short Introduction explores the life and work of a man full of contradictions, who occupied an ambiguous position in troubled and conflicted times. Following a broad chronological framework, it explores the major philosophical and literary works of Camus an
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31

Absurdist. Lulu.com, 2015.

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32

Ellis, James D. Absurdisms. Blurb, 2015.

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33

lll, Robert Moreno. Absurdist Parade. Independent Publisher, 2020.

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34

Richardson, John. The Neosurrealist Musical and Tsai Ming-Liang’s the Wayward Cloud. Edited by John Richardson, Claudia Gorbman, and Carol Vernallis. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199733866.013.0034.

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This article appears in theOxford Handbook of New Audiovisual Aestheticsedited by John Richardson, Claudia Gorbman, and Carol Vernallis. This chapter theorizes an important new development in auteur cinema, the neosurrealist metamusical, through Jan Assman’s idea of “figures of memory,” which are aspects of cultural memory that are differentiated from everyday experiences by their ritualized and temporally displaced nature. Musical numbers in this view become figures of memory that highlight reflectivity. Tsai Ming-Liang’sThe Wayward Cloud (Tian bian yi duo yun, 2005) is a classic example of a
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35

Scott, Naomi. Jokes in Greek Comedy. Bloomsbury Publishing Plc, 2023. http://dx.doi.org/10.5040/9781350248526.

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In ancient Greek comedy, nothing is ever ‘just a joke’. This book treats jokes with the seriousness they deserve, and shows that far from being mere surface-level phenomena, jokes in Greek comedy are in fact a site of poetic experimentation whose creative force expressly rivals that of serious literature. Focusing on the fragments of authors including Cratinus, Pherecrates, and Archippus alongside the extant plays of Aristophanes, Naomi Scott argues that jokes are critical to comedy’s engagement with the language and convention of poetic representation. More than this, she suggests that jokes
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36

Zhou, Zuguang. Absurdity. United Culture Press Inc., 2022.

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37

ABSURDOS. EPULIBRE, 2014.

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38

Absurdos. Adriana Hidalgo, 2004.

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39

Calder, John. Anthology of Absurdist Theatre. Riverrun Pr, 1995.

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40

Modern Absurdity. Laughing Ronin Press, 2022.

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41

The Absurdity. CS, 2013.

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42

Lively, Jim. Surreal Absurdity. Treaty Oak Publishers, 2021.

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43

G. W. A. (aka Wade. Profound Absurdity. Blurb, Incorporated, 2021.

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44

Johnston, Charles. Transitional Absurdity. ICD Press, 2024.

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45

Johnston, Charles. Transitional Absurdity. ICD Press, 2023.

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46

Arcade Absurdity. FriesenPress, 2022.

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47

Arcade Absurdity. FriesenPress, 2022.

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48

Saralegui, Idoia, and Nerea Pérez Expósito. FantasÍas Absurdas. Independently Published, 2016.

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49

Lerat, Aimeric. Lettres Absurdes. Lulu Press, Inc., 2011.

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50

Ezquerra, Juan Hervás. Absurdos cotidianos. Tres Fronteras Ediciones, 2020.

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