Relevant bibliographies by topics / Absurdismo

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Absurdismo'

Author: Grafiati
Published: 4 June 2021
Last updated: 13 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Absurdismo.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Absurdismo"

1

Porto, Silvia Cristina Costa. "Botão-de-rosa: fantasmagorias e absurdismo no universo de Murilo Rubião." Brazilian Journal of Development 5, no. 12 (2019): 32934–46. http://dx.doi.org/10.34117/bjdv5n12-350.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Gray, Rob, Jesse Dillard, and Crawford Spence. "Pesquisa em Contabilidade Social como Se o Mundo Importasse Um ensaio sobre postalgia e um novo absurdismo." Revista de Contabilidade e Organizações 7, no. 17 (2013): 119–33. http://dx.doi.org/10.11606/rco.v7i17.59345.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Rasheed, Nausheen, Mamona Yasmin Khan, and Shaheen Rasheed. "Philosophical Exploration of Absurdism and Existentialism: A Comparative Study of Kafka's Work The Metamorphosis and The Trial." Global Social Sciences Review VI, no. II (2021): 94–100. http://dx.doi.org/10.31703/gssr.2021(vi-ii).10.

Full text
Abstract:
The philosophical stance about the existence of being and the meaning of life has been a widely discussed subject among philosophers and critics. Existentialism says that a man can construct his own meaning of life by making judicious use of his awareness, free wills and personal responsibilities, but absurdism believes that there is no meaning of life out there. The focus of this study is to explore the absurdist and existential aspects in Kafka's fiction The Metamorphosis (1915) and The Trial (1925). This is qualitative comparative research, and the data which have been collected for this purpose is through purposive sampling techniques. In this study, Camus' theory of absurdism and theory of existentialism has been adopted as a theoretical framework. The study explores in what ways the traces of absurdism and existentialism are present in Kafka's fiction The Metamorphosis and The Trial. The findings show that characteristics of absurdism and existentialism are found in both the works of Kafka and are comparable with each other. For future recommendations, a comparative stylistic analysis of these selected novels can be carried out.
APA, Harvard, Vancouver, ISO, and other styles
4

Muraveva, Alla V. "On the question of the perception of the absurd in modern literary practice (on the example of the piece of Ivan Vyrypaev's «Dreams»)." Vestnik of Kostroma State University 27, no. 1 (2021): 200–204. http://dx.doi.org/10.34216/1998-0817-2021-27-1-200-204.

Full text
Abstract:
The article is devoted to the parallel consideration of two questions: the text, on the one hand, deals with a set of absurdist techniques and methods stated in the text of Ivan Vyrypaev “Dreams”, and with another – attempt projection composite-content structure plays in the history of the formation and development of the absurd in Russian literary practice of the 20th century. In the course of the study, it was found that the entire set of tools that absurdise the space of the play can be divided into three parts: 1) corresponding to the absurdist-avant-garde techniques of the early 20th century, 2) illustrating the existential dramatic locus, 3) demonstrating the functioning of the phenomenon of the absurd in Russian postmodern drama. Built on the principles of displacement and substitution, the play “Dreams” series illustrates the change of the principle of construction of the text: from semi-abstract components that target the metaphorisation of space in text and in direct violation of formal logic, the play by introducing social commentary comes to the staging of existential issues, and through it, mainly through the absurdist element that goes to a typical post-modern principles of organisation of the text. The main conclusion of this research is the thesis about the characterisation of “Dreams” as a metaphor play that reflects the dynamics of the development of the absurd in the 20th century.
APA, Harvard, Vancouver, ISO, and other styles
5

Subedi, Tika Data. "Absurdism in Atirikta Yatra by K. S. Yatri and The American Dream by Edward Albee." JMC Research Journal 7, no. 1 (2018): 27–34. http://dx.doi.org/10.3126/jmcrj.v7i1.34357.

Full text
Abstract:
The purpose of this work is to study Edward Albee and K. S. Yatri’s approach regarding the status of respective societies of America and Nepal with absurd drama following their agenda. K. S. Yatri and Edward Albee seemed to be influenced by the absurdist mode of drama which concerns much about the modern existence of social human beings. Albee follows absurdist traces in the dramatization of uncertainty, alienation and the question of freedom in The American Dream. His characters do not have fixed identities, and they suffer from their individual problems. The notion of the characters and their activities too are uncertain. In the same way, the ambiguity of existence, whether the characters really are or not, is a problem for the characters in Atirikta Yatra. The characters are based on illusions, and the line between the reality and fantasy is missing. Alienation of the human being from the self and the other is existential theme that K. S. Yatri deals with in Atirikta Yatra. Alienation in the play is caused by the lack of communication, and as a result, the isolated self is entrapped in Yatri’s characters due to their own condition. Freedom becomes a confusing question in his works as it makes the characters anxious while choosing one option among various others on their own, and it renders the characters responsible for their free choices. Though, two texts belong to divergent space however both show how absurdism has affected individuals and society everywhere at present.
APA, Harvard, Vancouver, ISO, and other styles
6

Wind, Barend. "Veertig verdiepingen absurdisme." AGORA Magazine 30, no. 3 (2014): 36–37. http://dx.doi.org/10.21825/agora.v30i3.2151.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Nwachukwu, Chukwuka Ogbu, and Urama Evelyn Nwachukwu. "Gender, the Nigerian Civil War and Hard Choices: Nihilism or Absurdism (?) in Isidore Okpewho’s The Last Duty." CLEaR 4, no. 2 (2017): 7–13. http://dx.doi.org/10.1515/clear-2017-0007.

Full text
Abstract:
Abstract This paper entitled “Gender, the Nigerian Civil War and Hard Choices: Nihilism or Absurdism(?) in Isidore Okpewho’s The Last Duty” evinces an evaluative excursion into the author’s delineation of gender in war and its concomitants regarding actions, inactions, and the mindset of the actors and the acted-upon (victims) of the fratricidal Nigerian conflict within a designated theatre. We demonstrated that the quantum impact of the war engages some near-totally nihilistic imperatives of the war. Nevertheless, we surmised, at the final count, that the war results in high-wire tension rather than erode the indices for hope regarding the war victims and victimizers alike; and by dangerous extension, the Nigerian nation. Although we conceded the presence of dystopia which is life-threatening and socially destabilizing, our calculation in the final analysis, is that the tensions generated against both genders in the war are essentially absurdist, not nihilist. In this vein of analysis, we concluded that Okpewho’s delineation retains deliberately enough rays for reconstructive, rehabilitative, regenerative and cohesive engagements that will pave the way for societal survival and continuity.
APA, Harvard, Vancouver, ISO, and other styles
8

Nas, L. "De wondere wereld van Alex van Warmerdam: absurdisme in de eigentijdse Nederlandse film." Literator 20, no. 1 (1999): 31–50. http://dx.doi.org/10.4102/lit.v20i1.445.

Full text
Abstract:
The wondrous world of Alex van Warmerdam: Absurdism in contemporary Dutcti cinemaThe main focus of this article is an introduction to the oeuvre of Dutch filmmaker Alex van Warmerdam, by concentrating on his first two feature films: Abel (1986) and De noorderlingen (1992). These films, setting a new absurdist trend, signalled the coming-of-age of Dutch cinema. In an article that appeared in 1986 in the then trend-setting cultural magazine De Haagse Post, Van Warmerdam's first film was hailed as “grotesque fool's wisdom,” elevated “to the level of supreme law” whereby “pathetic jerkiness was staged in a revealing manner” (Rooduijn, 1986: 35). Dutch audiences proved receptive to this new cinematic style and became appreciative of the filmmaker's demythologization of the snugness of the “good old days” which had up to then characterized the post-war reconstruction period.After situating both Abel and De noorderlingen within the context of contemporary Dutch cinema and television, as well as within the filmmaker’s cinematic oeuvre, the article will introduce Alex van Warmerdam's background and closely analyse both films. Finally it will be argued that Van Warmerdam's films force Dutch audiences to take an ironic, critical look at themselves, a new take in Dutch cinema that has also found approval abroad.
APA, Harvard, Vancouver, ISO, and other styles
9

O'Brien, George. "The Absurdist." Irish Review (1986-), no. 13 (1992): 87. http://dx.doi.org/10.2307/29735682.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Mlungwana, Yoliswa. "An African response to absurdism." South African Journal of Philosophy 39, no. 2 (2020): 140–52. http://dx.doi.org/10.1080/02580136.2020.1771823.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Dissertations / Theses on the topic "Absurdismo"

1

Mountian, Daniela. "Mitologia poética de Daniil Kharms." Universidade de São Paulo, 2016. http://www.teses.usp.br/teses/disponiveis/8/8155/tde-08032017-142720/.

Full text
Abstract:
A pesquisa tem como objetivo analisar e relacionar as escritas de si do poeta e escritor russo Daniil Kharms (1905-1942): seus apontamentos em cadernetas, sua prosa quasebiográfica, como a novela A velha (1939), suas cartas e seus autorretratos, sobretudo na década de 1930, momento em que essas artes de si mesmo passam a interagir de forma mais pronunciada, quando o criador e sua obra se misturam de maneira muito peculiar. Como o estudo das cadernetas do escritor define ponto medular da pesquisa e este material ainda não foi publicado no Brasil, também será apresentada a tradução de parte de seus cadernos de anotações e do pequeno diário, que abarcam os anos de 1924 a 1940. Além disso, pelo próprio recorte do trabalho, foi delineada uma biografia cuidadosa do autor, um dos fundadores da Oberiu, o último grande grupo do vanguardismo russo, assim como foram definidos alguns diálogos (Krutchónykh, Khlébnikov, Bergson, Malévitch e tchinari) que marcaram o desenvolvimento artístico e filosófico de Daniil Kharms, um dos mais peculiares e talentosos artistas russos de vanguarda, hoje assemelhado a escritores como Franz Kafka, Eugène Ionesco e Samuel Beckett.<br>The objetive of this thesis is to analyse the self-writing of the Russian poet and writer Daniil Kharms (1905-1942): his notes in notepads, his almost-biographical prose, such as the novel Old Woman (1939), his letters and self-portraits, especially in the 1930s, a time when these arts about oneself start to interact in a more emphatic way, when the writer and his work mix up in a very particular way. As the study on his notepads defines the central element of this research and this material has not been previously published in Brazil, it will be also presented a translation of a part of his notepads and little diary, from 1924 to 1940. Furthermore, by the perspective taken in this study, a detailed biography of the author was conducted. Kharms was one of the founders of Oberiu, the last avant-garde Russian group. Hence, the study also debates the importance of the art and philosophy of Krutchónykh, Khlébnikov, Bergson, Malévitch e tchinari to the work of Kharms, who became one of the most singular and talented contemporary Russian authors, compared to Franz Kafka, Eugène Ionesco e Samuel Beckett.
APA, Harvard, Vancouver, ISO, and other styles
2

Al-Ghafari, Hanan. "The influence of the theatre of the absurd on Arabic drama." Thesis, University of Leeds, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.364452.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Smith, Jared L. "From One to All: The Evolution of Camus's Absurdism." Kent State University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=kent1586797469986232.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Muhammad, M. M. "Aeschylus, Sophocles and Samuel Beckett : some origins of an absurdism." Thesis, University of Essex, 1985. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.332505.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Collins, Rachel. "HAPPY DAYS: A MODERN WOMAN’S APPROACH TO ABSURDISM THROUGH FEMINIST THEATER THEORY." Ohio University Honors Tutorial College / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1338311141.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Hageland, Dustin Aaron. "Full Circle: The Development Process of Small Box with a Revolver." OpenSIUC, 2021. https://opensiuc.lib.siu.edu/theses/2848.

Full text
Abstract:
This thesis examines the process of bringing Small Box with a Revolver from pre-writing to production at Southern Illinois University in March 2021, and my own growth in that process. I drew inspiration from the general societal behavior during the pandemic and other crises of 2020, as well as absurdist plays like Ionesco’s Rhinoceros and Beckett’s Waiting for Godot. The play was written to my stylistic preference of writing dark comedies about social issues.Chapter One examines where I began and how I developed the plot, characters and stylistic choices. Chapter Two examines the writing process, including initial peer and faculty feedback to the script. Chapter Three looks at the unique pre-production process in trying to bring Small Box with a Revolver to the stage, virtually. Chapter Four details the production itself, what I learned, and what further work I would like to do on the script. Chapter Five details my evaluation of my process throughout the MFA program as a playwright and professional, as well as my final considerations. Also included, is the production script.
APA, Harvard, Vancouver, ISO, and other styles
7

Scebbi, Alyssa E. "The Chromatic Fall." Ohio University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1430230127.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Cardozo, Elloit. "‘That rug really tied the room together’: Knitting Dudeism and Camusian Philosophy into a Larger Tapestry." Thesis, University of Mumbai, 2017. http://hdl.handle.net/10919/94575.

Full text
Abstract:
Even though parallels between the philosophy of Albert Camus and The Big Lebowski have been drawn repeatedly, a sustained enquiry into several possible dimensions of the matter is yet to have been conducted.This dissertation makes an attempt to conduct the aforementioned enquiry in some detail. In doing this, the study will try to analytically compare Camusian philosophy and Dudeism and bring out the similarities between them. This does not imply that there are no differences between the two; but the focus of this study is the similarities and not the differences. Dudeism, for the purpose of this study, will not be restricted to The Dude and the literature written on The Dude and Dudeism. It will also be expanded to accommodate certain other parts of the larger discourse of Ethan and Joel Coen’s filmography as well as a few other parts of The Big Lebowski itself. It is crucial, however, to “draw a line in the sand” (Walter, The Big Lebowski) at the very outset. In embarking on a comparative analysis between Camusian philosophy and Dudeism, this study does not intend to propose that one of them is influenced by the other and “what-have-you” ("The Editorial Preface" 12). Instead, it simply attempts to point out some of the discursive elements that they share with each other as well as with several of the sub-discourses they comprise of. The analysis in the dissertation that follows is split into three major chapters: 1. ‘Well, I’ll tell you what I’m blathering about’: An analytical frame of reference. 2. ‘You can’t be worried about that shit, life goes on, man’: Life, Death and Absurdity in Camus and Dudeism. 3. ‘Somebody this square community won’t give a shit about’: Camus’ Absurd Man and Dudeism The first chapter, “‘Well, I’ll tell you what I’m blathering about’: An analytical frame of reference”, provides an analytical framework for the discussions that follow in the rest of the dissertation. It is further divided into three sections. The first section lays out a basic understanding of a few fundamental ideas of Dudeism for the readers. The second section discusses a few important aspects of the philosophy of Albert Camus. The third section briefly establishes the connections between Dudeism and the philosophy of Camus which are examined in greater detail later in the study. The second chapter, “‘You can’t be worried about that shit, life goes on, man’: Life, Death and Absurdity in Camus and Dudeism” looks at Camus’ takes on Life, Death and Absurdity while also pointing out the parallels they seem to strike with Dudeism. The chapter is further divided into four sections. The first section examines strands of Camusian thought, especially the Absurd in the other films of Ethan and Joel Coen before establishing a connection to The Big Lebowski. The second section explores the attitudes towards Death in Camusian philosophy and Dudeism. The third section compares the ideologies of Life in the works of Camus and Dudeism. The fourth and final section explores parallels between Camus’ novel The Stranger and The Stranger: the cowboy narrator of The Big Lebowski. The third chapter picks up on the Camusian trope of the Absurd Man and its relation to Happiness in both: the works of Camus as well as the discourses of Dudeism. It comprises of three sections. The first section explores the notion of Alienation in Camusian philosophy and Dudeism and looks at how it eventually leads to the trope of the Absurd Man in Camus. The second section explores Camus’ creation of the Absurd Man through the Cycle of the Absurd and looks at how it fits into Dudeism. The third and final section delves into a comparison of the Absurd Man’s quest for Happiness in Camus and Dudeism.<br>M.A. Honours with Research in English
APA, Harvard, Vancouver, ISO, and other styles
9

Melin, Thomas. "Sista brevet till Godot : Utvandrarserien som absurd teaterpjäs." Thesis, Umeå universitet, Institutionen för kultur- och medievetenskaper, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-122294.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Booth, Alison C. "The divine dark : absurdism and mysticism in the work of Luigi Pirandello and Eugène Ionesco." Thesis, University of Bristol, 1988. http://hdl.handle.net/1983/51ca1aaf-5a2d-4a97-b765-dcf5485ee19a.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Books on the topic "Absurdismo"

1

Teatro absurdista hispanoamericano. Albatros Hispanófila, 1985.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

New Dutch swing: Jazz + classical music + absurdism. Billboard Books, 1998.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Demastes, William W. Theatre of chaos: Beyond absurdism, into orderly disorder. Cambridge University Press, 1998.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Samsonaże, Irakli. Komediidan tragediamde absurdis biletʻitʻ: 7 piesa. Gamomcʻemloba Intelekʻti, 2013.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

The plays of Harold Pinter: From absurdism to political drama? Tectum Verlag, 2009.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Lier, Peter van. Van absurdisme tot mystiek: Een metafysica vanuit Nietzsche, van Beckett tot Heidegger. DAMON, 1994.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

Harmon, Nikki. The death and sale of Alexander Goland: An absurdist comedy in two acts. Dramatic Pub., 1996.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

The theatrical critic as cultural agent: Constructing Pinter, Orton and Stoppard as absurdist playwrights. Peter Lang Pub., 2001.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

1940-, Damono Sapardi Djoko, and Pusat Bahasa (Indonesia), eds. Absurdisme dalam sastra Indonesia. Pusat Bahasa, Departemen Pendidikan Nasional, 2007.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

1940-, Damono Sapardi Djoko, and Pusat Bahasa (Indonesia), eds. Absurdisme dalam sastra Indonesia. Pusat Bahasa, Departemen Pendidikan Nasional, 2007.

Find full text
APA, Harvard, Vancouver, ISO, and other styles

Book chapters on the topic "Absurdismo"

1

Glosch, Kathrin. "Existentialismus, Absurdismus, Indifferenz." In »Cela m’était égal«. J.B. Metzler, 2001. http://dx.doi.org/10.1007/978-3-476-02776-4_6.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Schmidt, Wolf Gerhard. "Narrative des Absurdismus." In Zwischen Antimoderne und Postmoderne. J.B. Metzler, 2009. http://dx.doi.org/10.1007/978-3-476-05233-9_11.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Wyllie, Andrew, and Catherine Rees. "Pinter the Absurdist." In The Plays of Harold Pinter. Macmillan Education UK, 2016. http://dx.doi.org/10.1057/978-1-137-31567-0_3.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Ionica, Cristina. "Introduction to Beckett’s “Absurdist” Excess." In The Affects, Cognition, and Politics of Samuel Beckett's Postwar Drama and Fiction. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-34902-8_1.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Mahala, Macelle. "Against Order(s): Dictatorship, Absurdism and the Plays of Sony Labou Tansi." In Performing (for) Survival. Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/9781137454270_7.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Christof-Fuechsle, Martin. "Indianness, Absurdism, Existentialism, and the Work of Imagination: Vinod Kumar Shukla’s Naukar kī kamīz." In Imagining Indianness. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-41015-9_8.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Johansson, Bengt, and Christina Holtz-Bacha. "From Analogue to Digital Negativity: Attacks and Counterattacks, Satire, and Absurdism on Election Posters Offline and Online." In Visual Political Communication. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-18729-3_6.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Megna, Paul. "Shakespeare’s Hamlet and Stoppard’s Guildenstern: Leap Between Un-Existentialist Anguish and Un-Absurdist Happiness." In Hamlet and Emotions. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-03795-6_15.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Rouse, Anderson. "A Camus for the Common Folk." In Rediscovering Frank Yerby. University Press of Mississippi, 2020. http://dx.doi.org/10.14325/mississippi/9781496827821.003.0009.

Full text
Abstract:
After World War II, Black writers and thinkers, from Richard Wright to bell hooks, influenced by French existentialists like Albert Camus and Jean-Paul Satre, adapted existentialism as a way to explain and respond to the African American experience. In his novels, Frank Yerby displays a sophisticated awareness of philosophical ideas, especially absurdism, and theological questions, despite his insistence that his novels could not be “reduce[ed] to a morality play” (Hill, “Interview,” 212). Yerby, in addition to using fiction to debunk historical myth, develops arguments about religion—that religion is invented “nonsense,” and, therefore, not worth killing or dying for, that God, if he exists, is cruel, careless, or distant, and that morality need not hew to an a priori standard. Yerby, then, responded to religious belief and voiced a philosophical response to human suffering (though, not particularly African American suffering) that was shaped by absurdist thought.
APA, Harvard, Vancouver, ISO, and other styles
10

"Bibliography." In Edward Albee and Absurdism. BRILL, 2017. http://dx.doi.org/10.1163/9789004324961_012.

Full text
APA, Harvard, Vancouver, ISO, and other styles
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography