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Relevant bibliographies by topics / Absurdist

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Academic literature on the topic 'Absurdist'

Author: Grafiati

Published: 4 June 2021

Last updated: 30 July 2024

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Journal articles on the topic "Absurdist"

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Gunjan, Kumari. "Absurdism Unveiled: The Intersection of the Absurd and Modern Realities." International Journal of English Literature and Social Sciences 9, no. 2 (2024): 180–88. http://dx.doi.org/10.22161/ijels.92.26.

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This study delves into the intersection of Theatre of Absurd and modern realities, aiming to uncover the enduring relevance and applicability of absurdist concepts in understanding contemporary socio-cultural landscapes. Drawing from a qualitative framework, the research examines the philosophical underpinnings of Absurdism and its manifestations in major key playwrights’ works. Primary data comprises selected Absurdist plays, analyzed through thematic lenses, while secondary sources enrich contextual understanding. The study navigates the complexities of modern existence, characterized by rapid technological advancements, socio-political shifts, and existential uncertainties. It explores how Absurdism offers unique insights into contemporary challenges, fostering a dialogue that illuminates the complexities of the human condition amidst the absurdities of the modern world. Moreover, the study addresses the gap in existing research by focusing on the contemporary relevance of Absurdist Theatre, particularly in the context of 21st-century challenges. By bridging the gap between historical analysis and present-day realities, this research aims to provide a comprehensive understanding of how Absurdist philosophy continues to inform contemporary discourse and artistic expression. Through careful analyses and cultural contextualization, this research aims to unravel the intricate relationship between Theatre of Absurd and modern realities, contributing to a refined understanding of the human experience in the 21st century.

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Bakhshizadeh Gashti, Yousef. "Existentialist Echoes in Harold Pinter’s Early Poetry." International Journal of Applied Linguistics and English Literature 7, no. 4 (July 1, 2018): 50. http://dx.doi.org/10.7575/aiac.ijalel.v.7n.4p.55.

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This paper has attempted to investigate the absurdist voices in Harold Pinter’s selected poems written from 1951to1953. These poems belonging to his early phase of writing as the poet deals with the major obsessions of post-Modern man depicting his anxiety of identity aggravated by his existential condition. Pinter’s early poetry characterizes him as an absurdist poet and expresses his world view through distinctive images and tones. The selected poems appear to be a blending of his absurdist insights with his poetic art. His early poems predominantly portray existential anxiety, absurdity and pessimism. The study seeks to reflect on Pinter as a practitioner of the ‘Literature of the Absurd’ who tries to depict how different people act and react when they confront different aspects of absurdity and existential dilemma.

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Kacha, Sabrina. "Escaping Absurdity: The Incarnation of Magical Realism in Rawi Hage’s Carnival (2012)." Theory and Practice in Language Studies 13, no. 6 (June 1, 2023): 1548–55. http://dx.doi.org/10.17507/tpls.1306.24.

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This paper examines the various representations of magical realism in Rawi Hage’s Carnival (2012). It investigates the portrayal of the fictionalized imaginative situations in the novel. Further, it discusses Fly as an exilic individual who attempts to escape his chaotic and disordered society. Through his flying carpet, Fly overcomes his hardship and produces a new space for his own in order to realize what he desires. Besides, among the serious problems that face the exilic individual is the absurdist existential life in exile. Thereby, this research article explores how Fly uses a magical realist element to escape the absurdity of his existence in the diaspora. Hence, Albert Camus’ writings on absurdism and the absurdity of human existence are paramount in analyzing this character.

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Rahim, Sifatur. "Absurd (anti)Heroes’ Journey toward Happiness: A Psychoanalytic Comparison between Arthur Fleck and Meursault." Spectrum 17 (November 30, 2023): 101–13. http://dx.doi.org/10.3329/spectrum.v17i1.69005.

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In his philosophical writing, The Myth of Sisyphus (1979), Albert Camus ponders the futility of the search for unity and absolute in this seemingly indifferent universe, and surmises that true happiness comes from accepting the meaninglessness of human existence. This particular school of thought is known as absurdism, and the narratives that fall under this discipline are referred to as absurdist texts. Camus not only expounds on the scopes of absurdism but also puts them into practice through his fiction. One such seminal absurdist novel by Camus is The Outsider (1987). In the novel, the writer delineates how the protagonist, Meursault, finds contentment by accepting his fate. A similar state of happiness is attained by Arthur Fleck, the protagonist of the film Joker (2019), when he accepts and assumes his proper place in society. From the onset, Fleck and Meursault may appear quite different from each other. However, upon closer inspection, the subtle similarities in their characteristics are perceptible, which bind them to a common threat of absurdity. It is undeniable that both Fleck and Meursault have committed homicide. Nonetheless, there is a greater force behind their acts than free will, and that is their unconscious drive. This paper explores the workings of the unconscious and its manifestation in Fleck and Meursault’s actions while explicitly commenting on the relationships with their respective mothers. This comparative study also highlights how both of them discover true happiness once they finally learn to accept their fate and reality. Spectrum, Volume 17, June 2022: 101-113

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Ponomareva, Anastasiia. "Absurdity as an inconsistently conducted reduction." Философия и культура, no. 8 (August 2023): 67–76. http://dx.doi.org/10.7256/2454-0757.2023.8.43769.

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The subject of the study is the connection between the absurd and phenomenology.The texts of representatives of the absurdist trend in literature and philosophy (Camus, Kafka, Musil), as well as the works of academic philosophers of the phenomenological direction (Husserl, Sartre, Merleau-Ponty, Fink) are considered. The commonality of phenomenological interpretations of reality for some texts of the absurdist genre is proved. As a hypothesis, the existence of an epistemological dimension of meaning in the works of the absurd is put forward, interpreted by the author as a reception of the views of phenomenologists, problematized in the inconsistent reduction of phenomena. The methodological basis was the general scientific methods of analysis and synthesis, as well as the critical analysis of the text. The scientific novelty lies in the attempt to present phenomenology as a precursor of absurdism, connected with it through the sphere of axiology. The main contribution of the author is the actualization of the epistemological layer of such a multifaceted phenomenon as the absurd, namely, the elaboration of the hypothesis that in many works of absurdists, the metamorphoses of the characters' consciousness are in fact an inconsistent reduction consisting in explicit metamorphoses of the Ego, as well as violating subject-object relations but not actually bracketing the idea of the world. Many literary contemporaries of Husserl devote their thoughts to the problems of phenomenology to one degree or another, which makes the connection between absurd literature and the key theses of early phenomenology logical.

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Abd-Rabbo, Muna M., Ghadir B. Zalloum, and Dima M. Al-Wahsh. "The Futility of Language as a Means of Communication in Edward Albee’s Who’s Afraid of Virginia Woolf?, Fam and Yam, and The Sandbox." Journal of Language Teaching and Research 15, no. 2 (March 1, 2024): 626–33. http://dx.doi.org/10.17507/jltr.1502.31.

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The three plays Who’s Afraid of Virginia Woolf? (1962) The Sandbox (1959) and Fam and Yam (1959) all display the absurdist tendencies to dispel the traditional view of language as the rational means of communication amongst mankind. In absurdist drama the world is portrayed as one that is meaningless and incomprehensible to the human mind. Language, which is confined to faulty human perception and subjectivity, is inefficient in the face of an unfathomable universe. A gap persists between the meanings in language and the world it purports to describe. In addition, the lack of fit between what language permits man to say and what he actually wants to say leads to a breakdown in communication and ultimately to the alienation of the individual. In absurdist works this chaotic sphere of existence is reflected in the dispensing of traditional elements in drama as well as in the illogical usage of language by the characters. Thus, absurdist drama acts as a counter-discourse to the previously dominant, essentialist discourse of realist drama. In this article a brief overview of the absurdist depiction of language’s insufficiency in communication is presented to serve as a backdrop for the analysis of certain segments in Albee’s aforementioned plays in order to assess the extent to which Albee’s plays demonstrate the absurdist’s notion of language’s deficiencies. Thus, the sections chosen for discussion are those that showcase language’s apparent shortcomings in generating human contact.

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O'Brien, George. "The Absurdist." Irish Review (1986-), no. 13 (1992): 87. http://dx.doi.org/10.2307/29735682.

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Baydin, V. V. "A refugee to God. Aleksandr Vvedensky’s spiritual parables." Voprosy literatury, no. 5 (November 29, 2021): 42–71. http://dx.doi.org/10.31425/0042-8795-2021-5-42-71.

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The perception of A. Vvedensky’s work is prone to controversy: he is considered a precursor to absurdist literature; at the same time, his close friend, the poet Y. Druskin, insisted that Vvedensky was religious, and believed his absurdity, instead of representing a lack of meaning, points to a diﬀerent kind of meaning. The article suggests an approach to the hermeneutic reading of the poet’s private symbolic language that helps to revise certain traditional assessments. The author argues that Vvedensky’s mature oeuvre consists of religious and philosophical allegories written in a most extremely absurdist form. At the core of the poet’s brilliant art of the cryptic portrayal of his innermost beliefs is the aesthetics of the absurd. Hence the alogical nature of his poetic dialogues and plays, semantic inversions and contaminations, paradoxes, allusions, aposiopeses, extended metaphors, etc. Subjected to ‘sweeping incomprehension’ are stereotypes of thinking and everyday language practices – from substandard vernacular and colloquialisms to philosophical discourse. Vvedensky’s ‘star of absurdity’ is seen as a symbol of revelation.

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Muraveva, Alla V. "On the question of the perception of the absurd in modern literary practice (on the example of the piece of Ivan Vyrypaev's «Dreams»)." Vestnik of Kostroma State University 27, no. 1 (March 31, 2021): 200–204. http://dx.doi.org/10.34216/1998-0817-2021-27-1-200-204.

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The article is devoted to the parallel consideration of two questions: the text, on the one hand, deals with a set of absurdist techniques and methods stated in the text of Ivan Vyrypaev “Dreams”, and with another – attempt projection composite-content structure plays in the history of the formation and development of the absurd in Russian literary practice of the 20th century. In the course of the study, it was found that the entire set of tools that absurdise the space of the play can be divided into three parts: 1) corresponding to the absurdist-avant-garde techniques of the early 20th century, 2) illustrating the existential dramatic locus, 3) demonstrating the functioning of the phenomenon of the absurd in Russian postmodern drama. Built on the principles of displacement and substitution, the play “Dreams” series illustrates the change of the principle of construction of the text: from semi-abstract components that target the metaphorisation of space in text and in direct violation of formal logic, the play by introducing social commentary comes to the staging of existential issues, and through it, mainly through the absurdist element that goes to a typical post-modern principles of organisation of the text. The main conclusion of this research is the thesis about the characterisation of “Dreams” as a metaphor play that reflects the dynamics of the development of the absurd in the 20th century.

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Nawaz, Arshad, Muhammad Ijaz, and Khalid Mehmood Anjum. "Postmodern Absurdist Critique of Julian Barnes’s The Only Story." Global Language Review VI, no. II (June 30, 2021): 94–100. http://dx.doi.org/10.31703/glr.2021(vi-ii).11.

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This research paper endeavors to examine the postmodern absurdism as a literary sub genre in postmodern fiction. It delves deep into the concept of absurdism by concentrating upon the characteristics that distinguish it as a postmodern sub genre. Through the analysis of the postmodern novel, The Only Story (2018), this research paper illustrates how the characteristics of absurdism haven impact upon a postmodern society characterized by boredom, meaninglessness, futility, and confusion. It also highlights how different characters, events, and places have been portrayed in the novel to depict the absurdity of human existence. The theoretical paradigm of the research is based upon Thomas Nagel’s Essay “The Absurd” which is about postmodern space of absurdism and was presented in the American Philosophical Association Eastern Division. The study limelight's how the absurd occurrences and bizarre characters found in the researcher's primary text depict the complexity of the postmodern absurd world in both literal and metaphoric dimensions.

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Dissertations / Theses on the topic "Absurdist"

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Al-Ghafari, Hanan. "The influence of the theatre of the absurd on Arabic drama." Thesis, University of Leeds, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.364452.

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Anderson, Andrew Woodruff. "The Violence of Identity Construction in French and Francophone Absurdist Theater." The Ohio State University, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=osu1316112837.

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Lattanzi, Matthew. "Elegies for Domestic Tranquility." Youngstown State University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=ysu1411475519.

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Duke, Wendy S. "Experiencing Ionesco’s Nightmare World: The Preparation and Production of Man with Bags." University of Akron / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=akron1289585453.

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Kwon, Kyounghye. "Local Performances, Global Stages: Postcolonial and Indigenous Drama and Performance in Glocal Circuits." The Ohio State University, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=osu1259760023.

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Mountian, Daniela. "Mitologia poética de Daniil Kharms." Universidade de São Paulo, 2016. http://www.teses.usp.br/teses/disponiveis/8/8155/tde-08032017-142720/.

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A pesquisa tem como objetivo analisar e relacionar as escritas de si do poeta e escritor russo Daniil Kharms (1905-1942): seus apontamentos em cadernetas, sua prosa quasebiográfica, como a novela A velha (1939), suas cartas e seus autorretratos, sobretudo na década de 1930, momento em que essas artes de si mesmo passam a interagir de forma mais pronunciada, quando o criador e sua obra se misturam de maneira muito peculiar. Como o estudo das cadernetas do escritor define ponto medular da pesquisa e este material ainda não foi publicado no Brasil, também será apresentada a tradução de parte de seus cadernos de anotações e do pequeno diário, que abarcam os anos de 1924 a 1940. Além disso, pelo próprio recorte do trabalho, foi delineada uma biografia cuidadosa do autor, um dos fundadores da Oberiu, o último grande grupo do vanguardismo russo, assim como foram definidos alguns diálogos (Krutchónykh, Khlébnikov, Bergson, Malévitch e tchinari) que marcaram o desenvolvimento artístico e filosófico de Daniil Kharms, um dos mais peculiares e talentosos artistas russos de vanguarda, hoje assemelhado a escritores como Franz Kafka, Eugène Ionesco e Samuel Beckett.
The objetive of this thesis is to analyse the self-writing of the Russian poet and writer Daniil Kharms (1905-1942): his notes in notepads, his almost-biographical prose, such as the novel Old Woman (1939), his letters and self-portraits, especially in the 1930s, a time when these arts about oneself start to interact in a more emphatic way, when the writer and his work mix up in a very particular way. As the study on his notepads defines the central element of this research and this material has not been previously published in Brazil, it will be also presented a translation of a part of his notepads and little diary, from 1924 to 1940. Furthermore, by the perspective taken in this study, a detailed biography of the author was conducted. Kharms was one of the founders of Oberiu, the last avant-garde Russian group. Hence, the study also debates the importance of the art and philosophy of Krutchónykh, Khlébnikov, Bergson, Malévitch e tchinari to the work of Kharms, who became one of the most singular and talented contemporary Russian authors, compared to Franz Kafka, Eugène Ionesco e Samuel Beckett.

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Millspaugh, Tuong Anh. "The Absurdity of Honor." Honors in the Major Thesis, University of Central Florida, 2004. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/718.

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This item is only available in print in the UCF Libraries. If this is your Honors Thesis, you can help us make it available online for use by researchers around the world by following the instructions on the distribution consent form at http://library.ucf
B.F.A
Bachelors
Arts and Sciences
Art

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Eisenbiegler, Grace. "Intersubjectivity and Coping with Absurdity." Thesis, Boston College, 2018. http://hdl.handle.net/2345/bc-ir:108013.

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Thesis advisor: Jeffrey Bloechl
Per Jean-Paul Sartre and Albert Camus, existentialism is the profound truth that the world lacks inherent meaning and thus, we are radically free to choose, to live life as we please. While these assertions are both true and liberating and the theoretical level, these axioms leave individuals disoriented. They never answer the question: how does one live within an absurd world? Thus, these authors never give us a way of coping with the harsh repercussions of absurdity. To answer this question, this project turns to intersubjectivity and the work of Emmanuel Levinas. Levinas’s theory of the other demonstrates that we are not merely beings in a vacuum; the world is conditioned by the interpersonal. Relating to the Other allows us to see that we are not alone in our suffering, for the Other and the individual mutually witness one another. Such connections provide a means of coping with absurdity, allowing us both solidarity and insight into the truly absurd nature of the world. Thus, the application of Levinas’s intersubjectivity to existentialism serves to save Camus’s notion of absurdity from its more nihilistic tendencies, allowing us to accept and apprehend absurdity without falling into despair or ignorance
Thesis (BA) — Boston College, 2018
Submitted to: Boston College. College of Arts and Sciences
Discipline: Departmental Honors
Discipline: Philosophy

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Smith, Jared L. "From One to All: The Evolution of Camus's Absurdism." Kent State University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=kent1586797469986232.

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Jurgens, Francois. "Absurdity in the Early 21 Century." Master's thesis, University of Cape Town, 2010. http://hdl.handle.net/11427/3676.

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This essay argues against contemporary theorists who claim that the concept of Absurdity that flourished in Western Europe in the 1940s is now of purely historical interest. It is argued instead that while it is important to locate the concept of Absurdity in an appropriate historical context, people living in the early twenty-first century are, in fact, living within an historical period that makes the experience, and thus the concept, of Absurdity relevant again. While Absurdity in the 1940s involved a loss of certainty due to the role the Second World War played in undermining secular and religious beliefs, Absurdity in the twenty-first century involves a loss of certainty due to intense exposure to alternative points of view. This loss of certainty means that when one's typical point of view is brought into relief by an atypical perspective, one struggles to reaffirm one's typical perspective. This robust clash of perspectives strikes at the heart of the way in which we understand the world and ourselves, forming part of the experience that has come to be known as Absurdity. If the analysis of Absurdity that is offered in this essay is correct, then Absurdity is best understood as a personal epistemological condition, rather than a universal metaphysical condition that affects all people simply in virtue of their being human.

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Books on the topic "Absurdist"

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Bennett, Michael Y. The Routledge Companion to Absurdist Literature. New York: Routledge, 2024. http://dx.doi.org/10.4324/9781003422730.

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Harmon, Nikki. The death and sale of Alexander Goland: An absurdist comedy in two acts. Woodstock, Ill: Dramatic Pub., 1996.

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Absurdist. Lulu.com, 2015.

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lll, Robert Moreno. Absurdist Parade. Independent Publisher, 2020.

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Calder, John. Anthology of Absurdist Theatre. Riverrun Pr, 1995.

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Routledge Companion to Absurdist Literature. Taylor & Francis Group, 2024.

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Routledge Companion to Absurdist Literature. Taylor & Francis Group, 2024.

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Routledge Companion to Absurdist Literature. Routledge, 2024.

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Routledge Companion to Absurdist Literature. Taylor & Francis Group, 2024.

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Pavlovsky, Benedikt, and Woodworth Warrington. Foray: A Collection of Absurdist Poetry. Independently Published, 2019.

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Book chapters on the topic "Absurdist"

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Wyllie, Andrew, and Catherine Rees. "Pinter the Absurdist." In The Plays of Harold Pinter, 25–46. London: Macmillan Education UK, 2016. http://dx.doi.org/10.1057/978-1-137-31567-0_3.

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Marais, Mike. "Postcolonial Absurdist Literature." In The Routledge Companion to Absurdist Literature, 461–71. New York: Routledge, 2024. http://dx.doi.org/10.4324/9781003422730-53.

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Roudané, Matthew. "Edward Albee, Absurdist." In The Routledge Companion to Absurdist Literature, 239–48. New York: Routledge, 2024. http://dx.doi.org/10.4324/9781003422730-30.

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Jew, Kimberly May. "(Multi)Ethnic Absurdist Theater." In The Routledge Companion to Absurdist Literature, 398–407. New York: Routledge, 2024. http://dx.doi.org/10.4324/9781003422730-47.

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Carlson, Marvin A. "Middle Eastern Absurdist Literature." In The Routledge Companion to Absurdist Literature, 438–47. New York: Routledge, 2024. http://dx.doi.org/10.4324/9781003422730-51.

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Ionica, Cristina. "Introduction to Beckett’s “Absurdist” Excess." In The Affects, Cognition, and Politics of Samuel Beckett's Postwar Drama and Fiction, 1–35. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-34902-8_1.

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Ni, Wanqi, and Tianyi Wang. "The Absurdist Doctrine of Jojo Rabbit and Absurdism in Personalized Characters." In Proceedings of the 2022 5th International Conference on Humanities Education and Social Sciences (ICHESS 2022), 1984–90. Paris: Atlantis Press SARL, 2022. http://dx.doi.org/10.2991/978-2-494069-89-3_226.

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Turley, Elliott. "Nietzsche's Absurd Tragedy." In The Routledge Companion to Absurdist Literature, 101–9. New York: Routledge, 2024. http://dx.doi.org/10.4324/9781003422730-13.

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Wetmore, Kevin J. "“Beckett Just Seems so Black to Me”." In The Routledge Companion to Absurdist Literature, 390–97. New York: Routledge, 2024. http://dx.doi.org/10.4324/9781003422730-46.

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Bray, John P. "Jack Gelber." In The Routledge Companion to Absurdist Literature, 260–69. New York: Routledge, 2024. http://dx.doi.org/10.4324/9781003422730-32.

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Conference papers on the topic "Absurdist"

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Gerrard, Victoria. "Absurdist Rebellion: Negotiating the Moral Boundaries of Participation*." In PDC 2022: Participatory Design Conference 2022. New York, NY, USA: ACM, 2022. http://dx.doi.org/10.1145/3537797.3537827.

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Han, Ruoqi. "Absurdism in “The Outsider”." In 2021 4th International Conference on Humanities Education and Social Sciences (ICHESS 2021). Paris, France: Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.211220.455.

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Besnard, Philippe. "Absurdity, Contradictions, and Logical Formalisms." In 2010 22nd International Conference on Tools with Artificial Intelligence (ICTAI). IEEE, 2010. http://dx.doi.org/10.1109/ictai.2010.60.

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Al Masykuri, Muh Zakky, Aceng Ruhendi Syaifullah, and Eri Kurniawan. "The Phenomenon of Absurdity in Comics." In 4th International Conference on Language, Literature, Culture, and Education (ICOLLITE 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.201215.071.

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Smokotina, V. A. "THE POETICS OF ABSURDITY IN E.L. SCHWARTZ’S SCREENPLAY «MARYA-ISKUSNITSA»." In ACTUAL PROBLEMS OF LINGUISTICS AND LITERARY STUDIES. TSU Press, 2021. http://dx.doi.org/10.17223/978-5-907442-02-3-2021-111.

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Kolobaeva, L. "ABOUT THE PAST IN A NEW WAY: THE NOVEL BY ALEXEY IVANOV “ARMOROSED STEAMERS”." In VIII International Conference “Russian Literature of the 20th-21st Centuries as a Whole Process (Issues of Theoretical and Methodological Research)”. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3688.rus_lit_20-21/33-36.

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The purpose of the article is to clarify the creative novelty of the novel by Alexei Ivanov. It lies in depicting the “absurdity of the civil war”, as well as in emphasizing the importance of the individual principle in the choice of a historical path.

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He, Bin-Bin, YangQuan Chen, and Chun-Hai Kou. "On the Controllability of Distributed-Order Fractional Systems With Distributed Delays." In ASME 2017 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. American Society of Mechanical Engineers, 2017. http://dx.doi.org/10.1115/detc2017-67685.

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This paper investigates the controllability of distributed-order fractional systems with distributed delays. By using the controllability Gramian matrix and reduction to absurdity, a necessary and sufficient condition for the controllability of linear system is established, and a sufficient condition for the nonlinear system is obtained. Examples are given to illustrate the effectiveness of the theorems.

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Salsabila, Indiana, and Joesana Tjahjani. "Absurdity and The Significance of the Idea of Death in Albert Camus’ L’Étranger." In Proceedings of the 1st Conference of Visual Art, Design, and Social Humanities by Faculty of Art and Design, CONVASH 2019, 2 November 2019, Surakarta, Central Java, Indonesia. EAI, 2020. http://dx.doi.org/10.4108/eai.2-11-2019.2294765.

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Naraian, Srikala. "Feeling Failure, Managing Absurdity, Troubling Happiness: Tracing Teachers' Affective Performances in Their "Becomings"." In 2020 AERA Annual Meeting. Washington DC: AERA, 2020. http://dx.doi.org/10.3102/1578098.

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Pilar, Martin. "PAVEL SRUT AND HIS MR NOVAK AS A SAMPLE OF CENTRAL EUROPEAN CHARACTER." In 9th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2022. SGEM WORLD SCIENCE, 2022. http://dx.doi.org/10.35603/sws.iscah.2022/s10.21.

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Abstract:

Pavel Srut (1940-2018) was a representative of a young generation of poets in the golden 1960s. After the invasion of the Warsaw Pact troops (1968), he stayed in Czechoslovakia but could only publish in samizdat and exile. During the period of strict neo-Stalinist censorship (1969-1989), Srut continued to write, more for himself and for a vaguely anticipated future readership. He followed the tradition of the Central European absurdity, which we know from the work of Franz Kafka. One of the highlights of Srut�s poetic work is considered to be his last published collection, Paper Shoes (2001). The character of Mr N. is called Mr Novak for a while. Even his resemblance to Newton and Noah is mentioned. Sometimes he is a kind of Mr Nobody (or Mr No Name), a strange being without a surname or identity who manages to survive the absurdity of Central European history by existing but, at the same time, living in a way that is not worth mentioning. Translations of Pavel Srut�s poems appeared individually in several European journals. A selection of his late poetry was published in the US in 2009 (including the collection Paper Shoes). It seems to be an example of regionally and historically grounded Central European poetry that has a chance of reaching a broad global audience.

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