Relevant bibliographies by topics / Absurdization

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Academic literature on the topic 'Absurdization'

Author: Grafiati
Published: 2 June 2025
Last updated: 31 July 2025

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Journal articles on the topic "Absurdization"

1

Краснобаєва, Оксана Дмитрівна. "ИНТЕРТЕКСТУАЛЬНАЯ ПАРАДИГМА ПЬЕСЫ ВЕН. ЕРОФЕЕВА «ВАЛЬПУРГИЕВА НОЧЬ, ИЛИ ШАГИ КОМАНДОРА»". Наукові записки Харківського національного педагогічного університету імені Г.С. Сковороди "Літературознавство" 3, № 82 (2015): 61–71. https://doi.org/10.5281/zenodo.45538.

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In the article the axiological concept of Erofeev intertekstuality as essential structure-forming component is investigated, its genesis and mechanism is revealed. The play “Walpurgis Night ...” is unique in its philosophical and aesthetic content, semantic constants, complex forms of modifi cation of the author’s consciousness, transforming the previous historical and cultural material. Ven.Erofeev has developed dominant art forms, has created a permanent intertextual paradigm. Erofeyev uses typical techniques of post-modernism writing, such as grotesque pointing, ironical a
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2

Seleznev, Evgenii Kirillovich. "Humor as a deconstruction tool in the work of David Lynch." Культура и искусство, no. 5 (May 2023): 97–110. http://dx.doi.org/10.7256/2454-0625.2023.5.40629.

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The author of the work raises the question of the role of humor in the context of David Lynch's work. The author argues that the director's humor is one of the few conventional director's tools that can be categorized and studied in detail. The author explains this degree of “simplicity” of the director’s humor phenomenon by the author’s conscious strategy of introducing “known” elements into the works to establish communication with the viewer and their subsequent deconstruction to break the automatic perception and create a situation of “anxious viewing”. The author also explains the emergen
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3

Trofimova, V. A. "Cultural Features of Communicative Pressure Model (illustrated through American linguoculture)." Current Issues in Philology and Pedagogical Linguistics, no. 1 (March 25, 2024): 169–82. http://dx.doi.org/10.29025/2079-6021-2024-1-169-182.

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The article is devoted to the study of the communicative pressure speech model functioning, based on the rhetorical device of sarcasm in the context of American linguaculture. The work analyzes the mechanism by which communicative pressure is carried out, the features of the relationship between the components of its model and their nature. The research material is represented by the products of English-language oral interpersonal discourse, namely, dialogic statements borrowed from American films. A three-component model which makes it possible for the pressure to function consists of logos,
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4

"Post epic in the Max Frisch’s play “The Fire Raisers”." Journal of V. N. Karazin Kharkiv National University, Series "Philology", no. 79 (2018). http://dx.doi.org/10.26565/2227-1864-2018-79-11.

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The article explores the features of Max Frish's play “Тhe Fire Raisers”. The research has been conducted in the context of the covering of the processive aspect of the play as an example of a dramatic parable. The main points of the drama theorist and practice of the epic theater Bertolt Brecht and Max Frish as a representative of the dramatic art that arose after Brecht have been highlighted. The work analyzes the plot and meaning of the play, its philosophical value, thus demonstrating a new author’s vision of the principles of the epic Brechtian theater, the features of the drama-parable a
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5

Калашников, С. Б., and А. В. Громов. "PLAY BEGINNING OF A. CHEKHOV’S VAUDEVILLES AGAINST THE ABSURDIST CONTEXT." Вестник МГПУ. Серия Филология. Теория языка. Языковое образование, no. 3(47) (March 29, 2023). http://dx.doi.org/10.25688/2076-913x.2022.47.3.03.

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На основе принципов интертекстуальной деконструкции в статье рассматривается феномен литературной игры в одноактной драматургии А. П. Чехова и его значение для абсурдистской традиции. Чеховский интертекст охватывает обилие элементов отечественной и мировой культуры, обусловливая явление культурно-семантической полифонии, отвечающей за культурный диалог (в том числе за литературный). Излюбленной формой литературного диалога для русского писателя стала пародия, разновидностью которой является сюжетная инверсия (переворачивание смыслов), что генетически роднит одноактную драматургию А. П. Чехова
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