Relevant bibliographies by topics / Académie royale de peinture et de sculpture / Journal articles
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Journal articles on the topic 'Académie royale de peinture et de sculpture'

Author: Grafiati
Published: 4 June 2021
Last updated: 22 June 2024

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1

Nicholson, Kathleen. "Having the Last Word: Rosalba Carriera and the Académie Royale de Peinture et de Sculpture." Eighteenth-Century Studies 52, no. 2 (2019): 173–77. http://dx.doi.org/10.1353/ecs.2019.0004.

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2

Mirzoeff, Nicholas, 1962. "Revolution, Representation, Equality: Gender, Genre, and Emulation in the Académie Royale de Peinture et Sculpture, 1785-93." Eighteenth-Century Studies 31, no. 2 (1997): 153–74. http://dx.doi.org/10.1353/ecs.1998.0008.

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3

Mainardi, Patricia. "The Académie Royale de Peinture et de Sculpture: The Birth of the French School, 1648–1793. By Christian Michel. Translated by Chris Miller. Los Angeles: Getty Research Institute, 2018. Pp. xviii+414. $75.00 (paper)." Journal of Modern History 94, no. 2 (2022): 453–55. http://dx.doi.org/10.1086/719552.

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4

Sciulli, David. "Painting, Law and Professions, I: Paris Visual Academie and English Law." Comparative Sociology 7, no. 1 (2008): 68–108. http://dx.doi.org/10.1163/156913308x260475.

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AbstractOne consensus in the sociology and history of professions is that law, not medicine, pioneered the first professionalism projects in Western history. English law is typically cited as the exemplar. We challenge this consensus by demonstrating that visual academies, led by the Academie Royale de Peinture et de Sculpture of Paris, preceded along a professionalism project centuries in advance of English law.
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5

Klingsohr, Cathrin. "Die Kunstsammlung der "Academie Royale de Peinture et de Sculpture" in Paris." Zeitschrift für Kunstgeschichte 49, no. 4 (1986): 556. http://dx.doi.org/10.2307/1482376.

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6

Pinault-Sørensen, Madeleine. "Harguiniez, élève de l’Académie royale de peinture et de sculpture et dessinateur pour l’Encyclopédie." Recherches sur Diderot et sur l'Encyclopédie, no. 44 (October 15, 2009): 229–34. http://dx.doi.org/10.4000/rde.4579.

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7

Sciulli, David. "Painting, Law and Professions, II: Paris Visual Academie and French Law." Comparative Sociology 7, no. 1 (2008): 109–38. http://dx.doi.org/10.1163/156913308x260484.

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AbstractAside from English law being cited as pioneering the first professionalism project, French law is also frequently treated as an exemplar of early professionalism. We challenge this consensus by demonstrating that the Academie Royale de Peinture et de Sculpture of Paris preceded along a professionalism project centuries in advance of French law. Using this comparison, we also provide alternative explanations for questions and issues which remain troubling in the literature of French law.
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8

de Reyniès, Justine. "De l’expressivité des éléments naturels : le Cours de peinture par principes de Roger de Piles (1708)." Dix-septième siècle 301, no. 4 (2024): 715–26. http://dx.doi.org/10.3917/dss.234.0715.

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Se prononçant aussi bien sur le terrain de l’esthétique environnementale que de l’histoire des jardins ou de l’anthropologie, les voix convergent aujourd’hui pour interroger les significations du courant pittoresque, sensibilité apparue à la fin du xviiie siècle, qui imprègne encore profondément notre rapport à la nature. Se tournant vers les origines intellectuelles de ce mouvement pour formuler une réponse à ses adversaires, le présent article étudie l’un des textes qui jette les bases théoriques de la révolution paysagère des Lumières, le Cours de peinture par principes (1708), dans lequel
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9

Guichard, Charlotte. "Arts libéraux et arts libres à Paris au XVIIIe siècle : peintres et sculpteurs entre corporation et Académie royale." Revue d’histoire moderne et contemporaine 49-3, no. 3 (2002): 54. http://dx.doi.org/10.3917/rhmc.493.0054.

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10

Montagu, Jennifer. "The Theory of the Musical Modes in the Academie Royale de Peinture et de Sculpture." Journal of the Warburg and Courtauld Institutes 55 (1992): 233. http://dx.doi.org/10.2307/751426.

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11

Sciulli, David. "Preface to Professions Today: Received Wisdom, Case Challenges, Contributor Issues and Questions." Comparative Sociology 9, no. 6 (2010): 724–43. http://dx.doi.org/10.1163/156913310x522589.

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AbstractThe vast majority of contributors to the sociology of professions literature fail to distinguish professions from other occupations, and it sees this as a virtue, not a noteworthy gap at a conceptual level. Talcott Parsons’ most methodical treatment of professions which earlier opposed this position has gone unread, and today has largely disappeared from the literature. Two cases, one historical (the Paris Académie de Peinture et de Sculpture), the other contemporary (the governance of publicly traded corporation as overseen by Delaware courts), challenge the majoritarian position as i
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12

Le Mao, Caroline, and Michel Figeac. "Les représentations de la magistrature sous l’Ancien Régime." Annales du Midi : revue archéologique, historique et philologique de la France méridionale 127, no. 292 (2015): 455–76. http://dx.doi.org/10.3406/anami.2015.8783.

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À l’époque moderne, la robe rouge était un marqueur social qui rendait visible le magistrat dans la ville autant qu’elle manifestait la grandeur de la justice royale ; il s’agissait bien d’en imposer par l’apparat, de rendre le geste majestueux en lui conférant toute son éloquence sociale. L’objet de cet article est de proposer une approche méthodologique de la représentation des magistrats d’Ancien Régime. Après avoir identifié les supports de cette représentation (peinture, sculpture…) et les gisements, et avoir éclairé le rapport du magistrat à la représentation de lui-même, on se concentre
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13

McTighe, S. "Abraham Bosse and the Language of Artisans: Genre and Perspective in the Academie royale de peinture et de sculpture, 1648 1670." Oxford Art Journal 21, no. 1 (1998): 1–26. http://dx.doi.org/10.1093/oxartj/21.1.1.

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14

Gallay, Antoine, and Antoine Gallay. "Le problème de l’invention en gravure. L’émergence d’une théorie de la gravure comme art libéral au sein de l’Académie royale de peinture et de sculpture (1651-1674)." Dix-septième siècle 287, no. 2 (2020): 277. http://dx.doi.org/10.3917/dss.202.0277.

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15

Hyun, Jung Ah. "A Study on the Education of the French Academy of Fine Arts - focused on the education of the 17th century French Academie Royale de Peinture et de Sculpture." Journal of Basic Design & Art 23, no. 5 (2022): 639–52. http://dx.doi.org/10.47294/ksbda.23.5.43.

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16

Fend, Mechthild. "Lectures on Art: Selected ‘Conférences’ from the Académie royale de peinture et de sculpture, 1667–1772. Edited by Christian Michel and Jacqueline Lichtenstein. Translation by Chris Miller." French Studies, July 30, 2022. http://dx.doi.org/10.1093/fs/knac190.

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17

Guillin, Marjorie. "L’enseignement de l’architecture à l’Académie royale de peinture, sculpture et architecture de Toulouse." Les Cahiers de Framespa, no. 5 (May 12, 2010). http://dx.doi.org/10.4000/framespa.177.

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18

Aboudrar, Bruno Nassim. "Les Arts — quand ils se rencontrent : XIIes entretiens de La Garenne Lemot ; Les Conférences de l’Académie royale de peinture et de sculpture, tome III, 1699-1711." Critique d’art, no. 35 (April 1, 2010). http://dx.doi.org/10.4000/critiquedart.2536.

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