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Journal articles on the topic 'Academy Awards'

Author: Grafiati

Published: 4 June 2021

Last updated: 18 February 2022

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1

Naime, S., and E. G. Karroum. "0362 Women are Underrepresented in Major US Sleep Societies Recognition Awards." Sleep 43, Supplement_1 (2020): A138. http://dx.doi.org/10.1093/sleep/zsaa056.359.

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Abstract Introduction Recognition awards are reflective of personal achievement and contribute to professional growth and academic promotion. Underrepresentation of women in recognition awards of various medical societies has been described. The Wayne A. Hening Sleep Medicine Investigator Award of the American Academy of Neurology was only given to two women since 2011. This finding prompted us to further investigate the gender distribution of major recognition awards in national US sleep societies. Methods Publicly available lists of recognition awards recipients were retrieved and analyzed from the American Academy of Sleep Medicine (AASM) and the Sleep Research Society (SRS) websites. Recognition awards that reflect major contribution to the sleep field were included. The primary outcome measures were the overall proportion of women award recipients across selected recognition awards and the trend over time (1981-2019) analyzed by decade using the Cochran-Armitage test. Results We identified seven major sleep recognition awards (four by the AASM and three by the SRS) with a wide variation in the proportion of awards presented to women (4.8% to 31.3%). There were overall 184 individual awards presented by the two US sleep societies, including 154 (83.7%) awarded for men and 30 (16.3%) awarded for women. The analysis of the awards over time by decade revealed a significant increasing trend (P &lt; 0.0001) in the proportion of awards recognizing women relative to men with a progression from 0.0% in the 1980s, to 3.0% in the 1990s, to 14.3% in the 2000s, and to 27.0% in the 2010s. Conclusion Overall in the last four decades, women have been underrepresented among major recognition awards from the AASM and the SRS, but it is encouraging to see a reduction in the gender gap, particularly over the last ten years. The reasons behind gender inequality in sleep recognition awards are unclear and need further investigation. Support This study was not funded.

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&NA;, &NA;. "Academy Awards." Optometry and Vision Science 74, no. 2 (1997): 71–72. http://dx.doi.org/10.1097/00006324-199702000-00007.

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&NA;, &NA;. "Academy Awards." Optometry and Vision Science 75, no. 4 (1998): 239. http://dx.doi.org/10.1097/00006324-199804000-00005.

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Walsh, T. N. "Academy Awards." Irish Journal of Medical Science 169, no. 3 (2000): 165. http://dx.doi.org/10.1007/bf03167686.

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5

Silver, Julie K., Anna M. Bank, Chloe S. Slocum, et al. "Women physicians underrepresented in American Academy of Neurology recognition awards." Neurology 91, no. 7 (2018): e603-e614. http://dx.doi.org/10.1212/wnl.0000000000006004.

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ObjectiveTo investigate representation by gender among recipients of physician recognition awards presented by the American Academy of Neurology (AAN).MethodsWe analyzed lists of individual recipients over the 63-year history of the AAN recognition awards. Included were awards intended primarily for physician recipients that recognized a body of work over the course of a career. The primary outcome measures were total numbers and proportions of men and women physician award recipients.ResultsDuring the period studied, the proportion of women increased from 18% (1996) to 31.5% (2016) among AAN US neurologist members and from 18.6% (1992) to 35% (2015) in academia, and the AAN presented 323 awards to physician recipients. Of these recipients, 264 (81.7%) were men and 59 (18.3%) were women. During the most recent 10-year period studied (2008–2017), the proportion of women increased from 24.7% (2008) to 31.5% (2016) among AAN US neurologist members and from 28% (2009) to 35% (2015) in academia, and the AAN presented 187 awards to physician recipients, comprising 146 men (78.1%) and 41 women (21.9%). Although it has been more than 2 decades since the proportion of women among US neurologist members of the AAN was lower than 18%, 1 in 4 AAN award categories demonstrated 0% to 18% representation of women among physician recipients during the most recent decade. Moreover, for highly prestigious awards, underrepresentation was more pronounced.ConclusionAlthough the reasons why are not clear, women were often underrepresented among individual physician recognition award recipient lists, particularly for highly prestigious awards.

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Davis, Lance A. "Engineering’s Academy Awards." Engineering 4, no. 4 (2018): 435. http://dx.doi.org/10.1016/j.eng.2018.06.002.

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Nazaroff, William W., Geo Clausen, Pawel Wargocki, and Kwok Wai Tham. "ISIAQ Academy Awards 2014." Indoor Air 24, no. 5 (2014): 447–49. http://dx.doi.org/10.1111/ina.12146.

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Salthammer, T., Y. Li, R. Corsi, K. W. Tham, and P. Wargocki. "ISIAQ Academy Awards 2016." Indoor Air 27, no. 4 (2017): 705–7. http://dx.doi.org/10.1111/ina.12376.

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McD, J. "1996 Academy Research Awards." Journal of the American Academy of Child & Adolescent Psychiatry 35, no. 10 (1996): 1263–64. http://dx.doi.org/10.1097/00004583-199610000-00011.

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Widmalm, Sven. "Normal Science." Nuncius 34, no. 2 (2019): 356–76. http://dx.doi.org/10.1163/18253911-03402008.

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Abstract Prizes have been awarded by the Royal Swedish Academy of Sciences from its foundation in 1739 onwards. In the 18th century these were of a kind typical of the period: problems were posed, almost always with a utilitarian bent, and awards (money or medals) were promised to those who could come up with practical solutions. The Academy’s first prize question, in 1739, concerned an improved method for bleaching cloth; the response was zero, a not untypical result. This type of award was never a success, and from around 1810 prizes became more academically oriented and were offered for recent publications or innovations rather than solutions to problems posed beforehand. The Letterstedt Prize was the most important among these awards during the 19th century, and a model for the Nobel Prize. It was awarded mostly for work in the natural sciences, but sometimes also in the humanities or for technological innovations (Alfred Nobel received it in 1868); a special prize was awarded for translations. An analysis of nominations and discussions preserved in the Academy’s archive shows that the Letterstedt science prizes functioned as a kind of benchmarking of national science (foreigners were not awarded on principle); high-quality “normal” science that seemed to put Swedish science on par with research in countries like Germany or France was awarded rather than work of high originality.

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11

Wood, Gerald C. "Orphans' Home: The Voice and Vision of Horton Foote. By Laurin Porter. Baton Rouge: Louisiana State University Press, 2003; pp. 233. $49.95 cloth, $22.95 paper." Theatre Survey 45, no. 2 (2004): 286–88. http://dx.doi.org/10.1017/s0040557404240261.

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Horton Foote has won many distinguished awards, including two Academy Awards for screenwriting, the Pulitzer Prize for drama, the Lucille Lortel Award, an Emmy, the William Inge Award, lifetime awards from the Academy of Arts and Letters and the Writer's Guild of America, an Outer Critics Circle Award, the Master American Dramatist Award of the PEN American Center, and the National Medal of the Arts. Yet there has been relatively little written about this important American—and southern—writer. Partly that is because he has written in various media, including theatre, film, and television, gaining substantial but limited fame in each, and much of his work is either produced regionally or staged for a small circle of aficionados in New York, where seemingly simple, understated dramas about coastal southeast Texas are never the rage. This tendency is exacerbated by the production history of the nine plays in The Orphans' Home, the subject of Laurin Porter's book. Staged over twenty years, from readings of the first plays in 1977 to the premiere of the final one, The Death of Papa, at Chapel Hill, North Carolina, in February of 1997, the plays have never been staged together.

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Sharp, Michael D. "Remaking Medieval Heroism: Nationalism and Sexuality in Braveheart." Florilegium 15, no. 1 (1998): 251–66. http://dx.doi.org/10.3138/flor.15.013.

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Mel Gibson's movie Braveheart tells the story of the life of William Wallace, one of Scodand's great national heroes. Originally released in the late spring of 1995, the film received predominandy glowing reviews, and later in the year enjoyed a second run in theatres as Paramount Studios began marketing the film for consideration in the many end-of-the-year awards shows. Early in 1996 Mel Gibson was honoured at the Golden Globe Awards as the year's Best Director, and in March of the same year, Braveheart won five Academy Awards, including another Best Director award for Gibson as well as the award for Best Motion Picture of the Year.

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&NA;. "Academy Awards Wins & Wishes." Oncology Times 25, no. 7 (2003): 64–67. http://dx.doi.org/10.1097/01.cot.0000290324.77851.54.

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&NA;. "AMERICAN ACADEMY OF OPTOMETRY AWARDS." Optometry and Vision Science 76, SUPPLEMENT (1999): 6–10. http://dx.doi.org/10.1097/00006324-199901001-00003.

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&NA;, &NA;. "Nominations Sought for Academy Awards." Optometry and Vision Science 76, no. 4 (1999): 187. http://dx.doi.org/10.1097/00006324-199904000-00003.

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Speshock, Jon Kyle. "National Academy of Sciences Awards." Microbe Magazine 3, no. 9 (2008): 393. http://dx.doi.org/10.1128/microbe.3.393.1.

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Di Giulio, Edmund M. "The 74th Annual Academy Awards Scientific and Technical Awards." SMPTE Journal 111, no. 5 (2002): 193–94. http://dx.doi.org/10.5594/j16372.

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Stănescu, Simona Maria. "Interview with Adrian Majuru, winner of Romanian Academy’s 2019 prize in sociology „Henry H. Stahl”." Sociologie Romaneasca 18, no. 2 (2020): 215–20. http://dx.doi.org/10.33788/sr.18.2.19.

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Back in 1879 two Romanian Academy’s prizes were established for science and literature: „Gheorghe Lazăr” and „Ion Heliade Rădulescu” (www.acad.ro). The prizes of the Romanian Academy „are awarded to Romanian scientists and artists living here or abroad for their contribution (…) to the development of Romanian culture and science” (www.acad.ro). Since 1996, the Romanian Academy is awarding yearly excellence in domains corresponding to its scientific sections: I Philology and literature, II Historical sciences and archeology, III Mathematics, IV Physics, V Chemistry, VI Biology, VII Geonomic, VIII Technical section, IX Agricultural and Forestry section, X Medicine section, XI Economic, juridical and sociology section, XII Philosophy, theology, psychology and pedagogy section, XIII Art, architecture and audiovisual section and XIV Science and technology of information section. Under the section XI Economic, juridical and sociological sciences, two awards are available for Sociology area: „Dimitrie Gusti” and „Henri H. Stahl”. This interview is conducted with the winner of „Henri H. Stahl” awarded in 2020. More details on history of these awards as well as guidelines and 1998-2017 lists are available on https://acad.ro/premiileAR/pag_premii.htm.

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Markowitz, David M. "Academy Awards Speeches Reflect Social Status, Cinematic Roles, and Winning Expectations." Journal of Language and Social Psychology 37, no. 3 (2018): 376–87. http://dx.doi.org/10.1177/0261927x17751012.

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An analysis of Academy Awards acceptance speeches revealed that social status is indicated through pronouns. Speeches from high status movie directors contained fewer self-references than relatively low status actors. Directors also communicated analytically compared with actors, who told stories and communicated narratively. A post hoc analysis revealed that unexpected award winners communicated more positively than those who were expected to win. The analyses emphasize the importance of replications in the social sciences and extending social and psychological phenomena to new settings.

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Vollmers, Gloria. "Academy of Accounting Historians 2016 Awards." Accounting Historians Journal 44, no. 1 (2017): 3. http://dx.doi.org/10.2308/aahj-10529.

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Grout, Kenneth, and Owen Eagan. "Oscar Is a Man: Sexism and the Academy Awards." Tripodos, no. 48 (December 2, 2020): 85–102. http://dx.doi.org/10.51698/tripodos.2020.48p85-102.

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This study analyzes the implicit bias of the Academy Awards and Oscar’s historic lack of gender equity. While there are awards for Best Actor and Actress, a comparative analysis of these awards and the Best Picture prize reveals that a man is more than twice as likely as a woman to receive an Oscar for leading work in a Best Picture. A man is also nearly twice as likely to be nominated as a leading performer in a Best Picture winner. Supporting women in Best Pictures fare a bit better with actual trophies, but, when considering nominations, a man is still more than oneand-a-half times as likely as a woman to be nominated for a supporting performance in a Best Picture winner. This research considers these factors, identifies potential reasons for them, and draws conclusions regarding the decades of gender bias in the Academy Awards. Further, this study investigates the dissolution of the Hollywood studio system and how, though brought on in part by two of the film industry’s leading ladies, the crumbling of that system ultimately hurt the industry’s women more than its men. Keywords: Oscars, Academy Awards, sexism, gender inequity, Best Picture.

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Jones, Howard. "Amistad: Movie, History, and the Academy Awards." History Teacher 31, no. 3 (1998): 380. http://dx.doi.org/10.2307/494887.

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&NA;. "American Academy of Optometry Awards Program 1985." Optometry and Vision Science 63, no. 8 (1986): 692. http://dx.doi.org/10.1097/00006324-198608000-00014.

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&NA;. "American Academy of Optometry Awards Program 1986." Optometry and Vision Science 64, no. 6 (1987): 469–72. http://dx.doi.org/10.1097/00006324-198706000-00014.

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HOPPING, RICHARD L. "American Academy of Optometry Awards Program 1987." Optometry and Vision Science 65, no. 8 (1988): 681–86. http://dx.doi.org/10.1097/00006324-198808000-00015.

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HOPPING, RICHARD L. "American Academy of Optometry Awards Program 1988." Optometry and Vision Science 66, no. 6 (1989): 331–35. http://dx.doi.org/10.1097/00006324-198906000-00001.

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&NA;. "AMERICAN ACADEMY OF NURSING 1985 MEDIA AWARDS." Journal of Wound, Ostomy and Continence Nursing 12, no. 4 (1985): 36A. http://dx.doi.org/10.1097/00152192-198507000-00021.

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28

Wentrup, Curt. "Celebrating RACI and Academy of Science Awards." Australian Journal of Chemistry 69, no. 12 (2016): 1321. http://dx.doi.org/10.1071/chv69n12_fo.

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Wentrup, Curt. "Celebrating RACI and Academy of Science Awards." Australian Journal of Chemistry 70, no. 11 (2017): 1159. http://dx.doi.org/10.1071/chv70n11_fo.

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Hopping, Richard L. "American Academy of Optometry Awards Program 1989." Optometry and Vision Science 67, no. 8 (1990): 662–65. http://dx.doi.org/10.1097/00006324-199008000-00023.

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31

Verbeten, Sharon. "Editor's Note: Awards Always Get Me." Children and Libraries 16, no. 2 (2018): 2. http://dx.doi.org/10.5860/cal.16.2.2.

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I’m an awards show junkie. I’m just going to put that out there.I love watching the Emmy Awards. I have Academy Awards parties. I’ll even watch the ESPYs, though I have little interest in sports. I love the suspense . . . the pomp . . . the circumstance. It’s little wonder then that I’m just as enthralled when I attend the Youth Media Awards announcements.

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32

Williams, Roy. "Roy Williams, in conversation with Aleks Sierz What Kind of England Do We Want?" New Theatre Quarterly 22, no. 2 (2006): 113–21. http://dx.doi.org/10.1017/s0266464x06000352.

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Roy Williams is one of the outstanding new voices in contemporary British theatre. Born in Fulham, south-west London, in 1968, he has already, by his mid-thirties, won a shelf-full of awards, with plays staged at the National Theatre and Royal Court. His debut, The No Boys Cricket Club, won the Writers' Guild New Writer of the Year award in 1996. Two years later, his follow-up, Starstruck, won three major awards: the John Whiting Award for Best New Play, an EMMA (Ethnic Multicultural Media Awards) for Best Play, and the first Alfred Fagon Award, for theatre in English by writers with Caribbean connections. In 2000, Lift Off was joint winner of the George Devine Award, and in 2001 Clubland received the Evening Standard Award for Most Promising Playwright. In 2002, Williams received a best school drama BAFTA (British Academy of Film and Television Arts) for Offside (BBC), and in 2004 he won the first Arts Council Decibel Award, given to black or Asian artists in recognition of their contribution to the arts. His most recent play, Little Sweet Thing, was a 2005 co-production between Ipswich’s New Wolsey Theatre, Nottingham Playhouse, and Birmingham Rep. What follows is an edited transcript of Aleks Sierz’s ‘In Conversation with Roy Williams’, part of the ‘Other Voices’ symposium at Rose Bruford College, Sidcup, Kent, in May 2004, organized by Nesta Jones. Williams is a graduate and now a Fellow of the college.

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WATSON, MARY R., and N. ANAND. "Award ceremony as an arbiter of commerce and canon in the popular music industry." Popular Music 25, no. 1 (2006): 41–56. http://dx.doi.org/10.1017/s0261143005000747.

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We show how the Grammy award ceremony played a central role in influencing the US popular music industry through two important inter-organisational processes. The ceremony served as the vehicle through which the National Academy of Recording Arts and Sciences (NARAS) interlinked with commercial interests in the field: the distributors, wholesalers and retailers who are represented by the National Association of Record Merchandisers (NARM). As music became a more visual medium and television coverage of the ceremony became prominent, merchandisers came to rely on the Grammy awards as their sales cue, and began to aggressively promote nominees and winners. As a result of the retailers' selective attention, Grammy award-winners began enjoying greater popular appeal through increased album sales. Second, attempts made by various constituents of NARAS to influence award decisions resulted in the surfacing of, challenges to and, finally, the resolution of occupational conflicts and normative concerns about the legitimacy of genres in the popular music industry. In the process, NARAS succeeded in championing the Grammy awards as the hallmark of peer recognition. We contend that the unique ability of the Grammy awards to mingle both peer and popular recognition makes them a significant arbiter of canon formation in the popular music industry.

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Feklova, T. Yu. "AWARDS OF THE SAINT PETERSBURG ACADEMY OF SCIENCES." Учёные записки Петрозаводского государственного университета 42, no. 4 (2020): 63–71. http://dx.doi.org/10.15393/uchz.art.2020.483.

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王, 妮. "Gender Differences in the Academy Awards Acceptance Speeches." Overseas English Testing: Pedagogy and Research 02, no. 02 (2020): 53–60. http://dx.doi.org/10.12677/oetpr.2020.22006.

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Mertens, Jacob. "Parting Words: The Inertia of the Academy Awards." Film International 13, no. 1 (2015): 157–59. http://dx.doi.org/10.1386/fiin.13.1.157_1.

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&NA;, &NA;. "AMERICAN ACADEMY OF NURSING PRESENTS 1986 MEDIA AWARDS." Journal of Wound, Ostomy and Continence Nursing 14, no. 2 (1987): 39A. http://dx.doi.org/10.1097/00152192-198703000-00031.

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38

Wentrup, Curt. "RACI and Academy of Science Awards 2017–18." Australian Journal of Chemistry 71, no. 10 (2018): 721. http://dx.doi.org/10.1071/chv71n10_fo.

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Fox, Jeffrey L. "Lasker, National Academy “Convergence” 2015 Awards Recognize Microbiology." Microbe Magazine 10, no. 11 (2015): 459–61. http://dx.doi.org/10.1128/microbe.11.459.3.

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Hauber, Mark E. "Fame, fortune, and fitness at the Academy Awards." Journal of Ethology 25, no. 2 (2006): 201–4. http://dx.doi.org/10.1007/s10164-006-0002-3.

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41

Paksiutov, G. "“Soft Power” and “Cultural Capital” of Nations: the Case of Film Industry." World Economy and International Relations 64, no. 11 (2020): 106–13. http://dx.doi.org/10.20542/0131-2227-2020-64-11-106-113.

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The article showcases the similarities between Joseph Nye’s concept of soft power and Pierre Bourdieu’s theory of capital, and attempts to draw upon the latter to deepen the understanding of the role of culture as a source of soft power. This approach is applied to study the role of a national film industry as a soft power tool. First, based on the existing academic literature, some key concepts relevant to the film industry are conceptualized in terms of Bourdieu’s theory of capital. After that, Bourdieu’s research frameworks – particularly, the concept of cultural capital – are used to describe how national film industry contributes to a nation’s cultural influence on the global stage. The author specifically highlights the importance of consideration of “institutionalized cultural capital” (or institutional recognition) and presents some evidence on film awards, namely, the awards from three large European film festivals (Berlin, Venice and Cannes) and Academy Award for Best Foreign Language film. It is emphasized that European countries (such as Italy and France) and the U.S. are in advantageous position in regard to this component of cultural influence: motion pictures produced by these countries receive awards very frequently, while, for instance, African and South American films are awarded scarcely. Such tendencies demonstrate unequal possibilities of countries for the use of national cinema as a tool of cultural influence. The author asserts that a national “soft power strategy” can be seen, in terms of Bourdieu’s theory of capital, as a capital conversion strategy, and discusses the implications of such approach. Furthermore, the applicability of Bourdieu’s theory of capital for the analysis of Russian cinema as a soft power tool is discussed. In conclusion, the author summarizes theoretical and practical implications of the proposed approach, draws attention to some of possible directions for further research.

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Snell, Julia. "Schema theory and the humour of Little Britain." English Today 22, no. 1 (2006): 59–64. http://dx.doi.org/10.1017/s0266078406001118.

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LITTLE BRITAIN is a television comedy show in the UK. Recurring characters appear in its episodes enacting situations that can be said to satirize British society. It was first aired by the BBC in February 2003. Little Britain has quickly amassed a loyal following and has grown significantly in popularity. It has won a number of prestigious comedy awards including ‘Best Comedy Performance’ and ‘Comedy Programme or Series Award’ at the BAFTAs (British Academy of Film and Television Arts awards, 2005). The humour in Little Britain has therefore been successful. Moreover, it is not based purely on visual comedy, being originally launched on BBC Radio 4 then transferred to television. Its humour originates in the language used. Schema theory, a useful tool for analysing much situational comedy, can shed light on the construction and interpretation of humour in Little Britain

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Moroney, Aileen. "AMPAS Presents Scientific and Technical Academy Awards for 1994." SMPTE Journal 104, no. 4 (1995): 224–25. http://dx.doi.org/10.5594/j09617.

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Moroney, Aileen. "AMPAS Presents Scientific and Technical Academy Awards for 1995." SMPTE Journal 105, no. 4 (1996): 229–30. http://dx.doi.org/10.5594/j15832.

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EMBER, LOIS. "AWARDS National Academy of Sciences honors Norman P. Neureiter." Chemical & Engineering News 86, no. 3 (2008): 11. http://dx.doi.org/10.1021/cen-v086n003.p011a.

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Graves, Jennifer S., and Allison Brashear. "Gender bias in American Academy of Neurology recognition awards?" Neurology 91, no. 7 (2018): 291–92. http://dx.doi.org/10.1212/wnl.0000000000006025.

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Klaenhammer, Todd Robert. "Get Cultured: Eat Bacteria." Annual Review of Food Science and Technology 10, no. 1 (2019): 1–20. http://dx.doi.org/10.1146/annurev-food-032818-121826.

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The Klaenhammer group at North Carolina State University pioneered genomic applications in food microbiology and beneficial lactic acid bacteria used as starter cultures and probiotics. Dr. Todd Klaenhammer was honored to be the first food scientist elected to the National Academy of Sciences (2001). The program was recognized with the highest research awards presented by the American Dairy Science Association (Borden Award 1996), the Institute of Food Technologists (Nicholas Appert Medal, 2007), and the International Dairy Federation (Eli Metchnikoff Award in Biotechnology, 2010) as well as with the Outstanding Achievement Award from the University of Minnesota (2001) and the Oliver Max Gardner Award (2009) for outstanding research across the 16-campus University of North Carolina system. Dr. Klaenhammer is a fellow of the American Association for the Advancement of Science, the American Dairy Science Association, and the Institute of Food Technology. Over his career, six of his PhD graduate students were awarded the annual Kenneth Keller award for the outstanding PhD dissertation that year in the College of Agriculture and Life Sciences. He championed the use of basic microbiology and genomic approaches to set a platform for translational applications of beneficial microbes in foods and their use in food preservation and probiotics and as oral delivery vehicles for vaccines and biotherapeutics. Dr. Klaenhammer was also a founding and co-chief editor of the Annual Review of Food Science and Technology.

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Zubkov, Kirill Yu, and Vladimir V. Tikhomirov. "UNKNOWN REVIEW BY ALEKSANDR NIKITENKO OF THE COMEDY THE FOREST BY ALEXANDER OSTROVSKY IN THE RECEPTIVE HISTORY OF THE PLAY." Vestnik of Kostroma State University, no. 1 (2020): 125–31. http://dx.doi.org/10.34216/1998-0817-2020-26-1-125-131.

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For the fi rst time, we publish an unknown review written by Aleksandr Nikitenko, a member of Imperial Academy of Sciences, of the comedy by Alexander Ostrovsky «The Forest». This review was compiled on behalf of the commission that distributed Aleksey Uvarov’s awards for the playwrights after Alexander Ostrovsky submitted his play to the competition. Review by Aleksandr Nikitenko was read at a meeting of the commission; its copy has been discovered in his personal archive. Alexander Ostrovsky participated in the competition for Aleksey Uvarov’s award for more than 15 years, but he achieved success only twice: with his «The Storm» in 1860 and with the drama «Sin and Sorrow Are Common to All» in 1863. Aleksandr Nikitenko, himself a member of the academic commission, for several years was reviewing all the works that competed for the prize, and almost always gave negative conclusions about them. He reacted sharply negatively to «The Forest» as well. In the article, Aleksandr Nikitenko’s review is considered in the context of literary, critical and theatrical criticism of the comedy by Alexander Ostrovsky, which were released shortly after its publication and production. The publication was prepared on the basis of archival documents found in St. Petersburg department of the Archive of the Russian Academy of Sciences and the Manuscript Department of the Institute of Russian Literature of the Russian Academy of Sciences

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Rio Febriannur Rachman. "Greed in the Film "Parasite"." Jurnal Spektrum Komunikasi 8, no. 1 (2020): 10–21. http://dx.doi.org/10.37826/spektrum.v8i1.60.

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Penelitian ini mengupas tentang pesan moral yang berhubungan dengan ketamakan dalam film Parasite. Karya seni berbahasa Korea Selatan ini dipilih karena merupakan film terbaik di dunia versi Academy Awards atau Oscar 2020. Pada 2019 lalu, garapan Bong Joon-Ho ini meraih Palme d’Or dalam Festival Film Cannes ke-72. Sekaligus mendapat apresiasi berupa delapan menit standing ovation dari hadirin. Pada Januari 2020, karya yang berjudul asli Gisaengchung ini memenangkan Best Foreign Language Film di Golden Globe Awards dan Cast in a Motion Picture di Screen Actors Guild Award. Tak hanya itu, rekam jejak film ini menjadi lebih menarik karena meraih Best Film Not in the English Language dalam British Academy of Film and Television Arts 2020, beserta sederet penghargaan di ajang internasional lainnya. Sejumlah artikel membahas tentang aspek kesenjangan sosial yang ditunjukkan di film ini. Padahal, sebagai sebuah karya seni, pesan moral dalam sebuah produk sinematik bisa beragam dan dapat ditelaah dari beragam sudut pandang. Riset ini bersandar pada teori representasi yang merujuk pada konsep tamak dalam perspektif Islam dan Kristen, seperti tertera pada tafsir di kitab suci Al-Qur’an dan Injil. Metode yang digunakan adalah kualitatif dengan pendekatan analisis visual pada lingkup the site of image itself. Hasil dari penelitian ini, ketamakan tergambar pada sikap dari satu keluarga miskin yang memiliki peran utama dalam film Parasite.

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50

Gehrlein, William V., and Hemant V. Kher. "Decision Rules for the Academy Awards Versus Those for Elections." Interfaces 34, no. 3 (2004): 226–34. http://dx.doi.org/10.1287/inte.1040.0072.

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