Academic literature on the topic 'Accademie letterarie'
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Journal articles on the topic "Accademie letterarie"
Buzzi, Serena. "Un medico saluzzese tra circoli letterari e accademie scientifiche." Bulletin d’histoire et d’épistémologie des sciences de la vie Volume 24, no. 2 (2017): 141. http://dx.doi.org/10.3917/bhesv.242.0141.
Full textCerrato, Daniele. "«Ed io che lasciai già l’ago e la gonna». Questioni di genere in Laura Battiferri." Lingüística y Literatura 43, no. 82 (September 16, 2022): 232–48. http://dx.doi.org/10.17533/udea.lyl.n82a10.
Full textNosow, Robert. "THE DEBATE ON SONG IN THE ACCADEMIA FIORENTINA." Early Music History 21 (September 4, 2002): 175–221. http://dx.doi.org/10.1017/s026112790200205x.
Full textRoncaccia, Alberto. "Fonti dell’attività letteraria dell’ Accademia di Modena. Due sonetti di Alessandro Melani." Italique, no. XVII (October 1, 2014): 229–41. http://dx.doi.org/10.4000/italique.397.
Full textBancheri, Salvatore. "Un viaggio nel mio nostos. La comunità siciliana globale di Delia tra tradizioni, teatro, dialetto ed italiese." Italian Canadiana 35 (August 18, 2021): 129–51. http://dx.doi.org/10.33137/ic.v35i0.37223.
Full textHay, Denys. "La Crusca nella tradizione letteraria e linguistica italiana. (Atti del Congresso Internazionale per il IV Centenario dell’ Accademia della Crusca.) Florence: Presso ‘Accademia for Accademia della Crusca, 1985. 460 pp." Renaissance Quarterly 41, no. 3 (1988): 497–98. http://dx.doi.org/10.2307/2861771.
Full textCagnolati, Antonella. "ROMPENDO IL SOFFITTO DI CRISTALLO: AMPARO GÓMEZ RODRÍGUEZ (1954-2018)." RAUDEM. Revista de Estudios de las Mujeres 10 (December 20, 2022): 86–103. http://dx.doi.org/10.25115/raudem.v10i1.8341.
Full textABBRI, FERDINANDO. "JEAN-MICHEL GARDAIR, Le Giornale de' Letterati de Rome (1668-1681), Firenze, Leo S. Olschki Editore, 1984, pp. 403. Accademia Toscana di Scienze e Lettere La Colombaria. Studi LXIX ." Annali dell'Istituto e Museo di storia della scienza di Firenze 10, no. 1 (1985): 163–66. http://dx.doi.org/10.1163/221058785x02000.
Full textKuhn, K. H. "Rufus of Shotep: Homilies on the Gospels of Matthew and Luke. Edited by J. Mark Sheridan. Pp. 360. (Unione Accademica Nazionale, Corpus dei Manoscritti Copti Letterari.) Rome: CIM, 1998. ISBN 88 85354 05 x. Paper L. 70,000." Journal of Theological Studies 50, no. 1 (April 1, 1999): 357–60. http://dx.doi.org/10.1093/jts/50.1.357.
Full textArriaga Florez, Mercedes. "Femminile e maschile nell'Orazione in lode alle donne di Alessandro Piccolomini." Estudios Románicos 31 (May 1, 2022). http://dx.doi.org/10.6018/er.506761.
Full textDissertations / Theses on the topic "Accademie letterarie"
CORSI, ALESSANDRO. "TRA PALLADE E BACCO. PROFILO ISTITUZIONALE E ASPIRAZIONI UMANISTICHE NELLE ACCADEMIE LETTERARIE MILANESI DURANTE IL PERIODO SPAGNOLO (1548-1715)." Doctoral thesis, Università Cattolica del Sacro Cuore, 2019. http://hdl.handle.net/10280/59474.
Full textBy adopting a long-term period chronological perspective, this research analyses the institutional frameworks’ development of Milanese literary academies between their appearance in the city area and the beginning of Austrian government’s jurisdiction after the Peace of Utrecht. Key objectives of the phenomenon’s historical reconstruction are: the identification of patrons who promoted the academies’ dissemination; the description of associational networks made up by different intellectual elite groups operating in Milan; the contextualization of cultural projects - and resulting under covered political tensions - that influenced the academical pattern’s expansion process; finally, the gradual constitution of a peculiar Ambrosian identity related with this associations’ typology. The exegesis of the “Badia della Val di Blenio” academy’s literary production, deduced by the historical examine of the “Facchino” Cosme de Aldana’s bio-bibliographical experience, introduces the enquiry on students’ academical foundations, which were the result of the cooperation between the archiepiscopal curia, religious orders involved in the educational programs and representative bodies of Milanese patricians. Archival discoveries on Inquieti’s meetings contribute in depicting the progressive composition of a coherent Ambrosian “system of virtues” (the baroque reference point for academical activities), that got into a substantial crisis at the end of seventeenth century.
CORSI, ALESSANDRO. "TRA PALLADE E BACCO. PROFILO ISTITUZIONALE E ASPIRAZIONI UMANISTICHE NELLE ACCADEMIE LETTERARIE MILANESI DURANTE IL PERIODO SPAGNOLO (1548-1715)." Doctoral thesis, Università Cattolica del Sacro Cuore, 2019. http://hdl.handle.net/10280/59474.
Full textBy adopting a long-term period chronological perspective, this research analyses the institutional frameworks’ development of Milanese literary academies between their appearance in the city area and the beginning of Austrian government’s jurisdiction after the Peace of Utrecht. Key objectives of the phenomenon’s historical reconstruction are: the identification of patrons who promoted the academies’ dissemination; the description of associational networks made up by different intellectual elite groups operating in Milan; the contextualization of cultural projects - and resulting under covered political tensions - that influenced the academical pattern’s expansion process; finally, the gradual constitution of a peculiar Ambrosian identity related with this associations’ typology. The exegesis of the “Badia della Val di Blenio” academy’s literary production, deduced by the historical examine of the “Facchino” Cosme de Aldana’s bio-bibliographical experience, introduces the enquiry on students’ academical foundations, which were the result of the cooperation between the archiepiscopal curia, religious orders involved in the educational programs and representative bodies of Milanese patricians. Archival discoveries on Inquieti’s meetings contribute in depicting the progressive composition of a coherent Ambrosian “system of virtues” (the baroque reference point for academical activities), that got into a substantial crisis at the end of seventeenth century.
Spina, Manuela. "Le Accademie del Settecento nella Sicilia sud-orientale. Produzione letteraria nei circoli culturali del Val di Noto (Catania, Siracusa e la Contea di Modica)." Doctoral thesis, Università di Catania, 2012. http://hdl.handle.net/10761/952.
Full textTRIACHINI, STEFANIA. "MONALDO LEOPARDI "CAVALIERE CRISTIANO". L'ESPERIENZA LETTERARIA GIOVANILE TRA CULTURA GESUITICA E ACCADEMIE RECANATESI." Doctoral thesis, Università Cattolica del Sacro Cuore, 2018. http://hdl.handle.net/10280/46248.
Full textThis work aims to study the first literary production of Monaldo Leopardi (1176-1847), Giacomo Leopardi’s father, according to a cultural and historical point of view. Initially, we rebuilt the relationship between Monaldo Leopardi and his family with the Society of Jesus (XVI-XVIII Century), pointing out the model of «Christian hero» he embodied during his jesuitical homeschooling. Then, we analysed Monaldo Leopardi’s literary production (1800-1806) considering three different aspects: first of all, the connection with the Italian Accademie that we investigated thanks to archives resources, with a special focus on the Accademia dei Disuguali Placidi Ravvivati (1801-1803) he founded; afterwards, we studied his poetic and theatrical works referring to the volume "Opere del conte Monaldo Leopardi Gonfallonieri da Recanati" (1803). Finally, we decided to examine the development of this literary production with main Christian traits, by comparing father’s and son’s literature and by focussing on the journal “La Voce della Ragione” (1832-1835) and the letters between Monaldo and the jesuitical general Jan Philip Roothaan.
TRIACHINI, STEFANIA. "MONALDO LEOPARDI "CAVALIERE CRISTIANO". L'ESPERIENZA LETTERARIA GIOVANILE TRA CULTURA GESUITICA E ACCADEMIE RECANATESI." Doctoral thesis, Università Cattolica del Sacro Cuore, 2018. http://hdl.handle.net/10280/46248.
Full textThis work aims to study the first literary production of Monaldo Leopardi (1176-1847), Giacomo Leopardi’s father, according to a cultural and historical point of view. Initially, we rebuilt the relationship between Monaldo Leopardi and his family with the Society of Jesus (XVI-XVIII Century), pointing out the model of «Christian hero» he embodied during his jesuitical homeschooling. Then, we analysed Monaldo Leopardi’s literary production (1800-1806) considering three different aspects: first of all, the connection with the Italian Accademie that we investigated thanks to archives resources, with a special focus on the Accademia dei Disuguali Placidi Ravvivati (1801-1803) he founded; afterwards, we studied his poetic and theatrical works referring to the volume "Opere del conte Monaldo Leopardi Gonfallonieri da Recanati" (1803). Finally, we decided to examine the development of this literary production with main Christian traits, by comparing father’s and son’s literature and by focussing on the journal “La Voce della Ragione” (1832-1835) and the letters between Monaldo and the jesuitical general Jan Philip Roothaan.
ROSSINI, FRANCESCO. ""IO PER ME SONO UN'OMBRA". GIOVAN BATTISTA STROZZI IL GIOVANE (1551 - 1634) FRA POESIA E RIFLESSIONE LETTERARIA." Doctoral thesis, Università Cattolica del Sacro Cuore, 2019. http://hdl.handle.net/10280/58409.
Full textThe thesis proposes a monographic study on the Florentine Giovan Battista Strozzi the Younger also known as the Blind (1551-1634). He was a writer with connections in cultural circles across Renaissance Italy, including Medici’s Florence, Barberini’s Rome, Borromean Milan and the Roman cenacles of the Aldobrandini and the Humorists. The thesis consists of three chapters. The first chapter focuses on the participation of Strozzi the Younger in the activities of two lively groups in his hometown: the Florentine Academy and the Alterati Academy. The second chapter discusses his poetical works – for the most part still unpublished –, including dozens of versified epistles in loose hendecasyllables, an unfinished poem in honor of Amerigo Vespucci, as well as a rich corpus of madrigals. The drafting of this last corpus proceeded together with Strozzi the Younger’s theoretical speculation around the new sixteenth-century appearance of this ancient lyrical genre. The third section considers the contribution of Strozzi the Younger to the discussions on poetics (Dante’s ‘Comedy’, the heroic poem, the Aristotelian units) that went on in Italian literary circles in the second half of the sixteenth century. In this work, we aimed to restore the appropriate historical depth to each of the writings examined, through the exegesis of texts combined with the biographical reconstruction conducted on a large number of published and unpublished epistolary documents. We also tried to reconstruct the different cultural contexts in which these writings were composed and attempted to analyze the dense network of relationships, both human and literary, that loomed in the background. The thesis is completed by a bibliography of ancient and modern works, an index of manuscripts and an index of names.
ROSSINI, FRANCESCO. ""IO PER ME SONO UN'OMBRA". GIOVAN BATTISTA STROZZI IL GIOVANE (1551 - 1634) FRA POESIA E RIFLESSIONE LETTERARIA." Doctoral thesis, Università Cattolica del Sacro Cuore, 2019. http://hdl.handle.net/10280/58409.
Full textThe thesis proposes a monographic study on the Florentine Giovan Battista Strozzi the Younger also known as the Blind (1551-1634). He was a writer with connections in cultural circles across Renaissance Italy, including Medici’s Florence, Barberini’s Rome, Borromean Milan and the Roman cenacles of the Aldobrandini and the Humorists. The thesis consists of three chapters. The first chapter focuses on the participation of Strozzi the Younger in the activities of two lively groups in his hometown: the Florentine Academy and the Alterati Academy. The second chapter discusses his poetical works – for the most part still unpublished –, including dozens of versified epistles in loose hendecasyllables, an unfinished poem in honor of Amerigo Vespucci, as well as a rich corpus of madrigals. The drafting of this last corpus proceeded together with Strozzi the Younger’s theoretical speculation around the new sixteenth-century appearance of this ancient lyrical genre. The third section considers the contribution of Strozzi the Younger to the discussions on poetics (Dante’s ‘Comedy’, the heroic poem, the Aristotelian units) that went on in Italian literary circles in the second half of the sixteenth century. In this work, we aimed to restore the appropriate historical depth to each of the writings examined, through the exegesis of texts combined with the biographical reconstruction conducted on a large number of published and unpublished epistolary documents. We also tried to reconstruct the different cultural contexts in which these writings were composed and attempted to analyze the dense network of relationships, both human and literary, that loomed in the background. The thesis is completed by a bibliography of ancient and modern works, an index of manuscripts and an index of names.
Biffis, Mattia <1980>. "Giuseppe Salviati a Venezia, 1540-1575 : indagini e ricerche sulla produzione figurativa e sul lascito letterario." Doctoral thesis, Università Ca' Foscari Venezia, 2013. http://hdl.handle.net/10579/3009.
Full textDespite being one of the most interesting and controversial characters in the grand sweep of artistic activity in Venice during the Cinquecento, the painter Giuseppe Salviati – Tuscan by birth but active on the lagoon between the 1550s and 1570s – has never been the subject of major attention in studies of art history. By using new documentation, part unedited, and retrieving sources that hitherto have been neglected, this research retraces his life and professional dealings, shedding light on the principal features that characterise his artistic career: the imitation of Raphael that marks his first phase (c. 1540-1555); the intellectual commitments and prominent position in the world of Venetian scholarship that accompany his full maturity (c. 1555-1575). The first two chapters examine some of the significant public commissions executed by Salviati during his first years in Venice, providing evidence among other things for the role taken by the patrician class in the promotion of his pictorial language, rich in echoes of Rome and reminiscences of Raphael. The central section is entirely dedicated to an analysis of the ceiling of the Libreria Marciana and proposes a new reading of its images and their content, suggesting a possible connection with the cases made for cultural renewal by the Accamedia Veneziana. The last part concentrates on Salviati’s close relationship with notable men of letters and humanists in the period, from Ettore Ausonio to Jacopo Contarini, and concludes with a detailed discussion of Cod. Marc. It. IV, n. 30 (5094), which includes the astrological and phonetic studies undertaken by the painter in the latter years of his life. What emerges in particular from this final section is the profile of a true peintre savant who, in many ways, anticipated a social category that would become characteristic of the cultural universe of the Seicento.
Trovato, Lorenzo. "Diodata Saluzzo nella cultura letteraria del primo Ottocento ˸ i carteggi." Thesis, Sorbonne Paris Cité, 2019. http://www.theses.fr/2019USPCA020.
Full textThis thesis is focused on the commented edition of the epistolary of Diodata Saluzzo, a female poet who had a central role in Italian literature between 18th and 19th centuries.The thesis, in addition to the letter’s edition, is composed of three chapters. First chapter gives an historical contextualization focused on Piemonte during the 18th century. It pays particular attention on Carlo Denina and Prospero Balbo’s intellectual experience, which had an important influence on Diodata Saluzzo and her generation. In this chapter is also analysed the early activity of the Accademy of Sciences, which was founded by Diodata’s father, Giuseppe Angelo Saluzzo. The second chapter includes a complete biography of Diodata Saluzzo, updated with the new information obtained by the epistolary. In the third chapter the most important letters and main correspondences pertained to Cesare Lucchesini, Alessandro Manzoni, Prospero Balbo and the female writers are examined as well. In this chapter, the main topics are also introduced, to simplify the reader’s approach to the epistolary. The second part is composed of the commented edition of the entire corpus of Diodata Saluzzo’s letters, ordered chronologically. Lastly, in the final appendix, are included the letters of other female writers sent to Diodata Saluzzo, which were exanimated in the last paragraph of the third chapter
SCHIUMA, ROSIANA. "<>. IL PROFILO "ISTITUZIONALE" DI MASSIMO BONTEMPELLI." Doctoral thesis, Università degli studi di Modena e Reggio Emilia, 2020. http://hdl.handle.net/11380/1200412.
Full textBy examining the specific, paradigmatic case of Massimo Bontempelli, with particular reference to early twentieth-century Italy, this study aims to outline the intense relationship that existed between intellectuals and the corporate bodies of the fascist regime. In order to expand its range of action also to culture, the regime made use of a series of institutional apparatuses, often working synergistically, which provided significant forms of sustenance. Massimo Bontempelli was emblematic of this approach, given the important positions he held first within the Authors and Writers Union (secretary from 1927 to 1928), and later in the Royal Academy of Italy, which made him a central figure in the cultural scene of the time. The reconstruction of the writer's institutional activities offers a behind-the-scenes view of these institutions and, consequently, allows us to investigate the political and cultural network underlying one of the most direct expressions of those patronage circuits, i.e. literary awards. Conceived as tools to strengthen the cultural system, literary competitions were intended to protect and encourage the activity of Italian writers, from both a financial and a legal point of view. However, they were also a battleground between the great minds of the world, who fought to ensure the awards went to the candidates that best represented the literary movement for which they were the mouthpiece. Thus Bontempelli, as holder - for a certain length of time - of the role of 'master' of the awards machine, endeavoured to protect and reward the Novecento cultural movement of which he was the patron. While the arbiters were just a handful, the outsiders were many. To offer a contrasting view, and render the richness of the literary debate of those years, this study also explores those who were either excluded by the machine or chose to keep their distance. On the fringes (within an appendix including a concise overview of the literary awards in question, in addition to a detailed list), the study also dedicates considerable space to a more general description of Bontempelli, focussing in particular on his many other institutional activities (and those relating to them). Finally, the field of analysis is circumscribed to Bontempelli's work as a propagandist and an anthologist, roles which while fuelling the demands of the cultural policies of fascism, was nevertheless characterised by a problematic and controversial relationship with the regime, which would cost him dearly in the future, perhaps also in terms of critical acclaim.
Books on the topic "Accademie letterarie"
Hortensio Naldi magister musicae piacentino e l'ambiente centese nei primi anni del Seicento: Il mecenate Bartolomeo Fabbri, il pittore Guercino, le accademie letterarie, la prosa teatrale, e la produzione musicale sacra e profana "in loco". Parma: Riunite Donati, 2012.
Find full textDecleva, Enrico, Maurizio Vitale, and Gennaro Barbarisi. Milano e l'Accademia scientifico-letteraria: Studi in onore di Maurizio Vitale. Milano: Cisalpino, 2001.
Find full textCultura letteraria e sapere scientifico nelle accademie tedesche e italiane del Settecento. Rovereto: Accademia roveretana degli Agiati, 2003.
Find full textDonatella, Capodarca, Guidetti Luigi d. 1826, and Baraldi Michele fl 1789-1802, eds. Rinascimento e arcadia nella vita letteraria ferrarese del Settecento. Modena: Mucchi, 1986.
Find full textToscano, Tobia R. Letterati corti accademie: La letteratura a Napoli nella prima metà del Cinquecento. Napoli: Loffredo Editore, 2000.
Find full textL' Accademia degli innominati di Parma: Teorie letterarie e progetti di scrittura (1574-1608). Firenze: Società editrice fiorentina, 2003.
Find full textIstituto veneto di scienze, lettere ed arti., ed. Saggi scientifici e letterari dell'Accademia di Padova. Venezia: Istituto veneto di scienze, lettere ed arti, 2000.
Find full textBrettoni, Augusta, Ernestina Pellegrini, Sandro Piazzesi, and Diego Salvadori, eds. Per Enza Biagini. Florence: Firenze University Press, 2016. http://dx.doi.org/10.36253/978-88-6453-404-6.
Full textCrusca, Accademia della, ed. La Crusca nella tradizione letteraria e linguistica italiana: Atti del Congresso internazionale per il IV centenario dell'Accademia della Crusca : Firenze, 29 settembre-2 ottobre 1983. Firenze: Presso L'Accademia, 1985.
Find full textBook chapters on the topic "Accademie letterarie"
Hauben, Hans. "Review of Le lettere festali di Atanasio di Alessandria. Studio storico-critico by Alberto Camplani. (Unione Accademica Nazionale. Corpus dei Manoscritti Copti Letterari), Roma, 1989." In Studies on the Melitian Schism in Egypt (AD 306–335), edited by Peter Van Nuffelen, 281–85. Routledge, 2018. http://dx.doi.org/10.4324/9781351219587-6.
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