Relevant bibliographies by topics / Accentual-syllabic

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  2. Dissertations / Theses
  3. Book chapters

Academic literature on the topic 'Accentual-syllabic'

Author: Grafiati
Published: 4 June 2021
Last updated: 6 February 2022

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Journal articles on the topic "Accentual-syllabic"

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Petrov, Alexander. "SPIRITUAL VERSES ABOUT TSAREVICH JOASAPH: PLOTS AND METRICAL MODELS." Antropologicheskij forum 17, no. 49 (2021): 88–131. http://dx.doi.org/10.31250/1815-8870-2021-17-49-88-131.

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The article considers the problem of the development of metrical forms of the cycle of folklore spiritual verses about Tsarevich Joasaph. Spiritual verses related to the literary tradition are used as supplementary material. The aim of the research is to trace the evolution of the metrics of folklore spiritual verses about Tsarevich Joasaph in the context of the history of Russian versification. The tasks of the research are the formation of a database of texts, differentiation of the texts into thematic groups, selection of method of work, and the analysis of folk and literary variants. The r
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Lotman, Mihhail. "Breaking the Syllabic-accentual Monotony." Studia Metrica et Poetica 2, no. 2 (2015): 102–22. http://dx.doi.org/10.12697/smp.2015.2.2.07.

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Ants Oras’s innovation was not confined to the sphere of language, he also has an important role in the enrichment of Estonian metrics and systems of versification. His sources were mainly the forms of different European poetic cultures, which he introduced in his translations. In the paper, two meters are studied, which Oras tried to create in his translation of Goethe’s Faust, in order to adequately convey the original’s rhythm. These verse meters are German national form, Knittelvers, and adoneus derived from ancient and medieval verse. One common characteristic for these meters is the brea
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Lotman, Maria-Kristiina, and Mihhail Lotman. "The Accentual Structure of Estonian Syllabic-Accentual Iambic Tetrameter." Studia Metrica et Poetica 1, no. 2 (2014): 71–102. http://dx.doi.org/10.12697/smp.2014.1.2.04.

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This paper is part of a project aimed to analyse the rhythm of Estonian binary verse metres. It is the first complex analysis of Estonian syllabic-accentual iamb. The analysis is comprised of poetry by 20 prominent authors from the end of the 19th century and the beginning of the 20th century, and, all in all, more than 9000 verse lines. In order to find out which regularities are specific to poetry in general or to a particular poet, these data were compared with pseudoiambic segments extracted from prose. Differently from the earlier studies, stress is treated as a phenomenon of gradation, w
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Parkinson, Stephen. "Responsion, accentual metrics and metrical irregularity in the cantiga de amigo." Revista Galega de Filoloxía 21 (December 30, 2020): 91–137. http://dx.doi.org/10.17979/rgf.2020.21.0.7343.

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This paper defends Parkinson’s (2016) claim that the metre of a significant number of cantigas de amigois accentual rather than accentual-syllabic, by rebutting an oblique defence of traditional metrics in Cohen (2018), and a direct critique of accentual metre in Cohen (2017).
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Lotman, Maria-Kristiina. "Prosody and versification systems of ancient verse." Sign Systems Studies 29, no. 2 (2001): 535–61. http://dx.doi.org/10.12697/sss.2001.29.2.08.

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The aim of the present study is to describe the prosodic systems of the Greek and Latin languages and to find out the versification systems which have been realized in the poetical practice. The Greek language belongs typologically among the mora-counting languages and thus provides possibilities for the emergence of purely quantitative verse, purely syllabic verse, quantitative-syllabic verse and syllabic-quantitative verse. There is no purely quantitative or purely syllabic verse in actual Greek poetry; however, the syllabic-quantitative versification systems (the Aeolian tradition) and quan
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Lotman, Maria-Kristiina. "Equiprosodic translation method in Estonian poetry." Sign Systems Studies 40, no. 3/4 (2012): 447–72. http://dx.doi.org/10.12697/sss.2012.3-4.10.

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Equimetrical translation of verse, which conveys the metre of the source text, should be distinguished from equiprosodic translation of verse, which conveys the versification system of the source text. Equiprosodic translation of verse can rely on the possibilities of natural language (for instance, when presumably Publius Baebius Italicus created the Ilias Latina, he made use of the quantitative structure in Latin), but it can also employ an artificial system (cf., for example, the quantitative verse in Church Slavonic or English). The Estonian language makes it possible to convey the syllabi
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Qojayeva, Shahla. "Accentual Structure in Spoken English—Has It Been Overanalyzed?" International Journal of English Linguistics 6, no. 3 (2016): 200. http://dx.doi.org/10.5539/ijel.v6n3p200.

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<p>Pronouncing words with the correct stress plays an important role in communication. This has been investigated by different phoneticians, Torsuyev and Gibson amongst others, who have analyzed the different accentual patterns of English words and defined a large number of different accentual patterns. In this paper the author experimentally challenges the concept of complex accentual structures by investigating the pattern of standard British English speakers. Using the PRAAT program, a software package which is widely used in phonetic experimental research, the fundamental parameters
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Lotman, M.-K., and M. Lotman. "THE QUANTITATIVE STRUCTURE OF ESTONIAN SYLLABIC-ACCENTUAL TROCHAIC TETRAMETER." Trames. Journal of the Humanities and Social Sciences 17, no. 3 (2013): 243. http://dx.doi.org/10.3176/tr.2013.3.03.

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Proto, Teresa, and François Dell. "The structure of metrical patterns in tunes and in literary verse. Evidence from discrepancies between musical and linguistic rhythm in Italian songs." Probus 25, no. 1 (2013): 105–38. http://dx.doi.org/10.1515/probus-2013-0004.

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Abstract A first exploration of acceptable and unacceptable discrepancies between linguistic and musical rhythm in Italian songs has uncovered two kinds of discrepancies which do not have counterparts in literary verse: durational discrepancies between adjacent syllables and stress-beat misalignments that involve nonadjacent syllables. The latter type is explored in greater detail than the former. Our survey suggests that analogous misalignments are in principle impossible in literary verse composed in accentual or accentual-syllabic meters, because, on the one hand, the abstract metrical temp
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Tooming, Aile. "Verse semantics of some metres in Uku Masing's poetry." Sign Systems Studies 40, no. 1/2 (2012): 177–91. http://dx.doi.org/10.12697/sss.2012.1-2.09.

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The article introduces the results of a semantic analysis of Uku Masing's (1909– 1985) early poetry (1926–1943). The metres analyzed are syllabic-accentual trochaic tetrameter, trochaic pentameter, iambic pentameter and dactylic, logaoedic and polymetric hexameters. In each text the textual communicative perspective as well as motifs and tropes of each verse line were examined. The semantic differences and colourings of the metres are most evident in the way of expression, in the viewpoint.
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Dissertations / Theses on the topic "Accentual-syllabic"

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Suslavičienė, Aušra. "A.Maldonio poezijos kirčiavimo problemos." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2005. http://vddb.library.lt/obj/LT-eLABa-0001:E.02~2005~D_20050608_111022-99380.

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Proclitics and enclitics are not explored very well in lithuanian poetry. Linguists which studied lithuanian (unpoetical) discource states that it is not possible to determine precisely which words can be considered as clitics. The main goal of this work is to analyse which words in poetry are usually adjoined. The material of this research consists of A. Maldonis syllabic-accentual versification verses. On the basis of this versification regular stressed and unstressed syllables recurrence it is determined which word are stressed or are not stressed. On these results statistic analysis has be
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Cooper, Andrew. "A unified account of the Old English metrical line." Doctoral thesis, Stockholms universitet, Engelska institutionen, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-148370.

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This study describes the verse design of Old English poetry in terms of modern phonological theory, developing an analysis which allows all OE verse lines to be described in terms of single metrical design. Old English poetry is typified by a single type of line of variable length, characterised by four metrical peaks. The variation evident in the lengths of OE metrical units has caused previous models to overgenerate acceptable verse forms or to develop complex typologies of dozens of acceptable forms. In this study, Metrical phonology and Optimality theory are used to highlight some aspects
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Book chapters on the topic "Accentual-syllabic"

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Attridge, Derek. "The Rhythms of the English Dolnik." In Critical Rhythm. Fordham University Press, 2019. http://dx.doi.org/10.5422/fordham/9780823282043.003.0008.

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This essay starts by illustrating the difference between accentual-syllabic meter in English and the popular form of four-beat verse, or dolnik, by means of a comparison between poems by Thomas Wyatt in both forms. Some of the characteristics of dolnik are discussed, including its easily felt rhythmic base and its expressive flexibility, illustrated by the rhythms of Gerard Manley Hopkins’s “Inversnaid.” To allow for a fuller description of dolnik meter than has hitherto been available, a distinction is drawn between two types of dolnik, one fundamentally duple in its rhythm and the other triple. Nursery rhymes provide clear examples of these alternative rhythms, including the possibility that a single poem can be read in either manner. Recognizing this distinction allows for a more detailed account of the rhythms of “Inversnaid” than can be achieved with traditional prosodic approaches; further evidence of this is provided by analyses of poems by Tennyson and Blake.
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Gendrot, Cédric, Martine Adda-Decker, and Fabián Santiago. "Acoustic realization of vowels as a function of syllabic position." In Romance Phonetics and Phonology. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198739401.003.0005.

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Corpora of prepared speech were compared between two Romance languages: French and Spanish. Results of this comparison show that owing to its presence of lexical stress—itself involving acoustic strengthening—Spanish, in contrast to French, reveals acoustic strengthening with word-final lengthening. However, acoustic variations due to other factors such as vowel duration, speech rate, and presence of pause are similar in both languages, contradicting some findings of previous studies in this domain. Spanish Prosodic Words and French Accentual Phrases are closely analyzed, with data normalized by speaker. The major result of this study is that, while for both languages an overall strengthening of the vowels with a longer duration and a slower speech rate is observed, vowel strengthening due to syllable position within the word reveals significant differences between French and Spanish.
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Journal articles
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