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Journal articles on the topic 'Accentual-syllabic'

Author: Grafiati

Published: 4 June 2021

Last updated: 6 February 2022

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1

Petrov, Alexander. "SPIRITUAL VERSES ABOUT TSAREVICH JOASAPH: PLOTS AND METRICAL MODELS." Antropologicheskij forum 17, no. 49 (2021): 88–131. http://dx.doi.org/10.31250/1815-8870-2021-17-49-88-131.

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The article considers the problem of the development of metrical forms of the cycle of folklore spiritual verses about Tsarevich Joasaph. Spiritual verses related to the literary tradition are used as supplementary material. The aim of the research is to trace the evolution of the metrics of folklore spiritual verses about Tsarevich Joasaph in the context of the history of Russian versification. The tasks of the research are the formation of a database of texts, differentiation of the texts into thematic groups, selection of method of work, and the analysis of folk and literary variants. The r

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2

Lotman, Mihhail. "Breaking the Syllabic-accentual Monotony." Studia Metrica et Poetica 2, no. 2 (2015): 102–22. http://dx.doi.org/10.12697/smp.2015.2.2.07.

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Ants Oras’s innovation was not confined to the sphere of language, he also has an important role in the enrichment of Estonian metrics and systems of versification. His sources were mainly the forms of different European poetic cultures, which he introduced in his translations. In the paper, two meters are studied, which Oras tried to create in his translation of Goethe’s Faust, in order to adequately convey the original’s rhythm. These verse meters are German national form, Knittelvers, and adoneus derived from ancient and medieval verse. One common characteristic for these meters is the brea

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3

Lotman, Maria-Kristiina, and Mihhail Lotman. "The Accentual Structure of Estonian Syllabic-Accentual Iambic Tetrameter." Studia Metrica et Poetica 1, no. 2 (2014): 71–102. http://dx.doi.org/10.12697/smp.2014.1.2.04.

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This paper is part of a project aimed to analyse the rhythm of Estonian binary verse metres. It is the first complex analysis of Estonian syllabic-accentual iamb. The analysis is comprised of poetry by 20 prominent authors from the end of the 19th century and the beginning of the 20th century, and, all in all, more than 9000 verse lines. In order to find out which regularities are specific to poetry in general or to a particular poet, these data were compared with pseudoiambic segments extracted from prose. Differently from the earlier studies, stress is treated as a phenomenon of gradation, w

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4

Parkinson, Stephen. "Responsion, accentual metrics and metrical irregularity in the cantiga de amigo." Revista Galega de Filoloxía 21 (December 30, 2020): 91–137. http://dx.doi.org/10.17979/rgf.2020.21.0.7343.

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This paper defends Parkinson’s (2016) claim that the metre of a significant number of cantigas de amigois accentual rather than accentual-syllabic, by rebutting an oblique defence of traditional metrics in Cohen (2018), and a direct critique of accentual metre in Cohen (2017).

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5

Lotman, Maria-Kristiina. "Prosody and versification systems of ancient verse." Sign Systems Studies 29, no. 2 (2001): 535–61. http://dx.doi.org/10.12697/sss.2001.29.2.08.

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The aim of the present study is to describe the prosodic systems of the Greek and Latin languages and to find out the versification systems which have been realized in the poetical practice. The Greek language belongs typologically among the mora-counting languages and thus provides possibilities for the emergence of purely quantitative verse, purely syllabic verse, quantitative-syllabic verse and syllabic-quantitative verse. There is no purely quantitative or purely syllabic verse in actual Greek poetry; however, the syllabic-quantitative versification systems (the Aeolian tradition) and quan

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6

Lotman, Maria-Kristiina. "Equiprosodic translation method in Estonian poetry." Sign Systems Studies 40, no. 3/4 (2012): 447–72. http://dx.doi.org/10.12697/sss.2012.3-4.10.

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Equimetrical translation of verse, which conveys the metre of the source text, should be distinguished from equiprosodic translation of verse, which conveys the versification system of the source text. Equiprosodic translation of verse can rely on the possibilities of natural language (for instance, when presumably Publius Baebius Italicus created the Ilias Latina, he made use of the quantitative structure in Latin), but it can also employ an artificial system (cf., for example, the quantitative verse in Church Slavonic or English). The Estonian language makes it possible to convey the syllabi

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7

Qojayeva, Shahla. "Accentual Structure in Spoken English—Has It Been Overanalyzed?" International Journal of English Linguistics 6, no. 3 (2016): 200. http://dx.doi.org/10.5539/ijel.v6n3p200.

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<p>Pronouncing words with the correct stress plays an important role in communication. This has been investigated by different phoneticians, Torsuyev and Gibson amongst others, who have analyzed the different accentual patterns of English words and defined a large number of different accentual patterns. In this paper the author experimentally challenges the concept of complex accentual structures by investigating the pattern of standard British English speakers. Using the PRAAT program, a software package which is widely used in phonetic experimental research, the fundamental parameters

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8

Lotman, M.-K., and M. Lotman. "THE QUANTITATIVE STRUCTURE OF ESTONIAN SYLLABIC-ACCENTUAL TROCHAIC TETRAMETER." Trames. Journal of the Humanities and Social Sciences 17, no. 3 (2013): 243. http://dx.doi.org/10.3176/tr.2013.3.03.

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9

Proto, Teresa, and François Dell. "The structure of metrical patterns in tunes and in literary verse. Evidence from discrepancies between musical and linguistic rhythm in Italian songs." Probus 25, no. 1 (2013): 105–38. http://dx.doi.org/10.1515/probus-2013-0004.

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Abstract A first exploration of acceptable and unacceptable discrepancies between linguistic and musical rhythm in Italian songs has uncovered two kinds of discrepancies which do not have counterparts in literary verse: durational discrepancies between adjacent syllables and stress-beat misalignments that involve nonadjacent syllables. The latter type is explored in greater detail than the former. Our survey suggests that analogous misalignments are in principle impossible in literary verse composed in accentual or accentual-syllabic meters, because, on the one hand, the abstract metrical temp

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10

Tooming, Aile. "Verse semantics of some metres in Uku Masing's poetry." Sign Systems Studies 40, no. 1/2 (2012): 177–91. http://dx.doi.org/10.12697/sss.2012.1-2.09.

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The article introduces the results of a semantic analysis of Uku Masing's (1909– 1985) early poetry (1926–1943). The metres analyzed are syllabic-accentual trochaic tetrameter, trochaic pentameter, iambic pentameter and dactylic, logaoedic and polymetric hexameters. In each text the textual communicative perspective as well as motifs and tropes of each verse line were examined. The semantic differences and colourings of the metres are most evident in the way of expression, in the viewpoint.

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11

Lotman, Mihhail. "Русский стих: метрика, системы стихосложения, просодия (генеративный подход) [Russian verse: Its metrics, versification systems, and prosody (Generative synopsis)]". Sign Systems Studies 28 (31 грудня 2000): 217–41. http://dx.doi.org/10.12697/sss.2000.28.12.

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Russian verse: Its metrics, versification systems, and prosody (Generative synopsis). In the article the general verse metre theory and its application to Russian verse is adressed, allowing us, thereby, to observe not the single details, but only the most general characteristics of verse. The treatment can be summarised in the five following points: 1) the basis for the phenomenon of verse is its metrical code: the special feature of verse text is the presence of its metre (this feature is common to every verse type, to the most regular verse, as well as to vers libre); 2) the nature of verse

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12

Orlitsky, Jurij. "ONCE AGAIN ABOUT SO-CALLED BRODSKY’S «SYLLABICS» AND ITS OBJECTIVE CONTEXT – RUSSIAN SYLLABICS OF THE LATE XX CENTURY." Izvestia of Smolensk State University, no. 1 (49) (May 26, 2020): 33–46. http://dx.doi.org/10.35785/2072-9464-2020-49-1-33-46.

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The article considers existing opinion in modern science devoted to Brodsky's about the rhyme in his two poems written in the middle of the 1960s. These poems («The Poetry», «Imitation of Cantemir`s Satires») appeal to the name and word of Cantemir. On the basis of this fact and due to the use of unconventional forms of syllabotonics (dactyl with two caesuras) and tonics (accentual rhyme with a constant clausula), the author often makes a conclusion about syllabic nature of these poems. The author of the article explains the reasons for the error and suggests ways of solution. In additio

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13

Lotman, Rebekka. "The patterns of the Estonian sonnet: periodization, incidence, meter and rhyme." Studia Metrica et Poetica 4, no. 2 (2018): 67–124. http://dx.doi.org/10.12697/smp.2017.4.2.04.

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The first sonnets in Estonian language were published almost 650 years after this verse form was invented by Federico da Lentini in Sicily, in the late of 19th century. Sonnet form became instantly very popular in Estonia and has since remained the most important fixed form in Estonian poetry. Despite its widespread presence over time the last comprehensive research on Estonian sonnet was written in 1938.This article has a twofold aim. First, it will give an overview of the incidence of Estonian sonnets from its emergence in 1881 until 2015. The data will be studied from the diachronic perspec

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14

Cornelius, Ian. "The Text of the ABC of Aristotle in the ‘Winchester Anthology’." Anglia 139, no. 2 (2021): 400–418. http://dx.doi.org/10.1515/ang-2021-0026.

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Abstract The Middle English ABC of Aristotle is an alliterative abecedary poem that survives in fifteen manuscript copies dating between the mid-fifteenth and early sixteenth centuries. The most eccentric copy, bearing the greatest number of unique textual variants, is in London, British Library, Additional 60577, a commonplace book and miscellany of verse and prose known today as the ‘Winchester Anthology’. The Winchester copy of the ABC of Aristotle is distinguished from all others by changes to vocabulary, idiom, and prosody. The result is a unique redaction, illustrating the kind of litera

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15

Roberts-Smith, Jennifer. "Thomas Campion’s iambic and quantitative Sapphic: Further evidence for phonological weight in Elizabethan English quantitative and non-quantitative meters." Language and Literature: International Journal of Stylistics 21, no. 4 (2012): 381–401. http://dx.doi.org/10.1177/0963947012444952.

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Fulfilling a central goal of a generation of Elizabethan English metrical theory often referred to as the ‘quantitative movement’, Thomas Campion succeeded in demonstrating the role of syllable quantity, or phonological weight, in Elizabethan iambic pentameter. Following Kristin Hanson (2001, 2006), this article parses Campion’s scansions of Early Modern English syllables, according to moraic theory, into resolved moraic trochees. The analysis demonstrates that (1) Campion distinguished between syllable weight (syllable quantity) and stress or strength (accent) in Early Modern English; (2) Cam

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16

Shelya, Artjom, and Oleg Sobchuk. "The shortest species: how the length of Russian poetry changed (1750–1921)." Studia Metrica et Poetica 4, no. 1 (2017): 66–84. http://dx.doi.org/10.12697/smp.2017.4.1.03.

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The paper studies long-term changes in the length of Russian poetry (1750–1921) to reveal the relation of poem length (counted in lines) to a poetic form and its evolution. The research has shown a dramatic decrease in the mean and median poetry lengths during the 19th century. This decrease was followed by the decline in length diversity, which resulted in short poems (8–20 lines) overpopulating the literature during the age of Modernism. We argue that this transformation towards the short form could be understood in the framework of cultural evolution: Russian poetry struggled to keep its li

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17

Rodríguez Martínez, Nora. "Modernismo en la poesía de Manuel Machado: tradición e innovación en el soneto alejandrino." Rhythmica. Revista Española de Métrica Comparada, no. 13 (January 1, 2015): 193. http://dx.doi.org/10.5944/rhythmica.16164.

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En este trabajo se estudia la renovación modernista que Manuel Machado desarrolla en su poética, especialmente el soneto alejandrino. En este sentido, se van a analizar las distintas innovaciones modernistas que el autor introduce en su poesía: las dislocaciones acentuales que dan ligereza y dinamismo al ritmo, la presencia o ausencia de palabras agudas o esdrújulas al final de hemistiquio que afectan al cómputo silábico, los encabalgamientos, la rima y los juegos fónicos, que buscan una poesía más expresiva y sugerente.This piece of work studies the modernist renewal developed by Manuel Macha

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18

Ranchin, Andrey. "Joseph Brodsky’s Poem «San Pietro»: an Example of Analysis." Izvestia of Smolensk State University, no. 3 (51) (November 2, 2020): 5–22. http://dx.doi.org/10.35785/2072-9464-2020-51-3-5-22.

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The article considers the poem «San Pietro» (1977) by Joseph Brodsky. The paper analyzes the poem written by a free accentual verse and its metric features in their correlation with semantics: fuzziness of objects, indistinguishability of things in Venetian fog and the «fuzziness» in the metric syllabic-accentual basis of the text. The author traces features of the poem composition, which combines freedom and certain organizing principles. It is shown that the poem contains the key motifs for the alienation of I from its own past and the surrounding world (a description of th

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19

Lucente, Luciana. "Dynamic model of speech." Journal of Speech Sciences 3, no. 2 (2021): 21–62. http://dx.doi.org/10.20396/joss.v3i2.15045.

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This article explores the relationship between intonational patterns and its relationship with speech rhythm and discourse, according to the dynamic systems research program. The study of these relationships were based on Barbosa’s (2006) Dynamic Model of Speech Rhythm; on Dato intonational annotation system proposed by Lucente (2008); and on the Computational Model of the Structure of Discourse, proposed by Grosz & Sidner (1986). The Dynamic Model of Rhythm suggests that the speech rhythm is the result of the action of two oscillators – accentual and syllabic - which receive as input ling

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20

Aleychenko, A. "RHYTHM AND METRIC FEATURES OF YANKA KUPALA'S PRE-OCTOBER PERIOD POETRY." Keruen 70, no. 1 (2021). http://dx.doi.org/10.53871/2078-8134.2021.1-04.

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The article deals with the research of Yanka Kupala's versification of the pre-October period in an integrated multi-dimensional approach. It is considered the difference of functional and structural characteristics of metric and rhythmic verse levels. It is identified the semantic role of rhythm-forming components and the semantic range of certain meters in Yanks Kupala's works. With the help of statistical and comparative-typological methods there are extracted the objective information about the rhythmic-metric features of the books «Zhaleyka», «Guslyar», «Slyasham zhyccia», traced the evol

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21

Pilshchikov, Igor. "Rhythmical Ambiguity: Verbal Forms and Verse Forms." Studia Metrica et Poetica 6, no. 2 (2020). http://dx.doi.org/10.12697/smp.2019.6.2.02.

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In undertaking the statistical analysis of the rhythm of Russian syllabic-accentual verse, one confronts a problem: how to accentuate words whose natural-language stress is weaker than that of fully-stressed words. Zhirmunsky called such words “ambiguous” and formulated a rule: they should be considered stressed in “strong” (ictic) positions and unstressed in “weak” (non-ictic) positions. Gasparov, who accepted and elaborated on Zhirmunsky’s rule, pointed out that “this difference in the quality of stress in strong positions [...] has a significant impact on the rhythm of verse, especially tha

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22

Sarv, Mari. "Poetic metre as a function of language: linguistic grounds for metrical variation in Estonian runosongs." Studia Metrica et Poetica 6, no. 2 (2020). http://dx.doi.org/10.12697/smp.2019.6.2.04.

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The article focuses on the relationship of language and metre in case of oral poetry, more exactly, to what extent and through which processes the changes in language have induced the changes in metre in case of Estonian runosong, a branch of common Finnic poetic-musical tradition. The Estonian language has gone through a series of notable phonological changes during approximately last 500 to 700 years that have systematically shortened the word forms; the extent of these changes varies across dialects. At the same time the language of runosongs has partly resisted these changes, and partly ad

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