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Journal articles on the topic 'Access gallery'

Author: Grafiati

Published: 4 June 2021

Last updated: 14 February 2022

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1

Tulloch, Pamela. "Integrating art – a Glasgow style." Art Libraries Journal 28, no. 3 (2003): 42–46. http://dx.doi.org/10.1017/s0307472200013237.

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Glasgow’s Mitchell Library is one of the largest public reference libraries in Europe. Recently, the City Council’s Cultural and Leisure Services staff have implemented an innovative approach to providing art information for the general public in the ‘Library @ GoMA – the learning gallery’, which opened in 2002 within the Gallery of Modern Art. In addition to the support the library offers to the Gallery’s activities, an ambitious programme of digitisation is under way to enable access to more of the Mitchell’s treasures.

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He, Wenhao, Haitao Song, Yue Guo, et al. "A Gallery-Guided Graph Architecture for Sequential Impurity Detection." IEEE Access 7 (2019): 149105–16. http://dx.doi.org/10.1109/access.2019.2946861.

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Blair, Jennifer. "Art Museum Image Gallery." Charleston Advisor 21, no. 3 (2020): 15–19. http://dx.doi.org/10.5260/chara.21.3.15.

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Art Museum Image Gallery provides access through a subscription to museum collections of over 156,000 high-quality images sourced from the Art Archive of Picture Desk, Inc. and includes paintings, prints, ceramics, sculpture, and other art. The images span from 3000 B.C. to the present, with an emphasis on cultural and area studies. The price varies and is based on subscribers’ overlap with packages and other factors unique to institution needs, but primarily is on bracket determined by number of users. The interface could use improvement in its limiters. But individual item displays surpass s

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Franklin, Jonathan. "Cataloguing the Library of Sir Charles Eastlake (1793–1865) at the Library of the National Gallery, London." Art Libraries Journal 42, no. 4 (2017): 189–94. http://dx.doi.org/10.1017/alj.2017.34.

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The Library of Sir Charles Eastlake (1793–1865), the first Director of the National Gallery, London, became the founding collection of the National Gallery Library. It is now being catalogued to rare book standards, and the records will be made available to researchers as part of a wider retrospective conversion and online access project. A few highlights from the Eastlake Library are described in order to illustrate the range and depth of the collection.

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Xue, Gang, Shifeng Liu, Daqing Gong, and Yicao Ma. "Environmental Intelligent Control of Underground Integrated Pipe Gallery Based on Equipment Failure Rate." IEEE Access 7 (2019): 160062–71. http://dx.doi.org/10.1109/access.2019.2950381.

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Furness, Jane. "Research resources in the National Galleries of Scotland." Art Libraries Journal 28, no. 3 (2003): 37–41. http://dx.doi.org/10.1017/s0307472200013225.

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The National Galleries of Scotland is entering an exciting period of development: phase one of its Playfair Project is due for completion in summer 2003, with the opening of the remodelled Royal Scottish Academy building adjacent to the National Gallery and the exhibition Monet: the Seine & the sea. As well as providing increased gallery, education and visitor facilities, this project also has information technology and access implications for the Archives, Libraries and Reference Section as well as for the commercial Picture Library.

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Longshore, Douglas. "Prevalence and Circumstances of Drug Injection at Los Angeles Shooting Galleries." Crime & Delinquency 42, no. 1 (1996): 21–35. http://dx.doi.org/10.1177/0011128796042001002.

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This study estimates the prevalence of drug injection at shooting galleries in Los Angeles and describes their characteristics. Data indicate that 23% of local drug injectors went to a gallery during the year before their interview and that drug use at shooting galleries may have been underestimated in other studies. “Dirty works” are commonly shared in Los Angeles galleries, and gallery access is not limited to people who know each other. However, galleries in the eastern and western United States appear to differ in their scale of operation, that is, the number of users who visit them on a g

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Cachia, Amanda. "Reflections on Access: Disability in Curatorial Practice." Canadian Journal of Disability Studies 8, no. 1 (2019): 98–117. http://dx.doi.org/10.15353/cjds.v8i1.472.

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Access is a vital tool to deploy within a critical disability curatorial practice and can embody both conceptual and physical possibilities, whereby the very idea of access can be discovered in an artist’s work, and, at the same time, be productively curated into both gallery spaces and the exhibition of the artwork. This essay reflects on the author’s critical disability curatorial practice with the exhibitions Marking Blind (2015) and Sweet Gongs Vibrating (2016). Through the curation of works by Raphaëlle de Groot and Carmen Papalia, and through the artist curator relationship between the a

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Massis, Bruce. "Art galleries in the library." Information and Learning Science 118, no. 9/10 (2017): 566–68. http://dx.doi.org/10.1108/ils-08-2017-0083.

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Purpose The purpose of this study is to report that the library has recognized the benefit to the community of including art gallery space in the library. Design/methodology/approach This paper is a literature review and commentary on this topic that has been addressed by professionals, researchers and practitioners. Findings Exposure to art in the library can open and expand worlds that might never have been available to some and can provide the populace with greater access directly in their own community. Originality/value The value in exploring this topic is to provide libraries that may no

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Lemon, Narelle. "Voice, Choice, Equity and Access: Young Children Capture their Art Gallery Education Experiences." Journal of Museum Education 38, no. 3 (2013): 349–63. http://dx.doi.org/10.1080/10598650.2013.11510786.

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Bruce, Joan. "Using RLIN in the Australian National Gallery Library." Art Libraries Journal 14, no. 3 (1989): 17–20. http://dx.doi.org/10.1017/s0307472200006350.

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The Australian National Gallery Library has used RLIN since January 1985. It is used primarily as an online bibliographic database, to trace publications on particular artists and as a means of verifying references supplied by library users. It is also used, but less frequently, to verify bibliographic details of items to be acquired for the Library; other more occasional use is made of RLIN as a source of catalogue records, to identify locations of items the loan of which is to be sought from overseas, to verify name headings, and as a source of information used in stock selection. Of the spe

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Zheng, Aiyuan. "Numerical Simulation of the Protective Effect of an Anti-Uplift Protector on Subway Tunnels with Different Sections." Buildings 9, no. 1 (2018): 5. http://dx.doi.org/10.3390/buildings9010005.

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The construction areas of both the upper water gallery of the left circular tunnel and the water gallery of the right square tunnel in the Shuangjie River gallery project in Shenzhen that pass through the parking access line of the Qianhai parking lot were numerically simulated. The ABAQUS finite element numerical simulation software was used to analyze the stress and strain of the cover and retaining pile with different sections under the design of tunnel anti-uplift protection measures. The results of the study are summarized as follows: The vertical deformation of the upper cover of the squ

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Spolitis, Sandis, Rihards Murnieks, Laura Skladova, et al. "IM/DD WDM-PON Communication System Based on Optical Frequency Comb Generated in Silica Whispering Gallery Mode Resonator." IEEE Access 9 (2021): 66335–45. http://dx.doi.org/10.1109/access.2021.3076411.

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Ramirez, Christopher, and Kimberly A. Selber. "Access and Critique: How New Media Are Changing the Landscape of the Gallery Experience." International Journal of the Inclusive Museum 2, no. 3 (2009): 69–80. http://dx.doi.org/10.18848/1835-2014/cgp/v02i03/44278.

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Kusuma, Maritha Nilam, Wahyono Hadi, and Budisantoso Wirjodirdjo. "Preliminary study of infiltration gallery for water treatment towards Universal Access 2019 in Indonesia." Soil & Environment 37, no. 1 (2018): 83–88. http://dx.doi.org/10.25252/se/18/51284.

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Vu, The Manh, Jean Sulem, Didier Subrin, Nathalie Monin, and Judith Lascols. "Anisotropic Closure in Squeezing Rocks: The Example of Saint-Martin-la-Porte Access Gallery." Rock Mechanics and Rock Engineering 46, no. 2 (2012): 231–46. http://dx.doi.org/10.1007/s00603-012-0320-4.

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Siregar, Nurul Aldha Mauliddina, Ute Lies Siti Khadijah, and Evi Novianti. "Strategi Resiliensi Museum dan Galeri Foto Jurnalistik Antara Menghadapi Pandemi Covid-19." Rekam 17, no. 1 (2021): 13–26. http://dx.doi.org/10.24821/rekam.v17i1.4945.

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The implementation of the Large-Scale Social Restrictions (PSBB) policy in order to reduce the number of transmission of the coronavirus (Covid-19) pandemic cases in Jakarta leads several cultural heritage sites such as museums close the physical access to visits. In the midst of these limitations, the Antara Journalistic Museum and Photo Gallery made a breakthrough by establishing the museum digitization approach using Video Reality (VR) technology. This article was written to see how the strategy for the resilience of Cultural Heritage Sites in the Museum and Journalistic Photo Gallery is be

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Reeves, David. "One big picture – 12,000 little pictures: the Auckland Art Gallery collection management and access programme." Electronic Library 21, no. 3 (2003): 208–13. http://dx.doi.org/10.1108/02640470310480443.

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MacPherson, Sarah, Michael Bird, Katrina Anderson, Terri Davis, and Annaliese Blair. "An Art Gallery Access Programme for people with dementia: ‘You do it for the moment’." Aging & Mental Health 13, no. 5 (2009): 744–52. http://dx.doi.org/10.1080/13607860902918207.

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Miller, Steven. "The English-speaking researcher in Italy." Art Libraries Journal 35, no. 2 (2010): 35–39. http://dx.doi.org/10.1017/s0307472200016382.

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Italy is celebrated for its outstanding patrimony in art and architecture. Less known are its equally rich libraries and archives. English researchers are sometimes daunted by the perceived barriers of language, cataloguing and access when they contemplate exploring these collections, scattered throughout the country in state, academic and ecclesiastical institutions. Steven Miller, acting Head Librarian of Sydney’s Art Gallery of New South Wales, shares his experience of using a wide range of Italian libraries and archives over the last ten years.

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Dwyer, Melva J. "Fine arts libraries in British Columbia: culture on the West Coast of Canada." Art Libraries Journal 24, no. 3 (1999): 5–7. http://dx.doi.org/10.1017/s0307472200019556.

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Fine arts and culture have existed in British Columbia from the time that the First Peoples came to the North Pacific coast of Canada. Vancouver’s first fine arts library was established in 1930 at the Vancouver Public Library; significant collections have subsequently been developed at the Vancouver Art Gallery, Emily Carr Institute of Art & Design and the University of British Columbia. They serve a diverse clientele: students, artists and researchers. Outlook, a province-wide network, provides access via the Internet to library catalogues of public, college and institution libraries thr

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Deacon, Megan, and Linda Kalejs. "Open art: MOOCs, copyright and the art librarian." Art Libraries Journal 40, no. 4 (2015): 20–25. http://dx.doi.org/10.1017/s0307472200020484.

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Massive Open Online Courses (MOOCs) have transformed the Higher Education sector world-wide, educating diverse audiences through Open Access content and resources. Very few have been integrated into the museum experience; however there is signifi cant potential for MOOCs to revolutionise access to the collections of art museums and galleries. This article presents empirical evidence drawing from a review of literature, and provides a case study into copyright challenges encountered using art images and video in a MOOC environment. Specific examples have been selected from the FutureLearn/ Mona

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Özmen, Mustafa Utku. "Online information retrieval behaviour and economics of attention." Online Information Review 39, no. 6 (2015): 779–94. http://dx.doi.org/10.1108/oir-05-2015-0139.

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Purpose – The purpose of this paper is to analyse users’ attitudes towards online information retrieval and processing. The aim is to identify the characteristics of information that better capture the attention of the users and to provide evidence for the information retrieval behaviour of the users by studying online photo archives as information units. Design/methodology/approach – The paper analyses a unique quasi-experimental data of photo archive access counts collected by the author from an online newspaper. In addition to access counts of each photo in 500 randomly chosen photo galleri

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Bailey, Matthew. "Content, digitisation and intellectual property rights: an institutional perspective." Art Libraries Journal 35, no. 4 (2010): 5–11. http://dx.doi.org/10.1017/s0307472200016606.

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Cultural institutions the world over share certain key characteristics: the care of the items in their collection, the means of enabling access to these items, and the task of sustaining their ability to do both of these things. In the past decade, digitisation and supply of digital content has become increasingly important for museums and galleries wanting to disseminate their content to a global audience. What processes are involved in doing this, and how have they impacted on organisations and their working practices? What role do intellectual property rights play in this, and what are the

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Newland, Jamee, Dwi Lestari, Mashoeroel Noor Poedjanadi, and Angela Kelly-Hanku. "Co-locating art and health: engaging civil society to create an enabling environment to respond to HIV in Indonesia." Sexual Health 18, no. 1 (2021): 84. http://dx.doi.org/10.1071/sh20125.

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Background This paper will report on the successful co-location of a community-based arts and sexual health project that aimed to engage, educate and create testing, treatment and care pathways at a co-located mobile sexual health clinic and community-controlled art gallery in Yogyakarta, Indonesia. Methods: Mixed methods were used to evaluate the project, including a visitor (n = 1181) and artist (n = 85) log book, a convenience audience survey (n = 231), and qualitative semi-structured interviews (n = 13) with artists and audience to explore the effect of arts-based activities on access to s

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Beck, Sarah Lindsey. "“Doing It” in the Kitchen: Rhetorical Field Methods, Arts/Practice-Based Research, and Queer Archives." Cultural Studies ↔ Critical Methodologies 21, no. 1 (2020): 16–26. http://dx.doi.org/10.1177/1532708620960160.

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Everyday domestic spaces, such as kitchens, are often crucial to the understanding of practices and discourses of queer and other marginalized communities. However, due to the private nature of these spaces, they can be difficult for rhetorical critics and others to access. This article offers arts/practice-based research as an intervention into rhetorical field methods (RFM) as a means of accessing and engaging with private, often inaccessible places, such as kitchens. In addition, arts/practice-based methods can expand the notion of “doing” rhetoric and co-creation with participants, which r

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Abraczinskas, Laura, and Barbara Lundrigan. "Improving Security for Natural Science Collections at the Michigan State University Museum." Biodiversity Information Science and Standards 2 (June 15, 2018): e26336. http://dx.doi.org/10.3897/biss.2.26336.

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Established in 1857, the Michigan State University (MSU) Museum houses natural science collections that include 117,000 research and teaching specimens of mammals, birds, reptiles, amphibians, fishes, and vertebrate fossils. These collections are worldwide in scope and provide a record of biodiversity that ranges from 1844 to the present day. The collections contain specimens of rare, endangered, threatened, and extinct species. Within each vertebrate discipline, specimens are cataloged into designated research or teaching collections; these are housed within multiple research and preservation

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Sunarti, Sunarti, Susan Rachmawati, and Frisma Handayanna. "PENINGKATAN PENDAPATAN UKM PADA HACORD GALLERY DENGAN APLIKASI WEB MARKETPLACE E-COMMERCE." Jurnal Terapan Abdimas 4, no. 2 (2019): 166. http://dx.doi.org/10.25273/jta.v4i2.4840.

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<p><strong><em>Abstract.</em></strong> <em>Hacord Gallery is a central shop for souvenirs in Depok. The product that is marketed is the production of the Small and Medium Enterprises (UKM) of Depok city, already has permits, proper packaging, and the best quality products. More than 50 SMEs market their products such as types of fashion, crafts, souvenirs, craft, frozen food, food, beverages, and herbal medicines. The problem is marketing activities using conventional systems. By recording, both sales and purchase transactions in a book, promotion using broc

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Miller, Steven. "The Papunya Tula Archive at the Art Gallery of New South Wales: providing archival services for indigenous art." Art Libraries Journal 33, no. 2 (2008): 29–33. http://dx.doi.org/10.1017/s0307472200015327.

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Papunya Tula Artists is a company owned and directed by Aboriginal people from the Western Desert, predominantly from the Luritja and Pintupi language groups. It currently has 49 shareholders and represents around 120 artists. The broad aims of the company are to promote individual artists, and to provide economic development for the communities to which they belong, thereby preserving and extending their traditional culture. Towards the end of 1993 the Art Gallery of New South Wales entered into a formal partnership with the company to assist it in preserving, copying and providing access to

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Kaviratna, Hemamali. "Acid Hydrolysis of Octahedral Mg2+ Sites in 2:1 Layered Silicates: An Assessment of Edge Attack and Gallery Access Mechanisms." Clays and Clay Minerals 42, no. 6 (1994): 717–23. http://dx.doi.org/10.1346/ccmn.1994.0420607.

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Gomes, José Duarte Cardoso, Mauro Jorge Guerreiro Figueiredo, Lúcia da Graça Cruz Domingues Amante, and Cristina Maria Cardoso Gomes. "Augmented Reality in Informal Learning Environments." International Journal of Creative Interfaces and Computer Graphics 7, no. 2 (2016): 39–55. http://dx.doi.org/10.4018/ijcicg.2016070104.

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Augmented Reality (AR) allows computer-generated imagery information to be overlaid onto a live real world environment in real-time. Technological advances in mobile computing devices (MCD) such as smartphones and tablets (internet access, built-in cameras and GPS) made a greater number of AR applications available. This paper presents the Augmented Reality Musical Gallery (ARMG) exhibition, enhanced by AR. ARMG focuses the twentieth century music history and it is aimed to students from the 2nd Cycle of basic education in Portuguese public schools. In this paper, we will introduce the AR tech

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Sabharwal, Arjun, and Gerald R. Natal. "Integrating the IR into strategic goals at the University of Toledo: case study." Digital Library Perspectives 33, no. 4 (2017): 339–60. http://dx.doi.org/10.1108/dlp-03-2017-0008.

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PurposeThe purpose of this case study is to demonstrate a current model, as well as explore future models, for integrating institutional repositories (IRs) in higher education goals at the University of Toledo. Design/methodology/approachThis is a case study that uses literature review as an exploratory framework for new approaches while reflecting on existing literature to present the current practical framework for using IRs. FindingsThe digital environment has pushed academic institutions toward new strategies for curating their record on scholarship and preserving their heritage collection

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Cavazos Quero, Luis, Jorge Iranzo Bartolomé, and Jundong Cho. "Accessible Visual Artworks for Blind and Visually Impaired People: Comparing a Multimodal Approach with Tactile Graphics." Electronics 10, no. 3 (2021): 297. http://dx.doi.org/10.3390/electronics10030297.

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Despite the use of tactile graphics and audio guides, blind and visually impaired people still face challenges to experience and understand visual artworks independently at art exhibitions. Art museums and other art places are increasingly exploring the use of interactive guides to make their collections more accessible. In this work, we describe our approach to an interactive multimodal guide prototype that uses audio and tactile modalities to improve the autonomous access to information and experience of visual artworks. The prototype is composed of a touch-sensitive 2.5D artwork relief mode

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Abbott, Berenice, Mina Loy, and Amy E. Elkins. "From the Gutter to the Gallery: Berenice Abbott Photographs Mina Loy's Assemblages." PMLA/Publications of the Modern Language Association of America 134, no. 5 (2019): 1094–103. http://dx.doi.org/10.1632/pmla.2019.134.5.1094.

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In 1958 Marcel Duchamp and a friend gained access to the modernist poet Mina Loy's apartment on stanton street near the Bowery in New York, so that they could display the art she was storing there in a one-woman show of her assemblage artwork (Burke, Becoming 433–34). The show, which Loy herself couldn't attend since she was unwell and living with family in Aspen, Colorado, was known as the Bodley Gallery Exhibition and generated considerable interest, even drawing the increasingly reclusive Djuna Barnes to its lively opening (434). The show was described by Stuart Preston in a New York Times

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Sapozhkov, V. A., O. N. Budadin, A. S. Churilova, B. F. Falkov, and Zh Yu Sapozhkova. "APPLICATION OF NEURAL NETWORKS IN MEDICAL DIAGNOSTICS." Laboratornaya i klinicheskaya meditsina. Farmatsiya, no. 1 (2021): 40–51. http://dx.doi.org/10.14489/lcmp.2021.01.pp.040-051.

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This article discusses the possibilities of application of artificial neural networks to solve problems of increasing the diagnostic outcomes in clinical laboratory examination. High diagnostic sensitivity (96 %) and diagnostic accuracy (89.5 %) of the results were shown on a large amount of cellular material digitized by artificial intelligence microscopy automation system like the Vision Cyto Pap. The high resolution and sharpness of digital slides, the mode of viewing objects (cells) in the gallery, quick access to the results of preclassification, all of these factors together allow to red

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Lang, Sabine, and Björn Ommer. "Reconstructing Histories: Analyzing Exhibition Photographs with Computational Methods." Arts 7, no. 4 (2018): 64. http://dx.doi.org/10.3390/arts7040064.

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Displays of art in public or private spaces have long been of interest to curators, gallerists, artists and art historians. The emergence of gallery paintings at the beginning of the seventeenth century and the photographic documentation of (modern) exhibitions testify to that. Taken as factual documents, these images are not only representative of social status, wealth or the museum’s thematic focus, but also contain information about artistic relations and exhibition practices. Digitization efforts of previous years have made these documents, including photographs, catalogs or press releases

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Guo, Xuexue, Yimin Ding, Xi Chen, Yao Duan, and Xingjie Ni. "Molding free-space light with guided wave–driven metasurfaces." Science Advances 6, no. 29 (2020): eabb4142. http://dx.doi.org/10.1126/sciadv.abb4142.

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Metasurfaces with unparalleled controllability of light have shown great potential to revolutionize conventional optics. However, they mainly require external light excitation, which makes it difficult to fully integrate them on-chip. On the other hand, integrated photonics enables packing optical components densely on a chip, but it has limited free-space light controllability. Here, by dressing metasurfaces onto waveguides, we molded guided waves into any desired free-space modes to achieve complex free-space functions, such as out-of-plane beam deflection and focusing. This metasurface also

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Schuhmann, Leslie, and Christine Chagnon. "Collections Support Services (CSS) - 25 Years of Improving Access and Care to our Nation’s Collections." Biodiversity Information Science and Standards 2 (June 13, 2018): e25889. http://dx.doi.org/10.3897/biss.2.25889.

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Originally formed in the early 1980s as the Move Crew to move museum collections to the newly opened state of the art Smithsonian Institution’s Museum Support Center, Collections Support Services has evolved into a team of highly skilled museum professionals recognized as trusted experts, innovators, project managers, and problem solvers in all aspects of collections stewardship. We have packed, moved, and stored MILLIONS of objects across Smithsonian museums including the National Museum of Natural History and several of our art museums; the Freer Sackler Gallery, Hirshhorn Museum and Sculptu

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Pluszyńska, Anna. "Copyright Management by Contemporary Art Exhibition Institutions in Poland: Case Study of the Zachęta National Gallery of Art." Sustainability 12, no. 11 (2020): 4498. http://dx.doi.org/10.3390/su12114498.

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The mission of cultural institutions is the expression of sustainable development, which assumes a specific social order based on respect for the right of access to culture and care for the common good which is cultural heritage, in order to preserve it for future generations. To best implement its social mission, the essence of museum activities is not only collecting resources but also promoting the collection. In addition, promotion in accordance with the principle of openness and the conviction that cultural heritage is a common good, which is why it should be available to the widest possi

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Simón, L. Fernando Ramos, and Silvia Cobo Serrano. "Licenses and Access to Digital Content in Museums Pursuant to the New Directive on Information Re-use (2013): Prado, Louvre and N. Gallery." Procedia - Social and Behavioral Sciences 147 (August 2014): 91–97. http://dx.doi.org/10.1016/j.sbspro.2014.07.123.

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Kaviratna, Padmananda D., and Thomas J. Pinnavaia. "Access in clay-modified electrodes: effects of pH and film thickness on the electrochemical activity of gallery exchange ions and surface ion pairs." Journal of Electroanalytical Chemistry 385, no. 2 (1995): 163–69. http://dx.doi.org/10.1016/0022-0728(94)03785-2.

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Haigler, Daniella. "Collections Access and Custom Storage Solutions at the Smithsonian’s Museum Support Center." Biodiversity Information Science and Standards 2 (July 17, 2018): e26223. http://dx.doi.org/10.3897/biss.2.26223.

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The National Museum of Natural History is committed to long-term stewardship of collections and to supporting their use by scientists and the general public. This stewardship role is unique among other US natural history museums. As the nation’s natural history museum, the National Museum of Natural History has a mandated commitment to conserve and protect its collections in a manner that will assure their continued accessibility by future generations and maintain the National Museum of Natural History mission. A significant number of objects from the National Museum of Natural History are per

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Wyatt, Megan, and Susan Liggett. "The Potential of Painting: Unlocking Disenfranchised Grief for People Living With Dementia." Illness, Crisis & Loss 27, no. 1 (2018): 51–67. http://dx.doi.org/10.1177/1054137318780577.

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As part of the Creative Well program at a local health board, one of the authors qualitatively investigated how painting can access a means of communication for people living with dementia. In a workshop setting within a gallery environment, participants living with dementia were facilitated on a one-to-one basis the opportunity to paint alongside the researcher. During the workshops, a number of experiences were articulated. These included experiences of illness, crisis, and loss. They were captured through observations, interviews, visual art, and video to contribute to new understandings an

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Lin, Fang. "Construction Network Ventilation System for Underground LPG Storage Cavern." Civil Engineering Journal 4, no. 7 (2018): 1521. http://dx.doi.org/10.28991/cej-0309192.

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Construction ventilation system is divided into two stages based on completion status of shafts in the underground petroleum storage project in Jinzhou, China. With the help of theoretical analysis and numerical simulations by using FLUENT software, in the first stage, reasonable construction ventilation is designed and cases with different outside temperature are discussed to investigate the effect of ventilation performance. It is found that with temperature difference increases, peak value of CO concentration, exhausting time of dirty air and required time to meet the CO concentration quali

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Palahania, Ankit. "Android Application for my College." International Journal for Research in Applied Science and Engineering Technology 9, no. VI (2021): 1079–81. http://dx.doi.org/10.22214/ijraset.2021.35215.

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The welfare of the students and faculty plays a very significant role in any institution and in these changing times, students are more driven towards using a smartphone for every purpose. As we know that he world is at the fingertips of every users and now student can get access to any information from anywhere. So, an android application for student can be significantly helpful and this reduces the chance of visiting a library, websites and other places searching for the books, sample quizzes, study material, notices and any other information [5]. This project is an educational android appli

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Haidar, Laila. "Adaptive Reuse Policy Evaluation at the Old City of Sana’a Yemen." Environment-Behaviour Proceedings Journal 4, no. 11 (2019): 119. http://dx.doi.org/10.21834/e-bpj.v4i11.1746.

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The study evaluates the adaptive reuse policy at the Old City of Sana’a, Yemen. A case study of the Tower Houses and private investors establishing projects such as; Hotel, and Art Gallery with high intervention. The data collection was by i) Structured interview with authorities, ii) On-site observation applied services, iii) literature search of forms, guidelines, previous projects, and reports. In result, few vital gaps in the policy practice between the permit of intervention and practice. Also, stages of intervention lack monitoring and expert’s validation.Additionally, Hotel guidelines i

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Wallis, Robert. "Art and Shamanism: From Cave Painting to the White Cube." Religions 10, no. 1 (2019): 54. http://dx.doi.org/10.3390/rel10010054.

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Art and shamanism are often represented as timeless, universal features of human experience, with an apparently immutable relationship. Shamanism is frequently held to represent the origin of religion and shamans are characterized as the first artists, leaving their infamous mark in the cave art of Upper Palaeolithic Europe. Despite a disconnect of several millennia, modern artists too, from Wassily Kandinsky and Vincent van Gogh, to Joseph Beuys and Marcus Coates, have been labelled as inspired visionaries who access the trance-like states of shamans, and these artists of the ‘white cube’ or

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MacLeod, Ian Donald. "Conservation of a museum megamouth shark specimen by changing its preservative from aqueous ethanol to aqueous glycerol." Collection Forum 29, no. 1-2 (2015): 73–89. http://dx.doi.org/10.14351/0831-4985-29.1.73.

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Abstract The Western Australian Museum’s iconic 5.2-m megamouth shark (Megachasma pelagios) was relocated 20 km from Perth to the Maritime Museum in Fremantle for treatment in an exhibition gallery. A 70% ethanol solution was diluted to 16% before the glass lids of the fiberglass tank were removed to facilitate removal of the heavy shark. A custom-made stainless steel storage and exhibition tank containing 8,000 L of 30% glycerol solution was prepared inside the exhibition space prior to the arrival of the specimen. Portholes in the top sections provided access points to record the density of

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Blanco-Pons, Silvia, Berta Carrión-Ruiz, Michelle Duong, Joshua Chartrand, Stephen Fai, and José Luis Lerma. "Augmented Reality Markerless Multi-Image Outdoor Tracking System for the Historical Buildings on Parliament Hill." Sustainability 11, no. 16 (2019): 4268. http://dx.doi.org/10.3390/su11164268.

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Augmented Reality (AR) applications have experienced extraordinary growth recently, evolving into a well-established method for the dissemination and communication of content related to cultural heritage—including education. AR applications have been used in museums and gallery exhibitions and virtual reconstructions of historic interiors. However, the circumstances of an outdoor environment can be problematic. This paper presents a methodology to develop immersive AR applications based on the recognition of outdoor buildings. To demonstrate this methodology, a case study focused on the Parlia

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Sullivan, Steven M. "Making an Unstable World more Accessible: Using Universal Design to make Collections and Exhibits Memorable for People of all Abilities." Biodiversity Information Science and Standards 2 (June 13, 2018): e25666. http://dx.doi.org/10.3897/biss.2.25666.

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Make your collections memorable and accessible to audiences of all abilities by incorporating the principles of universal design (UD) in your museum exhibits. Universal design provides equitable access to resources, much the way that curb cuts improve access to roads and sidewalks. Museums spend considerable effort protecting specimens from agents of deterioration but this usually means that only one sense - vision - is employed in our exhibits. Providing greater accessibility may seem daunting, expensive, or dangerous for specimens but, by considering a few principles during exhibit developme

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