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1

Calegario, Filipe. Designing Digital Musical Instruments Using Probatio. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-02892-3.

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2

Corporation, International Business Machines, ed. Bach digital. IBM Corp., 2000.

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3

Marcelo, Wanderley, ed. New digital musical instruments: Control and interaction beyond the keyboard. A-R Editions, 2006.

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4

Miranda, Eduardo Reck. New digital musical instruments: Control and interaction beyond the keyboard. A-R Editions, 2006.

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5

Allen, Corey. Arranging in the digital world: Techniques for arranging popular music using today's electronic and digital instruments. Berklee Press, 2000.

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6

Allen, Corey. Arranging in the digital world: An introduction to basic MIDI arranging. Berklee Press, 2000.

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7

O'Hara, Shelley. iCan iPod. Que Pub., 2006.

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8

Cook, Nicholas. Music: A Very Short Introduction. 2nd ed. Oxford University Press, 2021. http://dx.doi.org/10.1093/actrade/9780198726043.001.0001.

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Music: A Very Short Introduction is a study of music and thinking about music, focusing on its social, cultural, and historical dimensions. It draws on a wealth of accessible examples, ranging from Beethoven to Chinese zither music. This VSI also discusses the nature of music as a real-time performance practice; the role of music in social and political action; and the nature of musical thinking, including the roles played in it by instruments, notations, and creative imagination. It explores the impact of digital technology on the production and consumption of music, including how it has tran
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9

Digital Sampling. Taylor & Francis Group, 2019.

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10

Digital Sampling. Taylor & Francis Group, 2019.

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11

Staff, Hal Leonard Corp. Digital Performer 6. Rowman & Littlefield Publishers, Incorporated, 2000.

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12

The secrets of analog & digital synthesis. Third Earth Productions, 1986.

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13

Stanton, Geoffrey. The digital muscian: an introduction to MIDI, Digital instruments and beyond. Wayne Leopold Editions Inc., 2006.

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14

Calegario, Filipe. Designing Digital Musical Instruments Using Probatio: A Physical Prototyping Toolkit. Springer, 2018.

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15

The Best of Acoustic & Digital Piano Buyer: The Definitive Guide to Buying & Caring For a Piano or Digital Piano. Brookside Press, 2018.

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16

Acoustic and Digital Piano Buyer. Brookside Press, 2009.

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17

Digital Sampling: The Design and Use of Music Technologies. Routledge, 2020.

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18

Harkins, Paul. Digital Sampling: The Design and Use of Music Technologies. Taylor & Francis Group, 2019.

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19

Harkins, Paul. Digital Sampling: The Design and Use of Music Technologies. Taylor & Francis Group, 2019.

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20

The digital delay handbook. Amsco Publications, 1985.

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21

Staff, Hal Leonard Corp. Digital Performer 6: Beginner Level Music Pro Guides Series. Rowman & Littlefield Publishers, Incorporated, 2000.

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22

Physical Audio Signal Processing: For Virtual Musical Instruments and Digital Audio Effects. W3K Publishing, 2010.

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23

Allen, Corey. Arranging in the Digital World: Techniques for Arranging Popular Music Using Today's Electronic and Digital Instruments. Leonard Corporation, Hal, 2000.

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24

The rough guide to keyboards & digital piano. Rough Guides, 2000.

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25

Jenkins, Lucien. The Billboard Illustrated Musical Instruments Handbook: The Ultimate Guide to Choosing and Using Electronic, Acoustic, and Digital Instruments. Billboard Books, 2006.

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26

Cooking with Csound, Part 1: Woodwind and Brass Recipes (Computer Music and Digital Audio Series, 18). A-R Editions, 2002.

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27

Digital Musician. Routledge, 2012.

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28

Hugill, Andrew. Digital Musician. Taylor & Francis Group, 2012.

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29

Hugill, Andrew. Digital Musician. Taylor & Francis Group, 2018.

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30

Hugill, Andrew. Digital Musician. Taylor & Francis Group, 2018.

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31

Hugill, Andrew. Digital Musician. Taylor & Francis Group, 2018.

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32

Hugill, Andrew. Digital Musician. Taylor & Francis Group, 2018.

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33

Hugill, Andrew. Digital Musician. Taylor & Francis Group, 2018.

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34

Hugill, Andrew. Digital Musician. Taylor & Francis Group, 2012.

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35

Digital Musician. Routledge, 2010.

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36

The Digital Musician. Routledge, 2018.

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37

Introduction to instrumentation and measurements. 2nd ed. Taylor & Francis, 2005.

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38

Introduction to Instrumentation and Measurements. Taylor & Francis Group, 2014.

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39

Eagle, Douglas Spotted. Using Soundtrack. Taylor & Francis Group, 2020.

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40

Eagle, Douglas Spotted. Using Soundtrack: Produce Original Music for Video, DVD, and Multimedia. Taylor & Francis Group, 2004.

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41

Eagle, Douglas Spotted. Using Soundtrack: Produce Original Music for Video, DVD, and Multimedia. Taylor & Francis Group, 2004.

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42

Eagle, Douglas Spotted. Using Soundtrack: Produce Original Music for Video, DVD, and Multimedia. Taylor & Francis Group, 2004.

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43

Using Soundtrack: Produce original music for video, DVD, and multimedia. CMP Books, 2004.

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44

Electronic measurement systems: Theory and practice. 2nd ed. Institute of Physics Pub., 1996.

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45

Electronic measurement systems. Prentice-Hall, 1988.

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46

Instant Sound Forge. CMP Books, 2004.

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47

Creative sequencing techniques for music production: A practical guide to Pro Tools, Logic, Digital Performer, and Cubase. 2nd ed. Focal Press, 2011.

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48

Dwinal, Catherine. Interactive Visual Ideas for Musical Classroom Activities. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190929855.001.0001.

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This book is a resource on projection systems for any music teacher’s treasure chest of tools. Educators, from brand new to seasoned veterans, can discover new lessons, activities, and resources involving the projection systems already in their classrooms. From conventional projectors to streaming media players, beginners to the digital world will find tips and tricks to start using new systems. More experienced users will discover new resources and activities, from learning how to create VR worlds to demonstrate knowledge of music venues from around the world, to going on an outside safari to
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49

McPherson, Gary E., ed. The Oxford Handbook of Music Performance, Volume 2. Oxford University Press, 2022. http://dx.doi.org/10.1093/oxfordhb/9780190058869.001.0001.

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Volume 2 of the Oxford Handbook of Music Performance is designed around four distinct parts: Enhancements, Health and Wellbeing, Science, and Innovations. Chapters on the popular Feldenkrais method and Alexander technique open the volume, and these lead to chapters on peak performance and mindfulness, stage behavior, impression management and charisma, enhancing music performance appraisal, and how to build a career and the skills and competencies needed to be successful. The part dealing with health and wellbeing surveys the brain mechanisms involved in music learning and performing and music
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50

McPherson, Gary E., ed. The Oxford Handbook of Music Performance, Volume 2. Oxford University Press, 2022. http://dx.doi.org/10.1093/oxfordhb/9780190058869.001.0001.

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Volume 2 of the Oxford Handbook of Music Performance is designed around four distinct parts: Enhancements, Health and Wellbeing, Science, and Innovations. Chapters on the popular Feldenkrais method and Alexander technique open the volume, and these lead to chapters on peak performance and mindfulness, stage behavior, impression management and charisma, enhancing music performance appraisal, and how to build a career and the skills and competencies needed to be successful. The part dealing with health and wellbeing surveys the brain mechanisms involved in music learning and performing and music
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