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Dissertations / Theses on the topic 'Accordion and bandoneon music'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2025

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1

Peiseniece, Mara. "Accordion in Action : How to develop my artistic skills applying theatrical choreography with accordion to a performance." Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2515.

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2

Řehák, Milan. "Recording and amplifying of the accordion : What is the best way to capture the sound of the acoustic accordion?" Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2965.

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In this thesis I discuss, analyse and intend to answer the question: What is the best way to capture the sound of the acoustic accordion? It was my desire to explore this theme that led me to this research, and I believe that this question is important to many other accordionists as well. From the very beginning, I wanted the thesis to be not only an academic material but also that it can be used as an instruction manual, which could serve accordionists and others who are interested in this subject, to delve deeper into it, understand it and hopefully get answers to their questions about this

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3

Řehák, Milan. "Jindřich Feld : Analysis of Concert Piece For Accordion." Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2352.

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This thesis intends to illustrate the music language presented in Jindřich Feld’s compositions for accordion. Jindřich Feld (1925-2007) was a very important Czech composer of the second half of the 20th century. As the best example of this music language, I have chosen his “Concert Piece For Accordion” which is certainly one of the most respected accordion compositions ever written. I have always appreciated the music of Jindřich Feld, which is the reason why I decided to write about him and his composition. In this thesis, I focused mainly on an insight into the form and style of “Concert Pie

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4

Christian, Bryan W. Christian Bryan W. Christian Bryan W. Christian Bryan W. "Wanderings." Diss., [La Jolla, Calif.] : University of California, San Diego, 2010. http://wwwlib.umi.com/cr/fullcit?p1477876.

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Thesis (M. A.)--University of California, San Diego, 2010.<br>Title from first page of PDF file (viewed July 14, 2010). Available via ProQuest Digital Dissertations. Sound files consist of recordings of North and Yet somehow comes emptiness in single-channel and stereo. configurations.

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Tacke, Daniel Arthur Tacke Daniel Arthur Tacke Daniel Arthur Tacke Daniel Arthur. "Resistance in compositional practice three mediatory works /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2008. http://wwwlib.umi.com/cr/ucsd/fullcit?p1453233.

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Thesis (M.A.)--University of California, San Diego, 2008.<br>Accompanying disc is DVD-ROM, and contains sound files for recordings of 2nd and 3rd compositions. Title from first page of PDF file (viewed June 25, 2008). Available via ProQuest Digital Dissertations. Reproduced from holograph.

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6

Link, Kacey Quin. "Culturally Identifying the Performance Practices of Astor Piazzolla's Second Quinteto." Scholarly Repository, 2009. http://scholarlyrepository.miami.edu/oa_theses/194.

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Astor Piazzolla (1921-1992) captivated Argentine and international audiences with his innovative works in a nuevo tango style and his bandoneón performances. Piazzolla?s success culminated during the 1980s with his second Quinteto, which performed remarkable concerts in venues such as the Teatro Colón in Buenos Aires and the Central Park Bandshell in New York, in addition to the performances at the Montreal and Montreux Jazz Festivals. His music also grew popular with a plethora of internationally acclaimed classical and jazz artists as well as with Argentine musicians themselves. However,

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Reis, Jonas Tarcísio. "A aprendizagem do acompanhamento harmônico no acordeom : o percurso de três crianças." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2012. http://hdl.handle.net/10183/49355.

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A presente pesquisa teve como objetivo geral analisar e compreender como as crianças aprendem a executar no acordeom o acompanhamento harmônico das músicas estudadas. O desenho metodológico adotado apoiou-se em princípios do Método Clínico piagetiano. A coleta de dados foi realizada com três crianças com idade entre 7,5 e 8,5 anos, no contexto de aulas individuais de acordeom realizadas em um espaço formal de educação musical, de abril a outubro de 2011, na cidade de Porto Alegre – RS. O registro dos dados foi feito em diários de campo e filmagens integrais das aulas de acordeom, nas quais oco

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8

Rostovtsev, Ilya Y. "Source-bonding as a Variable in Electroacoustic Composition: Faktura and Acoustics in Understatements." Thesis, University of North Texas, 2010. https://digital.library.unt.edu/ark:/67531/metadc33198/.

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Understatements for two-channel fixed media is a four-movement study of the sonic potential of acoustic instruments within the practice of electroacoustic studio composition. The musical identity of the entire composition is achieved through consistent approaches to disparate instrumental materials and a focused investigation of the relationships between the various acoustic timbres and their electroacoustic treatments. The analytical section of this paper builds on contemporary research in electroacoustic arts. The analysis of the work is preceded by a summary of theoretical and aesthetic app

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9

Pereira, Julio Cesar Pires. "TRAJETÓRIAS MUSICAIS DE ACORDEONISTAS: UM ESTUDO NA LICENCIATURA EM MÚSICA (UERGS)." Universidade Federal de Santa Maria, 2016. http://repositorio.ufsm.br/handle/1/7277.

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This master thesis was developed within the Education and Arts Research Line (LR4) from the Postgraduate Program on Education at Federal University of Santa Maria (UFSM) and is part of the research group FAPEM Formation, Action and Research in Musical Education of UFSM. The research proposes as its main theme the study of musical trajectories of accordionists of the degree in Music (UERGS). The general objective is to investigate the musical formation trajectories from these accordionists. The specific objectives are organized around to know their musical experiences and understand how the

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10

Arbey, Dominique. "Francis Poulenc et la musique populaire." Thesis, Paris 4, 2011. http://www.theses.fr/2011PA040066.

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Francis POULENC (1899-1963) a été particulièrement influencé par la musique populaire de son époque. Pour étudier cet aspect de son œuvre, notre recherche s’appuiera sur la production musicale du compositeur, sur ses nombreux témoignages (correspondances, émissions radiophoniques et divers écrits) et sur tous les documents liés à la création et à la réception de ses œuvres. Le compositeur du Bal masqué n’imitait pas la musique populaire mais en empruntait quelques éléments : tel un peintre, il réalisait des « portraits de music-hall ». Afin d’apprécier cette imprégnation, nos analyses portent

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11

Sotty, Jean-Étienne. "Ressemblance, imitation, hybridation : vers une symbiose entre accordéon et électronique." Electronic Thesis or Diss., Sorbonne université, 2022. http://www.theses.fr/2022SORUL152.

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Cette recherche se situe dans le champ disciplinaire de l’interprétation instrumentale : elle concerne très précisément le jeu de l’accordéon. De nombreux compositeurs•trices jouent actuellement sur une forme de ressemblance entre le son de l’accordéon et les sons électroniques. En effet, l’accordéon est un instrument qui peut moduler des sons complexes, à l’instar d’un synthétiseur. Cette ressemblance est encore plus prégnante avec l’accordéon microtonal XAMP. À partir de ce constat, il est possible de prendre modèle sur le son électronique afin de formaliser un style de jeu instrumental imit

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12

Lhermet, Vincent. "Le répertoire contemporain de l’accordéon en Europe depuis 1990 : l’affirmation d’une nouvelle identité sonore." Thesis, Paris 4, 2016. http://www.theses.fr/2016PA040025.

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Instrument privilégié des compositeurs d’aujourd’hui, l’accordéon est désormais doté d’un vaste répertoire de musique savante : que ce soit en solo, en musique de chambre, dans l’ensemble ou l’orchestre, la profusion des œuvres est le témoignage d’une intégration de plus en plus grande de cet instrument à la création musicale et l’orchestration contemporaine. Cette recherche explore le développement de la création musicale contemporaine pour l’accordéon en Europe depuis 1990 : la constitution d’un corpus de plus de 9100 œuvres – Ricordo al futuro – est le point de départ d’une étude sociologiq

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13

Caplat, Jacques. "Quand le geste technique transforme l'intention : l'évolution de l'accordéon diatonique en Bretagne." Thesis, Paris Sciences et Lettres (ComUE), 2018. http://www.theses.fr/2018PSLEH139/document.

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Ce travail vise à comprendre pourquoi et comment l'accordéon diatonique breton a connu une profonde transformation organologique et stylistique au cours des dernières décennies. L'évolution de l'instrument est ici le témoin des dynamiques historiques et sociales, que l'accordéon présente la particularité d'avoir intégrées dans sa forme-même du fait de sa rare plasticité, et qu'il permet d'éclairer. Statut des musiciens professionnels au sein d'une pratique restée massivement amateur, rôles et mécanismes de l'apprentissage d'un savoir traditionnel initialement basé sur l'oralité, fluctuation de

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14

Jones, Elizabeth A. "Accordion exposition : investigating the playing and learning of advanced level concert accordion repertoire." Thesis, 2008. http://handle.uws.edu.au:8081/1959.7/496317.

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15

Cormier, Joel. "Acadian Accordion Music in South Eastern New Brunswick." Thesis, 2011. http://hdl.handle.net/1807/31722.

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Instrumental folk music has flourished in south eastern New Brunswick and the accordion, while a relative newcomer to the region, enjoys great popularity. Over the years, accordion players have filled many roles, from providing wedding music, to entertainment for house parties. However, there has been a lack of scholarly work done on the subject, especially when compared with folksongs, which have been the object of many studies. To date, little has been written on Acadian instrumental music in New Brunswick and there has been nothing written specifically on the accordion. The main focus o

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16

Khotso, P. "Masculinity as a popular theme in the development of Basotho accordion music." Thesis, 2017. http://hdl.handle.net/10500/24534.

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Text in English and some in Sesotho<br>This thesis examined how masculinity develops among the Basotho accordion music artists of the period 1980-2015 with an intention to propose the reshaping of masculinity conducive for a human society. Different factors that influence masculinity among the Basotho as represented by Basotho accordion music artists are scrutinized to find out how masculinity as a thematic aspect in the development of Basotho accordion music has been manifested over a period of thirty-five years. Psycho-masculinity is employed in the present study to find out the impact of th

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17

Hayman, Jeffrey P. "Comrades." Thesis, 2013. http://hdl.handle.net/2152/23918.

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Comrades was inspired by Milan Kundera’s first novel, The Joke. The music initially set out to depict four characters from The Joke and their distinct personalities, with each movement individually depicting a specific character. As the piece was being composed, it gradually began to distance itself form the novel, and in its final state, exists independently of any association with the novel, instead depicting four unspecified characters from an unwritten story who relate in non-programmatic ways. Regardless of its removed association with Milan Kundera’s novel, the orchestration of Comrade

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18

"Three Early Twentieth Century Tango Songs Arranged for Brass Quintet." Doctoral diss., 2011. http://hdl.handle.net/2286/R.I.14317.

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abstract: Despite a quickly growing repertoire list for the brass quintet, the music of the early Argentine tango has remained relatively neglected by brass quintet arrangers and performers. With the goal of bringing a neglected art form to the brass quintet repertoire, three arrangements based on early twentieth century Argentine tango songs are presented here: "Elegante Papirusa" by Tito Roccatagliata, "A La Gran Muñeca" by Jesús Ventura, and "La Cotorrita" by Samuel Castriota. The arrangements follow the style of three early recordings produced by The Victor Talking Machine in 1920 and 1922

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19

Балюра, Наталія Віталіївна, та Nataliia Vitaliivna Baliura. "Баян у камерно-ансамблевій музиці України: історичний аспект". Master's thesis, 2020. http://repository.sspu.edu.ua/handle/123456789/9755.

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Ансамблеве мистецтво в різних його формах та проявах завжди користувалось великою популярністю серед композиторів, виконавців та слухачів у різні історичні періоди, так і сьогодні. Баян в камерно-ансамблевому виконавстві посідає вагоме місце та користується неабиякою популярністю серед вітчизняних та зарубіжних музикантів. Тема баянно-ансамблевого виконавства є популярною серед наукових розвідок дослідників різних регіонів України. Але залишається малодослідженою тема історії та розвитку камерного баянно-ансамблевого виконавства, що зумовлює актуальність нашого дослідження. Мета – визначити о

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20

Dlouhý, Radek. "Sólová akordeonová literatura českých autorů vzniklá po roce 1960 a její pedagogické vyústění." Doctoral thesis, 2017. http://www.nusl.cz/ntk/nusl-370456.

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This dissertation work is concerned with Czech composers who composed for the solo accordion. These composers cover a range of individual generations of composition from the earliest born through to the youngest. There is a brief introduction to each composer along with their compositions for solo accordion including the characteristics of each individual composition and the circumstances of their creation. The dissertation work then presents the chronological development of Czech compositions for the solo accordion from the very beginning up to the present. It is also focuses on the teaching

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