Relevant bibliographies by topics / Achille Mbembe

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Academic literature on the topic 'Achille Mbembe'

Author: Grafiati
Published: 4 June 2021
Last updated: 6 February 2022

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Journal articles on the topic "Achille Mbembe"

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Purewal, Tavleen. "Necropolitics by Achille Mbembe." ariel: A Review of International English Literature 52, no. 1 (2021): 186–89. http://dx.doi.org/10.1353/ari.2021.0008.

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Plamondon, Jean-François. "Achille Mbembe, Politiques de l’inimitié." Studi Francesi, no. 180 (LX | III) (December 1, 2016): 577–78. http://dx.doi.org/10.4000/studifrancesi.5461.

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Lloyd, Vincent. "ACHILLE MBEMBE AS BLACK THEOLOGIAN." Modern Believing 57, no. 3 (July 2016): 241–51. http://dx.doi.org/10.3828/mb.2016.18.

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Abich, Leon. "Achille Mbembe: Politik der Feindschaft." Zeitschrift für philosophische Literatur 8, no. 3 (July 21, 2020): 1–9. http://dx.doi.org/10.21827/zfphl.8.3.35835.

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Harris, Betty. "On the postcolony – Achille Mbembe." Journal of the Royal Anthropological Institute 12, no. 3 (September 2006): 700–701. http://dx.doi.org/10.1111/j.1467-9655.2006.00359_23.x.

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Hobuß, Steffi. "Achille Mbembe: Kritik der schwarzen Vernunft." Zeitschrift für philosophische Literatur 4, no. 1 (March 27, 2016): 27–33. http://dx.doi.org/10.21827/zfphl.4.1.35375.

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Bontempo, Valéria Lima. "ACHILLE MBEMBE E A NOÇÃO DE NECROPOLÍTICA." Sapere Aude 11, no. 22 (December 22, 2020): 558–72. http://dx.doi.org/10.5752/p.2177-6342.2020v11n22p558-572.

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Este artigo enfoca a noção de necropolítica, a partir do ensaio Necropolítica – Biopoder, soberania, Estado de exceção, política da morte, de Achille Mbembe. Nele, o filósofo, camaronês, demonstra a influência decisiva dessa ideia na reconfiguração das relações entre resistência, sacrifício e terror. Necropolítica trata-se da subjugação da vida ao poder da morte. O poder político hoje cuida não só de medidas sobre como a vida deverá ser gerida, mas também se encarrega de fazer a gestão sobre como morrer e sobre quem deve morrer. Assim, o risco da morte torna-se presente o tempo todo. E essa é marca central da necropolítica. Enfatizou-se neste artigo, algumas das topografias sublinhadas por Achille Mbeme, tais como o sistema de plantation e colônia, as quais são marcadas por uma extrema crueldade. Nesse contexto, de apropriação da morte pelo poder político, o conceito de biopolítica mostra-se incapaz de explicar as tecnologias atuais de submissão da vida ao poder da morte. Por fim, verifica-se que a reflexão sobre a necropolítica traz o desafio de impedir que o Estado continue fazendo a gestão da morte.
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Coquery-Vidrovitch, Catherine. "Nuttall, Sarah & Mbembe, Achille (eds.). — Johannesburg." Cahiers d'études africaines, no. 205 (March 15, 2012): 305–8. http://dx.doi.org/10.4000/etudesafricaines.14364.

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Ferreira, Tatiana De Souza. "Resenha do livro Necropolítica de Achille Mbembe." Giramundo: Revista de Geografia do Colégio Pedro II 5, no. 9 (June 7, 2020): 117. http://dx.doi.org/10.33025/grgcp2.v5i9.2574.

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Courtin, Christophe. "Achille Mbembe,CRITIQUE DE LA RAISON NÈGRE." Projet 339, no. 2 (2014): 94. http://dx.doi.org/10.3917/pro.339.0094.

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Dissertations / Theses on the topic "Achille Mbembe"

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Amorim, Liana Depieri. "Pensatempos, cosmopolitismo e afropolitanismo : perspectivas híbridas do pensamento africano." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2015. http://hdl.handle.net/10183/131646.

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Este trabalho propõe uma análise das ideias de três autores africanos: Mia Couto, Kwame Anthony Appiah e Achille Mbembe, utilizando suas obras ensaísticas para refletir sobre o pensamento africano e suas formas híbridas. Defino os conceitos de Cosmopolitismo, de Afropolitanismo e os Pensatempos – que trazem as perspecitvas do autor moçambicano Mia Couto. Como metodologia, comparo os discursos destes autores para analisar os aspectos comuns. Como base teórica utilizo autores que debatem os processos de globalização e de mundialização. Ao refletir sobre o cosmopolitismo e sobre as perspectivas híbridas que se fortalecem, faz-se necessário repensar o valor que a cultura exerce dentro de territórios que, mesmo definidos geograficamente, encontram-se em profunda transformação, como é o caso do continente africano. A independência dos países deste continente ainda é bastante recente, a cultura ocidental do colonizador predomina como um paradigma, fazendo com que a cultura local perca espaço e valor. Para desenvolver esta análise, dá-se um panorama, com o intuito de contextualizar a discussão, das teorias e movimentos que influenciaram esse pensamento, trazendo as teorias afrocêntricas, as perspectivas de Frantz Fanon, e a crítica a respeito do afrocentrismo. Trago as teorias centrais a este trabalho que se compõem do Afropolitanismo – de Achille Mbembe, do Cosmopolitismo – de Kwame Anthony Appiah, e os Pensatempos de Mia Couto. Proponho um diálogo destes sobre as perspectivas híbridas que perpassam o pensamento africano. E, por fim, proponho uma análise comparativa dos aspectos considerados relevantes, pelos autores, na busca por um protagonismo efetivo no continente africano.
Este trabajo propone un análisis de tres autores e ideas africanos: Mia Couto, Kwame Anthony Appiah y Achille Mbembe, usando sus obras ensayísticas para reflexionar sobre el pensamiento africano y sus formas híbridas. Defino los conceptos de cosmopolitismo, de Afropolitanismo y Pensatempos - que traen perspecitvas del autor mozambiqueño Mia Couto. La metodología de comparar los discursos de estos autores para analizar los puntos en común. Como autores básicos teóricos utilizan debatir los procesos de globalización y la globalización. Reflexionando sobre el cosmopolitismo y sobre las perspectivas híbridos que se fortalecen, es necesario repensar el valor de la cultura en los territorios que aún definidos geográficamente, están en profunda transformación, como el continente africano. La independencia de los países de este continente es todavía bastante nuevo, la cultura occidental del colonizador prevalece como un paradigma, por lo que el espacio de la cultura local y pierda valor. Para desarrollar este análisis, da un panorama, con el fin de contextualizar la discusión de las teorías y movimientos que influyeron en el pensamiento, con lo que las teorías afrocéntricos, las perspectivas de Frantz Fanon, y la crítica sobre afrocentrismo. Traiga las teorías centrales en este trabajo están compuestos por Afropolitanismo - Achille Mbembe de, el cosmopolitismo - Kwame Anthony Appiah de, y Pensatempos Mia Couto. Propongo un diálogo sobre estas perspectivas híbridos que impregnan el pensamiento africano. Finalmente, propongo un análisis comparativo de los aspectos considerados relevantes por los autores en la búsqueda de un papel eficaz en el continente africano.
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Falk, Erik. "Subject and History in Selected Works by Abdulrazak Gurnah, Yvonne Vera, and David Dabydeen." Doctoral thesis, Karlstad : Faculty of Arts and Education, English, Karlstads universitet : Karlstad University Press [distributör], 2007. http://www.diva-portal.org/kau/abstract.xsql?dbid=701.

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Sithole, Tendayi. "Achille Mbembe : subject, subjection, and subjectivity." Thesis, 2014. http://hdl.handle.net/10500/14323.

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This thesis examines the political thought of Achille Mbembe. It deploys decolonial critical analysis to unmask traces of coloniality with regard to the African existential conditions foregrounded in the conception of the African subject, its subjection, and subjectivity. The theoretical foundation of this thesis is decolonial epistemic perspective—the epistemic intervention that serves as a lens to understand Mbembe’s work and—that is the theoretical foundation outside the Euro-North American “mainstream” canon foregrounded in coloniality. Decolonial epistemic perspective in this thesis is deployed to expose three kinds of coloniality in Mbembe’s work, namely: coloniality of power, coloniality of knowledge and coloniality of being. The thrust of this thesis is that Mbembe’s political thought is inadequate for the understanding of the African existential condition in that it does not fully take coloniality into account. In order to acknowledge the existence of coloniality through decolonial critical analysis, the political thought of Mbembe is examined in relation to modes of self-writing, power in the postcolony, the politics of violence in Africa, Frantz Fanon’s political thought, and the idea of South Africa as major themes undertaken in this thesis. Decolonial critical analysis deals with foundational questions that have relevance to the existential condition of the African subject and the manner in which such an existential crisis can be brought to an end. These foundational questions confront issues like—who is speaking or writing, from where, for whom and why? This thesis reveals that Mbembe is writing and thinking Africa from outside the problematic ontology of the African subject and, as such, Mbembe precludes any form of African subjectivity that challenges the Euro-North American canon. This then reveals that Mbembe is not critical of coloniality and this has the implications in that subjection is left on the wayside and not accounted for. Having explored the genealogy, trajectory and horisons of decolonial critical analysis to understand the political thought of Mbembe, this thesis highlights that it is essential to take a detour through the shifting of the geography of reason. Herein lies the originality of this thesis, and it is here that Africa is thought from within a standpoint of decolonial critical analysis and not Africa that is thought from the Euro-North American canon. Therefore, the shifting of the geography of reason is necessary for the authorisation of the subjectivity of the African subject in order to combat subjection.
Political Sciences
D. Litt. et Phil. (African Politics)
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Bamupale, Kayembe Augustin. "La symbolique de la postcolonie : la vue Canadio-Vietnamiennie dans La grande melee de Michel Tremblay et Man de Kim Thuy et La vue Afro-Africaine dans le Borreau de Severin Cecile Abega et Balbala D'Abdourahman A. Waberi." Diss., 2018. http://hdl.handle.net/10500/25318.

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This research transfigures in the field of “ postcolony ” (Achille Mbembe, 2001) ; an imperial situation that occurs in countries that were once destroyed by the ancient colonization and that keep its traces and bear its heritage. The novels of our study are as follows : Balbala (2002) by Abdourahman A. Waberi, Le bourreau (2004) by Séverin Cécile Abega, La grande mêlée (2011) by Michel Tremblay and Mãn (2013) by Kim Thúy. Indeed, we compare and would like to know why and how Africa, Canada and Vietnam may have a postcolony haloed by neo-colonialism. In addressing this issue, all the novels of our study converge to say that Colonizers succeeded to turn the suns of independence and decolonization into murderous suns, the vicious peppers into harmless flowers so as not to oppose the direction of the colonial fibres and transfer colonization to postcolony. Therefore, the fight remains perpetual between the postcolonial darkness and the anti-postcolonial light
Cette recherche transparaît dans « la postcolonie » (Achille Mbembe, 2001) ; une situation d’ordre impérial qui se vit dans les pays ravagés par l’ancienne colonisation, et qui gardent son héritage et portent ses traces. Voici les romans de notre étude : Balbala (2002) d’Abdourahman A. Waberi, Le bourreau (2004) de Séverin Cécile Abega, La grande mêlée (2011) de Michel Tremblay et Mãn (2013) de Kim Thúy. En effet, nous comparons et voulons savoir pourquoi et comment l’Afrique, le Canada et le Vietnam enfilent la postcolonie auréolée par le néo-colonialisme. Abordant cette problématique, tous les romans à l’étude convergent pour dire que les colonisateurs ont réussi à réifier les soleils des indépendances et de décolonisation en soleils assassins, les piments vicieux en fleurs inoffensives afin de ne pas contredire le sens des fibres coloniales et transférer la colonisation à la postcolonie. Dès lors, le combat reste donc perpétuel entre l’ombre postcoloniale et la lumière anti-postcoloniale
French Studies
M.A. (French)
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Krawitz, Lilian. "South africa's axial religious transformation: the utilization of the axial Hebrew prophets' response models in the revision of South Africa's maladaptive pre-axial response models." Diss., 2007. http://hdl.handle.net/10500/2168.

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This study searches for the origin and history of the concept of individual accountability and the reason for its absence in the African Traditional Religion framework. This search begins in the Axial Age (800-200 BCE), and discusses ancient Israel's Axial Age and its Axial Hebrew prophets' response models. The study tracks the introduction of Axial ideals to South Africa, via Christianity since 1826, and examines the Xhosa prophets' response models to their Axial context. The Social Christians attempts to impart Axial ideals during the period of segregation and the Tuskegeean response model are also examined. The similarities between ancient Israel and South Africa as revealed by Biblical archaeology, underlie this study's call for the utilisation of the power of religions such as Christianity, and of South Africa's religious elite, to rapidly alter current maladaptive beliefs within the African Traditional religious framework that impedes Africans' ability to adopt individual accountability.
Biblical and Ancient Studies
M. A. (Biblical Archaeolgy)
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Book chapters on the topic "Achille Mbembe"

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"Achille Mbembe." In Whiteness Afrikaans Afrikaners: Addressing Post-Apartheid Legacies, Privileges and Burdens, 141–46. The Mapungubwe Institute for Strategic Reflection (MISTRA), 2018. http://dx.doi.org/10.2307/j.ctvh8qwz9.22.

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"Achille Mbembe." In Expanded Senses, 104. transcript-Verlag, 2015. http://dx.doi.org/10.14361/9783839433621-009.

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"Achille Mbembe." In Expanded Senses, 328. transcript-Verlag, 2015. http://dx.doi.org/10.14361/9783839433621-030.

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Lloyd, Vincent W. "Mbembe." In Religion of the Field Negro. Fordham University Press, 2017. http://dx.doi.org/10.5422/fordham/9780823277636.003.0004.

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The Cameroon-born political theorist Achille Mbembe has produced a body of work that deeply engages with Christianity: the role of Christianity in postcolonial and particularly African contexts, the role of Christianity in securing Europe’s self-image, and the role of Christian ideas in providing a framework for postcolonial resistance. In Mbembe’s most recent work, he has turned his critical apparatus from postcolonial contexts to blackness more generally, engaging with questions of race and religion across Africa and the diaspora. This chapter argues that Mbembe’s work offers promising resources for black theology, but it also has crippling limitations because of underlying secularist assumptions. Mbembe helpfully diagnoses postcolonial and black contexts as suffering from what is effectively theological heresy: a distorted relationship with ultimate authority brought about by colonialism and racialization. While Mbembe’s diagnosis deeply engages with theology, his prescription is secularist, embracing plurality that black experience is said to model. The chapter juxtaposes Mbembe’s reflections on colonial and racializing heresy with theologian John Milbank’s reflections on secularist heresy to explore the limitations and possibilities of each.
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"Achille Mbembe and the Disorder of Discourse." In Postcolonial Criticism and Representations of African Dictatorship, 79–104. Routledge, 2017. http://dx.doi.org/10.4324/9781315089591-4.

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Nelson, Rachel. "On Perpetual Conflict." In Under the Skin, 144–58. British Academy, 2020. http://dx.doi.org/10.5871/bacad/9780197266748.003.0011.

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This chapter focuses on the different tactics Emily Jacir uses in her varied art practice to trouble narratives of the Palestinian occupation. It tracks through notable artworks including Where We Come From (2001–03), Sexy Semite (2002), and ex libris (2010–12), and attempts by Jacir to reveal the discursive frameworks which normalise the atrocities in Palestine. Thinking with scholars including Achille Mbembe and Judith Butler, this chapter traces the strategies the artist uses to communicate the conflict outside of these discursive traps that continually interpret and produce the oppressive reality in Palestine. And, it follows Jacir in asking, what would it take to remake (transform) the sensibility of the conflict in Palestine?
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Rao, Rahul. "Epilogue." In Out of Time, 213–24. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190865511.003.0007.

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This chapter returns to a puzzle running through the book, namely how to account for the ways in which queerness mutates to become a metonym for imperialism/anti-imperialism, paganism/Christianity, whiteness, embourgeoisement, and backwardness in different institutional configurations of power. Using Hortense Spillers’s historically informed notion of the ‘grammar’ of a state, the chapter argues that these mutations result from a refraction of queerness through the foundational grammar of the institutions being investigated in each chapter. Both states and their antagonists speak in these grammars, making their engagements what Achille Mbembe calls ‘convivial’. The chapter illustrates this with reference to the politics of Uganda. It then summarises its claims about the global frictions surrounding the Anti Homosexuality Act, reiterating the ways in which these frictions illustrate the mutual constitution of core and periphery. It suggests that this insight offers a possible strategy for disorienting orientalism
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Figueiredo, João. "Expondo a negatividade no âmago das ‘máscaras de Lazarim’ e da ‘Arte Negra'." In Discursos Expositivos: Como, Porquê, Para Quem? Interseções: Rumos e Visões do Património Cultural, 36–61. Universidade do Porto. Faculdade de Letras(FLUP). Departamento de Ciências e Técnicas do Património (DCTP) /Doutoramento em Estudos do Património (DEP), 2020. http://dx.doi.org/10.21747/9789898969682/seminariosv1a2.

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In this chapter I will focus on the challenge of exhibiting ethnographic objects in their negative essence. This implies understanding them not as representations of other cultures or societies, but as traces of a traumatic event. By adopting this alternative understanding, I hope to avoid the pitfalls of including these objects in categories such as ‘African Art’ or ‘Lazarim masks’ (a specific kind of Heritage). Throughout this chapter I draw from the works of Achille Mbembe, Jean-François Lyotard and Yuk Hui, and get inspiration from Japanese Zen critiques of western representational metaphysics. To face the aesthetic challenge at hands, I will begin by analysing the traumatic events at the origin of both categories, explaining why I opted to work them together and then mapping their common genealogy. Afterwards, I will briefly explore their historical connections. As a conclusion, I will propose an ‘anti-heritage’ take on the exhibition of Lazarim masks’ that can inspire decolonized displays of ‘African Art’.
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Figueiredo, João. "Expondo a negatividade no âmago das ‘máscaras de Lazarim’ e da ‘Arte Negra'." In Discursos Expositivos: Como, Porquê, Para Quem? Interseções: Rumos e Visões do Património Cultural, 36–61. Universidade do Porto. Faculdade de Letras(FLUP). Departamento de Ciências e Técnicas do Património (DCTP) /Doutoramento em Estudos do Património (DEP), 2020. http://dx.doi.org/10.21747/9789898969682/seminariosv1a2.

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In this chapter I will focus on the challenge of exhibiting ethnographic objects in their negative essence. This implies understanding them not as representations of other cultures or societies, but as traces of a traumatic event. By adopting this alternative understanding, I hope to avoid the pitfalls of including these objects in categories such as ‘African Art’ or ‘Lazarim masks’ (a specific kind of Heritage). Throughout this chapter I draw from the works of Achille Mbembe, Jean-François Lyotard and Yuk Hui, and get inspiration from Japanese Zen critiques of western representational metaphysics. To face the aesthetic challenge at hands, I will begin by analysing the traumatic events at the origin of both categories, explaining why I opted to work them together and then mapping their common genealogy. Afterwards, I will briefly explore their historical connections. As a conclusion, I will propose an ‘anti-heritage’ take on the exhibition of Lazarim masks’ that can inspire decolonized displays of ‘African Art’.
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Cordeiro, Diego Borges. "O REGIME DE PODER E O CONTEXTO DA PANDEMIA DO COVID-19: UMA ANÁLISE DE MICHEL FOUCAULT À ACHILLE MBEMBE." In Sociologia: Das Ausências às Emergências, 52–66. Atena Editora, 2021. http://dx.doi.org/10.22533/at.ed.7072115044.

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