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Books on the topic 'Acoustic analyzer'

Author: Grafiati

Published: 4 June 2021

Last updated: 5 February 2022

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1

Fedorov, Denis, and Aleksandr Maznev. Complexes of technical diagnostics of mechanical equipment of electric rolling stock. INFRA-M Academic Publishing LLC., 2020. http://dx.doi.org/10.12737/1016342.

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The textbook consists of two parts. The first part considers the principles of construction and operation of diagnostic systems to determine the status of parts and assemblies mechanical parts of the electric rolling stock; marked the directions of development of diagnostics systems. The second part is devoted to the physical foundations of the method of acoustic-emission diagnostics of bearing units and diagnostic device — the analyzer of the bearing life of ARP-11 and the application program. Designed for students majoring in 23.05.03 "Rolling stock of Railways".

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2

Fifield, R. F. Design of a realtime acoustic emission analyser. UMIST, 1994.

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3

Cazzolato, Benjamin S., 1969- author, ed. Acoustic analyses using Matlab and Ansys. CRC Press, 2015.

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4

Jeong-Guon, Ih, and Benesty Jacob, eds. Acoustic array systems: Theory, implementation, and application. John Wiley & Sons, Inc., 2013.

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5

Schomer, Paul. Acoustic directivity patterns for Army weapons. US Army Corps of Engineers, Construction Engineering Research Laboratory, 1985.

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6

Schomer, Paul. Acoustic directivity patterns for Army weapons. US Army Corps of Engineers, Construction Engineering Research Laboratory, 1986.

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7

V, Egorov I͡U. Acousto-optic correlators and spectrum analyzers: New techniques for signal processing. SPIE Optical Engineering Press, 1997.

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8

Die digitale Impulsformung als Werkzeug für die Analyse und Synthese von Blasinstrumentenklängen. Peter Lang, 2008.

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9

Benesty, Jacob, Mingsian R. Bai, and Jeong-Guon Ih. Acoustic Array Systems: Theory, Implementation, and Application. Wiley & Sons, Incorporated, John, 2013.

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10

Benesty, Jacob, Mingsian R. Bai, and Jeong-Guon Ih. Acoustic Array Systems: Theory, Implementation, and Application. Wiley & Sons, Incorporated, John, 2013.

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11

Benesty, Jacob, Mingsian R. Bai, and Jeong-Guon Ih. Acoustic Array Systems: Theory, Implementation, and Application. Wiley & Sons, Incorporated, John, 2013.

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12

Kubozono, Haruo, ed. The Phonetics and Phonology of Geminate Consonants. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198754930.001.0001.

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Geminate consonants, also known as long consonants, appear in many languages in the world, and how they contrast with their short counterparts, or singletons (e.g. /tt/ vs. /t/), is an important topic that features in most linguistics and phonology textbooks. However, neither their phonetic manifestation nor their phonological nature is fully understood, much less their cross-linguistic similarities and differences. As the first volume specifically devoted to the phonetics and phonology of geminate consonants, this book aims to bring together novel, original data and analyses concerning many i

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13

Baranowski, Maciej. Sociophonetics. Edited by Robert Bayley, Richard Cameron, and Ceil Lucas. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199744084.013.0020.

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The term sociophonetics refers to the interface of sociolinguistics and phonetics, and specifically to the use of modern phonetic methods in the quantitative analysis of language variation and change. Although its definition can be quite broad, including any sociolinguistic study involving sounds analysed impressionistically, it usually implies the use of instrumental techniques. This chapter takes the view of sociophonetics as a tool contributing to the understanding of the nature of language variation and change. Assuming a basic knowledge of acoustic phonetics, it focuses on sociophonetic m

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14

Zagorski-Thomas, Simon. The Spectromorphology of Recorded Popular Music. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199985227.003.0016.

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This chapter explores the cognitive processes involved in listening to electronically mediated music. Drawing on theories of embodied cognition, the chapter argues that the record-production process can result in “sonic cartoons,” with certain aspects of a performance accentuated and others attenuated. This can lead to paradoxical listening experiences, such as an acoustic sound rendered antinaturalistically or an electronic sound imitating the behavior of a real sound-producing event. The chapter illustrates these perceptual ambiguities with examples of spectrographic analyses of acoustic wor

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15

Gregoris, Dennis John. A study of a guided-wave acoustic-optic transducer for an integrated optical FR spectrum analyser. 1989.

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16

Woodworth, Griffin. Synthesizers As Social Protest in Early-1970s Funk. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199985227.003.0011.

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The advent of the synthesizer brought a new timbral palette for artists to explore. Early synthesizers sought to imitate acoustic instruments, but over time they developed their own unique timbral qualities used in 1970s funk and progressive rock. Occupying the Freudian uncanny, synthesized sounds are just distinguishable enough from those of acoustic instruments to inspire discomfort or create an otherworldly, science-fiction sound. This chapter argues that African-American funk musicians of the 1970s used synthesizers in the spirit of black social empowerment movements, which advocated for t

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17

Daniels, Dieter. Silence and Void. Edited by Yael Kaduri. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199841547.013.11.

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The notorious “silent piece” 4'33 (1952) by John Cage is a seminal point of convergence for visual and acoustic arts: each performance of the piece offers an acoustic and visual uniqueness, which defies repetition. The equivalent in visual arts is Robert Rauschenberg’sWhite Paintings(1951), credited by Cage as inspirational. Around the same time and without knowing the works by Cage and Rauschenberg, Yves Klein and Guy Debord also created works related to silence, emptiness, and void. This chapter reflects on the similar and different types of absence, reduction, and various kinds of “nothingn

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18

Spitzer, Michael. Affective shapes and shapings of affect in Bach’s Sonata for Unaccompanied Violin No. 1 in G minor (BWV 1001). Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780199351411.003.0008.

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This chapter analyses Bach’s Sonata for Unaccompanied Violin No. 1 in G minor in terms of recent theories of music and emotion. It considers how musical ‘shape’ relates to the structure of affect, conceived in the nuanced terms afforded by recent work in the psychology of discrete emotional categories. Part I is dedicated to a close reading of Bach’s opening Adagio. Analysing three levels of shape (acoustic cues, midlevel phrasing and large-scale form), the chapter compares Bach’s music both to the shape of particular emotional behaviours and to the expressive shapings of a formal model. This

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19

Pitozzi, Enrico. Body Soundscape. Edited by Yael Kaduri. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199841547.013.43.

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Starting from an interdisciplinary perspective of methodological integration of the concepts of body and sound in the contemporary dance scene, this chapter addresses the general aesthetic notion ofsonorous body. Through a survey of some key practices and pieces by Wayne McGregor, Ginette Laurin, Angelin Preljocaj, Cindy Van Acker and others, the author analyzes the audiovisual dimension of these works, developed with digital technologies and in a collaboration of choreographers with electronic musician and sound artists such as Scanner, Kasper T. Toeplitz, Granular Synthesis, and Mika Vainio.

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20

Kytö, Meri. Soundscapes of Istanbul in Turkish Film Soundtracks. Edited by John Richardson, Claudia Gorbman, and Carol Vernallis. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199733866.013.0028.

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This article appears in theOxford Handbook of New Audiovisual Aestheticsedited by John Richardson, Claudia Gorbman, and Carol Vernallis. This chapter examines the changing relationships of sounds, places, and their cultural meanings in Turkish films located in Istanbul. Starting with a brief review of the historical context of Turkish film sound and sonic representations of Istanbul, the chapter then analyzes two recent films set in middle-class apartment homes,11’e 10 kalaandUzak, which represent the auteur vein of new Turkish cinema. Both feature subtle and delicate sound design and evidence

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21

Meyer, Christian. The Cultural Organization of Intercorporeality. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190210465.003.0006.

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This chapter addresses the question of the universality of specific forms of intercorporeality. This detailed microethnographic study of a Wolof village in Northwestern Senegal describes how different senses—eye-gaze, hearing, and touch—are used in embodied interaction and how, in turn, participation in cultural interaction patterns shapes people’s senses. These patterns are notably different than they are in those Western societies about whose micro-interactions which we have reliable information. The chapter first analyzes the cooperative pounding of millet by four women, then, in the second

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22

Zur Nieden, Gesa. Symmetries in Spaces, Symmetries in Listening. Edited by Christian Thorau and Hansjakob Ziemer. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780190466961.013.16.

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Based on the importance of the concept of symmetry in French sociological aesthetics circa 1900, this chapter analyzes the convergence of theaters, musical form, and musical understanding. The analysis focuses on architectural shape, audience response, and the musical repertoire in the new theaters built in Barcelona (1847), Paris (1862), and Rome (1880). While these theaters were fashioned after the baroque form of the “teatro all’italiana” that prevailed in Italy, France, and Spain during the late nineteenth century, they provided huge spaces accommodating a socially mixed audience within an

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23

Tiwari, Sandip. Electromechanics and its devices. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198759874.003.0005.

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Electromechanics—coupling of mechanical forces with others—exhibits a continuum-to-discrete spectrum of properties. In this chapter, classical and newer analysis techniques are developed for devices ranging from inertial sensors to scanning probes to quantify limits and sensitivities. Mechanical response, energy storage, transduction and dynamic characteristics of various devices are analyzed. The Lagrangian approach is developed for multidomain analysis and to bring out nonlinearity. The approach is extended to nanoscale fluidic systems where nonlinearities, fluctuation effects and the classi

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24

De Souza, Jonathan. Sounding Actions. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190271114.003.0003.

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When a musical instrument converts energy into sound, it makes aspects of the player’s action audible. This chapter analyzes this action-sound coupling in various instruments, drawing on ecological acoustics, organology, and cybernetics. It introduces a distinction between two aspects of sound production—“activation” and “control”—either of which may come from the player or the instrument. Pipe organs, for example, are activated by nonhuman power sources, though the pitches are controlled by the organist. Barrel organs, by contrast, are activated by human energy, but the pitches are preprogram

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25

Woolven, Stephen Mitchell *. Theoretical analysis of an optical lock-in technique with applications to a dual acousto-optic spectrum analyser and wavequide propogation loss measurements. 1988.

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26

Russ, Jon, ed. Bat Calls of Britain and Europe. Pelagic Publishing, 2021. http://dx.doi.org/10.53061/nlhc3923.

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A comprehensive guide to the calls of the 44 species of bat currently known to occur in Europe. Following on from the popular British Bat Calls by Jon Russ, this new book draws on the expertise of more than forty specialist authors to substantially update all sections, further expanding the volume to include sound analysis and species identification of all European bats. Aimed at volunteers and professional alike, topics include the basics of sound, echolocation in bats, an introduction to acoustic communication, equipment used and call analysis. For each species, detailed information is given

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27

Leon, Susan A., Amy D. Rodriguez, and John C. Rosenbek. Right Hemisphere Damage and Prosody. Edited by Anastasia M. Raymer and Leslie J. Gonzalez Rothi. Oxford University Press, 2015. http://dx.doi.org/10.1093/oxfordhb/9780199772391.013.15.

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Communication requires interdependent functioning of large portions of the brain, and damage to any of these systems can disrupt effective and appropriate communication. Damage to the right hemisphere or basal ganglia can result in difficulty using or understanding prosodic contours in speech. Prosody includes pitch, loudness, rate, and voice quality, and is used to convey emotional connotation or linguistic intent. A disorder in the comprehension or production of prosody is known as aprosodia; affective aprosodia is a specific deficit affecting emotional or affective prosodic contours. The ri

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28

Sustainable Public Buildings Designed and Constructed in Wood. RTU Press, 2021. http://dx.doi.org/10.7250/9789934225758.

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The handbook presents significant theoretical and practical solutions in design, construction and management of sustainable wooden public buildings, based on experiences in five countries – Lithuania, Denmark, UK, Finland and Latvia, as well as in the international context. Understanding of sustainable development and the importance of wooden construction discussed, properties of wood as a construction material analysed, design solutions, including moisture, fire safety and acoustical considerations provided, wooden construction project and process management addressed, use and maintenance, in

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29

Bouteneff, Peter C., Jeffers Engelhardt, and Robert Saler, eds. Arvo Pärt. Fordham University Press, 2020. http://dx.doi.org/10.5422/fordham/9780823289752.001.0001.

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Scholarly writing on the music of Arvo Pärt is situated primarily in the fields of musicology, cultural and media studies, and, more recently, in terms of theology/spirituality. Arvo Pärt: Sounding the Sacred focuses on the representational dimensions of Pärt’s music (including the trope of silence), writing and listening past the fact that its storied effects and affects are carried first and foremost as vibrations through air, impressing themselves on the human body. In response, this ambitiously interdisciplinary volume asks: What of sound and materiality as embodiments of the sacred, as hi

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30

Stanford, James N. New England English. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190625658.001.0001.

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For nearly 400 years, New England has held an important place in the development of American English, and “New England accents” are very well known in popular imagination. But since the 1930s, no large-scale academic book project has focused specifically on New England English. While other research projects have studied dialect features in various regions of New England, this is the first large-scale scholarly project to focus solely on New England English since the Linguistic Atlas of New England. This book presents new research covering all six New England states, with detailed geographic, p

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31

Sound Propagation in Stratified Fluids. Springer, 2011.

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