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Books on the topic 'Acoustic tile'

Author: Grafiati
Published: 4 June 2021
Last updated: 9 February 2022

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1

Gan, Woon Siong. Time Reversal Acoustics. Singapore: Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-16-3235-8.

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2

Brown, Lee A. Real time nearfield acoustic holography. Leicester: De Montfort University, 1998.

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3

Carocho, Antonio J. Acoustic impedance of materials from reverberation time. Monterey, Calif: Naval Postgraduate School, 1991.

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4

Chaulk, Edwin K. Arrival time tracking of partially resolved acoustic rays with application to ocean acoustic tomography. Monterey, Calif: Naval Postgraduate School, 1991.

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5

Schobben, Daniel W. E. Real-time Adaptive Concepts in Acoustics. Dordrecht: Springer Netherlands, 2001. http://dx.doi.org/10.1007/978-94-010-0812-9.

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6

Fernandes, B. T. Multiphase acoustic computer-based real-time displacement measuring system. Manchester: UMIST, 1995.

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7

Chi, Cheng. Underwater Real-Time 3D Acoustical Imaging. Singapore: Springer Singapore, 2019. http://dx.doi.org/10.1007/978-981-13-3744-4.

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8

Crocker, Steven Edward. Time domain modal beamforming for a near vertical acoustic array. Monterey, Calif: Naval Postgraduate School, 1991.

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9

Ziomek, Lawrence J. Fundamentals of acoustic field theory and space-time signal processing. Boca Raton: CRC Press, 1995.

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10

Watson, Willie Ross. A time domain numerical theory for studying steady-state acoustic disturbances in flow. [S.l.]: George Washington University, 1991.

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11

Winter, Thomas A. Examination of time-reversal acoustic application to shallow water active sonar systems. Monterey, Calif: Naval Postgraduate School, 2000.

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12

Banks, H. Thomas. A comparison of time domain boundary conditions for acoustic waves in wave guides. Hampton, Va: Institute for Computer Applications in Science and Engineering, NASA Langley Research Center, 1991.

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13

Ahmed, N. Real-time Pc-based acoustic emission monitoring fornon-invasiveon-line industrial processes diagnosis. Manchester: UMIST, 1994.

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14

Baumeister, Kenneth J. Finite difference time marching in the frequency domain: A parabolic formulation for aircraft acoustic nacelle design. [Washington, D.C: National Aeronautics and Space Administration, 1996.

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15

Flatley, Thomas. Real-time detection of fatigue cracks at multiple holes in 7075 aluminum using acoustic emission. Monterey, Calif: Naval Postgraduate School, 1992.

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16

Heinemann, Michael Gerhard. Experimental studies of applications of time-reversal acoustics to non-coherent underwater communications. Monterey, Calif: Naval Postgraduate School, 2000.

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17

Schobben, Daniel W. E. Real-time Adaptive Concepts in Acoustics: Blind Signal Separation and Multichannel Echo Cancellation. Dordrecht: Springer Netherlands, 2001.

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18

Abrantes, António Adolfo Mendes. Examination of time-reversal acoustics in shallow water and applications to underwater communications. Monterey, Calif: Naval Postgraduate School, 1999.

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19

Combes, Jean-Michel. Wavelets: Time-Frequency Methods and Phase Space. Berlin, Heidelberg: Springer Berlin Heidelberg, 1989.

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20

Gasanova, R. T. Prostranstvo zvuka: (Muzykalʹnyĭ zvuk kak obʺekt mezhdist︠s︡iplinarnykh issledovaniĭ). Baku: "Ėlm,", 2006.

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21

Guowei, He. Effects of eddy viscosity on time correlations in large eddy simulation. Hampton, VA: ICASE, NASA Langley Research Center, 2001.

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22

Guowei, He. Effects of eddy viscosity on time correlations in large eddy simulation. Hampton, VA: ICASE, NASA Langley Research Center, 2001.

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23

service), SpringerLink (Online, ed. Cochlear Mechanics: Introduction to a Time Domain Analysis of the Nonlinear Cochlea. Boston, MA: Springer US, 2012.

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24

Harley, Cudney, Sinha S. C. 1947-, American Society of Mechanical Engineers. Design Engineering Division., and Conference on Mechanical Vibration and Noise (15th : 1995 : Boston, Mass.), eds. Vibration of nonlinear, random, and time-varying systems: Presented at the 1995 ASME Design Engineering Technical Conferences--the 15th Biennial Conference on Mechanical Vibration and Noise, September 17-20, 1995, Boston, Massachusetts. New York: American Society of Mechanical Engineers, 1995.

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25

Acoustic Room De-reverberation Using Time-Reversal Acoustics. Storming Media, 1999.

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26

Tkaczyk, Viktoria, and Stefan Weinzierl. Architectural Acoustics and the Trained Ear in the Arts. Edited by Christian Thorau and Hansjakob Ziemer. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780190466961.013.14.

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This chapter shifts perspective from the history of architectural acoustics (as a branch of physics) to the history of architecture and practices of listening from around 1780 to 1830. In this period, operas, concerts, and spoken theater pieces, traditionally performed in the same venue, were increasingly regarded as separate genres, each related to a specific sonic reverberation time. As this chapter illustrates using acoustic data from major venues, this separation corresponded with ever-diverging concepts of acoustic design and the acoustic properties of new buildings. The shift occurred, first, because of the emergence of a bourgeois theater and music culture and, second, due to a fundamental epistemic shift in acoustic theory when sound reflection began to be thought of as a phenomenon related to energy, time, and building materials. The audience was conceived of as a group of genre-specific listening experts who paid attention to sound dying away over time.
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27

Ghavami, Golnaz Modarresi. Phonetics. Edited by Anousha Sedighi and Pouneh Shabani-Jadidi. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780198736745.013.4.

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This chapter discusses the articulatory and acoustic properties of the sound system of Standard Modern Persian. It starts with a brief review of early work on the sound system of New Persian and its development into Modern Persian. The second section examines consonants and vowels in Standard Modern Persian. In this section, issues such as place and manner of articulation of consonants, Voice Onset Time and its importance in distinguishing voiced and voiceless obstruents, the acoustics of glottal consonants, sibilant and non-sibilant fricatives, and rhotics are discussed. The section on vowels addresses vowel space, vowel length, and the acoustics of diphthongs in Standard Modern Persian. The phonetics of the suprasegmental features of stress and intonation are the topic a final section in this chapter.
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28

Laurent, Auriault, and United States. National Aeronautics and Space Administration., eds. Time-domain impedance boundary conditions for computational aeroacoustics. Washington, DC: American Institute of Aeronautics and Astronautics, 1996.

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29

Laurent, Auriault, and United States. National Aeronautics and Space Administration., eds. Time-domain impedance boundary conditions for computational aeroacoustics. Washington, DC: American Institute of Aeronautics and Astronautics, 1996.

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30

Laurent, Auriault, and United States. National Aeronautics and Space Administration., eds. Time-domain impedance boundary conditions for computational aeroacoustics. Washington, DC: American Institute of Aeronautics and Astronautics, 1996.

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31

Laurent, Auriault, and United States. National Aeronautics and Space Administration., eds. Time-domain impedance boundary conditions for computational aeroacoustics. Washington, DC: American Institute of Aeronautics and Astronautics, 1996.

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32

Ziomek, Lawrence J. Fundamentals of Acoustic Field Theory and Space-Time Signal Processing. CRC Press, 2020. http://dx.doi.org/10.1201/9781003069317.

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33

United States. National Aeronautics and Space Administration., ed. Tilt rotor aircraft aeroacoustics: Final report, grant number NAG-2-554, period covered: 1 January 1989 to December 31, 1996. [Washington, DC: National Aeronautics and Space Administration, 1996.

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34

Tohyama, Mikio. Acoustic Signals and Hearing: A Time-Envelope and Phase Spectral Approach. Elsevier Science & Technology Books, 2020.

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35

Tohyama, Mikio. Acoustic Signals and Hearing: A Time-Envelope and Phase Spectral Approach. Elsevier Science & Technology, 2020.

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36

Examination of Time-Reversal Acoustic Applications to Shallow Water Active Sonar Systems. Storming Media, 2000.

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37

E, Zorumski William, and Langley Research Center, eds. Periodic time-domain nonlocal nonreflecting boundary conditions for duct acoustics. Hampton, Va: National Aeronautics and Space Administration, Langley Research Center, 1996.

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38

E, Zorumski William, and Langley Research Center, eds. Periodic time-domain nonlocal nonreflecting boundary conditions for duct acoustics. Hampton, Va: National Aeronautics and Space Administration, Langley Research Center, 1996.

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39

Periodic time-domain nonlocal nonreflecting boundary conditions for duct acoustics. Hampton, Va: National Aeronautics and Space Administration, Langley Research Center, 1996.

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40

E, Zorumski William, and Langley Research Center, eds. Periodic time-domain nonlocal nonreflecting boundary conditions for duct acoustics. Hampton, Va: National Aeronautics and Space Administration, Langley Research Center, 1996.

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41

Schäfer, Armin, and Julia Kursell. Microsound and Macrocosm. Edited by Yael Kaduri. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199841547.013.18.

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This chapter investigates concepts of space in French composer Gérard Grisey’s music. From the 1970s onward, he used sound spectrograms, introducing the compositional technique of “spectralism,” which can be rooted in Arnold Schoenberg’s concept ofKlangfarbe. The cycleLes Espaces acoustiques(1974–1985) uses this technique to create a sequence of musical forms that grow from the acoustic seed of a single tone. The cycle can be traced back to a new role for acoustic space, which emerged in early atonal composition. Grisey confronts the natural order of acoustic space with the human order of producing and perceiving sounds. The dis-symmetry between these two orders of magnitude is further explored in Grisey’sLe Noir de l’Étoile(1990) for six percussionists, magnetic tape, and real-time astrophysical signals. This piece unfolds a triadic constellation of spatial orders where human perception and performance are staged between musical micro-space and cosmic marco-space.
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42

Time-distance helioseismology with the MDI Instrument: Initial results. [Washington, DC: National Aeronautics and Space Administration, 1997.

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43

Prudhomme, Louis L. Application of a modified time delay spectrometry technique in modeling of underwater acoustic propagation. 1987.

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44

Wieser, Renate. Deautomatization of Breakfast Perceptions. Edited by Roger T. Dean and Alex McLean. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780190226992.013.28.

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For the author of this chapter, art is a particular way of thinking: it implies the exploring of social and political conditions, not only with the means already provided by academic disciplines, but by finding out new ways to explore, conceptualize, and change them. The chapter describes an art project consisting of an ‘acoustic breakfast’. Sounds of breakfasting were recorded and transformed in real time to make communal interactive music. The author identifies the conflict between artists explaining algorithmic processes to participants and the desire for an informal social situation focussed on eating and drinking. Ideas from literary theorist Shklovsky are used to discuss automatized perceptions and the interest in defamiliarization. Was the acoustic breakfast deautomatizing the computational processes? The chapter discusses the same issue in relation to live coding.
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45

(Editor), Ardeshir Guran, Adrianus De Hoop (Editor), Dieter Guicking (Editor), and Francesco Mainardi (Editor), eds. Acoustic Interactions With Submerged Elastic Structures: Acoustic Propagation and Scattering, Wavelets and Time Frequency Analysis (Series on Stability, ... and Control of Systems. Series B, V. 5). World Scientific Pub Co Inc, 2001.

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46

Y, Wang X., and NASA Glenn Research Center, eds. Gust acoustic response of a swept rectilinear cascade using the space-time CE/SE method. [Cleveland, Ohio]: National Aeronautics and Space Administration, Glenn Research Center, 2001.

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47

Real-Time Adaptive Concepts in Acoustics: Blind Signal Separation and Multichannel Echo Cancellation. Springer, 2001.

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48

Experimental Studies of Applications of Time-Reversal Acoustics to Non- Coherent Underwater Communications. Storming Media, 2000.

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49

Examination of Time-Reversal Acoustics in Shallow Water and Applications to Underwater Communications. Storming Media, 1999.

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50

Woodworth, Griffin. Synthesizers As Social Protest in Early-1970s Funk. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199985227.003.0011.

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The advent of the synthesizer brought a new timbral palette for artists to explore. Early synthesizers sought to imitate acoustic instruments, but over time they developed their own unique timbral qualities used in 1970s funk and progressive rock. Occupying the Freudian uncanny, synthesized sounds are just distinguishable enough from those of acoustic instruments to inspire discomfort or create an otherworldly, science-fiction sound. This chapter argues that African-American funk musicians of the 1970s used synthesizers in the spirit of black social empowerment movements, which advocated for the reclamation of technology to be used in the defense of black communities. Artists such as Stevie Wonder and Parliament-Funkadelic’s Bernie Worrell utilized the synthesizer to articulate social protest against the plight of inner-city black Americans. To explore these issues, the chapter analyzes “Chocolate City” and “Living for the City” from lyrical, structural, and timbral perspectives.
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