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Books on the topic 'Acting Creation (Literary, artistic, etc.)'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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1

Chaulet, Emmanuelle. A balancing act: The development of Energize!, a holistic approach to acting. Gorham, Me: Starlight Acting Books, 2008.

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2

The charismatic chameleon: The actor as creative artist. Portland: Sussex Academic Press, 2010.

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3

O'Dell, Leslie. The charismatic chameleon: The actor as creative artist. Brighton [England]: Sussex Academic Press, 2010.

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4

Devising in process. Basingstoke, Hampshire [England]: Palgrave Macmillan, 2010.

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5

Improvised dialogues: Emergence and creativity in conversation. Westport, Conn: Ablex Pub., 2003.

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6

L'impulsion et le geste: Notes sur la création artistique : jeu, mise en scène, écriture : essai. Paris: Bérénice, 2006.

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7

L'artiste en action: Vers une sociologie de la pratique artistique. Paris: L'Harmattan, 2012.

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8

Life and art: The creative synthesis in literature. London: Karnac, 2009.

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9

Dialectic of sedimentation and innovation: Paul Ricœur on creativity after the subject. New York: Peter Lang, 2009.

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10

Hamilton, James. Life and art: The creative synthesis in literature. London: Karnac, 2009.

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11

Creating creation: Readings of Pasternak's Doktor Živago. Stockholm: Almqvist och Wiksell International, 2000.

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12

Els, Susan McBride. Into the deep: A writerʼs look at creativity. Portsmouth, N.H: Heinemann, 1994.

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13

Emma, Letley, ed. On not being able to paint. New York: Routledge, 2010.

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14

Bissell, Tom. Magic hours: Essays on creators and creation. San Francisco: Believer Books, 2012.

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15

Cacciari, Massimo. Le forme del fare. Napoli: Liguori, 1987.

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16

Hallward, Peter. Out of this world: Deleuze and the philosophy of creation. London: Verso, 2006.

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17

J, Reed T. Genesis: Some episodes in literary creation. London: Institute of Germanic Studies, University of London, 1995.

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18

Reed, T. J. Genesis: Some episodes in literary creation. London: Institute of Germanic Studies, University of London, 1995.

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19

Auf-bruch: GlobArt Academy 2013. Wien: Ambra, 2014.

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20

Anne, Simpson. The marram grass: Poetry & otherness. Kentville, N.S: Gaspereau Press, 2009.

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21

Pérez-Rioja, José Antonio. La creación literaria. Madrid: Tecnos, 1988.

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22

Mente e bellezza: Arte, creatività e innovazione. Torino: U. Allemandi, 2010.

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23

Gu jin Zhong wai ming jia lun wen yi chuang zuo gui lü. Wuchang: Wuhan da xue chu ban she, 1986.

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24

Maksimova, S. V. Tvorchestvo: Sozidanie ili destrukt︠s︡ii︠a︡? Moskva: Akademicheskiĭ proekt, 2006.

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25

Asʻad, Yūsuf Mīkhāʼīl. Saykūlūzhīyat al-ibdāʻ fī al-fann wa-al-adab. [Cairo]: al-Hayʼah al-Miṣrīyah al-ʻĀmmah lil-Kitāb, 1986.

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26

Fraisse, Luc. Le processus de la création chez Marcel Proust: Le fragment expérimental. [Paris]: J. Corti, 1988.

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27

Hansen, Karstein M. Skapelse og kritikk: En analyse av K.E. Løgstrups forfatterskap med særlig hensyn til skapelsestankens kritiske funksjon hos den unge Løgstrup. Oslo: Universitetsforlaget, 1996.

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28

Arnaudov, Mikhail. Psikhologii︠a︡ na literaturnoto tvorchestvo. Sofii︠a︡: Zakhariĭ Stoi︠a︡nov, 2008.

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29

Chuang zuo ge xing. [Wuhan shi]: Changjiang wen yi chu ban she, 1986.

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30

Rusev, R. Nauchnii͡a︡t tekst na Mikhail Arnaudov: Nabli͡u︡denii͡a︡ vŭrkhu "Psikhologii͡a︡ na literaturnoto tvorchestvo". Ruse: ET "Leni-An", 1998.

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31

Ushakov, D. V. Tvorchestvo: Ot biologicheskikh osnovaniĭ k sot︠s︡ialʹnym i kulʹturnym fenomenam. Moskva: In-t psikhologii RAN, 2011.

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32

Creativity: Theory, history, practice. Abingdon, Oxfordshire: Routledge, 2005.

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33

The captive muse: On creativity and its inhibition. Madison, Conn: Psychosocial Press, 2000.

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34

Rusu, Liviu. Eseu despre creația artistică: Contribuție la o estetică dinamică. București: Editura Științifică și Enciclopedică, 1989.

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35

Habchi, Sobhi. Des lyres et des voix: Sept études sur l'art, la musique et la poésie ; précédées de, Tarab, ou, L'ivresse harmonique ; suivies de, Jorge Luis Borges et Les mille et une nuits. Paris: Librairie d'Amérique et d'Orient Jean Maisonneuve, 2013.

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36

Mikeš, Vladimír. Proč psát. Praha: ISV nakladatelství, 2003.

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37

Young, Ernest F. Picture book of things unseen: Breakthroughs in understanding our codes, in award winning art, rediscovering meaning. Mountlake Terrace, WA: WinePress Pub., 1995.

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38

Boudon, Philippe. Conception. Paris: Villette, 2004.

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39

Łukasik, Andrzej. Zewnętrzne ograniczenia procesu twórczego. Rzeszów: Wydawn. Wyższej Szkoły Pedagogicznej, 1999.

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40

Cano, Federico Medina. La práctica artística, el lenguaje y el poder. 2nd ed. Medellín: Ediciones Autores Antioqueños, 1988.

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41

Järvinen, Hanna. The Myth of genius in movement: Historical deconstruction of the Nijinsky legend. Turku: Turun yliopisto, 2003.

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42

Galin, A. L. Psikhologicheskie osobennosti tvorcheskogo povedenii︠a︡. Novosibirsk: Novosibirskiĭ gos. universitet, 2001.

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43

(France), Sans cible. Produire la création. Colleville: Noys, 2007.

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44

La revancha de la imaginación: Antropología de los procesos de creación : Mario Vargas Llosa y José Alejandro Restrepo. Madrid: Consejo Superior de Investigaciones Científicas, 2008.

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45

Anne, Simpson. The marram grass: Poetry & otherness. Kentville, N.S: Gaspereau Press, 2009.

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46

Groenemann, Jan. Through the inner eye: Awakening to the creative spirit. Dubuque, IA: Islewest Pub., 1994.

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47

La tentation de l'oeuvre. Montréal: Liber, 2002.

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48

Levchenko, O. Tvorchestvo i kreatoterapii͡a︡. Lugansk: Izd-vo Vostochnoukrainskogo gos. universiteta, 1998.

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49

L'évènement à l'épreuve des arts. Paris: Presses Sorbonne Nouvelle, 2013.

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50

Kinkade, Thomas. The voice of creation. Eugene, Ore: Harvest House, 2002.

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