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1

Gielgud, John. Acting Shakespeare. New York: Scribner, 1992.

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2

1937-, Miller John, ed. Acting Shakespeare. London: Pan, 1997.

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3

On acting. London: Weidenfeld and Nicolson, 1986.

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4

On acting. New York: Simon and Schuster, 1986.

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5

Long, Joanna Grace. Nero: The acting emperor. Dublin: University College Dublin, 1997.

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6

McGaw, Charles. Acting is believing. 8th ed. Belmont, CA: Wadsworth/Thomson Learning, 2004.

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7

1960-, Stilson Kenneth L., and Clark Larry D, eds. Acting is believing. Boston, MA: Wadsworth, 2009.

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8

Peter, Thomson. On actors and acting. Exeter, Devon, UK: University of Exeter Press, 2000.

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9

On actors and acting. Exeter: University of Exeter Press, 2003.

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10

Before Stanislavsky: American professional acting schools and acting theory, 1875-1925. Metuchen, N.J: Scarecrow Press, 1993.

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11

Hill, Z. B. Acting: Stage & screen. Broomall, PA: Mason Crest, 2015.

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12

1967-, Milling Jane, ed. Devising performance: A critical history. New York: Palgrave Macmillan, 2005.

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13

Heddon, Deirdre. Devising performance: A critical history. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2006.

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14

Acting in Restoration comedy. New York, NY: Applause Theatre Books, 1991.

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15

Romantic drama: Acting and reacting. New York: Cambridge University Press, 2009.

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16

Acting in concert: Music, community, and political action. New Brunswick, N.J: Rutgers University Press, 1998.

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17

Acting white: The curious history of a racial slur. New York: Thomas Dunne Books, 2010.

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18

Fearon, M. P. W. Acting in Dublin: The early Abbey. Dublin: University College Dublin, Graduate School of Business, 1991.

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19

The making of the professional actor: A history, an analysis and a prediction. London: Peter Owen, 1996.

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20

Corpo e voce della passione: L'estetica attoriale di Jean-Baptiste Du Bos. Milano: LED, 2010.

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21

L'arte dell'attore dal Romanticismo a Brecht. Roma: Laterza, 2009.

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22

Ebert, Gerhard. Der Schauspieler: Geschichte eines Berufes : ein Abriss. Berlin: Henschel, 1991.

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23

L'attore che vola: Boxe, acrobazia, scienza della scena. Roma: Bulzoni, 2010.

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24

L'arte e il mestiere: L'attore teatrale dall'antichità ad oggi. Roma: Carocci, 2005.

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25

La teoria della recitazione: Dall'antichità al Settecento. Venezia: Marsilio, 2012.

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26

Aitken, Maria. Style: Acting in high comedy. New York: Applause, 1996.

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27

Voskuil, Lynn M. Acting naturally: Victorian theatricality and authenticity. Charlottesville: University of Virginia Press, 2004.

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28

Moossen, Inge. Theater als Kunst: Sinn und Unsinn des Stanislawski-Systems. Frankfurt am Main: Haag und Herchen, 1993.

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29

Approaches to acting: Past and present. London: Continuum, 2001.

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30

McGaw, Charles. Acting is believing: A basic method. 5th ed. New York: Holt, Rinehart and Winston, 1987.

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31

D, Clark Larry, ed. Acting is believing: A basic method. 7th ed. Fort Worth: Harcourt Brace College Publishers, 1996.

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32

McGaw, Charles. Acting is believing: A basic method. 6th ed. Fort Worth: Harcourt Brace Jovanovich College Publishers, 1992.

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33

Gordon, Mel. Stanislavsky in America: A workbook for actors. New York: Routledge, 2009.

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34

Einarsson, Sveinn. Íslensk leiklist. Reykjavík: Bókaútgáfa Menningarsjóðs, 1991.

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35

Pokolenii︠a︡ v teatŭra: [tvorcheski arkhiv na prof. Stefan Sŭrchadzhiev i prof. Bogdan Sŭrchadzhiev. Sofii︠a︡: Izd-vo Dami︠a︡n I︠A︡kov, 2002.

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36

The way of acting: The theatre writings of Tadashi Suzuki. New York, NY: Theatre Communications Group, 1986.

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37

Teatŭrŭt--realnost i magii͡a. Sofii͡a: Bŭlgarski pisatel, 1986.

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38

Racconti del grande attore: Tra la Rachel e la Duse. Città di Castello (Pg) [i.e. Perugia, Italy]: Edimond, 2004.

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39

Barnett, Dene. The art of gesture: The practices and principles of 18th century acting. Heidelberg: C. Winter, 1987.

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40

Butenko, Ėduard. Imitat︠s︡ionnai︠a︡ teorii︠a︡ st︠s︡enicheskogo perevoploshchenii︠a︡. Moskva: Prikosnovenie, 2004.

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41

Strzelecki, Ryszard. Aktor i wiedza o człowieku: Teoretyczne wypowiedzi o sztuce aktorskiej w Polsce od oświecenia do końca wieku XIX i ich antropologiczne podłoże. Rzeszów: Wydawn. Wyższej Szkoły Pedagogicznej, 2001.

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42

Attraversamenti: L'attore nel Novecento e l'interazione fra le arti : atti del convegno internazionale, Università degli studi di Salerno, 12-13 dicembre 2005. Roma: Bulzoni, 2010.

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43

Cherif, Cipriano de Rivas. Cómo hacer teatro: Apuntes de orientación profesional en las artes y oficios del teatro español. Valencia: Pre-Textos, 1991.

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44

Makarova, G. V. Akterskoe iskusstvo Germanii: Roli, si︠u︡zhet, stilʹ : vek XVIII-vek XX. Moskva: RGGU, 2000.

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45

Guadalupe, Soria Tomás, and Pérez-Rasilla Bayo E. (Eduardo), eds. Tratado de declamación o arte dramático. Madrid: Editorial Fundamentos, 2008.

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46

Performing artistes in ancient India. New Delhi: D.K. Printworld, 2003.

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47

Filosofie sull'attore. Milano: LED, 2010.

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48

Paradossi settecenteschi: La figura dell'attore nel secolo dei lumi. Milano: LED, 2010.

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49

Gielgud, John. Backward glances: Part one, Times for reflection : Part two, Distinguished company. London: Hodder & Stoughton, 1990.

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50

1904-2000, Gielgud John, ed. Backward glances: Part one, times for reflection : part two, distinguished company. London: Hodder & Stoughton, 1989.

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