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Journal articles on the topic 'Actor role'

Author: Grafiati

Published: 4 June 2025

Last updated: 1 August 2025

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1

Barnych, Mykhailo, and Nataliіa Horbachuk. "Acting: from Imagination to Transformation." Bulletin of Kyiv National University of Culture and Arts. Series in Audiovisual Art and Production 4, no. 1 (2021): 18–27. https://doi.org/10.31866/2617-2674.4.1.2021.235062.

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<em>The purpose of the research </em>is to analyze the actor’s work on himself before going on stage or set and reveal the main ways to prepare the actor for a stage role or movie role in the imagination. Working on a role in the imagination is one of the most important points in preparing for playing on stage or the set. <em>The research methodology </em>is based on the theoretical and analytical method of defining the main creative methods of preparing an actor for the playing and their application while playing to get used to the role. <em>The scientific novelty&nb

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Freytag, Per Vagn, and Kristian Philipsen. "Shaping business through and within networks: evolving from a traditional to a digital firm." Journal of Business & Industrial Marketing 34, no. 5 (2019): 1079–92. http://dx.doi.org/10.1108/jbim-10-2018-0302.

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Purpose Although individual and business actors are often mentioned as an important part of clarifying the stages that firms and their networks go through from starting up to becoming established, most studies have emphasised activities and resources rather than actors. Therefore, more needs to be known about how actors shape and are shaped through and within firms’ networks. Design/methodology/approach To clarify the process of reshaping business in networks, the focus of this study is on the role of actors in firms’ networks during the main stages of development. The major events for each st

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3

Levchenko, Olena, and Yuliia Lytvynenko. "The Professional Education Role in the Formation of a Modern Actor." Bulletin of Kyiv National University of Culture and Arts. Series in Audiovisual Art and Production 2, no. 1 (2019): 15–23. https://doi.org/10.31866/2617-2674.2.1.2019.170853.

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The purpose of the work is to analyse the historical and cultural factors of the origin, formation, evolution and the professional acting technologies development. Methodology of the research is the application of general scientific principle of objectivity, cultural, and structural and functional analytic methods in the analysis of the theoretical work of artistic direction, the subject field of which concerns the actor’s skill. Scientific novelty of the work consists of a comprehensive approach to the concepts of actor technology of preparation for a role as an object of humanitarian r

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Aryanto, Dhami, Catur Nugroho, Roro Retno Wulan, Astri Wulandari, and Jasmine Alya Pramesthi. "Social Media and Social Movement in Indonesia; Communication Network on Twitter Regarding the Kanjuruhan Football Supporter Tragedy." SHS Web of Conferences 204 (2024): 01004. http://dx.doi.org/10.1051/shsconf/202420401004.

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This research focuses on the communication network analysis method that discusses the relationships in the communication network on the hashtag #PrayForKanjuruhan on Twitter (X) social media. This research aims to find out the communication network pattern, the role of actors in the network, and the main actors in the communication network on the hashtag #PrayForKanjuruhan for the period October 1 - November 30, 2022. This study uses a quantitative method with a descriptive communication network analysis approach. Researchers chose four main actors to disseminate information related to the key

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Huan, Xiao, and Afeez Nawfal. "An Introduction to the Relationship Between Actors'Internal Experience and External Embodiment in Theater Performance." Journal of Digital Art & Humanities 5, no. 2 (2024): 28–37. https://doi.org/10.33847/2712-8149.5.2_3.

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Theater performing art is an art of portraying a certain character through role-playing. As an actor, the process of entering the role is not easy to realize, but a complex process that requires a constant understanding of the role and a full expression of that understanding. In the process of character creation, the actor should not only combine subjective and objective factors, but also highly unify the physical and psychological. In fact, no matter how the actor to create the role by whatever means, are inseparable from an objective law, that is, the actor must have an internal experience o

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Sarkum, Sumitro, Abd Rasyid Syamsuri, and Supriadi Supriadi. "The Role of Multi-Actor Engagement." Journal of Open Innovation: Technology, Market, and Complexity 6, no. 4 (2020): 176. http://dx.doi.org/10.3390/joitmc6040176.

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This study aims to meet the theoretical needs in answering the problem of the role of the marketing function on the dynamic capability that involves the role of multi actors through engagement. In particular, the study discusses the capabilities of SMEs’ business strategy in the offline to online market. The population of this research are owners, managers, and owners and managers of SMEs in Indonesia. The results of this study indicate that the integration of the supply chain into engagement can address the problem of the role of the marketing function that connects marketing and operations.

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Slamet, Muchsin, Sumartono, Saleh Choirul, and Indah Mindarti Lely. "Actor Role in Policy Implementation Disaster Risk Reduction." International Journal of Case Studies 6, no. 4 (2017): 01–10. https://doi.org/10.5281/zenodo.3534910.

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Disaster risk reduction is a comprehensive design in the development of a framework for disaster risk reduction with a proactive approach that aims to increase the capacity of governments, communities, the private sector in disaster management, both in situations of catastrophe does not occur, and in a situation there is a potential disaster. Implementation of disaster management policies in Indonesia as stated in Law Namber 24 of 2007 provides guidance on disaster management system with clear that success in disaster management is the responsibility of governments, and local governments. Beca

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Rajewsky, Irina. "Schauspieler, Figur, Rolle." Zeitschrift für französische Sprache und Literatur 131, no. 1-2 (2021): 85–110. http://dx.doi.org/10.25162/zfsl-2021-0004.

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Khlystun, Olena. "Stanislavski's System as the Methodological Basis of the Art of Stage Impersonation." Bulletin of KNUKiM. Series in Arts, no. 36 (June 10, 2017): 48–57. https://doi.org/10.31866/2410-1176.36.2017.157677.

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The purpose of the article is to substantiate the significance of Stanislavski’s system as the methodological basis of the art of stage impersonation. The research methodology was based on the principles of consistency, using the analytical, classification, historical and typological methods of research. The scientific novelty of the work lies in the analysis of Stanislavski’s system as the methodological basis of the skill of actor’s impersonation of an artistic image. Conclusions. K. Stanislavski created a practically and scientifically grounded theory of actor’s stag

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Aisharya, Inas Yaumi, Budhi Gunawan, Oekan S. Abdoellah, Wahyu Gunawan, and Jhon Jhohan Putra Kumara Dewa. "Role and interaction between local actors in community-based forest management in Upper Citarum Hulu." Jurnal Pengelolaan Sumberdaya Alam dan Lingkungan (Journal of Natural Resources and Environmental Management) 12, no. 2 (2022): 335–51. http://dx.doi.org/10.29244/jpsl.12.2.335-351.

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The role of the community and their collaboration with other actors are the attempts that are assured to ensure the sustainability of forest management. This study analyzes the role to determine the powers and interests as well as to classify groups by analyzing the interests and influences and analyzes actor-network by using Social Network Analysis (SNA) with KUMU application. PHBM is a form of collaboration between Perum Perhutani as the program designer and forest communities. Perhutani plays as the Key Players in the program with the role of initiating the PHBM program who has great contro

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Barnych, Mychailo. "The Stanislavsky System's Areas of Concern." Bulletin of KNUKiM. Series in Arts, no. 41 (December 30, 2019): 64–70. https://doi.org/10.31866/2410-1176.41.2019.188620.

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The purpose of the research is to identify the areas of concern of the Stanislavsky system, upon which the actors of the theatre and cinema master their professional skills. The research methodology is to apply analytical and logical approaches to understanding the basic techniques of psychotechnics of the theatre and cinema method’s actors. The research uses a comparative analysis of the professional and ordinary life of an actor. The basis of this comparison is the aspect of the actor’s activity as man of art. Scientific novelty. An analytical “revision” of the basic

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Vachon, Wolfgang, Rahat Hossain, Natalie Ramsay, Mo Moore, and Michael Milo. "Frictions and Actions: The Actor’s Role in Ethnodrama." Qualitative Inquiry 25, no. 2 (2017): 118–29. http://dx.doi.org/10.1177/1077800417746424.

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Despite the growing body of literature in ethnotheater and ethnodrama, there has been little written about the role, responsibilities, and experiences of actors within the process. This article takes the reflections of one actor preparing, performing, and processing an ethnotheater production. Six “frictions” are identified and explored, leading to several recommendations for researchers, writers, actors, directors, and others involved in developing ethnodrama, ethnotheater, and ethnoperformances.

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Kwon, Ji Hye, and Young Il Cho. "The Effect of Indirect Trauma Experience of Role in the Work on the Actor's Mental Health: Focus on Focus Group Interview (FGI)." Korean Association of Criminal Psychology 19, no. 1 (2023): 7–24. http://dx.doi.org/10.25277/kcpr.2023.19.1.7.

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This study is a qualitative study to analyze the effect of indirect trauma experiences according to roles on the mental health of actors. In order to understand the aspects of indirect trauma that occur in the personalization process of the actor's creation of a role, we analyzed through in-depth interviews with five leading actors in Korea. As a result of the study, when an actor plays a role that requires high emotional commitment and extreme physical expression, such as a victim of a crime or a murderer, it is more likely to experience post-traumatic stress than when plays a general role. P

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Nyström, Anna-Greta, Seppo Leminen, Mika Westerlund, and Mika Kortelainen. "Actor roles and role patterns influencing innovation in living labs." Industrial Marketing Management 43, no. 3 (2014): 483–95. http://dx.doi.org/10.1016/j.indmarman.2013.12.016.

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15

Todd, Haley A. "Can a neurotypical actor align their speech acoustically to autistic speech patterns for roles in the media?" Journal of the Acoustical Society of America 154, no. 4_supplement (2023): A206. http://dx.doi.org/10.1121/10.0023291.

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Canonically autistic characters are represented in television, but these roles have often been filled by neurotypical actors. One criterion of autism diagnoses includes differences in speech, often described as “monotonic” or “robotic.” This study comparatively analyzed the speech of a neurotypical actor in an autistic role with that of autistic actors within neutral and emotional conditions. Acoustic measures included fundamental frequency (F0), duration, and intensity. Speech samples (n = 87) were collected from the television show Atypical and acoustically analyzed using PRAAT. Results show

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16

Hamilton, Bradford S. "A new role for a fat actor." Nature Medicine 2, no. 3 (1996): 272–73. http://dx.doi.org/10.1038/nm0396-272.

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17

Wagner, John A., and Parris Burd. "A new role for an old actor." Nature Medicine 3, no. 10 (1997): 1084–85. http://dx.doi.org/10.1038/nm1097-1084.

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18

Bosch-Sijtsema, Petra M., Pernilla Gluch, and Ahmet Anil Sezer. "Professional development of the BIM actor role." Automation in Construction 97 (January 2019): 44–51. http://dx.doi.org/10.1016/j.autcon.2018.10.024.

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19

Gallivan, Justin P. "A Versatile Actor Finds a New Role." Chemistry & Biology 16, no. 11 (2009): 1128–29. http://dx.doi.org/10.1016/j.chembiol.2009.11.002.

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20

Ilhami, Rizky. "Role of Actor Networks in Public Policy Formulation." Lead Journal of Economy and Administration 2, no. 2 (2023): 91–97. http://dx.doi.org/10.56403/lejea.v2i2.145.

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This research discusses the role played by actor networks in the process of formulating public policy. With the increasing complexity in the public policy environment, the role of actor networks becomes crucial in influencing and shaping the resulting policy direction. This research uses a qualitative approach by collecting data through in-depth interviews and documentary analysis. Based on the research results, it can be concluded that actor networks play a crucial role in the process of formulating public policy. These roles include the roles of subjects with high importance but low power, k

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21

Dwinarko, Dwinarko, Tabrani Sjafrizal, Pagi Muhamad, and Moh Rivaldi Akbar. "Actors Distortion of News Agencies Framing Surveys in Online Mass Media about Political Parties Bearer Presidential-Candidates 2024." Journal of Social Science 4, no. 1 (2023): 195–214. http://dx.doi.org/10.46799/jss.v4i1.507.

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This research aims to acknowledge the News Framing of political actors in online mass media in determining presidential candidates in 2024. A political actor is an individual who plays a role in networking and Communication actions, acting as individuals, groups, or organizations. Political actors in the black box in the theory of actor networks are framed through the processing of information resulting from the social interactions of individual actors involved in everyday life, who are tied to systems and ideologies regarding their views on a political party reality. The actions of actors Sur

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22

Alexander, Matthew J., Elina Jaakkola, and Linda D. Hollebeek. "Zooming out: actor engagement beyond the dyadic." Journal of Service Management 29, no. 3 (2018): 333–51. http://dx.doi.org/10.1108/josm-08-2016-0237.

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Purpose The purpose of this paper is to broaden extant understanding of actor engagement behavior beyond its currently dominant dyadic (micro-level) focus, by examining it from multiple levels of aggregation within a service ecosystem framework. Design/methodology/approach This conceptual paper draws on service-dominant logic and structuration theory as theoretical lenses to inform engagement research. Findings By means of a stepwise exercise of “zooming out,” the paper introduces a multi-perspective (micro-, meso-, macro- and meta-level) view of actor engagement that develops understanding of

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23

Barnych, Mykhailo. "Pretending Factor in Acting of the Theater and Film Actors." Culture and Arts in the Modern World, no. 20 (May 30, 2019): 218–27. https://doi.org/10.31866/2410-1915.20.2019.172440.

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The purpose of the article is to argue the factor of pretending in the technique of the theater and cinema actor; based on the analysis of the dual existence of the actor in the role, to prove the need for an approach to the creative act, based on the actor’s participation in this act and then taking into account the form and content of human existence in everyday life. The research aims to find out the place and significance of pretending in the art of the theater and cinema actor. The methodology of the research presupposes application of the analytical and logical approach to understa

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Salameh, Bilal Awad. "The Social Actor." Contemporary Arab Affairs 11, no. 1-2 (2018): 217–37. http://dx.doi.org/10.1525/caa.2018.000013.

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This article is based on a critical vision that attempts to highlight the importance of the social actor in the Palestinian context as a whole. It includes basic ideas about the author’s understanding and expectations of all the aspects associated with the role and profession of the social actor as a transforming mechanism of issues in the Palestinian context. It broaches fields of work, specialization, and concentration in viewing individual cases as manifesting a nationwide social phenomenon. If we accept that Palestinian society is vulnerable to psychological setbacks, its recovery, accordi

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Ayi Wong, Diana, Jodie Conduit, and Carolin Plewa. "Initiating actor engagement with novel products." Marketing Theory 20, no. 3 (2019): 299–319. http://dx.doi.org/10.1177/1470593119887474.

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While organizations continue to face extensive pressure to introduce novel products to the market, the question of how customers initiate engagement with novel products remains unanswered. This article draws on the ecosystem perspective of engagement, utilizing the lens of actor engagement, to develop a conceptual framework for actor engagement with novel products. It elaborates our understanding of the indirect interaction that actors have with a focal object through other actors. It demonstrates that through vicarious learning, actors establish cognitive, emotional, behavioral, and social in

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Barnych, Mykhailo, Ihor Matiiv, and Olena Venher. "Peculiarities of Voice, Intonation and Speech Tone of the Actor in the Role." Bulletin of Kyiv National University of Culture and Arts. Series in Audiovisual Art and Production 4, no. 2 (2021): 199–207. https://doi.org/10.31866/2617-2674.4.2.2021.248669.

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<em>The purpose of the article </em>is to study the peculiarities of the voice work during the role of the actor by studying the main aspects of the speech act implementation, the work of the registers and the speech apparatus; to carry out a comparative analysis of different types of the actor’s existence in the role and reading of the literary text. <em>The research methodology </em>is based on the main principles of the actor’s speech tools, the definition and comparison of different methods of voice, support, breathing, and the use of basic actor’s techniqu

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Brumadyadisty, Garry, Lalu Satria Utama, Syaefullah, Abdul Rahman, Dwi Putri Yuliani, and Marzuki. "Role of Actors in Covid-19 Control in West Nusa Tenggara Province." Jurnal Riset Multidisiplin dan Inovasi Teknologi 2, no. 01 (2023): 307–26. http://dx.doi.org/10.59653/jimat.v2i01.493.

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The study has purpose to analyze the role of actors in the social representation of Covid-19 control. The study uses a mixed method with an explanatory sequential design. The results shows that there is a positive influence on the role of actors on the discipline of health protocols in controlling Covid-19 in West Nusa Tenggara (NTB), each pentahelix actor participates well. Higher education as a consulting actor provides input, views, and academic legitimacy. Academics criticize policies scientifically so that they can be accepted and have an impact as an alternative problem’s solving. Pharma

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Dallos, Andrea, and Judit Kovács. "Stereotypes in the Work–Family Interface as an Obstacle to Social Change? Evidence Form a Hungarian Vignette Study." Journal of Family Issues 42, no. 1 (2020): 110–35. http://dx.doi.org/10.1177/0192513x20916835.

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The current study approaches gender in a frame of social and biological dimensions. A vignette study was conducted in Hungary in which we explored people’s perceptions regarding male or female actors behaving in a modern or in a traditional way in a work–family conflict (caring for a sick child). Respondents ( N = 297) evaluated the femininity and masculinity of the actor and the appropriateness of his/her choice. We found that modern gender role behavior triggers approval. Biological sex (male or female actor) and social role of the actor influenced perceptions regarding femininity, but mascu

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Stadtelmann, Michael, Herbert Woratschek, and Christina Diederich. "Actor engagement in online health communities." International Journal of Pharmaceutical and Healthcare Marketing 13, no. 4 (2019): 500–515. http://dx.doi.org/10.1108/ijphm-06-2018-0033.

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Purpose This study aims to deal with actor engagement practices and identifies different roles in actor engagement (AE), using the service-dominant logic (S-D logic) literature and the pivotal concept of value co-creation within the frame of engagement platforms. Design/methodology/approach The context of this research is an online health community, provided by a pharmaceutical firm, which moderates the interaction between its members. The authors use a grounded theory approach with the methodology of netnography. These research are based on the approaches of ethnography and is a suitable qual

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Zhou, Haiyang, and Xin Guan. "A Study of Huawei’s 5G Technology Innovation Ecosystem Based on Actor-Network Theory." Highlights in Business, Economics and Management 28 (April 9, 2024): 470–89. http://dx.doi.org/10.54097/eq0r9v76.

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The 5G technology enables a more comprehensive satisfaction of individuals' varied requirements by capitalizing on its improved information transmission efficiency and stronger signals. Investigating the innovative development of 5G technology contributes to enhancing network security and stability, thereby furthering enterprise digital transformation. This paper analyzes all 55 texts from the “News” section of Huawei’s official website’s 5G topic, which contain descriptions of Huawei's 5G innovation ecosystem. Building upon the actor-network theory, the study employs text coding to discern an

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Cross, Mai’a K. Davis, and Teresa La Porte. "The European Union and Image Resilience during Times of Crisis: The Role of Public Diplomacy." Hague Journal of Diplomacy 12, no. 4 (2017): 257–82. http://dx.doi.org/10.1163/1871191x-12341365.

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A resilient actor is one with the capacity to recover from setbacks and obstacles, whether stemming from endogenous or exogenous factors. Beyond actual recovery, this article argues that there is also an important perceptional dimension. Image resilience is the capacity on the part of actors to overcome and deal with the widespread negative perceptions that often follow on the heels of these setbacks. The article argues that the ability to cultivate image resilience rests significantly on the power of public diplomacy. Through establishing a strong image for an actor over the longer term, publ

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Kusumawardhani, Hapsari Ayu, Indah Susilowati, and Hadiyanto Hadiyanto. "Vulnerable yet Viable: Stakeholders' Role in Small-Scale Fishermen Governance towards Viable Life." WSEAS TRANSACTIONS ON ENVIRONMENT AND DEVELOPMENT 19 (March 10, 2023): 207–17. http://dx.doi.org/10.37394/232015.2023.19.18.

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This research aimed at identifying stakeholders' participation in the appropriate strategy of small-scale fishermen governance in the waters of Karang Jeruk Conservation Area in facing vulnerability along with actor typology and analyzing the strategy of how small-scale fishermen survive with their vulnerability based on stakeholder. This research used a qualitative research paradigm. The data were collected using an in-depth interview method and were analyzed using stakeholder analysis with MACTOR (Matrix of Alliances and Conflicts Tactics, Objectives and Recommendations) to identify the stak

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Baranowski, Andreas Michael, and Heiko Hecht. "Effect of Camera Angle on Perception of Trust and Attractiveness." Empirical Studies of the Arts 36, no. 1 (2017): 90–100. http://dx.doi.org/10.1177/0276237417710762.

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Film theories have long proposed that the vertical camera angle influences how the scene and the character in it are interpreted. An elevated camera (high-angle shot) should diminish the qualities of the actor, whereas a lowered camera (low-angle shot) should elevate the actor in perspective as well as in the viewer’s opinion. We were interested in how this holds up for the impression of trustworthiness and attractiveness that the spectator receives of the actor. We filmed 12 actors in a scenario inspired by a TV show called Split or Steal, which features a one-time version of the prisoner’s d

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Koch, Katharina. "The role of territoriality in the European Union multi-level governmental cooperation framework of Finnish–Russian cross-border cooperation." European Urban and Regional Studies 26, no. 2 (2017): 115–33. http://dx.doi.org/10.1177/0969776417736359.

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The economic sanctions in the wake of the Ukrainian crisis threatened external cross-border cooperation (CBC) funded by the European Neighbourhood Instrument (ENI) in the summer of 2014. The European Union considered several of the ENI CBC programmes that Finland and Russia participate in for the sanctions list. These programmes are implemented by a multiplicity of actors that include supra-national, national and regional authorities and form a dense actor-network with vertical and horizontal relations. The political relations between the actors are influenced by geopolitical discourses, borde

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Sul, Suliamin Kasnar, Sofyan Sjaf, Hermanto Siregar, and Sri Mulatsih. "Actor Analysis in Resolving Social Violence in The Mining Area of Kolaka Regency, Southeast Sulawesi Province." Sodality: Jurnal Sosiologi Pedesaan 12, no. 2 (2024): 28–41. https://doi.org/10.22500/12202452355.

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Actor participation has a significant impact on dealing with social violence because they possess the resources and abilities required to intervene and address social violence effectively. Actors with substantial resources can influence policies aimed at resolving, preventing, and enhancing community capacity in handling social violence. Therefore, it is crucial to conduct an analysis and mapping of actor resources in order to identify the strengths of each actor in the mining area of Kolaka Regency, Southeast Sulawesi Province. The method used is the Casey index to measure the actor capital i

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Hamka, Muh, Sakinah Nadir, and Haryanto. "POLITIK ANGGARAN DAN RELASI AKTOR DALAM PENYUSUNAN ANGGARAN PENDAPATAN BELANJA DAERAH." Jurnal Politik Profetik 10, no. 1 (2022): 79–98. http://dx.doi.org/10.24252/profetik.v10i1a5.

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The making of regional budgets involves several actors who have an interest in the Regional Revenue and Expenditure Budget (APBD). The relationship between each actor forms a structured and systematic network and arranges strategies to accommodate the interests of actors in the APBD. This article aims to explain how the relationship between actors and budget politics forms interests in the making of the APBD. The research method used is qualitative with a descriptive analysis type to describe the relationship of each actor by using actor-network theory and public policy. The results of the stu

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Sgibnіeva, S. S. "The role of the person-centered approach in the vocal art of a dramatic actor." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 51, no. 51 (2018): 241–57. http://dx.doi.org/10.34064/khnum1-51.14.

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Background. In recent years, there has been an increasing interest in studying the processes of the development of the creative personality of the drama actor, amongst other things, the modern methods of vocal training, focused on his future activity in nowadays-scenic conditions. Therefore, there is a need to renew the traditional system of the vocal training of drama actors in accordance with the trends of contemporary theatrical art, namely, the introduction of the principles of person-centered pedagogy. Objectives, methodology. The research is an attempt to provide an overview of the princ

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Corsaro, Daniela, and Chiara Cantù. "Actors’ heterogeneity and the context of interaction in affecting innovation networks." Journal of Business & Industrial Marketing 30, no. 3/4 (2015): 246–58. http://dx.doi.org/10.1108/jbim-12-2014-0249.

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Purpose – The aim of this paper is to explore the role of actors’ heterogeneity and the context of interaction on collective innovation. Design/methodology/approach – By using the six sources of heterogeneity identified by Corsaro et al. (2012) – goals, competences and skills, knowledge bases, power/position, perceptions and cultures – the authors describe the cases of two consecutive projects – ESASIM and NeWTeC – developed within Kilometro Rosso Science Park. The collaborative innovative outcome (simulation software) developed in the first phase was subsequently applied by each actor in its

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Gutteberg, T. J., C. H. Rinaldo, and H. H. Hirsch. "Lactoferrin confidential: ancient actor starring in new role?" Transplant Infectious Disease 10, no. 2 (2008): 77–79. http://dx.doi.org/10.1111/j.1399-3062.2008.00307.x.

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Waseem, Donia, Sergio Biggemann, and Tony Garry. "Value co-creation: The role of actor competence." Industrial Marketing Management 70 (April 2018): 5–12. http://dx.doi.org/10.1016/j.indmarman.2017.07.005.

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Murni Ratna Sari Alauddin, Suryo Ediyono, and Asep Irwanto. "The Role of Actors in The Desa Siaga Program in Watupute Village, Mowewe Subdistrict, East Kolaka." International Journal Of Health Science 3, no. 3 (2023): 72–80. http://dx.doi.org/10.55606/ijhs.v3i3.2874.

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This research aims to analyze the role of each actor involved in realizing health services so as to be able to find out each actor's perspective regarding health services through the Desa Siaga in Watupute Village. Apart from that, it is necessary to determine the actions of each actor in order to improve the health service system in Watupute Village. This research method is descriptive-qualitative by determining the research sample using purposive sampling, data collection through observation, document study, interviews with several actors involved in this program, and data analysis using the

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Markov, Alexander, and Anna Sosnovskaya. ". Constructing Group Identity within the Framework of Actor-Network Theory: Analyzing Interviews about the Group “World Club of Petersburgers”." Philology & Human, no. 4 (December 15, 2024): 193–200. https://doi.org/10.14258/filichel(2024)4-16.

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The construction of group identity is examined on the example of analyzing interviews about the activities of the group “World Club of Petersburgers” in the optics of actor-network theory (NT). Language shapes group identity through the individual utterances, actions and practices of actors. The group is seen as an actor with a unique network of relationships. The study connects linguistics and NT's criteria for constructing groups, showing how language creates and reproduces identities in the connections between actors. The concepts of actor, actor-network, and agency are examined. We develop

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Kagungan, Dian, Rahayu Sulistyowati, Novita Tresiana, and Eko Budi Sulistiyo. "Tourism Policy Innovation In Lampung Province Through Strengthening The Role of Hexahelix Actors (A Studi of Tourism Politics)." International Journal of Progressive Sciences and Technologies 40, no. 2 (2023): 63. http://dx.doi.org/10.52155/ijpsat.v40.2.5564.

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The Hexahelix actor plays an important role in tourism development policy in Lampung Province, specifically in Pesawaran Regency which is the location of this research. The Hexahelix actors referred to in this study are the Government, Business circles, Media, Universities, Non Government Organizations (NGOs) and local communities. These Hexahelix actors certainly have an important role in policy innovation for tourism development in Pesawaran Regency. In accordance with the duties, principal and function (tupoksi). This study aims to examine and analyze each role of the Hexahelix actor in the

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Aftanasiu, Doru. "The Dilemma of the Composition Role." Theatrical Colloquia 9, no. 2 (2019): 167–74. http://dx.doi.org/10.2478/tco-2019-0023.

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Abstract What could we possibly mean by the expression “composition role”? To this question we will try to find an answer as comprehensive as possible. Are we talking only about those “character roles” mentioned by Stanislavsky? This reference can be considered, since all those character roles require stage composition, the way Stanislavsky described his own acting experiences. But is this the only landmark? Should we label as composition roles only the characters that demand text-triggered stage composition? Indeed, there are characters that assume, within their construction, elements that do

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BOGDANI, Mirela. "The role of the International Community as a pivotal and reliable actor in democratic transition in Albania!" Polis 22, no. 2 (2023): 9–25. http://dx.doi.org/10.58944/fssq5179.

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The paper analyses the role of various actors in the democratization process in Albania, with specific emphasis on one key participant. It is structured into three distinctive sections: the first identifies the domestic actors in the beginning of transition, such as the political class, civil society, knowledge elite, media etc, highlighting the political class as the most powerful and influential of them. However, the paper argues that instead of being a reliable and responsible factor in the process of democratization and integration, the Albanian political elite has shown a chronic lack of

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Faiz Bolkiah, Muhammad, and Amalia Sabila. "The Process of Deepening the Character in Dokudrama “Film Perjuangan K.H. Muhyiddin”." Jomantara: Indonesian Journal of Art and Culture 1, Vol. 1 No. 1 (2021): 65–86. http://dx.doi.org/10.23969/jijac.v1i1.3432.

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Dokudrama is a non-fiction film that presents a story based on a true story. Besides being an entertainment medium, a film can also be a learning medium since film provides a good story content and messages. Therefore, it needs an actor as a subject to convey the message of the story that the director wants to deliver. To play a character in a movie, an actor must be able to delve into whatever character is given. Unlike documentaries, dokudrama films use actors as the main subject. An actor in a docudrama should be able to play a subject who has ever been real. An actor in a dokudrama film sh

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Sari, Klara Kumala, and Ali Hanafiah. "Power Communication Actors Cash Social Support Program for Impacted COVID-19 Citizen." Journal of Transformative Governance and Social Justice 1, no. 2 (2023): 92–102. http://dx.doi.org/10.26905/j-tragos.v1i2.10269.

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Government as an important body in the framework of governance. The government must pay attention to peace and public order, the demands and expectations as well as the opinions of the people, the needs and interests of the community, environmental influences, communication and coordination arrangements, the participation of all levels of society and the existence of legitimacy. This study aims to analyze actor relationships by analyzing aspects of social network analysis calculations such as actor popularity (degree), actor closeness to other actors (closeness), and which actor functions as a

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Suryawati, Dina, Selfi Budi Helpiastuti, Suji Suji, et al. "Unlocking the Role of Actor Networks and Strategies for Developing Collaborations in Regional Featured MSEs." Jurnal Borneo Administrator 21, no. 1 (2025): 47–60. https://doi.org/10.24258/jba.v21i1.1570.

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The crisis has raised concerns about behavioral adaptation and resilience changes in micro and small enterprises (MSEs). As a result, MSEs need to get policy support by determining policy strategies oriented towards collaboration schemes. This study explores the actor network of MSEs of regional superior products and determines the right policy strategy to encourage a broader and more sustainable collaboration process. This study contributes to creating collaborative policy strategy directions for SMEs by utilizing actor networks. This research focuses on elaborating the concepts of network go

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Karki Kshetri, Dibendra Bahadur. "Seeking Stanislavski Techniques of Actor Training in Nepalese Context from His Book An Actor Prepares." Journal of Development and Social Engineering 8, no. 01 (2022): 29–38. http://dx.doi.org/10.3126/jdse.v8i01.54265.

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This paper aims at searching for techniques of actor training in Nepal associating similarities (or differences if any) theorized by Constantin Stanislavski (1863-1938), a Russian theatre director in his book An Actor Prepares. The acting ‘system’ also known as ‘method’ is an approach to acting, developed in the 1920s to support actors in the process of embodying and enacting a role. Although acting may not be an exact science, there is a method to the madness as the package of three-month actor training in Nepali Acting Schools (Gurukul, Actor’s Studio, Mandala, and Sarwanam) like Stanislavsk

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Lee, Su-Yeon. "A study on the formation process of Wonsan-Mt. Kumgang international tourist zone: Based on actor-network theory." Tourism Sciences Society of Korea 49, no. 1 (2025): 77–97. https://doi.org/10.17086/jts.2025.49.1.77.97.

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This study reexamines North Korea's economic development zones, their emergence, and their roles from the perspective of actor-network theory by examining the Wonsan-Mt. Kumgang International Tourist Zone, an economic development zone located in the Wonsan area that represents the North Korean tourism industry. Through analysis of the actors and networks within the Wonsan-Mt. Kumgang International Tourist Zone, this study tried to demonstrate that the economic development zone is a new industrial space that embeds future industrial development potentials. The findings reveal that Wonsan's natu

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