To see the other types of publications on this topic, follow the link: Actors, portraits.

Journal articles on the topic 'Actors, portraits'

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 journal articles for your research on the topic 'Actors, portraits.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse journal articles on a wide variety of disciplines and organise your bibliography correctly.

1

Aliverti, Maria Ines. "Major Portraits and Minor Series in Eignteenth-Century Theatrical Portraiture." Theatre Research International 22, no. 3 (1997): 234–54. http://dx.doi.org/10.1017/s030788330001703x.

Full text
Abstract:
In recent years, eighteenth-century actors' portraits have deservedly received growing attention from both art and theatre historians. For its extent, variety and quality, for its social and aesthetic implications, eighteenth-century theatrical portraiture demands a refined theoretical approach: it has helped to create an interdisciplinary field where new methods in dealing with theatre iconography have been profitably deployed. English and American scholars have contributed to develop this field in a specific way, devoting single studies and monographs to portraits of actors. In spite of the
APA, Harvard, Vancouver, ISO, and other styles
2

Pynttäri, Veli-Matti. "Matti Kurjensaaren muotokuvat muista, muistista ja minästä." AVAIN - Kirjallisuudentutkimuksen aikakauslehti, no. 4 (December 31, 2016): 39–51. http://dx.doi.org/10.30665/av.66178.

Full text
Abstract:
Matti Kurjensaari’s Portraits of Others, On Memory and Himself
 In the late 1960s and early 1970s Matti Kurjensaari (1907–1988) published three collections of essays that comprised portraits of well-known gures in Finnish political and cultural life. e portrait essays included in Veljeni merellä myrskyävällä (“My Brothers on the Stormy Sea”, 1966), Kansakunnan kaapin päällä (“On the Top of Nation’s Mantelpiece”, 1969) and Silmätikut (“The Eyesores”, 1971) had an ambivalent reception as it was debated whether the pieces should be read as essays or as mere gossip.
 In the article the p
APA, Harvard, Vancouver, ISO, and other styles
3

Tarasenko, O. "Image of the Family and People in the Artwork of Roman Petruck." Research and methodological works of the National Academy of Visual Arts and Architecture, no. 27 (February 27, 2019): 227–34. http://dx.doi.org/10.33838/naoma.27.2018.227-234.

Full text
Abstract:
Heroes of portraits of Roman Petruk are open-world creative people – his teachers, parents, of the same age – young artists, actors in whose faces the reality of the Spirit is manifested, the movement of life. The article analyzes Petruk's portraits of his teacher, an outstanding Ukrainian artist and teacher, Nikolai Andreevich Storozhenko and teachers of NAOMA. The ritual value of a portrait is shown, which provides the connection of the worlds - temporary and eternal. The symbolic content of portraits, the value of the conditional background in character characteristics is studied. The relat
APA, Harvard, Vancouver, ISO, and other styles
4

Stoeva, Nadezhda V. "Cubists of Gesture: Vadim Shershenevich about Theatre Actors of 1920s." ТЕАТР. ЖИВОПИСЬ. КИНО. МУЗЫКА 2 (June 2024): 54–71. http://dx.doi.org/10.35852/2588-0144-2024-2-54-71.

Full text
Abstract:
The article is devoted to the theatrical texts of the imagist poet Vadim Shershenevich, when his work in the theatre as a director and playwright was overand the poet focused on theatre reviews, feuilletons, and critical texts. Shershenevich creates four portraits of leading theatre and film actors — Igor Ilyinsky, Anatoly Ktorov, Grigory Yaron and Nikolay Bravin, which reflect the technologies of acting relevant for the second half of the twenties of the 20th cen- tury. Shershenevich was one of the first to articulate the difference between a theatre actor and a film actor, and to postulate n
APA, Harvard, Vancouver, ISO, and other styles
5

d’Ors, Pablo Pérez. "Room for Pride: The Municipal Portrait Gallery in Old San Juan." Nineteenth Century Studies 33, no. 1 (2021): 173–85. http://dx.doi.org/10.5325/ninecentstud.33.0173.

Full text
Abstract:
Abstract The present essay focuses on the portrait gallery housed in the sala de cabildos of Old San Juan’s city hall during the nineteenth century. Because this was the room in which the city council met, it became a symbolically charged space that acted as a locus of local civic pride. Two impressive full-length portraits of governors of the island stood out within the gallery: the Portrait of Ramón de Castro by local painter José Campeche (1751–1809) and the Portrait of Miguel de la Torre by Eliab Metcalf (1785–1834), a painter born in Massachusetts who sojourned in the island. Both are unu
APA, Harvard, Vancouver, ISO, and other styles
6

Katritzky, M. A. "Eight Portraits of Gelosi Actors in 1589?" Theatre Research International 21, no. 2 (1996): 108–20. http://dx.doi.org/10.1017/s0307883300014693.

Full text
Abstract:
The group of actors from whom the Gelosi company arose are thought to have first come together in 1568, with the amalgamation of two troupes led by the prima donnas Vincenza and Flaminia. They were already known by the name Gelosi when they toured France in 1571; by 1572 they were popular enough to be able to complain that the stanze in Genoa could only hold an audience of 150; in 1574 their performance, and that of their leading lady, Vittoria Piisimi, were the highlight of Henri III's visit to Venice, and their reputation as the foremost com-media dell'arte troupe was fully established. Por-
APA, Harvard, Vancouver, ISO, and other styles
7

Nazir Jamilu, Suleiman, Z. Abdulsalam, A. A. Hassan, and M. Umar. "MAPPING THE LANDSCAPE AND ANALYZING THE SOCIO-ECONOMIC PORTRAITS OF TOMATO VALUE CHAIN IN KANO STATE, NIGERIA." FUDMA JOURNAL OF SCIENCES 8, no. 3 (2024): 383–89. https://doi.org/10.33003/fjs-2024-0803-2437.

Full text
Abstract:
This study identifies and mapped out the tomato value chain actors and the roles played by each actor along the value chain. The actors identified include the Input dealers, Producers (farmers), Marketers (rural assemblers, wholesalers, and retailers), the Processors (hotel, restaurants, industries), transporters and Consumers. Other actors supporting the value chain as extension organizations and research institutes were also identified. Findings of this study (Table 1) reveals the socio-economic portraits like age, gender, educational status, major occupation among other. The study reveals t
APA, Harvard, Vancouver, ISO, and other styles
8

Kurkina, E. S. "Phase Portraits of a System of Two Interacting Actors." Computational Mathematics and Modeling 29, no. 2 (2018): 168–83. http://dx.doi.org/10.1007/s10598-018-9399-0.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Gollapudi, A. "Selling Celebrity: Actors' Portraits in Bell's Shakespeare and Bell's British Theatre." Eighteenth-Century Life 36, no. 1 (2012): 54–81. http://dx.doi.org/10.1215/00982601-1457102.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Geimer, Peter. "Picturing the Black Box: On Blanks in Nineteenth Century Paintings and Photographs." Science in Context 17, no. 4 (2004): 467–501. http://dx.doi.org/10.1017/s0269889704000237.

Full text
Abstract:
ArgumentIn 1867 Edouard Manet painted the execution of the Mexican emperor Maximilian of Habsburg. Manet broke with the classical tradition of history painting, for he depicted the actual shooting itself instead of choosing moments before or after the execution. Thus, the painting refers to a moment that in real time would have been far too brief to be perceptible. Manet presented a portrait of living actors whose execution has already taken place. This depiction of the imperceptible invites comparison to contemporaneous photographs of extremely short periods of time: attempts to capture flyin
APA, Harvard, Vancouver, ISO, and other styles
11

Griffin, Susan M. "Understudies: Miming the Human." PMLA/Publications of the Modern Language Association of America 124, no. 2 (2009): 511–19. http://dx.doi.org/10.1632/pmla.2009.124.2.511.

Full text
Abstract:
The title of understudies, Mary Wilkins Freeman's 1901 short story collection, situates us in the realm of theater, of performance—the space where actors and their seconds together learn the grammars of verbal and visual representation.1 On the cover of Understudies, cameo portraits linked by garlands mimic the arrangement of actors' head shots on a playbill (fig. 1). But the profiles are those of a horse, a dog, a parrot, a monkey, a squirrel, and a cat. Freeman's book displays on its face the art of representing animals and humans—and animals as humans. And her title articulates a distinctly
APA, Harvard, Vancouver, ISO, and other styles
12

Segal, Nancy L. "The 14th Congress of the International Society for Twin Studies: Selected Highlights/Research Summaries: Twin Study of Telomere Erosion; Genetics of Monozygotic Twinning; Developmental Dysplasia; Fertility of Mothers of Twins / General Interest: Video Portraits; Separated at Birth; Childhood Actors; Adult Twin Film Villains." Twin Research and Human Genetics 15, no. 5 (2012): 685–90. http://dx.doi.org/10.1017/thg.2012.48.

Full text
Abstract:
Selected highlights from the 14th International Congress on Twin Studies, set in Florence, Italy in April 2012, are presented. This meeting, which traditionally occurred every three years, is now being held every two years. Reviews of research on the topics of stress and aging (telomere erosion), the genetics of MZ twinning, developmental dysplasia, and fertility of mothers of twins follow. The final section includes several public interest items, namely an exhibit of twins' video portraits, unusual physical look-alikes, and young and adult twin television and film actors.
APA, Harvard, Vancouver, ISO, and other styles
13

Attard-Johnson, Janice, and Markus Bindemann. "Sex-specific but not sexually explicit: pupillary responses to dressed and naked adults." Royal Society Open Science 4, no. 5 (2017): 160963. http://dx.doi.org/10.1098/rsos.160963.

Full text
Abstract:
Dilation of the pupils is an indicator of an observer's sexual interest in other people, but it remains unresolved whether this response is strengthened or diminished by sexually explicit material. To address this question, this study compared pupillary responses of heterosexual men and women to naked and dressed portraits of male and female adult film actors. Pupillary responses corresponded with observers' self-reported sexual orientation, such that dilation occurred during the viewing of opposite-sex people, but were comparable for naked and dressed targets. These findings indicate that pup
APA, Harvard, Vancouver, ISO, and other styles
14

Aini, Anita Nur, Yarno Yarno, and R. Panji Hermoyo. "Lanskap linguistik di stasiun Surabaya Pasarturi." Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya 6, no. 3 (2023): 795–814. http://dx.doi.org/10.30872/diglosia.v6i3.691.

Full text
Abstract:
The use of language can be seen in the private and public domains. The purpose of this study is to describe the use of language in signs in the linguistic landscape at Surabaya Pasarturi Station and to answer questions about the actors and functions of the linguistic landscape at Surabaya Pasarturi Station. This research method uses descriptive qualitative. Methods of data collection is done by observation and photography techniques. The data in this study are visual data, namely the results of visual image portraits containing language signs at Surabaya Pasarturi Station. The results of the s
APA, Harvard, Vancouver, ISO, and other styles
15

Azizah, Lailiyatul. "PORTRAITS OF RELIGIOUS MODERATION IN THE SALAF PESANTREN EDUCATION SYSTEM IN INDONESIA." Jurnal Pendidikan Islam 10, no. 1 (2020): 19–33. http://dx.doi.org/10.38073/jpi.v10i1.588.

Full text
Abstract:
In the history of the development of Islam, many faces of Islam have been tainted by understandings that are not actually from the teachings of Islam itself. Radicalism, liberalism, and extremism have created intolerance and terrorism in the religion. The existence of Islam as a wasaṭiyah religion is an answer to the phenomena that occur in Islam as stated in the al-Qur’ān. Due to these waves of understandings, religious institutions or even the country were unable to position themselves as moderate institutions. Salaf pesantren are considered to be the only institutions that represent religio
APA, Harvard, Vancouver, ISO, and other styles
16

Wulan, Evi Retno. "Written Approval for Commercialization of Portrai Photography: A Study of Law No. 28 of 2014 in the context of Improving the Distro Business in Indonesia." IJEBD (International Journal of Entrepreneurship and Business Development) 5, no. 4 (2022): 759–63. http://dx.doi.org/10.29138/ijebd.v5i4.1909.

Full text
Abstract:
Purpose: The purpose of this research is to examine the rules of written approval for the Commercialization of Portrait Photography as contained in Article 12 Paragraph (1) of the Copyright Law No. 28 of 2014 in the context of Improving the Distro Business in Indonesia.
 Design/methodology/approach: The type of legal research used is normative juridical research. The approach used in this research is the statutory approach and the conceptual approach. The sources of legal materials used in this doctrinal research consist of primary legal materials and secondary legal materials. The collec
APA, Harvard, Vancouver, ISO, and other styles
17

Ceramella, N. "Lorenzo at ‘The Theatre’ Meeting actors and audience." Voprosy literatury, no. 5 (December 19, 2018): 13–38. http://dx.doi.org/10.31425/0042-8795-2018-5-13-38.

Full text
Abstract:
The article considers two versions of D. H. Lawrence’s essay The Theatre: the one which appeared in the English Review in September 1913 and the other one which Lawrence published in his first travel book Twilight in Italy (1916). The latter, considerably revised and expanded, contains a number of new observations and gives a more detailed account of Lawrence’s ideas.Lawrence brings to life the atmosphere inside and outside the theatre in Gargnano, presenting vividly the social structure of this small northern Italian town. He depicts the theatre as a multi-storey stage, combining the interpre
APA, Harvard, Vancouver, ISO, and other styles
18

Матвеева, Н. В., and Я. И. Жигалова. "DIFFERENCES IN THE SPEECH PORTRAITS OF THE FILM "GREEN BOOK" CHARACTERS IN AUDIOVISUAL TRANSLATION FROM ENGLISH INTO RUSSIAN." Актуальные вопросы современной филологии и журналистики, no. 3(46) (September 26, 2022): 117–23. http://dx.doi.org/10.36622/aqmpj.2022.46.58.019.

Full text
Abstract:
Данная статья посвящена проблемам аудиовизуального перевода речи героев в художественном фильме. Проблема обусловлена тем, что данный вид перевода не имеет традиций как перевод в других более устоявшихся областях, таких как литературный или юридический перевод и даже единого мнения о том, как его следует называть. Для переводчика сложность аудиовизуального перевода заключается в создании диалогов, имитирующих заранее подготовленный спонтанный способ дискурса, которые строятся с помощью вербальных и невербальных кодов значения, и в то же время должно соответствовать временным и пространственным
APA, Harvard, Vancouver, ISO, and other styles
19

Seemann, Carla. "Diaries as “Soul Portraits”? Interpretation and Theorization of Adolescents’ Self-Descriptions in the German-Speaking Youth Psychology of the 1920s and 1930s." NTM Zeitschrift für Geschichte der Wissenschaften, Technik und Medizin 29, no. 3 (2021): 319–45. http://dx.doi.org/10.1007/s00048-021-00308-5.

Full text
Abstract:
AbstractIn the first two decades of the twentieth century, the figure of the adolescent (Jugendlicher) was introduced into public discourse in the German-speaking world. The adolescent soon became an epistemic object for the still loosely defined field of psychology. Actors in the slowly differentiating scientific field of youth psychology were primarily interested in the normal development of adolescent subjects and sought out new materials and methods to research the inner life of young people. In order to access this inner life, they turned to the interpretation of diaries and other self-de
APA, Harvard, Vancouver, ISO, and other styles
20

Dupont, Joan. "Michelle Porte." Film Quarterly 74, no. 3 (2021): 56–65. http://dx.doi.org/10.1525/fq.2021.74.3.56.

Full text
Abstract:
Film Quarterly contributing editor and Paris correspondent Joan Dupont introduces readers to the films of Michelle Porte, a French director best known for her intimate portraits of writers, actors, and filmmakers. The focus of a retrospective at the Bibliothèque nationale in Paris in 2018, Porte’s films offer remarkable access to the private worlds of their subjects, including Virginia Woolf (1981) and Françoise Sagan (1996). Porte is best known, however, for her long association with the celebrated author, playwright, and filmmaker Marguerite Duras. Following their first meeting in 1966 on th
APA, Harvard, Vancouver, ISO, and other styles
21

Schmitz, Cheryl Mei-ting. "Significant Others: Security and Suspicion in Chinese-Angolan Encounters." Journal of Current Chinese Affairs 43, no. 1 (2014): 41–69. http://dx.doi.org/10.1177/186810261404300103.

Full text
Abstract:
The sense of mystery around Chinese presences in Angola impels researchers to understand not only the empirical details of economic transactions and diplomatic partnerships but also the various ways in which the actors involved make sense of a novel social, political, and economic configuration. By drawing several ethnographic portraits of the social practices and discursive strategies at play in Chinese–Angolan relations, I show how, in a context of mutual uncertainty and suspicion, appeals to “security” play a central role. Instead of viewing Chinese and Angolans as two separate groups with
APA, Harvard, Vancouver, ISO, and other styles
22

Ostapenko, Galina. "Labor Party in Portraits. Rec. ad op.: E. A. Susloparova. EARLY HISTORY OF THE LABOR PARTY OF THE GREAT BRITAIN IN PORTRAITS OF ITS ACTORS. M .: «MAX Press», 2019, 350 p." Novaia i noveishaia istoriia 5 (2019): 228–33. http://dx.doi.org/10.31857/s013038640006362-6.

Full text
APA, Harvard, Vancouver, ISO, and other styles
23

Balty, Jean-Charles, Philippe Jacques, and Francis Stephanus. "Les portraits romains de la villa de Lamarque, Castelculier (Lot-et-Garonne)." Aquitania : une revue inter-régionale d'archéologie 38, no. 1 (2022): 297–351. https://doi.org/10.3406/aquit.2022.1664.

Full text
Abstract:
Publication of the portraits discovered on the site of Lamarque villa at Castelculier (Lot-et-Garonne). These five heads and busts, some of which were most certainly from workshops in Rome (stadtrömisch ), range from the reign of Tiberius to the very end of the fourth century. An interesting concentration in the Antonine period (bust of Marcus Aurelius as a child [?] and type IV head of Marcus Aurelius), suggests close ties with the ‘centre of power’ at the time. The latest of the busts, of an exceptional quality, draped in a toga analogous to that of the two magistrates of the Capitoline Muse
APA, Harvard, Vancouver, ISO, and other styles
24

Delgado, Abigail Nieves. "Facial recognition technologies and the new physiognomic era." Bilderflut 43, no. 2 (2020): 45–56. http://dx.doi.org/10.30820/0171-3434-2020-2-45.

Full text
Abstract:
The current overproduction of images of faces in digital photographs and videos, and the widespread use of facial recognition technologies have important effects on the way we understand ourselves and others. This is because facial recognition technologies create new circulation pathways of images that transform portraits and photographs into material for potential personal identification. In other words, different types of images of faces become available to the scrutiny of facial recognition technologies. In these new circulation pathways, images are continually shared between many different
APA, Harvard, Vancouver, ISO, and other styles
25

Miranda, Diana, and Helena Machado. "Photographing prisoners: The unworthy, unpleasant and unchanging criminal body." Criminology & Criminal Justice 19, no. 5 (2018): 591–604. http://dx.doi.org/10.1177/1748895818800747.

Full text
Abstract:
The use of photography in representing the criminal body has long been a focus of interest in the social sciences, especially so when exploring the historical evolution of criminal identification practices. By contributing to the emerging field of visual criminology, this article explores current practices around photography of prisoners in the everyday contexts of the prison space. Drawing on a qualitative study conducted with prisoners, prison guards and probation officers in three Portuguese prisons, we analyse how different social actors construct the criminal body. This construction is ex
APA, Harvard, Vancouver, ISO, and other styles
26

Febriani, Rahmi, and Rifki Diaz Erlangga. "Discovering the Cultural Identity of Manduro People in Sandur Performing Arts." Lakon : Jurnal Kajian Sastra dan Budaya 11, no. 1 (2022): 14–27. http://dx.doi.org/10.20473/lakon.v11i1.36510.

Full text
Abstract:
Sandur Manduro is one of the local traditions which led the understanding in discovering the cultural identity of Manduro people. This identity makes the culture more unique and particular which can be identified easily from others. This research had been done by a case study approach in order to observe, explore, and understand Sandur Manduro’s performing arts comprehensively and holistically. This study aimed to discover the local wisdom in Sandur Manduro which represents the cultural identity of the Manduro people. The data was obtained directly through the source of Sandur Manduro performi
APA, Harvard, Vancouver, ISO, and other styles
27

GHIUVELICHIAN, Clara. "About theatre with love." Theatrical Colloquia 12, no. 2 (2022): 182–85. http://dx.doi.org/10.35218/tco.2022.12.2.19.

Full text
Abstract:
Anaid Tavitian, a well-known theatre critic and literary secretary dedicated her book `Agatha Nicolau – Din dragoste. Antologie teatrologică` to an actress whose long career in various Romanian theatres has become an example of devotion for the words recited on a stage and emotional involvment of an artist for each part. Agatha Nicolau played in theatres in Timişoara, Arad, Constanţa and Bucharest and received numerous prizes and distinctions for her interpretation. She had recitals of highly professional levels and they have been appreciated by critics and public. The confessions of her colle
APA, Harvard, Vancouver, ISO, and other styles
28

Fisher, Will. "The Renaissance Beard: Masculinity in Early Modern England*." Renaissance Quarterly 54, no. 1 (2001): 155–87. http://dx.doi.org/10.2307/1262223.

Full text
Abstract:
This essay builds on Judith Butler's recent theoretical work in Bodies that Matter by suggesting that the sexual differences that “mattered” in early modern England are not exactly the same as those that “matter” today. In particular, it suggests that facial hair often conferred masculinity during the Renaissance: the beard made the man. The centrality of the beard is powerfully demonstrated by both portraits and theatrical practices. Indeed, virtually all men in portraits painted between the mid-sixteenth and the mid-seventeenth century have some sort official hair. Beards were also quite com
APA, Harvard, Vancouver, ISO, and other styles
29

Kassabova, Biliana. "Jules Vallès’s L’Insurgé and the Narrative of Popular Revolt." Literature & History 29, no. 2 (2020): 164–78. http://dx.doi.org/10.1177/0306197320945943.

Full text
Abstract:
In this article, I look at Jules Vallès’s L’Insurgé to argue that its narrative style performs the politics of anonymity at the heart of the Paris Commune. To do this, I analyse three key elements of the novel – its autofictionality, its fragmentation and its ubiquitous present tense. By rejecting the exemplarity inherent in autobiography, this autofiction avant la lettre implies that the I of the narrator Jacques Vingtras, himself a stand-in for the author Jules Vallès, can be substituted with any other I. In the ‘révolution anonyme’ of 1871, there can be no leader; in its narrative, the cent
APA, Harvard, Vancouver, ISO, and other styles
30

Norwood, Janice. "Picturing Nineteenth-Century Female Theatre Managers: the Iconology of Eliza Vestris and Sara Lane." New Theatre Quarterly 33, no. 1 (2017): 3–21. http://dx.doi.org/10.1017/s0266464x16000592.

Full text
Abstract:
Lucia Elizabeth Vestris (1797–1856) and Sara Lane (1822–99) were two pioneering women in nineteenth-century theatre history. Both were accomplished singers who made their names initially in comic and breeches roles and, during periods when theatrical management was almost exclusively confined to men, both ran successful theatre companies in London. Despite these parallels in their professional activities, there are substantial disparities in the scrutiny to which their personal lives were subjected and in how their contemporaries and posterity have memorialized them. In this article, Janice No
APA, Harvard, Vancouver, ISO, and other styles
31

Tkachenko, T. I. "REINTERPRETATION OF PROSE TEXTS IN THE PLAYS BY MYXAJLO STARYCZKYJ." Literary Studies, no. 60 (2021): 210–19. http://dx.doi.org/10.17721/2520-6346.60.210-219.

Full text
Abstract:
The article represents the study of the peculiarities of the reinterpretation of prose works by Myxajlo Staryczkyj (1840–1904) in plays to enrich the repertoire of the “Coryphées theater”. Attention focuses on the coverage of the author’s literary communication, which is characterized by the involvement of ethnographic, household, folklore findings, coverage of history in a new perspective, unexpected plot changes related to the spectacle of the play and the Ukrainian mentality, psychologism and coverage of internal conflict. The work investigates the formal and semantic components, in particu
APA, Harvard, Vancouver, ISO, and other styles
32

Hughes, Richard. "Gates, Jr And Higginbotham, Eds., Harlem Renaissance Lives - From African American National Biography." Teaching History: A Journal of Methods 34, no. 2 (2009): 110–11. http://dx.doi.org/10.33043/th.34.2.110-111.

Full text
Abstract:
With hundreds of accessible entries on the lives of African Americans directly or indirectly associated with this period, Harlem Renaissance Lives is an ambitious effort to highlight, and sometimes uncover, the role of African Americans in shaping the United States in the twentieth century. While the entries are brief, the book's strength is its breadth with portraits of not only writers, artists, actors, and musicians but also educators, civil rights and labor activists, entrepreneurs, athletes, clergy, and aviators. Students of history will find familiar figures of the period such as Langsto
APA, Harvard, Vancouver, ISO, and other styles
33

Alasmari, Muhammad. "“His Favorite Things Mahi Al-hadia” Social Functions of Code Switching in Bilingual Children’s Conversations." International Journal of English Linguistics 12, no. 1 (2021): 134. http://dx.doi.org/10.5539/ijel.v12n1p134.

Full text
Abstract:
This study explored the occurrence of code switching among six Arabic-English Saudi bilingual children living in the United States at the time of the study. A Qualitative research design, using three research instruments namely, parental questionnaire, language portraits, and recorded storytelling sessions, was conducted in order to investigate the social functions of code switching. The study adopted Myers-Scotton’s (1993) Markedness Model to examine better the social motivation behind code switching in children’s conversations. Overall, the findings revealed the participa
APA, Harvard, Vancouver, ISO, and other styles
34

Fitriani, Fitriani, Ambya Ambya, R. Hanung Ismono, Dyah Aring Hepiana Lestari, and Fembriarty Erry Prasmatiwi. "LINI HULU PRODUKSI SAWIT INDONESIA: PERSPEKTIF RANTAI PASOK." SEPA: Jurnal Sosial Ekonomi Pertanian dan Agribisnis 21, no. 2 (2024): 143. http://dx.doi.org/10.20961/sepa.v21i2.60992.

Full text
Abstract:
Smallholder oil palm plantations are still facing the challenge of solidity in increasing their collective action to influence the supply chain of the national and global palm oil industry. This study aims to analyze the upstream system of smallholder palm oil production in building the sustainability of the supply chain of the national palm oil industry from a supply chain perspective. The data collection method combines an empirical study approach and literacy. An empirical study was carried out to search for institutional portraits of farmers. Furthermore, the search for commodity flows and
APA, Harvard, Vancouver, ISO, and other styles
35

Lotman, Elen. "Pedagogical Experiment with Portrait Lighting in Combination with different Actor’s intent in the case of novice Actors." International Journal of Film and Media Arts 5, no. 2 (2020): 49–64. http://dx.doi.org/10.24140/ijfma.v5.n2.03.

Full text
Abstract:
Portrait lighting and acting both carry substantial weight in creating character engagement by the viewer, but are rarely researched in conjunction. At the same time both acting and portrait lighting have considerable canons that have developed within the craft system and realized through tacit knowledge. Thus, as both are fields with considerable amount of knowledge and skills, but not enough scientific research conducted yet, it makes sense that the first expansion of knowledge should be conducted through artistic research. In line with Root-Bernstein's ArtScience approach that calls for pro
APA, Harvard, Vancouver, ISO, and other styles
36

Żmidziński, Jakub. "Images of the Body and Corporeality of Indigenous Australians at the Dawn of the 21st Century (Based on Bruce Chatwin’s Perspective and Selected Films)." Horyzonty Wychowania 22, no. 62 (2023): 21–30. http://dx.doi.org/10.35765/hw.2023.2262.04.

Full text
Abstract:
RESEARCH OBJECTIVE: The research objective of this article is to examine what image of Indigenous Australians emerges from Bruce Chatwin’s well-known novel The Songlines (1987/2008) and selected films produced at the turn of the twentieth and twenty-first centuries also dealing with Australian Aboriginal culture.
 THE RESEARCH PROBLEM AND METHODS: The analysis of the literary and cinematic work will be carried out here from an anthropological and postcolonial perspective, and is also part of a broadly defined somapoetics.
 THE PROCESS OF ARGUMENTATION: In the first part, the author f
APA, Harvard, Vancouver, ISO, and other styles
37

Savchenko, N. L., and G. D. Emelin. "Personal Predictors of Pedagogical Assessment of Ability in Student Actors." Psychological-Educational Studies 16, no. 2 (2024): 116–27. http://dx.doi.org/10.17759/psyedu.2024160207.

Full text
Abstract:
<p>One of the main way for the study of acting can be considered the process of training student-actors, in which the mechanisms and techniques of creating an image and assuming a role are unfolded and highlighted. Special attention in the study of this problematic should be paid to the factors contributing to the mastery of the profession. It is assumed that personal characteristics play a key role in the issue of successful training of a student-actor, because it is the actor's personality that can be considered as the main tool that the actor has in the art of acting transformation. T
APA, Harvard, Vancouver, ISO, and other styles
38

Anwar, Jefri, Baiq Anggun Hilendri Lestari, and Rini Ridhawati. "Portrait of MSME Tourism Financial Management in Sekotong District." International Journal of Business and Applied Economics 2, no. 4 (2023): 623–38. http://dx.doi.org/10.55927/ijbae.v2i4.5246.

Full text
Abstract:
Efforts to manage finances for business actors are significant, including tourism MSMEs in Sekotong District. The purpose of this study is to find out how the practice of financial management has been carried out by tourism MSME actors in Sekotong District. This study uses descriptive qualitative research through interviews. Several other sources, such as books and journals, support this study's data. Semi-structured and open-ended interview questions were used as a guide for face-to-face interviews and were recorded with a voice recorder. This study found that only one (1) MSME actor, the lod
APA, Harvard, Vancouver, ISO, and other styles
39

Lane, Kristi. "Using Actors as “Clients” for an Interviewing Simulation in an Undergraduate Clinical Psychology Course." Teaching of Psychology 15, no. 3 (1988): 162–64. http://dx.doi.org/10.1207/s15328023top1503_20.

Full text
Abstract:
Undergraduate theatre majors are trained to be clients for the interviewing component of an undergraduate clinical psychology course. The actor creates the character of a client after reading appropriate case studies. The instructor assists by providing feedback, helping to create client history, background, and personality characteristics, and by monitoring the degree of pathology that the actor portrays. The actors add a realistic component to this course.
APA, Harvard, Vancouver, ISO, and other styles
40

Boyko, Boris L., and Inessa Y. Kopylova. "TRANSLATIONS OF ANTON CHEKHOV’S PLAY “THE CHERRY ORCHARD” INTO GERMAN: A COMPARATIVE ANALYSIS." Lomonosov Translation Studies Journal, no. 3, 2023 (March 3, 2024): 22–38. http://dx.doi.org/10.55959/msu2074-6636-22-2023-16-3-22-38.

Full text
Abstract:
In spite of the fact that Anton Chekhov was skeptical about translations of his own works since he believed that his works would not be understood in the West, the first translations of his plays into German appeared already during his lifetime and were successfully staged in German theatres. The following article reviews translations of Anton Chekhov ‘s play “The Cherry Orchard” into German by Peter Urban, Johannes von Gunther, Gudrun Duvel and Hilde Angarova. It may be worth noting that there are two approaches to literary translation. One involves adapting text for the recipient, which inev
APA, Harvard, Vancouver, ISO, and other styles
41

D, Jishnu, Jishnu Nampoothiri P J, and Shamala R. "Unveiling Stereotypes, Disparity, and Framing: A Critical Analysis of Women’s Representation on Vanitha Magazine Cover Pages." International Journal of Research and Scientific Innovation X, no. VII (2023): 117–25. http://dx.doi.org/10.51244/ijrsi.2023.10715.

Full text
Abstract:
This study presents a comprehensive analysis of the representation of women on the cover pages of Vanitha, one of India’s most circulated women’s magazines, spanning from January 2019 to August 2021. Employing a content analysis methodology, we collected and analysed sixty-six cover pages from the magazine, utilising descriptive statistics and visual analysis to gain insights into the portrayal of women. Our findings reveal a pervasive and stereotypical representation of women on the magazine’s cover pages. While females are prominently featured, there remains a significant disparity in age, c
APA, Harvard, Vancouver, ISO, and other styles
42

Grison, Emmanuel. "Portraits des acteurs." Bulletin de la Sabix, no. 46 (May 1, 2010): 51–52. http://dx.doi.org/10.4000/sabix.938.

Full text
APA, Harvard, Vancouver, ISO, and other styles
43

Murphy, Eira. "Portraits, Puppets, Trees: Versions of the Body in John Lyly's Plays." Shakespeare Bulletin 42, no. 1 (2024): 27–49. http://dx.doi.org/10.1353/shb.2024.a928403.

Full text
Abstract:
Abstract: This essay explores the constitutive role of a set of key objects—portrait, puppet, and tree—in conceiving ideas of the boy actor's body in the plays of John Lyly. Drawing on materialist theory, the essay argues that across Campaspe, The Woman in the Moon, Endymion , and Love's Metamorphosis , these three objects provide a particularly generative point of reference for Lyly's explorations of the relationship between his authorial control, the body of the boy actor, and the material resources of his playhouse. As I read these three moments in which the child actor and prop interact to
APA, Harvard, Vancouver, ISO, and other styles
44

Paczuska, Katarzyna. "Shini-e, japońska forma upamiętnienia wybitnych artystów." Art of the Orient 1, no. 1 (2012): 89–100. http://dx.doi.org/10.15804/aoto201205.

Full text
Abstract:
The Regional Museum of Toruń has in its Far East Collection a woodblock print – a portrait of kabuki actor Matsumoto Kōshirō V by Utagawa Kunisada. This print falls into the shini-e (“death print”) category, commemorating the death of an actor, artist, or musician. The vast majority of shini-e depicted actors. Typical shini-e portrayed memorialized persons in blue court robes called shini sōzoku (“death dresses”) or ceremonial attire called mizu kamishimo. Many of these prints included the dates of death, age, posthumous Buddhist name (kaimyō), and temple burial site, while some had death poem
APA, Harvard, Vancouver, ISO, and other styles
45

Manning, Logan. "Touchstone poetry: writing as a catalyst for moments of development." English Teaching: Practice & Critique 15, no. 3 (2016): 375–93. http://dx.doi.org/10.1108/etpc-01-2016-0010.

Full text
Abstract:
Purpose Extant research has painted a clear picture of the myriad ways that schools are failing to provide a meaningful education, and meaningful literacy pedagogies, to all youth. Given this crisis shouldered disproportionately by youth of color in urban schools, this paper aims to take a retrospective approach to understanding the lasting reverberations of a high school poetry class on a group of students who experienced urban traumas including but not limited to educational injustices. In contrast to the representations of failing schools, some current research offers various portraits of u
APA, Harvard, Vancouver, ISO, and other styles
46

Dorofieieva, O. Yu. "Activity of the T. Shevchenko Kharkov Theater in the coverage of theatrical criticism (the second half of the 1930s – 1940s)." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 51, no. 51 (2018): 84–101. http://dx.doi.org/10.34064/khnum1-51.04.

Full text
Abstract:
Background. In the Ukrainian art history, the problems of theatre criticism and the interrelations between criticism and stage art until remain insufficiently studied. The article considers the activities of the T. Shevchenko Kharkov Theatre (until 1935 – the Theatre «Berezil») in the second half of the 1930s–1940s in the coverage of theatre criticism. Since 1933, the aesthetic course of this theatre had changed dramatically from avant-garde searches to socialist realism in connection with the defeat of the position of Les Kurbas and his dismissal from the theatre. This reversal of the creativ
APA, Harvard, Vancouver, ISO, and other styles
47

Tremml-Werner, Birgit, and Dorothée Goetze. "A Multitude of Actors in Early Modern Diplomacy." Journal of Early Modern History 23, no. 5 (2019): 407–22. http://dx.doi.org/10.1163/15700658-12342639.

Full text
Abstract:
Abstract This special issue has been motivated by the drive to contextualize the role of individuals of various backgrounds in early modern foreign relations. All contributions cover a broad geographic scope and stress the impact of non-European practices and stages for the study of early modern foreign relations. Four thematic articles follow diverse diplomatic actors, ranging from non-elite envoys to chartered companies, Catholic friars and ministers on ships, to foreign courts, and behind their desks. They provide insights into these individual actors’ functions and achievements and raise q
APA, Harvard, Vancouver, ISO, and other styles
48

Albinus, Jens. "Det er en tysker eller: Alt det her med tysk teater." Peripeti 19 (October 11, 2022): 68–81. http://dx.doi.org/10.7146/peri.v19isaernummer2.134025.

Full text
Abstract:
It is a German – or: All this about German theatre The essay focuses on actor Jens Albinus’ relationship with German theatre from a very early age and later during his professional career in Germany working with directors such as Frank Castorf and Stefan Bachmann. The essay portrays the rise and fall of Volksbühne as an epicenter of vital European theatre in the nineties. Albinus also reflects on aspirations of a similar approach at The Royal Theatre after the Millennium and on the importance of dramaturgical knowledge and vocabulary for actors.
APA, Harvard, Vancouver, ISO, and other styles
49

Avdeev, B. A. "The U.S. Withdrawal from UNESCO under the Reagan Administration: A Multilevel Analysis." Lomonosov World Politics Journal 16, no. 4 (2025): 169–224. https://doi.org/10.48015/2076-7404-2024-16-4-169-224.

Full text
Abstract:
The United States positions itself as a global leader and upholder of the world order whose pivotal role in the system of international relations is legitimized through its active participation in multilateral institutions. At the same time, it was the United States which resorted to unilateral actions more often than any other state, exerted significant diplomatic and financial leverage on international organizations to achieve its national interests, undermining the very principle of multilateral cooperation. This inconsistency has been most clearly manifested in the U.S. conflict behavior t
APA, Harvard, Vancouver, ISO, and other styles
50

Buyak, Halyna. "Bookplate in the works of Bohdan Khavarivskyi (THE 1990s)." Scientific Papers of the Kamianets-Podilskyi National Ivan Ohiienko University. History 39 (April 6, 2023): 256–67. http://dx.doi.org/10.32626/2309-2254.2023-39.256-267.

Full text
Abstract:
The aim of the study is to analyze the bookplate as a component of Bohdan Khavarivskyi’s cultural and artistic heritage in the 1990s. Th e research methodology is based on the principles of historicism, objectivity, scientifi city, and systematicity. Th e methods used are generalization, quantitative, historical and comparative, chronological, retrospective, and local history. Th e scientifi c novelty is based on the fact that the author is the fi rst in Ukrainian historiography to comprehensively analyze the problem under study, to fi nd out its impact on the crea tive work of famous Ukrainia
APA, Harvard, Vancouver, ISO, and other styles
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!