Academic literature on the topic 'Actress-player'

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Journal articles on the topic "Actress-player"

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Peck, James. "Albion's “Chaste Lucrece”: Chastity, Resistance, and the Glorious Revolution in the Career of Anne Bracegirdle." Theatre Survey 45, no. 1 (2004): 89–113. http://dx.doi.org/10.1017/s0040557404000079.

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By all indications, the public persona of the late Restoration actress Anne Bracegirdle was built on the speculative foundation of maidenhead. A leading ingénue of multiple talents, Bracegirdle played significant roles in comedy, tragedy, and music-drama from her debut in 1688 to her retirement in 1707. In comedy, Bracegirdle specialized in marriageable young women of rank, wit, and fortune. In serious drama, Bracegirdle often played the pathetic heroine, a virtuous woman stalked by a predatory man. Though primarily an actress, Bracegirdle also called upon her impressive soprano voice in many
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Riddell, David. "Wayne's World." M/C Journal 2, no. 4 (1999). http://dx.doi.org/10.5204/mcj.1765.

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An event occurred recently in the world of professional sports in North America which may have set a precedent for superstar (celebrity) retirement and celebrity/fan interaction in the future. The event was hockey superstar Wayne Gretzky's last National Hockey League game, played between the New York Rangers and Pittsburgh Penguins (with Gretzky a member of the former), a Sunday 'matinee' contest at the famous Madison Square Garden in New York City. An event occurred recently in the world of professional sports in North America which may have set a precedent for superstar (celebrity) retiremen
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Haller, Beth. "Switched at Birth: A Game Changer for All Audiences." M/C Journal 20, no. 3 (2017). http://dx.doi.org/10.5204/mcj.1266.

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The American Broadcasting Company (ABC) Family Network show Switched at Birth tells two stories—one which follows the unique plot of the show, and one about the new openness of television executives toward integrating more people with a variety of visible and invisible physical embodiments, such as hearing loss, into television content. It first aired in 2011 and in 2017 aired its fifth and final season.The show focuses on two teen girls in Kansas City who find out they were switched due to a hospital error on the day of their birth and who grew up with parents who were not biologically relate
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Dissertations / Theses on the topic "Actress-player"

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Silva, Flávia Cristiana da. "Atriz–Brincante: caminho de experimentações cênicas através da aproximação com a brincadeira do Cavalo Marinho." Escola de Teatro, 2013. http://repositorio.ufba.br/ri/handle/ri/27073.

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Submitted by Glauber Assunção Moreira (glauber.a.moreira@gmail.com) on 2018-08-24T18:46:00Z No. of bitstreams: 1 ATRIZ-BRINCANTE.pdf: 2329316 bytes, checksum: d151a302eed9c57aa032d26a371c0d06 (MD5)<br>Approved for entry into archive by Marly Santos (marly@ufba.br) on 2018-08-24T19:59:12Z (GMT) No. of bitstreams: 1 ATRIZ-BRINCANTE.pdf: 2329316 bytes, checksum: d151a302eed9c57aa032d26a371c0d06 (MD5)<br>Made available in DSpace on 2018-08-24T19:59:12Z (GMT). No. of bitstreams: 1 ATRIZ-BRINCANTE.pdf: 2329316 bytes, checksum: d151a302eed9c57aa032d26a371c0d06 (MD5)<br>Esta dissertação aborda, de for
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Book chapters on the topic "Actress-player"

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"Department, Guizhou Normal University. He is a member of the Chinese Musicians’ Association and Director of the Society for Nuo-drama of China. Tsao Penyeh is Senior Lecturer in Ethnomusicology at the Chinese University of Hong Kong. His research interest in Chinese music includes singing-narratives, puppet theatre, and ritual music. Tsao heads the Ritual Music in China Research Programme at the Music Department of the Chinese University of Hong Kong, aiming to systematically investigate Taoist and Buddhist ritual music as well as ritual music of other ethnic nationalities in China. With a team of twenty scholars, the Research Programme is presently conducting a three-year project ‘Comparative Study of Regional and Transregional Taoist Ritual Music Traditions of Major Temples in China, Hong Kong and Taiwan’. Tian Lian-tao is an ethnomusicologist and composer, and professor of the Central Conservatory of Music, Beijing, China. He has conducted extensive research into the traditional music of China’s minority nationalities for more than forty years. Xiu Hailin was born in Shanghai in 1952 and graduated from the department of Musicology at the Central Conservatory of Music in 1983. He is currently the Assistant Professor and Assistant Director of the Institute of Music, Central Conservatory of Music. Tsui Ying is currently an ethnomusicology Ph.D. student in the University of Pittsburgh (Pennsylvania, USA). He received his B.A. in 1987 and his M.Phil. (Chinese music), in 1990 from the Chinese University of Hong Kong. His major field of interest in Chinese instrumental music. In Hong Kong, he has been active as a Chinese flute player as well as a conductor in the modernized Chinese folk orchestras, as well as a Western flute player, for over a decade. His master thesis studied amateur Chinese orchestras in Hong Kong in the seventies with reference to the musical characteristics of the kind of repertoire performed and the social context in which the orchestras emerged. Tsui’s doctoral dissertation is on the issues concerning the traditional Cantonese music ensemble. Ruth Wingyu Yee , a founder of the Shatin Cantonese Opera Troupe, Hong Kong, has for the past ten years been serving on its management committee and performing as a principal actress. She was a solo folksong singer." In Tradition & Change Performance. Routledge, 2012. http://dx.doi.org/10.4324/9780203985656-17.

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