Books on the topic 'Adaptations cinématographiques – Histoire et critique'

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1

1941-, Stam Robert, and Raengo Alessandra, eds. A companion to literature and film. Malden, MA: Blackwell Pub., 2004.

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2

Film adaptation and its discontents: From Gone with the wind to The passion of the Christ. Baltimore, MD: Johns Hopkins University Press, 2006.

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3

1962-, Shaughnessy Robert, ed. Shakespeare on film. New York: St. Martin's Press, 1998.

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4

Jonathan, Bignell, ed. Writing and cinema. Harlow, Essex: Pearson Education, 1999.

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5

Made into movies: From literature to film. Fort Worth: Harcourt Brace Jovanovich College Publishers, 1990.

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6

McDougal, Stuart Y. Made into movies: From literature to film. New York: Holt, Rinehart, and Winston, 1985.

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7

Pak, Sŏk-hwan. Yŏnghwa ro mandŭrŏjin Han'guk manhwa. Taehan Min'guk, Sŏul: K'ŏmyunik'eisyŏn Puksŭ, 2021.

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8

Stage-bound: Feature film adaptations of Canadian and Québécois drama. Montreal: McGill-Queen's University Press, 2003.

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9

Anthony, Davies. Filming Shakespeare's plays: The adaptations of Laurence Olivier, Orson Welles, Peter Brook, and Akira Kurosawa. Cambridge [Cambridgshire]: Cambridge University Press, 1988.

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10

1936-, Davies Anthony, and Wells Stanley W. 1930-, eds. Shakespeare and the moving image: The plays on film and television. Cambridge: Cambridge University Press, 1994.

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11

1943-, Boose Lynda E., and Burt Richard 1954-, eds. Shakespeare, the movie: Popularizing the plays on film, TV, and video. London: Routledge, 1997.

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12

Cinematic Shakespeare. Lanham, Md: Rowman & Littlefield, 2004.

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13

Rothwell, Kenneth S. A history of Shakespeare on screen: A century of film and television. Cambridge: Cambridge University Press, 1999.

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14

A history of Shakespeare on screen: A century of film and television. 2nd ed. Cambridge, UK: Cambridge University Press, 2004.

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15

Shakespeare at the cineplex: The Kenneth Branagh era. Athens: Ohio University Press, 2003.

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16

Joycean frames: Film and the fiction of James Joyce. New York: Routledge, 2001.

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17

Analyse de l'image: Cinéma et littérature. Paris: Pocket, 2005.

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18

Branagh, Kenneth. Much ado about nothing. New York: W.W. Norton, 1993.

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19

Branagh, Kenneth. Much ado about nothing. London: Chatto & Windus, 1993.

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20

Between secrets and screens: Sentiments under scrutiny : Sense and Sensibility : Jane Austen, Ang Lee. Paris: CNED, 2015.

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21

Alain, Ferrari, ed. Le poing dans la vitre: Scénaristes et dialoguistes du cinéma français (1930-1960). Arles: Actes Sud, 2006.

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22

Alain, Ferrari, and Société des auteurs et compositeurs dramatiques (France), eds. Le poing dans la vitre: Scénaristes et dialoguistes du cinéma français (1930-1960) : actes des colloques SACD-Lyon. [Lyon]: Institut Lumière, 2006.

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23

Black women as cultural readers. New York: Columbia University Press, 1995.

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24

author, Maira Daniele, ed. Ronsard et la mise en musique des Amours (1552-1553). Paris: Classiques Garnier, 2016.

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25

After Dickens: Reading, adaptation, and performance. Cambridge [England]: Cambridge University Press, 1999.

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26

1947-, Grant Barry Keith, ed. Film genre reader. Austin: University of Texas Press, 1986.

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27

William, Evans Peter, ed. Challenges to authority: Fiction and film in contemporary Spain. London: Tamesis Books, 1988.

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28

Duarte, German A., and Évelyne Deprêtre. Transmédialité, bande dessinée & adaptation. Clermont-Ferrand [France]: Presses Universitaires Blaise Pascal, Maison des sciences de l'homme, 2019.

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29

1956-, Hoenselaars A. J., ed. Shakespeare and the language of translation. London: Arden Shakespeare, 2004.

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30

Rolland, Marc. Le roi Arthur: Le mythe héroïque et le roman historique au XXe siècle. Rennes: Presses universitaires de Rennes, 2004.

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31

Savage sight, constructed noise: Poetic adaptations of painterly techniques in the French and American avant-gardes. Chapel Hill: U.N.C. Dept. of Romance Languages, 2003.

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32

Sweet, David LeHardy. Savage sight/constructed noise: Poetic adaptations of painterly techniques in the French and American avant-gardes. Chapel Hill, NC: University of North Carolina Press, 2003.

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33

Frushell, Richard C. Edmund Spenser in the early eighteenth century: Education, imitation, and the making of a literary model. Pittsburgh, Pa: Duquesne University Press, 1999.

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34

Coursen, Herbert R. Shakespeare in production: Whose history? Athens: Ohio University Press, 1996.

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35

Rolland, Marc. Le roi Arthur: Un mythe héroïque du XXe siècle. Rennes: Presses universitaires de Rennes, 2004.

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36

Le roi Arthur: Un mythe héroïque du XXe siècle. Rennes: Presses universitaires de Rennes, 2004.

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37

Shaping an identity: Adapting, rewriting and remaking Italian literature. Ottawa: Legas, 2012.

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38

Voltaire and the orphan of China: Fuertai yu "Zhongguo gu er'. Beijing: Wu zhou chuan bo chu ban she = China Intercontinental Press, 2010.

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39

Shakespeare and the problem of adaptation. Milton Park, Abingdon [England]: Routledge, 2008.

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40

The modern Russian stage: A literary and cultural history. Armonk: M.E. Sharpe, Inc., 2008.

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41

John, Irving. Mon cinéma. Seuil, 2003.

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42

Stage and Screen Concepts: Transmediality in Theory and Practice. Taylor & Francis Group, 2016.

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43

Ingham, Michael. Stage and Screen Concepts: Transmediality in Theory and Practice. Taylor & Francis Group, 2016.

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44

Rethinking the Novel/Film Debate. Cambridge University Press, 2009.

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45

Raengo, Alessandra, and Robert Stam. Companion to Literature and Film. Wiley & Sons, Incorporated, John, 2008.

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46

Raengo, Alessandra, and Robert Stam. Companion to Literature and Film. Wiley & Sons, Limited, John, 2007.

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47

Leitch, Thomas M. Film Adaptation and Its Discontents: From Gone with the Wind to the Passion of the Christ. Johns Hopkins University Press, 2007.

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48

Bignell, Jonathan. Writing and Cinema. Taylor & Francis Group, 2016.

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49

Bignell, Jonathan. Writing and Cinema. Taylor & Francis Group, 2014.

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50

Writing and Cinema. Taylor & Francis Group, 2014.

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