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Journal articles on the topic 'Adbusters'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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1

Mkhitaryan, Karine. "The Use of Advertisements and Adbusters in the Course of Business English." Armenian Folia Anglistika 6, no. 1-2 (7) (October 15, 2010): 125–29. http://dx.doi.org/10.46991/afa/2010.6.1-2.125.

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The use of ads and adbusters is a most effective tool in the Business English teaching since it supposes the ability to analyze linguistic and inter-cultural situations which is a necessary precondition for creating ads and adbusters in the given language. It is noteworthy, that the efficiency of a foreign language teaching is first and foremost ensured in case inter-disciplinary relations have been considered, i.e. the ones that exist between the given foreign language and the professional field the student is engaged in. Future specialists of business should be competent in linguostylistic a
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2

Daubs, Michael S., and Jeffrey Wimmer. "Forgetting History: Mediated Reflections on Occupy Wall Street." Media and Communication 5, no. 3 (September 22, 2017): 49–58. http://dx.doi.org/10.17645/mac.v5i3.979.

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This study examines how Occupy Wall Street (OWS) protestors’ practices and stated understanding of media act on social perceptions of networked media. It stems from a discursive content analysis of online commentary from OWS protestors and supporters, using different sources from the first Adbusters blog in July 2011 until May 2012. We demonstrate how the belief in the myth of an egalitarian Internet was incorporated into the offline structure of OWS and led OWS participants to adopt rhetoric that distances the movement from past protest actions by stating the movement was “like the Internet”.
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3

Couto de Azevedo de Oliveira, Renata, and Luís Alexandre Grubits de Paula Pessôa. "Absolut spoof: subvertendo a publicidade da marca Absolut." Revista Pensamento Contemporâneo em Administração 8, no. 2 (June 30, 2014): 1. http://dx.doi.org/10.12712/rpca.v8i2.311.

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O objetivo do presente estudo é investigar como as paródias publicitárias (ou spoof ads) da marca Absolut Vodca veiculados no site da AdBusters Media Foundation, que possui destaque dentre os movimentos de resistência classificados como culture jamming, refletem as características e críticas apontadas na literatura sobre tal movimento. Trata-se de uma pesquisa exploratória com base em um estudo de caso dos spoof ads da marca Absolut. Os resultados apontam que muitas das características do movimento de culture jamming estão presentes no corpus analisado. Conclui-se, portanto, que os spoofs são
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4

Rocha, Simone, and Vanessa Silva. "DO CONSUMO AO ESTRANHAMENTO: Identidade e resistência cultural instauradas na tensão entre anúncios de publicidade e de antipublicidade sobre o corpo feminino." Revista Contracampo, no. 20 (November 5, 2009): 49. http://dx.doi.org/10.22409/contracampo.v0i20.14.

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O objetivo deste artigo consiste em investigar o consumo tanto como um conjunto de relações comerciais, quanto como uma prática que se funda no campo da cultura e que contribui no processo de formação identitária dos sujeitos. Apoiamos-nos no marco teórico-metodológico do circuito da cultura e na concepção Foulcoutiana de formações discursivas. Empiricamente, propomos analisar, de um lado, um anúncio da grife Calvin Klein, buscando evidenciar, em que medida o corpo feminino enfocado nesse anúncio se constitui enquanto um objeto de consumo. E, por outro lado, uma antipublicidade produzida pela
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5

Barber, John F. "Design Anarchy by Kalle Lasn. Adbusters Media Foundation, Vancouver, British Columbia, 2006. 416 pp., 420 illus. Cloth. ISBN: 0-9746800-9-5." Leonardo 41, no. 2 (April 2008): 193–94. http://dx.doi.org/10.1162/leon.2008.41.2.193.

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6

Ilie, Oana-Antonia. "The Visual Message. Directions of Evolution in Image Advertising." International conference KNOWLEDGE-BASED ORGANIZATION 24, no. 2 (June 1, 2018): 294–99. http://dx.doi.org/10.1515/kbo-2018-0105.

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Abstract The advertising image has become a part of our daily life; it is the main method of marketing in society, which encourages and finally, persuades people to purchase goods and services. A picture is worth a thousand words, and the visual image has gained supremacy over all other communication means. Advertising contributes to the development of the economy by increasing demand and by sustaining economic activities. It determines people to consume more and thereby improves their standard of living. The brand images are capable of instantly catching consumers’ attention and are the influ
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7

Michaels, Walter Benn. "Dude, Where's My Job?" PMLA/Publications of the Modern Language Association of America 127, no. 4 (October 2012): 1006–9. http://dx.doi.org/10.1632/pmla.2012.127.4.1006.

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The question of what occupy wall street wants has been a hard one to answer—despite or because of Adbuster's founding call for “one” “simple” and “uncomplicated” “demand.” This is partly because the Adbuster candidate, “Democracy without Corporatocracy,” was a little vague and partly because the many specific demands that followed it—from reinstating Glass-Steagall to reforming campaign finance to establishing an “Office of the Citizen”—didn't really capture the radical spirit of the movement. What emerged as most characteristic of OWS was something like a critique of the very idea of demands:
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8

Putri, Leonardia Acynthia. "Culture Jamming Versus Popular Culture." Jurnal ILMU KOMUNIKASI 8, no. 1 (November 27, 2013). http://dx.doi.org/10.24002/jik.v8i1.179.

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Abstract: This literature study researched Adbusters, the anti-commercial organization, and described the organization’s activities and media usage, mainly in the period of 2007-2010, which critized the populer culture. Adbusters is an organization which performs “Culture Jamming”; a rebellious act reacting towards commercialism domination in many aspects including popular culture. Compared to other similar organizations, Adbusters has been executing more various activisms using several media which other organizations do not use. This study used the Adbusters’ official website and blog
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9

Chassonnery-Zaïgouche, Cléo. "Kalle Lasn et Adbusters, Meme wars, the creative destruction of neoclassical economics, Penguin, 400 pages, 2012." Développement durable et territoires, Vol. 4, n°2 (May 8, 2013). http://dx.doi.org/10.4000/developpementdurable.9850.

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10

Tseronis, Assimakis, and Charles Forceville. "Arguing Against Corporate Claims Visually and Multimodally: The Genre of Subvertisements." Multimodal Communication 6, no. 2 (November 27, 2017). http://dx.doi.org/10.1515/mc-2017-0008.

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AbstractIn this paper, we describe the conditions under which the manipulation of the verbal and the visual elements or of the visual elements alone in the genre of subvertisements can be considered as an act of objecting or rebutting in an implicit argumentative discussion. We thus consider the cognitive and pragmatic aspects of communication while paying serious attention to the interaction of semiotic modes in order to analyse a number of images produced by anti-consumerist groups such as Adbusters. We identify four different ways in which image-text relations or the visuals alone can cue a
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11

Sampson, Peter. "Monastic Practices Countering a Culture of Consumption." M/C Journal 17, no. 6 (September 18, 2014). http://dx.doi.org/10.5204/mcj.881.

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Over time, many groups have sought to offer alternatives to the dominant culture of the day; for example, the civil-rights movements, antiwar protests, and environmental activism of the 1960s and 1970s. Not all groupings however can be considered countercultural. Roberts makes a distinction between group culture where cultural patterns only influence part of one’s life, or for a limited period of time; and countercultures that are more wholistic, affecting all of life. An essential element in defining a counterculture is that it has a value-conflict with the dominant society (Yinger), and that
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12

Pace, John, and Jason A. Wilson. "(No) Logo Au-go-go." M/C Journal 6, no. 3 (June 1, 2003). http://dx.doi.org/10.5204/mcj.2176.

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Naomi Klein’s global bestseller No Logo was published in paperback in the USA in December 2000; in the UK in January 2001. Few blockbuster publications can have been more sweetly timed. All around the world, spectacular public protests were occurring at major international forums: at the World Trade Organisation meeting in Seattle in 1999, at Melbourne’s World Economic Forum meeting in September 2000 and later that month at the International Monetary Fund meeting in Prague. In what was dubbed a ‘year of global protest’ in journals from the Providence Phoenix to the Socialist Review, Klein’s bo
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13

Meikle, Graham, Jason A. Wilson, and Barry Saunders. "Vote / Citizen." M/C Journal 11, no. 1 (April 1, 2008). http://dx.doi.org/10.5204/mcj.20.

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This issue of M/C Journal asks what’s your vote worth? And what does citizenship mean now? These questions are pressing, not only for the authors and editors of this special issue, but for anyone who contends with the challenges and opportunities presented by the relationship of the individual to the modern state, the difficulty and necessity of effecting change in our polities, and the needs of individuals and communities within frameworks of unequally representative democracies. And we think that’s pretty well all of us. Talk of voting and citizenship also raise further questions about the r
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14

Meikle, Graham, Jason A. Wilson, and Barry Saunders. "Vote / Citizen." M/C Journal 10, no. 6 (April 1, 2008). http://dx.doi.org/10.5204/mcj.2713.

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 This issue of M/C Journal asks what’s your vote worth? And what does citizenship mean now? These questions are pressing, not only for the authors and editors of this special issue, but for anyone who contends with the challenges and opportunities presented by the relationship of the individual to the modern state, the difficulty and necessity of effecting change in our polities, and the needs of individuals and communities within frameworks of unequally representative democracies. And we think that’s pretty well all of us. Talk of voting and citizenship also raise further
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15

Denisova, Anastasia. "How Vladimir Putin’s Divorce Story Was Constructed and Received, or When the President Divorced His Wife and Married the Country Instead." M/C Journal 17, no. 3 (June 7, 2014). http://dx.doi.org/10.5204/mcj.813.

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A politician’s political and personal selves have been in the spotlight of academic scholarship for hundreds of years, but only in recent years has a political ‘persona’ obtained new modes of mediation via networked media. New advancements in politics, technology, and media brought challenges to the traditional politics and personal self-representation of major leaders. Vladimir Putin’s divorce announcement in June 2013, posed a new challenge for his political self-mediation. A rather reserved leader (Loshak), he nonetheless broadcast his personal news to the large audience and made it in a ve
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