Relevant bibliographies by topics / Adeste fideles

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Academic literature on the topic 'Adeste fideles'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2025

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Journal articles on the topic "Adeste fideles"

1

Zon, Bennett. "The origin of Adeste fideles." Early Music XXIV, no. 2 (1996): 279–89. http://dx.doi.org/10.1093/earlyj/xxiv.2.279.

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Zon, B. "The origin of Adeste fideles." Early Music 24, no. 2 (1996): 279–88. http://dx.doi.org/10.1093/em/24.2.279.

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Books on the topic "Adeste fideles"

1

Wade, John Francis. Adeste fideles. Printed by Fred & Margaret Lock, 1991.

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Taylor, R. Variations to Adeste Fideles. Alfred, 1991.

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3

Hannigan, Mathew. Adeste Fideles: And Beware of the Dog. Authorhouse, 1999.

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4

Adeste Fideles - Sheet Music for Voice and Organ - A Christmas Carol. Classic Music Collection, 2017.

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5

Moraleda, Joan Lluís. Adestes fideles. DINSIC Publicacions Musicals, S.L., 1992.

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6

Dupre, Marcel. Variations on Adeste Fidelis (Saint Cecilia). Alfred Publishing Company, 2000.

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7

Fanfare for the Faithful: Based on Adeste Fidelis, Conductor Score. Alfred Publishing Company, Incorporated, 2020.

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Fanfare for the Faithful: Based on Adeste Fidelis, Conductor Score. Alfred Music, 2023.

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9

Fanfare for the Faithful: Based on Adeste Fidelis, Conductor Score & Parts. Alfred Publishing Company, Incorporated, 2020.

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Fanfare for the Faithful: Based on Adeste Fidelis, Conductor Score and Parts. Alfred Music, 2023.

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Book chapters on the topic "Adeste fideles"

1

France, Peter, and Kenneth Haynes. "Texts for Music and Oral Literature." In The Oxford History Of Literary Translation In English. Oxford University PressOxford, 2006. http://dx.doi.org/10.1093/oso/9780199246236.003.0009.

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Abstract The nineteenth century is a high point in the translation of hymns into English. The principal examples were from Latin and from German, although Greek hymns were not far behind, and there were some translations from Danish and other languages. The activity was remarkable: Julian’s Dictionary of Hymnology lists 133 translations of the ‘Dies Irae’, 38 of ‘Adeste fideles’, 37 of ‘Vexilla regis prodeunt’, and 34 of ‘Veni sancte Spiritus’, together with 68 of ‘Ein’ feste Burg ist unser Gott’.
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Muir, Thomas. "Church Music." In The Oxford History of British and Irish Catholicism, Volume III. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780198843443.003.0016.

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Abstract Music does not exist in a vacuum. It shapes and reflects social attitudes, especially when combined with text, as happens in a church service. It is therefore evidence for the nature of Catholicism in this period. This chapter explores three aspects. First, how the structure of the community affected the capacity and willingness of Catholics to perform music both at home and on the Continent, with the embassy chapels in London acting as a musical interface between them, at least in England. Such patterns were modified by Catholic relief, the influx of Continental institutions after th
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