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1
Gleby, Arne. English deverbal adjectives: Their identification and use in a corpus of modern written English. Dept. of English, Göteborg University, 2002.
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2
Collins, Daniel R. The Adjective Check List interpretive reports: Counselor's guide : for use with the ACLIR system and workbooks. Consulting Psychologists Press, 1991.
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4
Breban, Tine. English adjectives of comparison: Lexical and grammaticalized uses. Berlin, 2010.
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Ph.D. Donald R. Small. RIGHT WORD FINDER: When the right, most precise adjective evades you, this is the tool to use. AuthorHouse, 2006.
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6
Dworkin, Steven N. Syntactic features of medieval Hispano-Romance. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199687312.003.0004.
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This chapter describes selected issues of noun phrase, verb phrase, and sentential syntax. It emphasizes differences between the selected constructions in Old Spanish and in the modern standard language. Specific issues discussed include the function of determiners, the use of subject pronouns, the preverbal or postverbal placement of clitic object pronouns, direct object marking, and issues involving subject-verb-object and noun-adjective word order. The section on verbal syntax examines the use of the present, imperfect, and preterit tenses in medieval Hispano-Romance, the syntax of analytic or compound tenses, the syntactic differences between the synthetic and analytic futures, the syntax and semantics of the subjunctive, and the syntax of aver/tener and ser/estar.
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Breckenridge, Wylie. The Mechanism. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199600465.003.0004.
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In this chapter a theory is developed of how we use ‘grey’ in ‘The patch looks grey to you’ to refer to the way of looking w. The author proposes that we exploit a general mechanism that we have for referring to ways of occurring by expressing properties. We might refer to a certain way of walking by expressing the property of being proud (perhaps using the adjective ‘proud’). So too, we might refer to a certain way of looking by expressing the property of being grey, and that’s what we do, the author proposes, with ‘grey’ in ‘The patch looks grey to you’.
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Breckenridge, Wylie. Implicit Domain Restriction. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199600465.003.0006.
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According to the proposal made in Chapter 4, we use ‘grey’ in ‘The patch looks grey to you’ to refer to a way of looking by quantifying over events. When we quantify it is very common for us to implicitly restrict the domain of things over which we do so. The author proposes that, as an instance of this general phenomenon, we employ implicit domain restriction when we use ‘grey’ to quantify over events in ‘The patch looks grey to you’. The author uses this to explain various phenomena to do with our use of ‘grey’ and other adjectives in ‘look’ sentences.
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Lowe, John J. Typological and theoretical implications. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198793571.003.0007.
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This chapter briefly considers the evidence for transitive nouns and adjectives in early Indo-Aryan in both a typological and a theoretical perspective. The fact that most transitive nouns and adjectives in early Indo-Aryan fall under the traditional heading of ‘agent nouns’ (subject-oriented formations) is typologically notable, since while action nouns with verbal government are well-known, the possibility of relatively verbal agent nouns has not always been acknowledged. The theoretical analysis is framed within Lexical-Functional Grammar, and makes use of the concept of ‘mixed’ categories to effect a clear formalization of transitive nouns and adjectives which captures their transitivity while allowing them to remain fundamentally nouns and adjectives in categorial terms.
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Uva, Christian. Sergio Leone. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190942687.001.0001.
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Spectacle, myth, fable. These are the main categories that have traditionally defined Sergio Leone’s cinematic production, but it is necessary to underline how much they are fueled by a profound, layered political interest. Leone’s cinema bears witness to a critical outlook both on the subjects it showcases and on its representational means. Far from any militancy and escaping ideological classifications, Leone’s perspective is problematic and unreconciled: it is grounded in the coexistence of different elements in a state of perennial productive tension and instability. The adjective “political” takes on a deeper meaning when it is used to denote the director’s ability to narrate and interpret key aspects of Italian national identity and history. The abstract quality of his production relies on an original use of different genres, particularly sword-and-sandal and the Spaghetti Western, which allowed Leone to insert frequent symbolic references to both history and then-current events. On the stylistic level, his constant disobedience to classical models and his need to revolutionize forms were motivated by an authorial desire to make films politically, though still within a conception of cinema as an industrial spectacle.
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Maiden, Martin. Morphomic patterns, suppletion, and the Romance morphological landscape. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199660216.003.0011.
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This chapter uses especially cases of suppletion in the history of Romance languages to illustrate the role of morphomic patterns in diachrony. It also places Romance verb morphology in the wider context of Romance inflexional morphology, including those of the noun and of the adjective. It observes that suppletion practically never assumes anything but a morphomic distribution and is practically limited to the verb. Comparison is made with some Italo-Romance and Daco-Romance varieties where suppletion is indeed (occasionally) found in the noun and adjective (and is usually not morphomic). The evidence suggests that speakers, faced with different ways of expressing identical lexical meaning, exploit whatever patterns of root allomorphy happen to be already available in the language. In the Romance verb these are only morphomic; in the noun and adjective such patterns are scarcely found at all, but where they are they tend to be aligned with number.
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Leshota, Paul L., Ericka S. Dunbar, Musa W. Dube, and Malebogo Kgalemang. Mother Earth, Mother Africa and Biblical Studies : Interpretations in the Context of Climate Change. Edited by Sidney K. Berman. University of Bamberg Press, 2021. http://dx.doi.org/10.20378/irb-49839.
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Climate change and its global impact on all people, especially the marginalized communities, is widely recognized as the biggest crisis of our time. It is a context that invites all subjects and disciplines to bring their resources in diagnosing the problem and seeking the healing of the Earth. The African continent, especially its women, constitute the subalterns of global climate crisis. Can they speak? If they speak, can they be heard? Both the Earth and the Africa have been identified with the adjective “Mother.” This gender identity tells tales in patriarchal and imperial worlds that use the female gender to signal legitimation of oppression and exploitation. In this volume, African women theologians and their female-identifying colleagues, struggle with reading and interpreting religious texts in the context of environmental crisis that are threatening life on Earth. The chapters interrogate how biblical texts and African cultural resources imagine the Earth and our relationship with the Earth: Do these texts offer readers windows of hope for re-imagining liberating relationship with the Earth? How do they intersect with gender, race, empire, ethnicity, sexuality among others? Beginning with Genesis, journeying through Exodus, Ruth, Ecclesiastes and the Gospel of John, the authors seek to read in solidarity with the Earth, for the healing of the whole Earth community.
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Lassiter, Daniel. Measurement theory and the typology of scales. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198701347.003.0002.
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Most previous work on graded modality has relied on qualitative orderings, rather than degree semantics. This chapter introduces Representational Theory of Measurement (RTM), a framework which makes it possible to translate between qualitative and degree-based scales. I describe a way of using RTM to extend the compositional degree semantics introduced in chapter 1 to qualitative scales. English data are used to motivate the application of the RTM discussion between ordinal, interval, and ratio scales to scalar adjectives, with special attention to the kinds of statements that are semantically interpretable relative to different scale types. I also propose and motivate empirically a distinction between ‘additive’ and ‘intermediate’ scales, which interact differently with the algebraic join operation (realizing sum formation or disjunction, depending on the domain). This distinction is reflected in inferential properties of non-modal adjectives in English, and is also important for the analysis of graded modality in later chapters.
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Streiner, David L., Geoffrey R. Norman, and John Cairney. Scaling responses. Oxford University Press, 2015. http://dx.doi.org/10.1093/med/9780199685219.003.0004.
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This chapter presents various ways of presenting the response options to the respondent. It begins by discussing why dichotomous responses (e.g. yes/no, true/false) are often inadequate. Different alternatives are discussed, including direct estimation methods (e.g. visual analogue scales, adjectival scales, Likert scales), comparative methods (e.g. paired comparisons, Guttman scaling), and econometric methods. It reviews some of the issues that need to be considered in writing the response options, such as whether one should use a unipolar or bipolar scale, how many steps there should be, and whether all the response options need to be labelled. It also covers what statistical tests can legitimately be used with scales. Finally, it compares ratings with rankings, and introduces the method of multidimensional scaling.
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Pinkster, Harm. The Oxford Latin Syntax. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780199230563.001.0001.
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Volume II of the Oxford Latin Syntax deals with the syntax and pragmatics of complex sentences in Latin and other topics that transcend the simple clause (which is the content of Volume I). The volume starts with a chapter on subordination in general, followed by chapters on subordinate clauses that function as argument or as satellite in their sentence. Separate chapters are devoted to subordinate clauses governed by nouns and adjectives and to relative clauses. In addition there are chapters on coordination, comparison, secondary predicates, information structure of clauses and sentences including the use of emphatic particles, word order, and various discourse phenomena such as sentence connection. As in Volume I, the description of the Latin material is based upon texts from roughly 200 BC to AD 450. The Latin texts that are discussed are provided with an English translation. Supplements contain further examples to illustrate the main text. The grammatical framework used is mainly that of Functional Grammar but the description is accessible for readers without a modern linguistic background.
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Peckruhn, Heike. To Continue. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190280925.003.0010.
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I do not have to write on or about bodies but without doubt will always write through bodies, my own and those with whom I am mutually emerging and becoming. So then, what would “body” as adjective do, facing disembodied though divinized masculinities of the theological Word? Our bodily experiences are what immerse us in “the stuff” of who we are and what this life is made of, and we move as bodies in various perceptual dimensions. If bodily experience is difficult to express or narrate, it is because it is always on the edge of, never reducible to or arrested within, what is speakable....
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Givón, Tom. Is Polysynthesis a Valid Theoretical Notion? Edited by Michael Fortescue, Marianne Mithun, and Nicholas Evans. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199683208.013.22.
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While Ute (Numic, Uto-Aztecan) currently has “free” word-order, most of its morphology conforms to a historical OV syntax, with postpositions pronouns, pre-nominal genitive modifiers, and predominantly suffixal verbal morphology,with most exceptions to the latter easily attributed to pre-verbal incorporation of object, instrument, adjective, or adverb stems. Ute also displays an extensive array of complex verbal stems, most commonly two-verb combinations. Of the two combined verbal stems, the second usually loses its original valence, exhibits semantic bleaching, and otherwise bears the traditional marks of grammaticalization. While the process of complex-verb creation is extensive, long-standing, and still ongoing, its diachrony is far from clear. This chapter describes Ute complex verbs, then reviews the potential candidates for the diachronic source-constructions that gave rise to these complex lexemes. While an unambiguous identification of “the” source-construction is not yet possible, the phenomenon as a whole represents a clear trend from syntax to lexis.
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Lowe, John J. Introduction. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198793571.003.0001.
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This chapter sets out the theoretical and empirical bases of the work. It introduces transitivity as a linguistic concept, as well as the categories of ‘agent noun’ and ‘action noun’. Semantic and syntactic transitivity are distinguished. It introduces Lexical-Functional Grammar, the formal framework in which analysis is provided, as a tool for the full understanding of transitivity. It summarizes the evidence for transitive nouns and adjectives in previous linguistic literature, indicates the types of word that the book will be engaging with, and looks at formal analysis. It introduces the early Indo-Aryan languages, Sanskrit and Pali, and the texts which are used as the basis for this work.
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Poplack, Shana. Confirmation through replication. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190256388.003.0007.
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This chapter reviews a series of replications of the studies reported in previous chapters on eight typologically distinct language pairs, making use of a wide array of phonological, morphological, and syntactic diagnostics (e.g., vowel harmony, word order, case-marking, adjectival expression, nominal determination patterns, verb incorporation strategies). Wherever a conflict site between donor and recipient languages could be determined, lone items were systematically shown to behave like the latter, often to the point of assuming the fine details of its variable quantitative conditioning. Results confirm that the integration process and its outcome—grammatical identity of donor-language items with recipient-language counterparts—are universal.
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No Boring Practice, Please! Parts of Speech: Reproducible Practice Pages PLUS Easy-to-Score Quizzes That Reinforce the Correct Use of Nouns, Verbs, Adjectives, Adverbs, and More. Teaching Resources, 2005.
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Whitman, John, and Yohei Ono. Diachronic interpretations of word order parameter cohesion. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198747840.003.0004.
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This chapter uses statistical tools to investigate the interrelationship between typological features in the World Atlas of Language Structures Online (Dryer and Haspelmath 2013) in the WALS 201 language sample, with the objective of determining how crosscategorial word order generalizations might emerge as the result of syntactic change. Multiple Correspondence Analysis and a variety of cluster analyses show that word order features tend to group along the familiar lines of the Head Parameter. But there is an important caveat to this, previously noticed by Albu (2006): word order features in NP (e.g. [Order of noun and determiner], [Order of noun and adjective]) group separately from word order features in VP and PP, with the exception of [Order of noun and genitive]. We provide a diachronic explanation for this fact: nouns and their arguments may be reanalysed as PPs, or in the case of reanalysed nominalizations, clauses.
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Sawada, Osamu. Counter-expectational scalar adverbs. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198714224.003.0007.
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Chapter 7 investigates the meaning and use of Japanese counter-expectational scalar adverbs—that is, the counter-expectational intensifier yoppodo and the Japanese scale-reversal adverb kaette. It shows that although yoppodo and kaette convey some kind of counter-expectational meaning as lower-level pragmatic scalar modifiers, the way they trigger counter-expectational meaning is quite different. In an adjectival environment, yoppodo semantically intensifies degrees based on extraordinary evidence and conventionally implies that the degree is above the speaker’s expectation. By contrast, kaette reverses the scale of the gradable predicate and conventionally implies that the opposite situation is generally true. It is also proposed that there are two types of counter-expectational expressions that use scalarity: a relative type, which represents “above expectation” (e.g. yoppodo), and a reversal type, which expresses counter-expectation via polarity reversal (e.g. kaette). Comparison with wh-exclamatives, sentence exclamation, and the counter-expectational but is also discussed.
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Lassiter, Daniel. Graded Modality. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198701347.001.0001.
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This book explores graded expressions of modality, a rich and underexplored source of insight into modal semantics. Studies on modal language to date have largely focussed on a small and non-representative subset of expressions, namely modal auxiliaries such as must, might, and ought. Here, Daniel Lassiter argues that we should expand the conversation to include gradable modals such as more likely than, quite possible, and very good. He provides an introduction to qualitative and degree semantics for graded meaning, using the Representational Theory of Measurement to expose the complementarity between these apparently opposed perspectives on gradation. The volume explores and expands the typology of scales among English adjectives and uses the result to shed light on the meanings of a variety of epistemic and deontic modals. It also demonstrates that modality is deeply intertwined with probability and expected value, connecting modal semantics with the cognitive science of uncertainty and choice.
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Contini–Morava, Ellen, and Eve Danziger. Non-canonical gender in Mopan Maya. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198795438.003.0006.
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Mopan (Mayan, Belize/Guatemala) has two noun classifiers that resemble gender markers. However, the gender markers (GMs) violate expectations about canonical gender (Corbett and Fedden 2016): only a minority of Mopan nouns are gendered; gender is marked only together with the noun, not in multiple syntactic domains; gender marking can be omitted in certain syntactic contexts; and gender marking can be introduced when a normally non-gendered noun co-occurs with an adjectival modifier. We address the grammatical and discourse functions of Mopan GMs in relation to their non-canonical properties. Two productive functions—use as honorific titles with proper names and derivation of agentive nominals—are extended to various functions involving agentivity and differentiation, e.g. derivation of descriptive terms for non-human implements and terms for varietal subcategories. GMs are also employed creatively in discourse, e.g. to suggest animacy of inanimates or to introduce sex differentiation where it would not otherwise be signalled.
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Glass, Richard M. Eponyms. Oxford University Press, 2009. http://dx.doi.org/10.1093/jama/9780195176339.003.0016.
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Eponyms are names or phrases derived from or including the name of a person or place. These terms are used in a descriptive or adjectival sense1 in medical and scientific writing to describe entities such as diseases, syndromes, signs, tests, methods, and procedures. These eponymous terms should be distinguished from true possessives (eg, Homer’s Iliad). Medical eponyms are numerous (a website devoted to medical eponyms lists more than 7000), are frequently used in medical publications, and are treated in dictionaries of eponyms covering general medicine3 and some specialties, eg, neurology. Eponyms historically have indicated the name of the describer or presumptive discoverer of the disease (eg, Alzheimer disease) or sign (eg, Murphy sign), the name of a person or kindred found to have the disease described (eg, Christmas disease), or, when based on the name of a place (technically, toponyms), the geographic location in which the disease was found to occur (eg, Lyme disease)...
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Salanova, Andres. Ergativity in Jê languages. Edited by Jessica Coon, Diane Massam, and Lisa Demena Travis. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780198739371.013.43.
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Ergativity in Jê languages is generally associated to nominal or adjectival forms of the verb, strengthening the proposed link between nominalizations and ergativity (cf. Alexiadou 2001). Jê languages differ from some of the better-known languages with ergative nominalizations by the extent to which nominal forms of predicates are used in the former. In addition to being required in all contexts of subordination (i.e., finite subordination is virtually absent in the family), they are governed by a number of verbal modifiers, among which might be negation, manner predicates, and most aspectual auxiliaries. The present chapter explores this general pattern and describes in some detail the various modifiers that govern nominal forms of the verb, with particular attention to Mẽbengokre, a language from the northern branch of the family, spoken in the Brazilian Amazon. Cases of "insubordination" of nominal forms are also discussed.
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Hammer, Espen. Introduction. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190461454.003.0001.
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Franz Kafka’s The Trial stands as one of the most influential and emblematic novels of the twentieth century. Yet, as the overused adjective “Kafkaesque” suggests, rather than as a work of art in its full complexity, it has all too often been received as an expression of some vaguely felt cultural or psychological malaise—a symbol, perhaps, of all that we do not seem to comprehend, but that nevertheless is felt to haunt and influence us in inexplicable ways. Its plot, however, is both complex and completely unforgettable. A man stands accused of a crime he appears not to have any recollection of having committed and whose nature is never revealed to him. In what may ultimately be described as a tragic quest-narrative, the protagonist’s search for truth and clarity (about himself, his alleged guilt, and the system he is facing) progressively leads to increasing confusion before ending with his execution in an abandoned quarry. Josef K., its famous anti-hero, is an everyman faced with an anonymous, inscrutable yet seemingly omnipotent power. For all its fundamental strangeness, the novel seems to address defining concerns of the modern era: a sense of radical estrangement, the belittling of the individual in a bureaucratically controlled mass society, the rise perhaps of totalitarianism, as well as the fearful nihilism of a world apparently abandoned by God....
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Hugo, Nina. « D'une voix et plaintive et hardie ». Librairie Droz, 2021. http://dx.doi.org/10.47421/droz62824.
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Voici comment, dans un prologue adressé au Roi, Étienne Jodelle définit la pièce qui est sur le point d’être jouée devant lui : […] C’est une Tragedie. Qui d’une voix et plaintive et hardie Te represente un Romain Marc Antoine Et Cléopatre Egyptienne Roine […]. Si la voix de la tragédie est « et plaintive et hardie », la critique moderne a essentiellement retenu le premier adjectif, jusqu’à en faire un point majeur de la définition du genre au XVIe siècle. Que faire alors de la seconde épithète avancée par Jodelle ? Le dramaturge définit ici la voix de sa tragédie, mais il s’agit également pour lui d’y associer la voix de son héroïne, Cléopâtre, dont la hardiesse est célébrée dans la pièce. Nina Hugot examine l’ensemble des pièces tragiques imprimées entre 1537 et 1583 et souligne l’importance des deux versants de cette caractérisation de la tragédie et de son héroïne dans la constitution de l’esthétique du genre au XVIe siècle.