Relevant bibliographies by topics / Adnan Saygun

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  1. Journal articles
  2. Dissertations / Theses
  3. Books

Academic literature on the topic 'Adnan Saygun'

Author: Grafiati
Published: 3 June 2025
Last updated: 19 July 2025

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Journal articles on the topic "Adnan Saygun"

1

KARADENİZ, İsmet. "“TÜRK MÜZİĞİNİN BÜYÜK, YAŞLI ADAMI” AHMED ADNAN SAYGUN." Journal of Social Sciences 73, no. 73 (2024): 77–99. https://doi.org/10.29228/sobider.78992.

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Asadova, Aysel. "Analysis of the Opera Kerem by Akhmet Adnan Saygun." Bulletin of Kyiv National University of Culture and Arts. Series in Musical Art 4, no. 1 (2021): 11–20. http://dx.doi.org/10.31866/2616-7581.4.1.2021.233334.

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The article analyzes the musical language of the opera Kerem by A. Adnan Saygun. Ahmet Adnan Saygun was born during the Ottoman period and lived in the newly created Republic of Turkey. Saygun is one of the founders of the Turkish School of Composing, as well as one of the founders of the Turkish Five. The composer paid great attention to folk art and national values. You can always see folk music and folklore in his works. The purpose of the research is to analyze Sufi motives in the scenes of the opera. Mainly, the attention is paid to musical drama and harmonic aspects of the opera, which d
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3

Asadova, Aysel. "Analysis of the Opera Kerem by Akhmet Adnan Saygun." Bulletin of Kyiv National University of Culture and Arts. Series in Musical Art 4, no. 1 (2021): 11–20. https://doi.org/10.31866/2616-7581.4.1.2021.233334.

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The article analyzes the musical language of the opera Kerem by A. Adnan Saygun. Ahmet Adnan Saygun was born during the Ottoman period and lived in the newly created Republic of Turkey. Saygun is one of the founders of the Turkish School of Composing, as well as one of the founders of the Turkish Five. The composer paid great attention to folk art and national values. You can always see folk music and folklore in his works. The purpose of the research is to analyze Sufi motives in the scenes of the opera. Mainly, the attention is paid to musical drama and harmonic aspects of the opera, wh
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4

HONGUR, Gönenç. "AHMED ADNAN SAYGUN AND FOLK MUSIC RESEARCHES IN TURKEY." Motif Akademi Halk Bilimi Dergisi 2016, no. 2016-1 (2016): 01. http://dx.doi.org/10.12981/motif.357.

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5

Degtyareva, Natalia I., and Makhruza N. kyzy Dzhavadova. "Ahmed Adnan Saygun’s Opera “Őzsoy” — a Cultural-Political Project and an Artistic Event in 20th Century Turkish Music." Contemporary Musicology 8, no. 3 (2024): 86–103. http://dx.doi.org/10.56620/2587-9731-2024-3-086-103.

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In 1934 in Ankara the world premiere of Ahmed Adnan Saygun’s opera Őzsoy took place. The initiator of its creation was the first president of the Turkish Republic Mustafa Kemal Atatűrk. He came forward as a peculiar curator who accompanied the project at various stages of its preparation: from the choice of the poetical source (the Persian epos Shahnameh by Ferdowsi) and the definitions of the chief ideas in his interpretation to assigning the librettist (Münir Hayri Egeli) and the composer, whom 27-year-old Ahmed Adnan Saygun was chosen to be. The idea of the creation of national opera fit or
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6

Woodard, K. "Music Mediating Politics in Turkey: The Case of Ahmed Adnan Saygun." Comparative Studies of South Asia, Africa and the Middle East 27, no. 3 (2007): 552–62. http://dx.doi.org/10.1215/1089201x-2007-032.

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7

Gurler, Demet Aydınlı. "Analysing the musical elements of the Book of Inci for Piano Teaching." Cypriot Journal of Educational Sciences 17, no. 2 (2022): 422–39. http://dx.doi.org/10.18844/cjes.v17i2.6829.

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 The aim of the study is to contribute to the repertoire of piano teaching by conducting a musical analysis of the piano album ‘Inci'nin Kitabı’. The research is an example of a case study, one of the qualitative research techniques. Each piece in the research has been evaluated individually according to the elements determined in line with the descriptive analysis. Each piece has been examined primarily in terms of musical elements. Later, the musical expressions, tempo terms and rhythmic elements of the pieces are measured and evaluated. The sources examined in the study and the data o
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KUZMİN, Vsevolod. "AHMET ADNAN SAYGUN’ UN OPUS 38/1 NUMARALI ETÜDÜNÜN RİTİM, FORM VE TONAL-MODAL İLİŞKİ ÖZELLİKLERİNİN İNCELENMESİ." Journal of Social Sciences 65, no. 65 (2023): 126–44. http://dx.doi.org/10.29228/sobider.71257.

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9

GÖK, Emre, and İsmet DOĞAN. "COMPILATION WORKS OF BELA BARTOK IN ANATOLIA." Zeitschrift für die Welt der Türken / Journal of World of Turks 14, no. 2 (2022): 113–30. http://dx.doi.org/10.46291/zfwt/140206.

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Composer and ethnomusicologist Bela Bartok, who came to Turkey in 1936 in order to hold conferences and studies on Turkish folk music, researched.both the relationship between Turkish folk music and Hungarian folk melodies and the roots of the similarities between the music of the two countries, which are thought to come from the same root and got interesting and valuable information. He made field studies in certain regions of Turkey, compiled the folk songs in the areas he worked, notated the songs which he compiled and then classified these folk songs. In addition to her field work, she als
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10

Kürkçüoğlu, Seta. "Türkçe Librettoyla Sahnelenen Opera Eserlerinde Karşılaşılan Vokal Yorumlama Problemleri Üzerine Görüşler." Söylem Filoloji Dergisi, Çeviribilim Özel Sayısı II (March 23, 2025): 344–70. https://doi.org/10.29110/soylemdergi.1601410.

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İlk operamız olan Özsoy Operası Mustafa Kemal Atatürk’ün talimatıyla Ahmed Adnan Saygun tarafından bestelenmiş, İran Şahı Rıza Pehlevi’nin gelişi şerefine 1934 yılında sahnelenmiştir. Sahnelenmek üzere bazı operalar Türkçeye çevrilmiştir. Türk operasının öncüleri Ankara Halkevi sahnesinde, 21 Haziran 1940 tarihinde ilk temsillerini verdiler. Mozart’ın müzikli oyunu “Bastien ve Bastienne”nde soprano Rabia Erler, tenor Süleyman Alkan ve basbariton Ruhi Su rol almışlardır. 1940’lı yıllardan itibaren düzenli olarak operalar sahnelenmeye başlanmış, eserler genellikle Türkçeye çevrilmiştir. Bunun ba
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Dissertations / Theses on the topic "Adnan Saygun"

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Araci, Emre. "Life and works of Ahmed Adnan Saygun." Thesis, University of Edinburgh, 1999. http://hdl.handle.net/1842/7680.

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Ahmed Adnan Saygun (1907-1991) was one of Turkey's most prominent composers, described in The Times obituary as "the grand old man of Turkish music, who was to his country what Sibelius is to Finland, what de Falla is to Spain and what Bartók is to Hungary" (15 January 1991). Yet so far Saygun's life and works have never been the subject of a critical study in or outside Turkey. This thesis aims to create a comprehensible picture of his life and music for the first time. Divided into three parts, Part I of the thesis presents an annotated biography, preceded by a short introductory survey on
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2

Giray, Selim. "A biography of the Turkish composer Ahmed Adnan Saygun and a discussion of his violin works /." Lewiston ; Queenston ; Lampeter : The Edwin Mellen press, 2003. http://catalogue.bnf.fr/ark:/12148/cb40161321x.

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Yucel, Gizem. "The viola concerto of Ahmed Adnan Saygun| Compositional elements and performance perspectives." Thesis, The University of North Carolina at Greensboro, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=3609611.

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<p> Ahmed Adnan Saygun (1907-1991) is one of the most important Turkish composers. He is also celebrated as an influential teacher and a dedicated ethnomusicologist. His compositional output spans a great variety of genres from symphonies to arrangements of Turkish folk songs to solo partitas and concertos. His complex and brilliant orchestrations have won him a worldwide reputation, and the Viola Concerto substantiates this claim. Saygun incorporates both western neoclassical compositional techniques and Turkish folk elements throughout this concerto.</p><p> The viola concerto, written in 1
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Jaegers, Sarah Elizabeth Korneisel. "Turkish Classical Clarinet Repertoire: Performance, Accessibility, and Integration into the Canon, with a Performance Guide to Works by Edward J. Hines and Ahmet Adnan Saygun." The Ohio State University, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1555635997664089.

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5

Yildiz, GN. "An investigation of the application and performance execution of the aksak in the solo piano music of Béla Bartók, György Ligeti, Lubomir Pipkov, Vassil Kazandjiev, Ahmed Adnan Saygun and Ilhan Baran." Thesis, 2020. https://eprints.utas.edu.au/35335/1/Yildiz_whole_thesis.pdf.

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The term aksak refers to a specific type of asymmetrical metre that is widespread in the folk music traditions of the Balkan countries and Turkey. The present study examines the translation of the aksak from folklore into classical piano repertoire, focusing on solo piano works by the following six composers from Hungary, Bulgaria and Turkey: Béla Bartók, György Ligeti, Lubomir Pipkov, Vassil Kazandjiev, Ahmed Adnan Saygun and Ilhan Baran. Outlining the individual approaches each composer has taken to incorporate aksak in their solo piano music, this research enlightens performance aspects of
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Books on the topic "Adnan Saygun"

1

Olcay, Kolçak, ed. Ahmet Adnan Saygun. Kastaş Yayınevi, 2005.

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2

Ahmed Adnan Saygun Semineri (1987 İzmir, Turkey). Ahmed Adnan Saygun Semineri Bildirileri: 7-8 Ocak 1987. İzmir Filarmoni Derneği Yayınları, 1987.

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3

Gülper, Refiğ, ed. Özsoy operası: Bir perdelik efsane. Atatürk ve Adnan Saygun. Boyut, 2012.

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Refiğ, Gülper. Ahmet Adnan Saygun ve geçmişten geleceğe Türk mûsıkı̂si: Gülper Refiğ. Kültür Bakanlığı, 1991.

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5

Şefik, Kahramankaptan, ed. Atatürk, Saygun ve Özsoy Operası: Ahmet Adnan Saygun (1907-1991) kendi sesinden Atatürk ve ilk Türk operası Özsoy'u anlatıyor. Sevda-Cenap And Müzik Vakfı, 2005.

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Saygun, Ahmed Adnan. Atatürk, Saygun ve Özsoy Operası: Ahmet Adnan Saygun (1907-1991) kendi sesinden Atatürk ve ilk Türk operası Özsoy'u anlatıyor. Sevda-Cenap And Müzik Vakfı, 2005.

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7

Anılardaki Adnan Saygun. Pan, 2011.

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8

Ahmet Adnan Saygun: Doğu-batı arası müzik köprüsü. YKY, 2001.

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9

A Biography of the Turkish Composer Ahmed Adnan Saygun and a Discussion of His Violin Works (Studies in the History and Interpretation of Music). Edwin Mellen Press, 2003.

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10

Ahmed Adnan Saygun'a armağan. Sevda-Cenap And Müzik Vakfı Yayınları, 2012.

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