Academic literature on the topic 'Advent (Old English poem)'

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Journal articles on the topic "Advent (Old English poem)"

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Cieślak, Magdalena. "Adaptation in the digital era: The case of Robert Zemeckis’ Beowulf." Journal of Adaptation in Film & Performance 14, no. 1 (March 1, 2021): 41–51. http://dx.doi.org/10.1386/jafp_00041_1.

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From fidelity discourse, through medium specificity discourse, to intertextuality and remediation approach, adaptation studies have dynamically evolved and recently have responded with particular flexibility to the advent of the digital era. Even adaptations of classical literary texts, confronting the authority of their hypotexts, have daringly broken away from their fidelity constraints and ventured onto paths facilitated by the development of new media. This article discusses Robert Zemeckis’ 2007 adaptation of Beowulf and examines this film’s potential for illustrating the manifestations of digitality in adaptation discourses. A film that did not make it (in)to the box office, and an adaptation that makes literary fans cringe, it is still a fascinating cultural intertext: a radical reinterpretation of the Old English heroic poem, a star-studded special-effect cinematic extravaganza of an adventurous director, an illustration of adaptation going remediation and an inclusive transmedia hybrid.
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Roberts, Jane, O. D. Macrae-Gibson, and Michael Alexander. "The Old English Riming Poem." Modern Language Review 82, no. 2 (April 1987): 434. http://dx.doi.org/10.2307/3728443.

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BAILEY and CAMBRIDGE. "DATING THE OLD ENGLISH POEM 'DURHAM'." Medium Ævum 85, no. 1 (2016): 1. http://dx.doi.org/10.2307/26396467.

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Dickens, Charles. "Poem: The Fine Old English Gentleman." Critical Perspectives on Accounting 7, no. 1 (February 1996): 157. http://dx.doi.org/10.1006/cpac.1996.0020.

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Earl, James W. "Hisperic Style in the Old English "Rhyming Poem"." PMLA 102, no. 2 (March 1987): 187. http://dx.doi.org/10.2307/462547.

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O'Donnell, Daniel Paul. "Junius's knowledge of the Old English poem Durham." Anglo-Saxon England 30 (December 2001): 231–45. http://dx.doi.org/10.1017/s0263675101000096.

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Until recently, the late Old English poem Durham was known to have been copied in two manuscripts of the twelfth century: Cambridge, University Library, Ff. 1. 27 (C) and London, British Library, Cotton Vitellius D. xx (V). C has been transcribed frequently and serves as the basis for Elliott Van Kirk Dobbie's standard edition of the poem in the Anglo-Saxon Poetic Records. V was almost completely destroyed in the Cottonian fire of 1731. Its version is known to us solely from George Hickes's 1705 edition (H).In a recent article, however, Donald K. Fry announced the discovery of a third medieval text of the poem. Like V, the original manuscript of this ‘third’ version is now lost and can be reconstructed only from an early modern transcription - in this case a copy by Francis Junius no win the Stanford University Library (Stanford University Libraries, Department of Special Collections, Misc. 010 [J1]). Unlike V, however, Junius's copy is our only record of this manuscript's existence. No other transcripts are known from medieval or early modern manuscript catalogues.
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Clayton, M. "The Old English Poem Guthlac A, line 35a." Notes and Queries 59, no. 2 (March 29, 2012): 155–56. http://dx.doi.org/10.1093/notesj/gjs016.

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Stanley, E. G. "Old English Poetic Superlatives." Anglia 135, no. 2 (June 2, 2017): 241–73. http://dx.doi.org/10.1515/ang-2017-0025.

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AbstractThis paper is designed to show how difficult it is for us in the twenty-first century to establish a valid response to the superlative of adjectives as used in Old English verse. In contradistinction to the monochromatically excessive use of superlatives in modern advertising, the distribution of superlatives is very varied in the English verse of more than a thousand years ago. The first part of the paper consists of a general survey of Old English superlatives, chiefly in the vernacular verse of the Anglo-Saxons, but their prose has not been wholly neglected. The study is evaluative, more so than is usual in sober Linguistics; to this purpose the superlative degree and its statistics contribute to an understanding of the triumphant ending of Beowulf, and grammar is to be seen as the handmaiden of literature. The second part of the paper is more literary, and is based on the incidence of superlatives as presented in the first part. The density of superlatives in the opening of the minor poem Maxims II is observed, without any reasoning for that density. The density of rare superlatives in the last lines of Beowulf is admired for its aesthetic quality, brought out in Edwin Morgan’s poetic rendering of the poem. It is not forgotten that the rarity of a superlative in the extant verse may be because we cannot know if it would have been less rare had more verse survived. The reading of poetry must, if worthwhile, involve an aesthetic response. The paper, at the same time as exercising that response, stresses our insecurity when we respond to Old English poetry.
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Wehlau, Ruth. "Rumination and Re-Creation: Poetic Instruction in The Order of the World." Florilegium 13, no. 1 (January 1994): 65–77. http://dx.doi.org/10.3138/flor.13.005.

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The Old English poem The Order of the World contains another poem within itself, a poem that is offered to the reader with the specific purpose of providing a sample or model of good poetry. Although this sample poem is to some extent based on Psalm 18, it is neither a translation nor a paraphrase of the psalm. Rather, it is a reconstruction of the psalm in an Old English idiom.
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Sorrell, Paul. "Oaks, ships, riddles and the Old English Rune Poem." Anglo-Saxon England 19 (December 1990): 103–16. http://dx.doi.org/10.1017/s0263675100001629.

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The Holme Riddles are a collection of 144 English riddles preserved in London, British Library, Harley 1960. Although the manuscript dates from the mid-seventeenth century, some of these riddles are apparently rooted in ancient Germanic tradition. One of these, an ancient ‘world-riddle’ according to the editor, is a version of the ‘oak-ship’ riddle:Q. wn j lived j fed the liveing now j am dead j beare the live[in]g & with swift speed j walk our the liveingA. a ship mad[e] of oake groweing feeds hogs with acorns now b[e]ars men & swims our fishes.
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Dissertations / Theses on the topic "Advent (Old English poem)"

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Hopkins, Stephen Chase Evans. "Solving the Old English Exodus: An Active Problem Solving Approach to the Poem." Miami University Honors Theses / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=muhonors1303488106.

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Turner, Kandy M. (Kandy Morrow). "A Study of "The Rhyming Poem": Text, Interpretation, and Christian Context." Thesis, North Texas State University, 1986. https://digital.library.unt.edu/ark:/67531/metadc331700/.

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The purpose of the research presented here is to discover the central concept of "The Rhyming Poem," an Old English Christian work known only from a 10th-century manuscript, and to establish the poem's natural place in the body of Old English poetry. Existing critical literature shows little agreement about the poem's origin, vocabulary, plot, or first-person narrator, and no single translation has satisfactorily captured a sense of the poem's unity or of the purposeful vision behind it. The examination of text and context here shows that the Old English poet has created a unified vision in which religious teachings are artistically related through imagery and form. He worked in response to a particular set of conditions in early Church history, employing both pagan and Christian details to convey a message of the superiority of Christianity to idol-worship and, as well, of the validity of the Augustinian position on Original Sin over that of the heretical Pelagians.
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Burman, Anna-Karin. "An Idea Is a Life Form : An attempt to find evidence of the Conceptual MetaphorTheory by studying the Old English poem Beowulf." Thesis, Högskolan i Halmstad, Sektionen för humaniora (HUM), 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:hh:diva-24265.

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This small study concerns occurrences of metaphor, metonymy and conceptual metaphor in the Old English poem Beowulf. The first 224 lines of Beowulf were searched for non-literal passages. Thefound passages were sorted into the groups conventionalized metaphor, metonymy and innovativemetaphor. The conceptual metaphors were in turn sorted into target domains and source domains and grouped within the domains. These were then compared to Modern English and Modern Swedish metaphors and conceptual metaphors with the help of dictionaries and corpus studies. Beowulf was also looked at as a small corpus. Words which were suspected to be used inmetaphorical senses were searched for in the full text and the results were examined and comparedwith modern language usage. It was found evident that Old English and Modern English, as well as Modern Swedish, have many conceptual metaphors in common both when in comes to experiential metaphors and culturally grounded metaphors.
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Arnold, Amanda Suzanne. "Shift." Digital Archive @ GSU, 2007. http://digitalarchive.gsu.edu/english_theses/26.

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The following is a collection of original poetry. The manuscript consists of an introduction explaining influences and style, and four chapters of poems categorized by subject matter: object/nature, writing/creativity, relationships, and family/figures. INDEX WORDS: Poetry, Poem
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Books on the topic "Advent (Old English poem)"

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Huisman, Rosemary. The written poem: Semiotic conventions from Old to Modern English. London: Cassell, 1998.

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Remley, Paul G. Old English biblical verse: Studies in Genesis, Exodus and Daniel. Cambridge: Cambridge University Press, 1996.

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Andersen, Hans Erik. The Battle of Maldon: The meaning, dating & historicity of an Old English poem. [Copenhagen]: Dept. of English, University of Copenhagen, 1991.

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James, Thomson. Winter: A poem. Edinburgh: Akros, 1995.

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Quinn, Kenneth Paul. The use of the baptismal liturgy in three Old English poems. [S.l: s.n.], 1986.

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Pasternack, Carol Braun. The textuality of Old English poetry. Cambridge [England]: Cambridge University Press, 1995.

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A new theory of Old English meter. New York: P. Lang, 1985.

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Kaup, Judith. The old English Judith: A study of poetic style, theological tradition and Anglo-Saxon Christian concepts. Lewiston, New York: The Edwin Mellen Press, 2013.

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Keefer, Sarah Larratt. Psalm-poem and psalter-glosses: The Latin and Old English psalter-text background to "Kentish Psalm 50". New York: P. Lang, 1991.

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The Saxon genesis: An edition of the West Saxon genesis B and the old Saxon vatican genesis. Madison, Wis: University of Wisconsin Press, 1991.

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Book chapters on the topic "Advent (Old English poem)"

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Offereins, Bente. "Free Will and Eternity in the Old English Poem 'Soul and Body'." In Göttinger Schriften zur Englischen Philologie, 9–26. Göttingen: Göttingen University Press, 2019. http://dx.doi.org/10.17875/gup2021-1740.

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Maring, Heather. "Refiguring Hybrid Oral-Literate Signs." In Signs That Sing. University Press of Florida, 2017. http://dx.doi.org/10.5744/florida/9780813054469.003.0005.

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This is the first of three chapters that examines poems in which oral-traditional themes play a distinctly metaphorical role. Old English oral-connected themes are a rich resource for creating and framing narrative subjects. When poets make such themes metaphorical, they are using a strategy consonant with the reading practices of medieval Christian textual communities. Chapter 4 describes how the two themes explored in previous chapters bear metaphorical meaning in The Phoenix, Exeter Riddle 47 (“Book Moth”), and the Advent Lyrics (Christ I). Being transplanted to unusual narrative contexts, they profit from literate modes of interpretation. Used allegorically and metaphorically, the devouring-the-dead theme describes the fate of the soul during the Apocalypse, in hell, and in heaven. The lord-retainer theme in the Advent Lyrics serves as a metaphor for humanity’s renewed covenant with God. These metaphorical uses of oral-connected themes constitute a rhetorical category made possible by hybrid poetics. They exemplify how Anglo-Saxon poets fused oral-traditional and literate modes of signification.
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"The Old English Rune Poem." In The Unstill Ones, 32–35. Princeton University Press, 2018. http://dx.doi.org/10.1515/9781400888771-021.

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"THE OLD ENGLISH RUNE POEM." In The Unstill Ones, 32–35. Princeton University Press, 2017. http://dx.doi.org/10.2307/j.ctvc77kb1.23.

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Williamson, Craig. "WEAVING WISDOM DEDICATION POEM." In The Complete Old English Poems. Philadelphia: University of Pennsylvania Press, 2017. http://dx.doi.org/10.9783/9780812293210-001.

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"INDEX OF POEM TITLES." In The Complete Old English Poems. Philadelphia: University of Pennsylvania Press, 2017. http://dx.doi.org/10.9783/9780812293210-015.

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"The Rhyming Poem." In Longman Anthology of Old English, Old Icelandic, and Anglo-Norman Literatures, 239–47. Routledge, 2014. http://dx.doi.org/10.4324/9781315833354-23.

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North, Richard, Joe Allard, and Patricia Gillies. "The Rhyming Poem." In The Longman Anthology of Old English, Old Icelandic and Anglo-Norman Literatures, 223–31. Routledge, 2020. http://dx.doi.org/10.1201/9781003072539-21.

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North, Richard, Joe Allard, and Patricia Gillies. "The Rhyming Poem." In The Longman Anthology of Old English, Old Icelandic and Anglo-Norman Literatures, 223–31. Routledge, 2020. http://dx.doi.org/10.4324/9781003072539-21.

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Barajas, Courtney Catherine. "Mutual Custodianship in the Landscapes of Guðlac A." In Old English Ecotheology. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463723824_ch05.

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Guðlac A details the eponymous saint’s relationships with the holy landscape surrounding his hermitage and its other-than-human inhabitants. The poem suggests that the work of Guðlac’s sainthood is sustained devotion to the Earth community. As an exemplum of Old English ecotheological living, Guðlac’s legend offers a challenge to the concept of environmental “stewardship” of the Earth community in favor of a model of mutual custodianship calls for sustained and deliberate devotion to the created world for its own sake and as a manifestation of the Creator’s love and glory. It also suggests that sustained engagement with the natural world even in the face of environmental crisis or collapse will be rewarded, in this life or the next.
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