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1
Ford, Jennifer. "Fashion Advertising, Men’s Magazines, and Sex in Advertising: A Critical-Interpretive Study." Scholar Commons, 2008. https://scholarcommons.usf.edu/etd/246.
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This study examines sexualized portrayals of women in fashion advertising found in metro-sexual men's magazines as visual rhetoric. Historically, studies on sexual images of women in advertising have focused on content analyses of these images and how they affect women. This study asks how sexualized imagery of women functions rhetorically as part of a branding message designed to sell products. The exemplar advertisements were chosen specifically for their sexual imagery from an earlier study by the researcher on sexual images of women in fashion advertisements found in men's magazines.
The messages interpreted within the visuals of this study reveal a current slice of history in terms of gender and sexuality. In the case of this study the constructed "ideal" heteronormative view of gender, masculinity, femininity, and sexuality are what are for sale; they are the merchandise to be purchased. Women are present in the exemplar ads as an accessory to prove and support heterosexual masculinity through sex, as if to ward off any ideas that metro-sexual men may be anything but heterosexual.
Though we cannot generalize beyond these five magazine ads, we can think of the exemplar ads as a small sample of contemporary culture. The narratives of these ads suggest that man continues to be the prevailing figure in terms of importance and power relative to woman, who is subordinate to man. This thesis supports prior research on women in advertising where men are more important than women, and the ads in this thesis continue to define masculinity and femininity in classic patriarchal and heterosexual terms. However, this thesis adds important critical-interpretative work through visual rhetorical analysis on advertising in men's metro-sexual magazines to a body of research that includes very little of such work.
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Mon, Shuk-lin Shereen. "An urban communication tool the Centre for Advertising and Communication Arts /." Click to view the E-thesis via HKUTO, 1997. http://sunzi.lib.hku.hk/hkuto/record/B31983571.
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Mon, Shuk-lin Shereen, and 蒙淑蓮. "An urban communication tool: the Centre for Advertising and Communication Arts." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1997. http://hub.hku.hk/bib/B31983571.
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Stelzer, Blenda R. "Full advertising campaign for Collegienne Shops." Virtual Press, 1986. http://liblink.bsu.edu/uhtbin/catkey/491460.
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Presented in the creative project is a full advertising campaign for Collegienne Shops, a department store located in Muncie, Indiana adjacent to the campus of Ball State University. The campaign utilized a newly developed logo together with new color schemes and concepts to create a new image for the store. The goal of this new image was to attract younger, college aged customers, while continuing to appeal to the traditionally affluent, older clientele, with no large adjustments in the store's product lines.The new logo, color schemes and concepts of the advertising campaign, coupled with new store interior displays and exterior modifications were calculated to present a new image for Collegienne Shops, apart from that of its parent company, Ball Stores [of Muncie]. Currently the store markets the same line of women's clothing and accessories as Ball Stores, and projects a decidedly similar image through its advertisements and in-store atmosphere.The new logo and design concepts were incorporated into the company letterhead, a business card, an envelope, a tractor-trailer truck, a shopping bag, T-shirts, packaging designs, posters and numerous print ads.Also developed was a complete concept for a television commercial, along with novelty and point of purchase items, premiums, as well as interior displays and exterior modifications, including a design for a large sculpture for the store's sidewalk.The project is presented in manual form to share the experience and assist other students with their own graphic design projects.
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Adams, Jonna, and Louise Gejrot. "Just another ad?" Thesis, Malmö högskola, Fakulteten för kultur och samhälle (KS), 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-23051.
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Marketers often target women because they represent over half of the population in Canada and Sweden and because they are the purchasing agents for 85% of household items. Advertisers and marketers use targeted marketing on Social Media platforms in the hopes of engaging the audience enough to initiate a purchasing action. For this paper the goal was to understand the relationship between women aged 55+ and their attitudes and perception of targeted advertising, to see whether it was effective in engaging them as consumers. Through interviews and the think-aloud method we found that while the overall perception of online advertising was negative, in practice, the ads on their social media feed were either accepted as relevant ads, simply ignored/not noticed, or not recognized as advertising. Finally we conclude that because social media gives users the impression that they are in control of the content on their feed, the consequences may be that targeted advertising can influence audience’s perception of who they are, more than they think.
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Brandse, Simone. "Preconscious perception and persuasion: the physiology of visual art and advertising." Thesis, Boston University, 2002. https://hdl.handle.net/2144/27604.
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Sliva, Jofre. "The aesthetic of illusion in advertising photography : an investigation of the aesthetic of illusion in advertising, 1980-1995, based on Peircean semiotics, and how photographic technologies have contributed to the consolidation of this aesthetic." Thesis, Open University, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.286954.
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Yu, Chennan. "Metaphors in Food Advertising Slogans." Thesis, Kristianstad University College, Department of Teacher Education, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:hkr:diva-5917.
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Arsova, Pavlina. "Alcohol advertising : A Minor Field Study in Cape Town." Thesis, Högskolan Dalarna, Bildproduktion, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:du-27952.
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The purpose of this study was to examine marketers view of alcohol advertising. Focus have been on its potential effect on the society, moral aspects and its relation to sustainability, identity, gender and celebrities. The method used was semi-structured interviews with eight marketers at three advertise agencies/production companies in Cape Town who have working experience of alcohol advertising and this have been analysed in relation to impact and identity theories as well as ethics. The result showed that majority of the marketers did not believe alcohol advertising increase alcohol consumption nor lead to alcohol abuse but rather create brand awareness and competition between brands. Their perception was also that alcohol brands are connected to identity in South Africa and that using celebrities in alcohol advertising could be highly effecting when using the right celebrity. One conclusion is that the participants did not suffer from moral myopia since they were fully aware of what harm alcohol could have on the society. Regarding moral discussion at work was it some of the marketers that did not talk about ethical issues which could be a sign of moral muteness but it is really hard to draw any conclusion about it after a short interview.Bild
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Hanna, Jonathan A. "Closet Space: Investigating Gay Identity through Advertising in Gay Media." Scholar Commons, 2010. http://scholarcommons.usf.edu/etd/3667.
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The objective of this research was to examine advertising in gay media publications, namely, The Advocate, in order to assess how advertising corresponds with gay identity formation. This study differed from previous inquiries in that the application of hegemony theory formed the basis of the project and was used as a tool to explicate the preponderance of certain images in gay media advertising and what they signify for gay men. Likewise, a phenomenological method of analysis was applied to the advertisements in order to render them more accessible as aesthetic and literary mediums. Classifying the advertisements according to their notional basis resulted in the partitioning of the ads into groups or "parables" of advertising, a method of classification which mimics historical categories recognized in American history and culture. The sum of the project emphasizes the hegemonic structures that characterize gay male images within a broader GLBT sociocultural framework.
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Abapo, Lorivie. "The Authentic Self and Advertising : The Effects Advertising has on the Formation of the Authentic Self." UNF Digital Commons, 2012. https://digitalcommons.unf.edu/etd/392.
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In a world bombarded with advertisements, it may be difficult for the development of an authentic self. Authenticity is a mode of existence in which there is ownership in the sense of self, while at the same time being able to present this sense of self to others. To be authentic is to act and live in a way that expresses a genuine concern for the self in which projects and goals pursued. The sense of self is the feeling of genuineness of the self and representing this self requires actions that correlate to these feelings. Advertisements act as communication to the public in an attempt to persuade people to purchase products. The tactics that advertising agencies use cause people and society to internalize these messages, in effect, influencing the way people experience the world. Thus, advertising can have a harmful effect on an individual by hindering the development of an authentic self. I will first explain the concept of authenticity, following a discussion of how people organize experience by means of George Mead’s concept of the ‘I’ and the ‘me.’ I will then provide a description of Martin Heidegger’s account on authenticity in juxtaposition with Sartre’s contrasting forms of inauthenticity by means of bad faith. Finally, I will discuss the damaging effects that advertising has to authenticity, and suggest ways to successfully exist in a world full of these advertisements.
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Cheung, Kwok-ming Frankie. "The impact of various compositional principles on visual perception of advertising graphic design." HKBU Institutional Repository, 1997. http://repository.hkbu.edu.hk/etd_ra/153.
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Aloumi, Ahmad Eissa. "Timing considerations in visual communication /." Online version of thesis, 2008. http://hdl.handle.net/1850/6427.
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Carling, Evelina. "Swedes' Attitudes to the Use of English in Swedish Advertising." Thesis, Mälardalens högskola, Akademin för utbildning, kultur och kommunikation, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:mdh:diva-40997.
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English is commonly used on the Swedish consumer market today. Not only is English present in Swedish print media but it is also highly present in everyday communication amongst Swedes. The aim of this paper is to find out why English is often picked for promotion purposes and to find out if young Swedes have more positive attitudes towards English than Swedish – Both in general and when it comes to advertising purposes. This study investigates the possible advantages as well as disadvantages of using English in logotypes and brand names aimed at a target group that are learners of English as a second or foreign language. The study was performed using a questionnaire divided into two parts. The first part aimed at finding out about the informants’ knowledge of English and attitudes towards English. The second part was about Swedes’ preferences regarding English versus Swedish brand names. To do so six fictional logotypes in pairs of two’s were created: one with all Swedish text elements and one with all English text elements. The informants were to pick their favorite logotype and motivate why they picked it. The results showed that Swedes generally have positive attitudes towards English and that they prefer English brand names to Swedish ones when the English used is on a certain linguistic level. A possible conclusion is that Swedes like English better for commercial purposes but only as long as they experience some familiarity with the words or expressions used.
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Scott, Andrea Diahann Gaye. "Relationship Advertising: Investigating the Strategic Appeal of Intimacy (Disclosure) in Services Marketing." [Tampa, Fla.] : University of South Florida, 2004. http://purl.fcla.edu/fcla/etd/SFE0000572.
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Clements, Jackie E. "Motive and responsibility as influences on graphic design outcomes /." Online version of thesis, 2009. http://hdl.handle.net/1850/9733.
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Turnbull, Lindsey. "White and Black Womanhoods and Their Representations in 1920s American Advertising." Master's thesis, University of Central Florida, 2012. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/5544.
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The 1920s represented a time of tension in America. Throughout the decade, marginalized groups created competing versions of a proper citizen. African-Americans sought to be included in the national fabric. Racism encouraged solidarity, but black Americans did not agree upon one method for coping with, and hopefully ending, antiblack racism. White women enjoyed new privileges and took on more roles in the public sphere. Reactionary groups like the Ku Klux Klan found these new voices unsettling and worrisome and celebrated a white, native-born, Protestant and male vision of the American citizen. Simultaneously, technological innovations allowed for advertising to flourish and spread homogenizing information regarding race, gender, values and consumption across the nation. These advertisements selectively represented these changes by channeling them into pre-existing prescriptive ideology. Mainstream ads, which were created by whites for white audiences, reinforced traditional ideas regarding black men and women and white women's roles. Even if white women were featured using technology or wearing cosmetics, they were still featured in prescribed roles as housekeepers, wives and mothers who deferred to and relied on their husbands. Black women were featured in secondary roles, as servants or mammies, if at all. Concurrently, the black press created its own representations of women. Although these representations were complex and sometimes contradictory and had to reach multiple audiences, black-created ads featured women in a variety of roles, such as entertainers, mothers and business women, but never as mammies. Then, in a decade of increased tensions, white-created ads relied on traditional portrayals of women and African-Americans while black-designed ads offered more positive, although complicated, visions of womanhood.M.A.
Masters
History
Arts and Humanities
History; Public History
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Pfarr, Theresa Faye. "PAINT MEDIATIONS." VCU Scholars Compass, 2004. http://scholarscompass.vcu.edu/etd_retro/132.
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AbstractPAINT MEDIATIONS Theresa Faye Pfarr, Master of Fine ArtA thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Art at Virginia Commonwealth University.Virginia Commonwealth University, 2004Major Director: Ruth Bolduan Associate Professor, Painting and Printmaking DepartmentMy paintings are contentions. I work in response, answer, and reaction to the media world. I carry a collection of incongruent images in my mind, bits and parts of the images I deal with everyday. The images stuff my mailbox, clutter my space and get in my head. I am questioning, though praising, the exploits of advertising and its mode of symbolic function. Whether their exploits are ethical is really of no concern to me in comparison to our cultural belief systems, which allow them. Advertising doesn't exploit children more than they are exploited already. In my paint investigations I forge and draw parallels to relocate meaning, as does the media. Through painting figure into space and space into figure things begin to dissolve or evolve, making the paintings both figure and of figure. The children in my paintings claim their spaces and close out the adult world.
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Stadler, Christopher J. 1972. "How Innovation Traits in Members of Advertising Agency Teams Propel the Creative Process: The Professional Opinion." Thesis, University of Oregon, 2011. http://hdl.handle.net/1794/11478.
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xii, 54 p. : ill.Advertising agencies trade on their creativity, which is supplied by teams of creative and account workers to create customer-centered advertising that is both novel and interesting. This research explores the magic of the advertising creative team - the team of creative, strategy and management staff that is responsible for creative execution - to find out more about how creative teams function at the goal level (team effectiveness) and at the individual level (individual cognitive styles). To study creativity and decision making, individuals involved in the creation of ads were tested for their innovator traits. Also, connections were explored between an industry effectiveness award and innovator scores. Innovativeness was judged by individual performance on a scale to measure cognitive style. Effie Awards were not associated with innovation in agency personnel. However, account planners and creatives scored higher on an aggregated innovator scale than did administrative and account executive staff.
Committee in charge: Prof. Kim Sheehan, Chair; Prof. Harsha Gangadharbatla, Member; Prof. Deborah Morrison, Member; Prof. David Koranda, Member
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Ergun, Selcen. "An Inquiry Into Product Design And Advertising As Mediators Of Consumer Identity." Master's thesis, METU, 2005. http://etd.lib.metu.edu.tr/upload/12606052/index.pdf.
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This study mainly investigates the roles of product design and advertising in conferring identity related meanings upon products and associating them with certain consumer identities. For this purpose, firstly, the concept of identity and increasing centrality of objects in its construction and expression are explored. Secondly, the nature and dynamics of the relationship between people and objects are discussed with a specific emphasis on the identity related aspects of this relationship. Then, a more detailed discussion is held on the roles played by product design and advertising in the process of identity construction through designed products. Finally, a case study on a selected product group is presented in order to illustrate the theoretical discussions in previous chapters.
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McDonald, Jessica Eran. "Consumer Responses to Stereotypical vs. Non-Stereotypical Depictions of Women in Travel Advertising." Scholar Commons, 2010. http://scholarcommons.usf.edu/etd/3508.
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Women are active travel consumers, yet travel advertising notoriously depicts women stereotypically. If consumers react negatively to these stereotypical portrayals in advertising, they may disregard the ad or brand and purchase a different travel product. The purpose of this study is to determine if consumers react differently to stereotypical versus non-stereotypical depictions of women in travel advertising. The study will examine these reactions, by measuring attitude toward the ad, attitude toward the brand, purchase intention, and cognitive responses to carefully prepared advertisements that are characterized as ―stereotypical‖ or ―non-stereotypical.‖ Ads are defined as stereotypical by utilizing Goffman‘s (1979) framework for analyzing images of women in advertising. Results overwhelmingly indicate that consumers in this study display more favorable attitudes to the non-stereotypical depictions of women in travel advertising. Attitudes toward the advertising, brand, purchase intention, and cognitive responses were all significantly more favorable among the non-stereotypical advertising condition. The results have theoretical benefit to the travel advertising industry, since these findings support the affect transfer hypothesis and dual mediation hypothesis. No studies to date have examined such research in travel advertising and results indicate a possible need for action among advertisers.
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Thomas, Mark P. "Schuylkill County Community Chorus promotional video." Instructions for remote access. Click here to access this electronic resource. Access available to Kutztown University faculty, staff, and students only, 1989. http://www.kutztown.edu/library/services/remote_access.asp.
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Thesis (M.S.)--Kutztown University, 1989.Source: Masters Abstracts International, Volume: 45-06, page: 2722. Abstract follows appendices. Typescript. Includes bibliographical references (leaves 50-51).
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Rubio, Berdejo Solange. "This Land: A media analysis of Latinx representation in ‘woke’ advertising." Thesis, Malmö universitet, Fakulteten för kultur och samhälle (KS), 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-22789.
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It seems as of late the most acclaimed advertising campaigns have found a formula to commodify the politically correct through what has come to be described as “woke advertising”. This winning strategy has won public appeal for connecting with an ever-evolving audience that is young, diverse and liberal. Specifically, newcomer agency, Anomaly, has publicly proclaimed themselves as the “change-agent” in the space of advertising, capitalizing on the culture wars by positioning themselves as the leading advertising experts in challenging societal stereotypes and biases. This is a case study that explores one of Anomaly’s 2016 campaigns for Johnnie Walker, “Keep Walking America”, as they attempt to engage in cultural politics with the Latinx community during a period of heightened political tension for immigrant populations. Through a Social Semiotics analysis and postcolonial criticism, the focus of this thesis is to explore how Johnnie Walker leveraged woke capital and consequently attempted to represent the lived experiences of marginalized groups whose stories are generally silenced.
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Cohanim, Samira. "A Glance at the Male Gaze." Scholarship @ Claremont, 2015. http://scholarship.claremont.edu/scripps_theses/513.
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The purpose of this paper is to understand and criticize the representation of women in advertisements. I examine the opposing yet similar ways that women are portrayed in Dove and Axe advertisements, two brands of Unilever. This paper analyzes the way in which brands market their products in such a way to appeal to a gendered audience. I also explore the history of how women have been depicted in art movements such as Surrealism, detournement and culture jamming, corresponding with my project of digital mixed media advertisements. I examine the way in which the prevalence of the male gaze in the media hinders progression to a less dependent, inferior, and sexualized view of women in advertising.
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Gugerty, Catherine Ann. "Internships in Public Relations and Advertising: The Nature of the Experience From the Student's Perspective." Scholar Commons, 2011. http://scholarcommons.usf.edu/etd/3133.
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This qualitative content analysis examines the nature of experience of public relations and advertising interns. Three decades of scholarly inquiry into the internship experience has provided little insight into the actual experience of the interns themselves. Yet what is learned directly from their individual experience can provide both educators and professionals valuable insight for enhancing the learning process. The following study is a qualitative content analysis of journals and focus groups of undergraduates enrolled in public relations and advertising internships/practicums. The interns' experience follows four themes: (1) the perception of importance; (2) perceived learning benefits; (3) influence of supervisors; and (4) the quest for meaningful work. Through these themes, the experiential learning cycle is evidenced as students reflect, conceptualize, and experiment through their experience.
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Leikas, Nette, and Kamila Szkwarek. "Trust in influencer marketing A qualitative study on audience reception of Royal Design advertising." Thesis, Malmö universitet, Fakulteten för kultur och samhälle (KS), 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-22613.
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The aim of this thesis is to investigate whether there is a trust between social media influencers and their followers, and if so, to what extent. The methodological approach consists of an analysis of interview material, expert interviews and selected comment boxes on social media. By conducting qualitative analysis, this thesis examines audience reception to promotional content produced by social media influencers in collaboration with the Swedish interior design brand Royal Design. Based on the theories of parasocial interaction, two-step flow and opinion leadership, and modes of reception, concepts such as audience advertising response, relationship to influencers and the level of trust are investigated and concluded in order to find common patterns around audience reception to influencer marketing. The analysis shows that there is indeed a certain amount of trust towards social media influencers among the sample group especially if they recognise the influencer, however, the trust is not full and unconditional. The audience reception of influencer marketing content both in the interviews and comment boxes was mostly positive, and some respondents seemed to have developed sympathy towards social media personas featured in the advertisements, praising them for being personal and authentic. The results of the study imply that while the credibility and motives of influencer content are questioned by some, it is generally perceived as a more enjoyable alternative to traditional advertising formats.
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Begin, Georgia. "Attitudinal Antecedents of the First- and Third-Person Effect of Alcohol Advertising On College Students." Scholar Commons, 2005. http://scholarcommons.usf.edu/etd/3770.
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Data collected from a survey questionnaire via personal interviews among 488 college students was used to examine relationships among attitude toward alcohol advertising, attitude toward alcohol beverages, perceived influence of alcohol advertising on oneself, perceived influence of alcohol advertising on others, and attitude toward restrictions of alcohol advertising. Results supported the hypothesized direct effect of advertising attitudes and product attitudes on attitude toward restrictions. Also supported was the indirect effect of advertising and product attitudes on attitudes toward restricting alcohol advertising via such mediators as perceived influence of the ads on self and others using the theories of first- and third- person effects. Implications for future research, public policies, and marketing practices - including responsibility marketing - are discussed.
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Douglas, Amanda Rae. "Beaut-Ease." VCU Scholars Compass, 2007. http://scholarscompass.vcu.edu/etd/1086.
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The Beaut-Ease product line consists of several machines that are a hybrid between beauty products and infomercial products. Both industries flourish on a level of falsehood that teeters on the brink of hilarity.
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Oglesby, Corliss Deionn. "The New Frontier of Advertising: Computer-Generated Images as Influencers." UNF Digital Commons, 2019. https://digitalcommons.unf.edu/etd/861.
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The use of computer-generated images as influencers of consumer opinions and behavior is an emerging advertising strategy. This research investigates the advantages and disadvantages of using computer-generated images (CGI) as influencers of human behavior from the perspective of promoting a brand. The power of electronic word of mouth (social media) and how it is incorporated in computer-generated images used as influencers is discussed as a major factor in consumer decision making. The social media account content of computer-generated images was analyzed by conducting a frame analysis to discern how computer-generated images are portrayed on social media. A frame analysis of 577 social media posts was used to develop a framework for future social media strategies for computer-generated images. CGIs be portrayed as transparent, engaging, and as a socialite. Best practices for using computer-generated images were identified by conducting an interview with a representative of a brand that has collaborated with an influential computer-generated image. Innovation, listening to the consumer voice, and creative control should be prioritized in this growing field of CGIs and CGI partnerships.
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Sitler, Nevin D. "Selling St. Petersburg : John Lodwick and the promotion of a Florida paradise." [Tampa, Fla] : University of South Florida, 2006. http://purl.fcla.edu/usf/dc/et/SFE0001770.
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Amin, Sandra, and Amanda Bengtsson. "You’ve got email! A study about attitudes toward email advertising, based on the components cognition, affection and behavior." Thesis, Malmö högskola, Fakulteten för teknik och samhälle (TS), 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-20719.
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Sending email is a very common activity among Swedish consumers nowadays. Email advertising has become a big part of the email usage - both permission-based and unwanted. The purpose of this study was to identify Swedish consumers’ total attitude towards permission- based email advertising, based on the three components cognition, affection and behavior. After identifying the attitude, correlation between the components was examined. The result was used to try Prensky’s generation theory regarding digital natives and digital immigrants, to investigate if it can be useful in the subject email advertising. A quantitative method was used, by publishing a survey on Facebook, which got totally 187 useful responses. The result showed an overall negative attitude and a high correlation between cognition and affection. A medium high correlation between cognition and behavior, and affection and behavior was found. The results partly showed a difference between digital natives and digital immigrants attitude towards email advertising. In the survey a division of four age groups, instead of two, was made. Results from the four groups showed a mix of positive and negative responses, which indicates that Prensky’s generation theory is too general, and cannot be used within email advertising.
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Gordon, Jessica. "Spatial Memory Affects Recall and Attitudes Toward Advertisements." Honors in the Major Thesis, University of Central Florida, 2003. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/687.
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This item is only available in print in the UCF Libraries. If this is your Honors Thesis, you can help us make it available online for use by researchers around the world by following the instructions on the distribution consent form at http://library.ucfBachelors
Arts and Sciences
Psychology
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Cardoza, Janice. "hyoo'mer." VCU Scholars Compass, 2003. http://scholarscompass.vcu.edu/etd_retro/1.
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There are many forms of humor. Irreverent, dark, and black humor have been used throughout history for social commentary. Irony, parody, sarcasm, and satire can break through preconceived notions, barriers and the tensions we experience when confronted with uncomfortable issues such as bigotry, elitism, and genetic superiority. Humor provides an opportunity for a release of tension giving way to a more receptive audience and a more effective message. My thesis is an exploration of the use of irreverent, dark, annd black humor as vehicles for effective social commentary in communication design.
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Shawver, Brenda G. "The social construction of workplace "diversity"." [Tampa, Fla.] : University of South Florida, 2004. http://purl.fcla.edu/fcla/etd/SFE0000263.
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Cano, Cynthia Rodriguez. "The Role of Ethnic Compatibility in Attitude Formation: Marketing to America’s Diverse Consumers." Scholar Commons, 2007. https://scholarcommons.usf.edu/etd/655.
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This study investigates the meaning of advertising through the eyes of the Hispanic consumer and how that meaning is apparent in attitudes and purchase intention. Specifically, the study investigates how ethnic minorities judge print advertisement that feature ethnically diverse models as communication cues. For the first time, data of how minorities evaluate the compatibility of models from different ethnic groups featured together in an advertisement was collected. Qualitative data was collected from Hispanics and typologies of cultural pointers for Hispanics and African-Americans developed. Experimental design, 3x2 within-group analysis, was conducted to test the 14 hypothesized relationships. Finding clearly support the notion that perceived ethnic compatibility of models featured in an advertisement influence resulting attitudes (i.e., toward the actors and advertisement). Of crucial importance is the finding that when viewing an advertisement featuring mixed models (i.e., one Hispanic model and one African-American model), both strong and weak Hispanic ethnic identifiers did not exhibit an intention to purchase the advertised product. This finding challenges the value of multicultural advertising, which feature various ethnic models together to reach several groups simultaneously, to effectively connect with ethnic minorities.
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Hussey, Scott D. "The Sunshine State's Golden Fruit: Florida And The Orange, 1930-1960." Scholar Commons, 2010. https://scholarcommons.usf.edu/etd/1664.
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Neither indigenous nor exclusive to Florida, the orange has nevertheless become an international symbol for the state. This connection between product and place appears in cultural materials regarding Florida. In fact and fiction the orange has operated as metaphor and synecdoche for an Edenic Florida. This thesis analyzes how the orange came to represent a "natural" Florida through the conflation of the commercial product with the state's history by way of political and marketing puffery. A litany of citrus advertisements, tourist ephemera, and historical associations regarding the state acknowledged and expanded the connections between the orange, improved health, and Florida. A critical thirty-year period between 1930 and 1960 solidified these connections through major shifts in the Florida citrus industry and American culture. These shifts caused the state history and the oranges' history to become irrevocably entwined.
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Wallin, Elin. "Miljöhänsyn i reklam." Thesis, Malmö högskola, Fakulteten för kultur och samhälle (KS), 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-21431.
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Förmedling av olika budskap i reklam genom användandet av visuella retoriska begrepp är en metod som kan utföras på olika sätt. Syftet är att analysera hur visuella retoriska begrepp används för att förmedla miljöhänsyn i reklambilder. Tre av åtta bilder ur reklamkampanjen ”Form the future” som skapades åt Lantmännen och marknadsfördes 2015 har analyserats genom en semiotisk bildanalys och begreppen logos, etos och patos från den visuella retoriken. Resultatet är att reklamen primärt använts ur ett marknadsföringsperspektiv för produkten och sekundärt ur miljöhänsyn. Förslag på framtida forskning inom området ges genom analysen att användandet av flerteorier och metoder hade gett en fördjupad analys samt att en högre validitet hade uppnåtts.The mediation of different messages in advertising with the use of visual rhetoric concepts is a method that can be used in different ways. The purpose is to analyze how the visual rhetoric concepts is used to mediate environmental concern in advertising pictures. Three of eight pictures from the advertising campaign “Form the future” that was created for “Lantmännen” and marketed 2015 have been analyzed with the use of a semiotic analysis and the concepts logos, ethos and pathos from the theory of visual rhetoric. The result is that the advertisement primary has been used from a marketing perspective for the product and secondary out of a concern for the environment. The suggestion for future research is given through the analysis that the use of more theories and methods had enhanced the analysis and a higher validity had been achieved.
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Noga, John Koly. "Making It PersonalProgramming Untitled (The New Plan)A Billboard Artwork by the Artist Felix Gonzalez-Torres." University of Akron / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=akron1404941895.
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Calandro, Allyson Dawn. "A Focus Group Study of Baby Boomers' Processing and Interpretations of Fear Appeals in Health Care Reform Political Advertising." Scholar Commons, 2011. http://scholarcommons.usf.edu/etd/3028.
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This qualitative research study describes the processing and interpretations of "Baby Boomers" in response to fear appeals from two health care reform political advertisements. Research suggests that scholars continue to disagree on the audience's interpretations of fear appeals, based on studies comparing different levels of fear, emotions, and interpretations by specific members of the population. However, little is known about how "Baby Boomers" interpret fear used in health care reform advertising. The method included six focus groups. Thematic analysis revealed five key themes: "Baby Boomers'" processing produced a range of emotions, they demand more facts, the fear expressed was fear of the unknown and fear of change, how do they know who they can trust and what they can believe, and the shared experience of an "us in comparison to them" mentality. Future research should expand upon these themes across a more diverse group of participants, to compare and contrast findings across different generations, or in combination with other methods.
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Beahm, Janine Danielle. "A Mother's Love: A Narrative Analysis of Food Advertisements in an African American Targeted Women's Magazine." Scholar Commons, 2012. http://scholarcommons.usf.edu/etd/3971.
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This thesis examines how food advertisers contributed to the cultural identity of the "good mother" in the 1990s and 2000s. It expands on previous research that investigated traditional gender ideologies in food advertisements by narrowing in on the specific stories presented to African American women. It highlights a time when advertisers were responding to the demands of African American activists to recognize the African American consumer, and depict African American characters in a positive light. A narrative method of inquiry is utilized to deconstruct the stories in 117 food advertisements running in Essence magazine (an African American targeted women's magazine) in the 1990s and 2000s. Analyses suggest that the most frequent narrative in both decades was the story of the "good mother." Food advertisers primarily constructed this story with characters of mothers, fathers, and their children in the 1990s, and children alone in the 2000s. Other characters that recurred less frequently were the "good woman," "expert advisors," and "activists and innovators." Yet, these characters made minimal appearances compared to those in the "good mother" category. This study suggests that in the 1990s and 2000s food advertisers were portraying African American characters in a positive manner, but that these positive portrayals reinforced hegemonic ideologies about family life that ignored the experiences of mothers living outside of heteronormative nuclear families.
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Brunelli, Silvana. "Diálogo entre as artes plásticas e a publicidade no Brasil." Universidade de São Paulo, 2007. http://www.teses.usp.br/teses/disponiveis/27/27131/tde-30062007-150637/.
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A participação dos artistas plásticos e gráficos na publicidade brasileira, mais especificamente na comercial de produtos e empreendimentos, entre as décadas de 1920-1940 constitui o núcleo de investigação desta tese. Se historicamente as artes plásticas e a publicidade internacionais sempre mantiveram relações estreitas e até mesmo conflituosas, indagou-se como teriam se comportado entre si esses dois campos profissionais no Brasil quando da passagem da nossa publicidade amadora para aquela moderna, impregnada, sobretudo, pelos métodos das agências norte-americanas atuantes no eixo Rio-São Paulo. A partir de um exame atento do mercado de trabalho dos diversos profissionais considerados, procurou-se entender as motivações que os levaram a produzir peças publicitárias, o que por sua vez direcionou o estudo ao questionamento das hierarquias artísticas, pois a relação entre a arte e a publicidade prolonga o consagrado debate em torno das artes mecânicas e liberais, e, por conseguinte as disputas entre arte maior e arte menor, entre arte pura, desinteressada e livre e arte comprometida, dentre outras tipologias usuais. Concomitantemente, averigou-se como a passagem e mesmo a convivência de um sistema acadêmico com um moderno, que se constituiu a partir dos anos 1920, alterou, ou melhor, conformou o campo artístico brasileiro. Frente a esses impasses, recorreu-se a algumas proposições teóricas mais atuais, que ao transferirem o foco problemático do campo artístico para o estético, atenuaram os questionamentos como também permitiram maior flexibilidade de análises. Nos exames formais das peças publicitárias, selecionadas em função de suas representatividades dentro do conjunto, defendeu-se a tese de que houve momentos em que a produção de cartazes e anúncios comerciais, este em maior número, aproximou-se de uma linguagem artística moderna, a exemplo dos projetos comerciais do artista Fulvio Pennacchi, que pertencem à coleção do Instituto Moreira Salles. E, na busca desses momentos estéticos modernos, procurou-se não enxertar e tão somente verificar correspondências com os moldes europeus, ao contrário, isso permitiu o conhecimento da nossa realidade, da modernidade artística que nos foi possível edificar, tendo em conta as variantes que o decorrer dos anos lhe agregou. Este posicionamento, em contrapartida, de forma alguma pôde desprezar o fato da história da propaganda brasileira ter fortes e ricas ligações com os modelos estrangeiros, portanto, impôs-se às análises iconográficas a tarefa de também investigar o quanto a nossa produção foi ou não uma reelaboração particular dos exemplos da arte publicitária em circulação. A interdisciplinaridade foi uma constante neste estudo pelo entrelaçamento de informações originárias de vários campos do conhecimento, sem a qual a pesquisa não teria êxito.The role of the plastic and graphical artists in the Brazilian commercial advertising of products and enterprises, between the decades of 1920 and 1940, is the core of investigation of this thesis. Historically, plastic arts and advertising always kept narrow and even tough relationships in the international panorama. Therefore, in this work we have inquired the behavior of these two professional fields in Brazil as we pass from an amateur to a modern advertising. The latter has been influenced by the North-American advertising agencies from Rio de Janeiro and São Paulo. From a painstaking analysis of the labor market of several professionals in the plastic arts field, we have tried to understand the reasons that had taken them to produce advertisement materials. This has led us to investigate artistic hierarchies, since the relationship between art and advertising only emphasizes the old debate around mechanical and liberal arts, minor and major arts, pure and compromised arts, amongst other usual typologies. At the same time we investigated how the coexistence of an academic system and a modern one, established in the years of 1920, molded the Brazilian artistic field. Due to these impasses it was necessary to use some modern theoretical propositions that shifted the subject from the artistic to the aesthetic field, reducing doubts and allowing for a more flexible analysis. In the critical analysis of the selected advertisement materials, we looked for instances where the posters and commercial advertisements, the latter bigger in number, approached a more modern artistic language, such as the commercial projects of the artist Fulvio Pennacchi, that belong to the collection of the Instituto Moreira Salles. In pursuit of these modern aesthetic instances we have not tried only to find similarities with the European patterns but made an effort to understand our reality and the artistic modernity we were able to produce at that time. We did not deny the strong link between the Brazilian and the international advertising, therefore, in our iconographic analysis, we have investigated to what degree our advertisement productions were just reelaborations of the current advertisement art in circulation. In this thesis the interdisciplinarity played a major role due to the crossing of information from many areas of knowledge and, without it, our research would not be possible.
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Salih, Dania. "Brand Image and Self Image: A study on the semiotics behind Victoria’s Secret’s visual communication and its impact on its target audience." Thesis, Malmö högskola, Fakulteten för kultur och samhälle (KS), 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-22829.
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This essay explores how a brand’s image affects consumers’ self-image through acase study of the lingerie brand Victoria’s Secret in order to reflect over the role ofgraphic designers as visual communicators in society. The study conducts a semioticanalysis of the brand and a qualitative research consisting of interviews and a focusgroup of a selection of women within the brand’s target audience. The conclusion isthat Victoria’s Secret, through its models, contributes to an unrealistic feminineideal that the study participants’ self-image was perceptibly affected by. Whileperception is personal and signs are context reliant, semiotics is not only useful foranalyzing visual communication but also as a tool that graphic designers can use forcreating ads with the consumer’s needs in mind.
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Costa, Alan Faquinetti da. "Colírio Mnemônico: assinaturas visuais e o papel da linguagem publicitária na construção de seus significados." Pontifícia Universidade Católica de São Paulo, 2017. https://tede2.pucsp.br/handle/handle/20574.
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Conselho Nacional de Pesquisa e Desenvolvimento Científico e Tecnológico - CNPq
The present research proposes to investigate the communicative role of institutional visual signatures, their purposes and their signic characteristics. Banco do Brasil, Bradesco and Itaú, three national financial institutions that are among the most remembered brands in Brazil and among the most valuable banks in the world, were chosen as the study object. The questions that direct this research inquire about the purpose of visual signatures, the ways they acquire meanings, and the role of advertising language, especially its audiovisual elements, in the exemplification that seeks to construct such meanings. In order to answer these questions, the corpus consists of television commercials and the visual signatures (graphic symbols and logos) of the chosen banks. One of the hypotheses of this research is that symbols and logos have, primarily, a mnemonic function that can be subdivided into two: the first is to be fixed in the memory of the public; The second, to evoke positive reminiscences and the narratives of the companies that use them as a signature. Another hypothesis is that, although the graphic elements that make up the visual signatures are capable of reaching the first objective (mnemonic fixation), they can not achieve the second (evocation of narratives). The visual signatures need to be linked to the advertising language, which "teaches" the public to read values in these symbols and typographies. The methodology used to analyze the corpus is the extraction and deconstruction of the texts and the indispensable comparison between them and the companies they refer to. The conclusion reached from this research points to the need for the non-functionalisation of visual signatures, but also indicates the impossibility of this happening in the present time, since commercial competition, while guaranteeing the existence of institutional brands, also feeds the imposition of visibility and closes the door for the "entertainment signature". The theoretical reference is made up of: Andrea Semprini and Gilles Lipovetsky, who base the notions of brand and consumption; Michel Foucault and his work on politics; Leo Huberman and his history of man's wealth; Otavio Ianni and Milton Santos, with their theories on globalization; Lucrécia D'Alessio Ferrara, Claudio Ferlauto, Andre Stolarski and Chico Homem de Melo with their thoughts on graphic design, especially in Brazil; Roberto Corrêa, Lourdes Gabrielli and Tânia Hoff and their works on advertising language; And, finally, Fernando Nogueira da Costa, Niall Ferguson and Noble Foster Hoggson with their historical reflections on the banks
A presente pesquisa se propõe a investigar o papel comunicativo das assinaturas visuais institucionais, seus propósitos e suas características sígnicas. Foram escolhidos como objeto de estudo Banco do Brasil, Bradesco e Itaú, três instituições financeiras nacionais que estão entre as marcas mais lembradas do país e entre os bancos mais valiosos do mundo. As perguntas que dirigem essa pesquisa inquirem a respeito da finalidade das assinaturas visuais, das formas como adquirem significados, e do papel da linguagem publicitária, em especial seus elementos audiovisuais, na exemplificação que visa construir tais sentidos. A fim de responder essas perguntas, o corpus está constituído por comerciais de televisão e pelas assinaturas visuais (símbolos gráficos e logotipos) dos bancos escolhidos. Uma das hipóteses desta pesquisa é que os símbolos e logotipos têm, primariamente, função mnemônica que pode ser subdividida em duas: a primeira é fixar-se na memória do público; a segunda, evocar reminiscências positivas e as narrativas das empresas que os utilizam como assinatura. Outra hipótese é a de que, ainda que os elementos gráficos que constituem as assinaturas visuais sejam capazes de atingir o primeiro objetivo (fixação mnemônica), eles não conseguem, isoladamente, alcançar o segundo (evocação de narrativas). As assinaturas visuais precisam, para tanto, estar atreladas à linguagem publicitária, que “ensina” o público a ler valores nesses símbolos e tipografias. A metodologia utilizada para análise do corpus é a extração e a desconstrução dos textos e a indispensável comparação entre eles e as empresas que referenciam. A conclusão alcançada a partir desta pesquisa aponta para a necessidade de desfuncionalização das assinaturas visuais, mas também indica a impossibilidade de que isso ocorra no tempo presente, pois a concorrência mercantil, ao mesmo tempo que garante a existência das marcas institucionais, também alimenta a imposição da visibilidade e fecha a porta para a “assinatura entretenimento”. O referencial teórico é constituído por: Andrea Semprini e Gilles Lipovetsky, que embasam as noções de marca e consumo; Michel Foucault e sua obra sobre política; Leo Huberman e sua história da riqueza do homem; Otavio Ianni e Milton Santos, com suas teorias sobre globalização; Lucrécia D’Alessio Ferrara, Claudio Ferlauto, Andre Stolarski e Chico Homem de Melo com suas ponderações sobre design gráfico, especialmente no Brasil; Roberto Corrêa, Lourdes Gabrielli e Tânia Hoff e suas obras sobre linguagem publicitária; e, por fim, Fernando Nogueira da Costa, Niall Ferguson e Noble Foster Hoggson com suas reflexões históricas sobre os bancos
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Adams, Dallin Russell. "Depictions of Female Body Types in Advertising: How Regional Visual Attention, Body Region Satisfaction, Media Influence, and Drive for Thinness Relate." BYU ScholarsArchive, 2020. https://scholarsarchive.byu.edu/etd/9042.
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Through continuing technological advancement, increased media exposure occurs as consumers are able to obtain access more easily. Various media formats, including video, are a means whereby consumers gather information about the world around them, and continually make comparisons between that information and themselves. Among the information obtained from media channels is how bodies are portrayed in the media. Comparisons between media images of body and self-perceptions of body are particularly prevalent in women. The current study employs the use of eye-tracking to examine how women view other women's body types and areas of the body in video-based advertising. The study also employs self-report measures to further understand how individual body region satisfaction, drive for thinness, and media influence relate. Findings indicate that women, regardless of personal satisfaction, tend to look longer at thin women than plus-sized or average women. Furthermore, media pressures and internalization were found to play a strong role in women's drive for thinness and personal satisfaction, while media as a source of information played no such role.
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Hastings, Alcee L. II. "An Instrumental Case Study on Declining Enrollment Conditions for an Associate of Arts in Early Childhood Degree Program W ithin a Private University." Thesis, NSUWorks, 2014. https://nsuworks.nova.edu/fse_etd/17.
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This study addresses the declining enrollment conditions for an Associate of Arts Program at a private university. The problem this dissertation will address involves a need for increasing enrollment in the Associate of Arts (AA) in Early Childhood Education. The information about the program is currently not reaching the targeted population in order to raise awareness and in turn increase the enrollment in the program. The purpose of this project is to enable the enrollment service representatives, with the aid of their knowledge of recruiting the potential student population and information about the Associate of Arts in Early Childhood Education Degree (AA/ECE). The enrollment services representatives should be able to recruit and enroll new students in the program. The recommendations to effect dramatic enrollment changes in the program consist of the following: registration initiatives designed to focus on prospective students interested in the program, such as, recruiting calls from staff and offering direct assistance with registration, the development of a new database specially targeting prospective students, and a marketing and advertising campaign using traditional and social media to find new applicants. It also seeks to assess the impact the marketing and recruiting training will have on the staff and on the AA/ECE program.
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Anghel, Christine. "The Effect of Celebrity Endorsements on Gift-Giving Purchases: An Application of the Elaboration Likelihood Model." [Tampa, Fla] : University of South Florida, 2009. http://purl.fcla.edu/usf/dc/et/SFE0002979.
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Julia, Lindkvist. "The Making of ‘Sustainable Consumerism’ - A critical discourse analysis of the discourse of sustainability found in Oatly’s product advertisements." Thesis, Malmö universitet, Fakulteten för kultur och samhälle (KS), 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-21870.
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With the help of various advertising strategies this study addresses the Swedish, plant-basedfood-production company Oatly, and their advertisements to see how the discourse onsustainability is approached. By using critical discourse analysis, and primarily Fairclough’sthree-dimensional-model for analysing discourse (1989, 1995) as well as the marketingframework AIDA, these advertisements have been analysed to see how the companymanages to tempt and persuade their consumers into consumption. This paper seeks tounderstand how Oatly portrays their products as the “right” choice, by acting on and creatingsocial, public understandings. But who decides what is “correct” and what is not, and howdoes a company act on contemporary social conventions to portray themselves as the “good”choice? Through a textual analysis of Oatly’s product descriptions on their website as well asof the product packaging in-store, this report has established that Oatly acts on publicunderstandings of environmental sustainability to persuade their audience into consumption.
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Nelson, Rebecka. "Reklambildens berättelse om personer med funktionsnedsättning." Thesis, Malmö universitet, Fakulteten för kultur och samhälle (KS), 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-21432.
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Denna uppsats syftar till att öka kunskapen om hur personer med funktionsnedsättning framställs i reklambilden. Uppsatsen presenterar en kritisk, kvalitativ studie av tre reklambilder där personer med funktionsnedsättning har inkluderats. I en trestegsanalys har bildernas visuella retorik analyserats utifrån bildens natur, bildens funktion och värderingen av bilden. De klassiska retoriska begreppen, logos, etos och patos spelar en central roll för analysen liksom de fyra huvutroperna inom retoriken, metonymi, metafor, synekdoke och ironi. För att förstå ämnets komplexitet har jag relaterat mina resultat till tidigare forskning inom visuell retorik, inom stereotyp reklam och inom bilden av personer med funktionsnedsättning. Resultatet visar att retoriken i de tre reklambilderna domineras av patosargument och av metaforer för att förmedla sina budskap. Värderingen av bilderna kopplat till personerna med funktionsnedsättning visar att endast en av de tre reklambilderna framställer personen med funktionsnedsättning som i första hand en självständig individ - inte en funktionsnedsatt person. Det är samtidigt samma reklambild som använt flest metaforer i sin retorik. I slutdiskussionen förs ett resonemang om betydelsen av att vara kritisk och kunnig som visuell kommunikatör för att undvika att utnyttja eller förstärka stereotypa uppfattningar om olika sociala kategorier.This essay aims at increasing knowledge about how people with disabilities are put forward in advertising images. The essay presents a critical, qualitative study of three advertising images images where people with disabilities have been included. In a three-step analysis, the visual rhetoric of the images has been analyzed based on the nature of the image, the function of the image and the evaluation of the image. The classical rhetorical concepts, logos, ethos and pathos, play a central role in the analysis as well as the four main tropes in rhetoric; metonymy, metaphors, syncdok and irony. In order to understand the complexity of the subject, I have related my findings to previous research in visual rhetoric, in stereotype advertising and in the image of people with disabilities. The result shows that rhetoric in the three commercials is dominated by pathos arguments and metaphors to convey their messages. The evaluation of the pictures linked to the disabled people shows that only one of the three advertising images presents the person with disabilities, primarily as an independent individual - not a disabled person. At the same time, it is the same advertising image that used most metaphors in its rhetoric. In the final discussion, a reasoning about the importance of being critical and knowledgeable as a visual communicator is conducted to avoid utilizing or reinforcing stereotypical perceptions of different social categories.
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Sérvio, Pablo Petit Passos. "Imagens de publicidade e ensino de arte: reflexões para uma educação da cultura visual." Universidade Federal de Goiás, 2015. http://repositorio.bc.ufg.br/tede/handle/tede/5368.
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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES
This thesis investigates the way visual art teachers pedagogically relate to the use of advertising images. Nine teachers in Goiania's municipal system participated as collaborators in the research. The methodological procedures used were observations, field notes and individual interviews. Based on Cultural Studies and principles of Visual Culture Education, this study adopts an epistemological approach that favors poststructuralist assumptions. It assumes that advertising images are relevant for a Visual Culture Education since they contribute to built and at the same time legitimize meanings that guide ways of perceiving, being and having dialogues with the world. The research opposes the prescription of content for the reason that it characterizes school submission to the university and indicate the need to identify and discuss the practices and aspirations that these teachers engage in their day-today teaching. Visual Culture Education highlights that today the visual arts teachers' challenge is not just work with images apart from those that are culturally considered art, but, especially, decide how to use them pedagogically. The research identifies, analyses, and discusses aspects of these teachers discourses and practices being able to produce questions for a Visual Culture Education.
Esta tese investiga o modo como professores de artes visuais se relacionam pedagogicamente com imagens de publicidade. Nove professores da Rede Municipal de Goiânia participaram como colaboradores da pesquisa. Observações, anotações de campo e entrevistas individuais foram os procedimentos metodológicos utilizados. Fundamentada nos Estudos Culturais e nos princípios da Educação da Cultura Visual, esta pesquisa assume posição epistemológica que privilegia pressupostos pós-estruturalistas. Este trabalho parte da convicção de que imagens de publicidade são relevantes para uma Educação da Cultura Visual porque contribuem para construir, ao mesmo tempo em que legitimam, significados que orientam modos de perceber, estar e dialogar com o mundo. Opõe-se à prescrição de conteúdos, pois tal atitude caracteriza uma submissão das escolas à universidade, apontando a necessidade de identificar e discutir as práticas e aspirações pedagógicas que estes professores perseguem no seu cotidiano docente. A Educação da Cultura Visual destaca que hoje o desafio dos professores de artes visuais não está apenas em trabalhar com imagens além daquelas socialmente legitimadas como arte, mas, especialmente, o modo de abordá-las pedagogicamente. A pesquisa identifica, analisa e discute aspectos de discursos e práticas desses professores produzindo questionamentos para uma Educação da Cultura Visual.
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Velásquez, Paola. "Les images dans la ville de Santiago du Chili : manifestations des activités commerciales et citoyennes." Thesis, Paris Est, 2011. http://www.theses.fr/2011PEST1156.
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Les images dans toute leur diversité, installées dans l'espace urbain composent notre objet d'étude. Ainsi, à partir de l'analyse d'un vaste corpus composé de photographies et de cartes, collectés durant un long période dans le centre-ville de Santiago, l'enjeu est de saisir l'objet image-contexte qui d'après une description cas-à-cas, nous permettra l'analyse de l'image en situation. Dont le but est l'observation du rôle des images dans la construction de l'espace urbain et en tant que composant fondamental de notre environnement quotidien. De ce fait, divers aspects apparaissent peu à peu le long du travail telles que ; la distribution des images en relation au rapport des forces des pouvoirs quelles représentent et dans l'ensemble révèlent les pratiques spatiales du groupe social, de voir comment l'image transforme l'espace et l'espace redéfinit l'image, la relation entre image et architecture, entre la dynamique des images et les dynamiques urbaines et l'irruption des nouvelles technologies dans l'espace urbain. En somme, tout au long de notre travail de recherche nous poursuivons la constitution progressive de l'image en situation en tant qu'objet de terrain et élément essentiel qui façonnera le paysage visuel des villes dans le XXIe siècleImages, in all their diversity, present in the urban environment, form the subject of our study. Thus, with the starting point a vast cache of photographs and cards, collected over a long period in Santiago city-center, the issue involves comprehending the image/context as a whole, a task that, after a case-by-case examination, will allow us to analyze the image as an integral part of its location. The goal, therefore, is the observation of the role of images in the construction of the urban environment and as fundamental components of our everyday surroundings. In this way, various aspects come to the fore throughout the process: the distribution of images relative to the power of the forces they represent reveals, in the whole, the spatial activities of the social group; the way in which the image transforms the space and the space in turn redefines the image; the relationship between image and architecture; between the dynamics of the image and the urban dynamics; and, lastly, the impact of new technologies on the urban landscape. In summation, throughout our research we have followed the progressive existence of location-specific imagery as an object in its own right and an essential element that will shape the visual landscape of cities in the 21st century