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Gkourogiannis, Theodoros K. "Pindaric quotations in Aelius Aristides." Thesis, University College London (University of London), 1999. http://discovery.ucl.ac.uk/1348741/.
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This thesis examines the quotations from Pindar in the orations of Aelius Aristides. Aristides holds an important place among Imperial age writers, exemplifying in their finest the prominent trends of the age of the Second Sophistic: through his Atticistic prose and archaistic tendencies, his impressively erudite grasp of Greek literature of the past and an elevated Isocratean view of the orator's educational and moral duties, all of which are revealed in the abundance of carefully selected passages from the classical literature, Pindar being among his most preferred classical authors. Aristides quotes extensively from Pindar, being one of our most important sources of quotations from the lyric poet, contributing much to our knowledge of Pindar's work otherwise lost. His exemplar antedates the archetype of the Byzantine Mss tradition, giving his testimony ancient authority and offering important insights into the state of the Pindaric text before the selection made in the late second century AD. He not only quotes verbatim expressions or verses from Pindar, but also selects words and paraphrases verses and passages. This thesis shows that he is often working from an original copy of Pindar and that he is also drawing on ancient ύπομνήματα and a variety of other sources. It examines various aspects of Aristides' quotations from classical authors, and the principles and techniques according to which he quotes Pindar. I have also tried to define the nature of the possible sources from which Aristides quotes Pindar: original edition, paraphrase, anthologies, ύπομνήματα, etc. The main body of the thesis takes the form of comparative discussions of Pindaric quotations cited in Aristides' orations. They illustrate Aristides' habits of adapting Pindar's words to both the style and the purpose of his own orations. In those quotations for which we have Mss and papyrological support it is obvious that Aristides often recasts Pindar's text in order to meet some part of his rhetorical agenda or to suit his idiom. He quotes Pindar for ornamental and for argumentative reasons. His frequent allusions to Pindaric odes serve the yearning of the Imperial authors to show true Greek παιδεία, of which Pindar was an indispensable part while the well documented affinity between poetry and epideictic rhetoric is clearly manifested. Aristides' encomiastic and hymnal praises (both verse and prose hymns) are modelled on Pindar's elements of hymnal composition. The thesis aims to show that Pindaric quotations serve not only to improve stylistically and to add to the finesse of Aristides' composition but also in a functional way, as an authoritative aid to the rhetorical arguments at hand, not least among which was the 'apologetic' argument for the value and authenticity of rhetoric as an art against the long standing accusations by its eternal rival, philosophy.
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Israelowich, Ido. "Society, medicine and religion in the work of Aelius Aristides." Thesis, University of Oxford, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.491257.
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In my thesis I examine society, medicine and religion in the work of Aristides, with particular reference to Aristides' Sacred Tales. I demonstrate that Aristides' understanding of his medical condition was inseparable from his religious beliefs and cultic habits, and that this view was encouraged by both the medical establishment and religious institutions.
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Voyer, Martin. "Rapport aux Anciens et évolution de la polémique contre le moyen-platonisme dans les Discours platoniciens (Or. II-IV) d'Aelius Aristide." Doctoral thesis, Université Laval, 2021. http://hdl.handle.net/20.500.11794/69368.
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Les Discours platoniciens (Or. II-IV) d'Aelius Aristide – le Pour la rhétorique (Or. II), le À Capiton (Or. IV) et le Pour les Quatre (Or. III) – ont le plus souvent été étudiés dans leur ensemble comme s'ils formaient une seule œuvre rédigée dans les mêmes circonstances. D'un autre côté, les relations qui unissent ces discours au moyen-platonisme n'ont pas donné lieu à des recherches approfondies. La thèse vise donc à mieux comprendre ces discours dans leur progression en réinscrivant la polémique dans le contexte du moyen-platonisme. Les deux axes privilégiés concernent le rapport à la tradition culturelle grecque : le premier est l'attitude préconisée et observée à l'égard de Platon et des Anciens ; le second se compose des principes régissant l'exégèse des textes du philosophe. Il s'agit aussi de mieux cerner la spécificité et la pertinence du Pour les Quatre, le discours le moins étudié du corpus. L'approche diachronique dicte la structure de la thèse, les discours étant étudiés dans leur ordre de rédaction. Concernant le premier axe, celui de l'attitude à l'égard des Anciens, le type de rapport qui est préconisé et mis en pratique demeure essentiellement le même à travers les trois discours : Aristide promeut la rivalité et il la met ouvertement en pratique avec Platon. Des infléchissements, qu' il est possible d'expliquer à la lumière du moyen-platonisme, apparaissent toutefois avec chaque texte. Le Pour la rhétorique exalte l'audace qui est nécessaire pour contredire un Ancien par opposition à la lâcheté de ceux – les platoniciens – qui n'osent s'opposer à une figure d'autorité. À partir du À Capiton, l'insistance porte sur la retenue et le respect qui devraient caractériser le traitement des Anciens. Du À Capiton au Pour les Quatre, c'est l'écriture qui épouse de plus en plus une rhétorique de la retenue tout en intensifiant la gravité des reproches. Le Pour les Quatre apparaît comme l'aboutissement de l'entreprise aristidienne car il fait du rapport à la tradition un thème majeur et structurant, en plus de clarifier l'enjeu soulevé par cette problématique à l'époque impériale, soit la survie de l'hellénisme. Les Discours platoniciens sont très cohérents en ce qui concerne le second axe, l'exégèse des dialogues de Platon, car ils signalent tous l'insuffisance des catégories médioplatoniciennes. Toutefois, seul le Pour les Quatre s'attaque au Gorgias à partir de ces catégories. C'est aussi dans ce discours qu'un effet spéculaire constant apparaît entre Platon et Aristide : le premier corromprait des lecteurs par ses critiques simples et sans retenue, tandis que le second procèderait à l'inverse. La spécificité du Pour les Quatre apparaît aussi à travers l'importance accrue qu'y prennent les actions visant la préservation de l'hellénisme. Sur ce point, l'action politique et la pédagogie des Quatre sont représentées de manière à recouper dans leurs principes l'éducation qu'Aristide entend mettre en œuvre à travers son discours. Dans les deux cas, le succès s'explique notamment par la capacité d'adaptation aux circonstances, qu'Aristide manifeste en modifiant son style en fonction des vertus qu'il exalte. Il se constitue ainsi en modèle des vertus qu'il loue et de leur application appropriée selon les circonstances. Les Quatre ont protégé la Grèce contre les barbares : Aristide tente de les imiter sur le plan culturel, à une époque où la paideia est à ses yeux menacée par des philosophes populaires.Aelius Aristides' Platonic orations (Or. II-IV) – the In Defense of Oratory (Or. II), the To Capito (Or. IV), and the In Defense of the Four – have mostly been studied synchronically, as if they formed a single work written under the same circumstances. Moreover, the relations between these orations and Middle Platonism have not yet been thoroughly investigated. This thesis aims to better understand the progression of these orations by tying the polemic with the context of Middle Platonism. The two privileged lines of inquiry concern the relationship with the Greek cultural tradition: the first is the attitude advocated and observed towards Plato and the Ancients; the second is composed of the principles governing the exegesis of this philosopher's texts. It is also about better defining the specificity and relevance of the In Defense of the Four, the least studied oration of the corpus. The diachronic approach dictates the structure of the thesis: the orations are studied in their writing order. Regarding the first line of inquiry, that of the attitude towards the Ancients, the type of relationship that is advocated and put into practice remains essentially the same across the three orations: Aristides promotes rivalry and he carries it out quite openly with Plato. However, changes, that can be explained in the light of Middle Platonism, appear with each text. In Defense of Oratory exalts the audacity that is required to contradict an Ancient as opposed to the cowardice of those Platonists who dare not oppose a figure of authority. From the To Capito onwards, the emphasis is on the restraint and respect that should characterize the treatment of the Ancients. From this oration to the last one, In Defense of the Four, the writing increasingly embraces a rhetoric of restraint while increasing the intensity of the reprimands. The In Defense of the Four appears to be the culmination of the Aristidian project because it transforms the relation with tradition in a major and structuring theme, in addition to clarifying the issue raised by this question during the imperial era, namely the survival of Hellenism. The Platonic orations are consistent with regard to the second line of inquiry, the exegesis of Plato's dialogues, because they all point out the insufficiency of the Middle Platonic categories. However, only the In Defense of the Four tackles the Gorgias on the basis of these categories. It is also in this discourse that a constant specular effect between Plato and Aristides appears: the former would corrupt readers with straightforward and unrestrained critiques, whereas the latter tries to do the exact opposite. The specificity of the In Defense of the Four also manifests itself in the increasing importance taken by the theme of the actions aimed at preserving Hellenism. On this point, the political actions and the pedagogy of the Four are represented in such a way as to intersect in their principles the education that Aristides intends to implement through his speech. In both cases, success depends on the ability to adapt to circumstances, a skill which Aristides manifests by modifying his style according to the virtues he exalts. In this way, he himself becomes a model of the virtues he praises and their appropriate application according to the circumstances. The Four protected Greece against the barbarians: Aristides tries to imitate them culturally, at a time when paideia is, in his eyes, threatened by popular philosophers.
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Monier, Robert. "La religion d'Aelius Aristide." Paris 4, 1988. http://www.theses.fr/1987PA040329.
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Le personnage d'Aelius Aristide se veut en perpétuelle relation avec la divinité, tout spécialement avec Asclépios. Il attribue à ce dieu tous les prodiges dont il s'estime le bénéficiaire, tant dans le domaine de la perfection oratoire que dans l'amélioration de sa santé, voire dans celui de ses guérisons complètes. A partir des merveilles qu'il constate opérées à son avantage, il extrapole à la création de l'univers. Ainsi peut-on analyser les composantes de sa piété, savoir : son sentiment religieux vu en lui-même et à travers ses manifestations extérieures. Sa relation avec la divinité se révèle dans d'innombrables rêves ; ceux-ci interviennent spécialement à propos de l'incubation, des théophanies, des oracles. L'intimité avec dieu est définie par la syngeneia, et réalisée par l'initiation et par les mystères. Enfin, on suit le rhéteur dans ses déplacements en Égypte et à Pergame ou dans sa région, c'est-à-dire en des lieux particulièrement "religieux"The character of Aelius Aristides aims at a constant relationship with the deity, especially with Asclepius. He credits this god with all the wonderful phenomena he considers himself blessed with, as regards either his oratorical perfection, or the improvement of his health, or even his complete recoveries. From the wonders he notices, accomplished in his favor, he extrapolates to the wonders of the creation. Therefore we can analyze the components of his religiousness, to wit: his religious feeling considered from within, and through its outwards signs. His relation to the deity is revealed in countless dreams: these are particularly important about incubation, theophanies and oracles. Close relationship with god is expressed by "syngeneia" and fulfilled through initiation and mysteries. Finally we follow the rhetor in his travelling throughout Egypt and to Pergamum : or the neighboring country, in other words in particularly religious-minded places
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Aelius, Promotus Ihm Sibylle. "Der Traktat "Perì tō̂n 'iobólōn thīríōn kaì dīlītīríōn farmákōn" des sog. Aelius Promotus : Erstedition mit textkritischem Kommentar /." Wiesbaden : L. Reichert, 1995. http://catalogue.bnf.fr/ark:/12148/cb37668658h.
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Thibault-Larouche, Stéphanie. "La réception du Télémaque homérique chez Aelius Aristide et les auteurs des IIe, IIIe et IVe siècles apr. J.-C." Thesis, Université Laval, 2012. http://www.theses.ulaval.ca/2012/29345/29345.pdf.
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Raïos, Constantin. "Le "Discours égyptien" d'Aelius Aristide : édition critique, traduction et commentaire." Strasbourg, 2011. http://www.theses.fr/2011STRA1053.
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Le Discours égyptien d’Aelius Aristide (117-180 ap. J. -C. ) constitue un ouvrage consacré aux motifs de la crue périodique du Nil, un fleuve qui semblait braver les lois naturelles en grossissant en été et en décroissant en hiver. Dans l’Antiquité, ce paradoxe fut étudié par nombre d’auteurs qui, avant la parution dudit discours, avaient proposé une pléthore de théories. Néanmoins, le vrai objectif d’Aristide n’est pas de résoudre l’énigme scientifique. En réfutant toutes les théories déjà élaborées par la tradition, l’orateur veut prouver que le Nil est de nature divine et qu’ainsi son comportement reste inexplicable. Après une collation soigneuse du texte de tous les manuscrits médiévaux connus et compte tenu des données historiques, il a été possible d’élaborer une nouvelle édition critique du texte et de l’ensemble de ses scholies. La traduction, que nous proposons, repose sur une nouvelle analyse du texte grec et fournit des interprétations de passages qui n’avaient pas été correctement traduits par nos devanciers. Enfin, le commentaire vise à discuter des problèmes qui ont été brièvement abordés dans l’introduction, à ajouter des explications critiques qui ne pouvaient pas être placées dans l’apparat, et à justifier le choix de la traduction en maints casThe Egyptian Discourse of Aelius Aristides (117-180 CE) is a treaty on the causes of the annual flooding of Nile, a river that seemed to defy the laws of nature by overflowing its banks in summer and by receding in winter. Prior to the publication of Aristides’ discourse, this paradox had already been studied by many authors and a great number of theories had been proposed. However, the goal of the orator is not to find an explanation for the enigma. While refuting all theories put forth by his predecessors, Aristides wishes rather to prove that the Nile is divine and in this way, that its behavior remains inexplicable. After carefully collating all known medieval manuscripts and taking the historical data into consideration, it has been possible to produce a new critical edition of the text and all its scholia. The French translation is based on a new approach to the Greek text and explains passages that other translators have hitherto misinterpreted. Finally, the commentary aims to discuss problems only mentioned in the introduction, to add a variety of critical explanations that could not be included in the apparatus, and to justify translation choices in some cases
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Vix, Jean-Luc. "Les Discours 30 à 34 d'Aelius Aristide." Université Marc Bloch (Strasbourg) (1971-2008), 2005. http://www.theses.fr/2005STR20052.
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Les discours 30 à 34 d'Aelius Aristide n'ont, jusqu'à présent, jamais fait l'objet d'études spécifiques et ne sont pas traduits en français. Le présent travail, qui s'ordonne en deux tomes, se donne pour objectif de combler cette lacune. Les discours sont d'abord analysés dans leur spécificité, composition et thématique. Sont ainsi mis en relief les caractéristiques de la rhétorique épidictique, en ce qui concerne le discours 30, discours d'anniversaire en l'honneur d'Apellas, et 31-32, deux oraisons funèbres, l'une en l'honneur d'Étéonée, élève du sophiste, et l'autre en l'honneur du grammatikos Alexandros, ancien maître d'Aristide. Les deux discours 33 et 34, une réponse à Ceux qui lui reprochaient de ne pas déclamer et une diatribe Contre les profanateurs, font l'objet d'une étude centrée sur la rhétorique polémique. Le corpus est lié par la thématique de l'enseignement da la rhétorique et de la paideia, culture et éducation, qui est particulièrement illustrée par le personnage du grammairien Alexandros. Cette partie thématique forme les deux derniers chapitres du tome I. Le tome II est consacré aux traductions et à l'histoire du texte du discours 31. Ce dernier, en effet, fait l'objet d'une édition critique, l'ensemble des manuscrits ayant été collationnés, ce qui donne un texte entièrement revu, accompagné d'une traduction. Les textes des quatre autres discours ont été revus d'après les indications de l'apparat de la dernière édition, celle de B. Keil de la fin du XIXe siècle. Ils ont également été traduits, avec le texte grec en regardUp until now, Aelius Aristides's Discourses 30 through 34 have never been the subject of any specific scholarly research and have never been translated into French. This present work, presented in two tomes, seeks to bridge that gap. First, the Discourses are each analyzed in terms of their specificity, composition, and theme. The characteristics of epideictic rhetoric are put into perspective with respect to Discourse 30, in honor of Apellas's birthday, and Discourses 31 and 32, two funeral oratories, the first in honor of Étéonée, Aristides's student, and the second in honor of the grammatikos Alexandros, Aristides's former master. Discourses 33 and 34, a response to Those who reproach him for not declaiming and a diatribe, Against the profaners, are the subject of a study centered on polemic rhetoric. The corpus is tied by the themes of teaching rhetoric and the paideia, culture, and education, which is especially illustrated by the figure of the grammarian Alexandros. This theme forms the final two chapters of Tome I. Tome II is dedicated to the translations and the history of the text of Discourse 31. This Discourse is the subject of a critical edition containing the collation of all extant manuscripts, resulting in a completely revised text, accompanied by a translation. The texts of the other four Discourses have been revised based on the apparatus of the last edition of the end of the 19th century, that of B. Keil. Parallel translations are also included
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Caso, Daniela. "La fortune d'Aelius Aristide à l'époque humaniste : recherches sur les traductions latines des XVe et XVIe siècles." Thesis, Strasbourg, 2015. http://www.theses.fr/2015STRAC009.
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Le but de la thèse consiste dans la tentative de brosser un tableau du parcours occidental d’Aelius Aristide, orateur grec vécu au IIème siècle de notre ère, au moyen d’un examen des traductions latines de ses discours réalisées entre le XVème et la première moitié du XVIème siècle. Nous nous proposons de montrer que la réception d’Aristide en Occident au cours de l’humanisme a toujours été liée à des clairs intérêts littéraires, mais aussi à des raisons socio-culturelles et historiques. Pour cela, nous analysons les traductions latines de quatre discours d’Aristide : le Dionysos (or. 41), traduit par Cencio de’ Rustici en 1416 ; la Monodie pour Smyrne (or. 18), par Niccolò Perotti (1471) ; le discours Aux Rhodiens, sur la concorde (or. 24), par Carlo Valgulio ; le Discours d’ambassade à Achille (or. 16), par Joachim Camerarius (1535). Nous donnons une édition critique des deux premières traductions (Dionysos et Monodie) fondée sur les manuscrits latins et une édition moderne des deux dernières (Aux Rhodiens et Discours d’ambassade) ; nous proposons aussi l’identification du modèle grec utilisé par l’humaniste ou, au moins, l’identikit du texte grec originel lu par l’humaniste pour sa traductionThe purpose of the thesis is to outline the western route of Aelius Aristides, Greek orator lived in II century AD, through an overview of the Latin translations of some of his speeches produced between the fifteenth and the first half of the sixteenth century by humanists from Italy and Northern Europe. We aim to show that Aristides’ reception in Western Europe during Humanism has always been related to clear literary interests, but also to socio-cultural and historical reasons. For this purpose, we analyze the Latin translations of four Aristides’ speeches : the Dionysos (or. 41), translated by Cencio de’ Rustici in 1416 ; the Monody for Smyrna (or. 18), by Niccolò Perotti (1471) ; the speech To the Rhodians, on concord (or. 24), by Carlo Valgulio (1497) ; the Embassy speech to Achille (or. 16), by Joachim Camerarius (1535). We give a critical edition of the first two translations (Dionysos and Monody) based on the Latin manuscripts and a modern publication of the last two (To the Rhodians and Embassy) ; we also propose the identification of the Greek model or, at least, we offer an identikit of the original Greek text read by the humanist for his translation
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Robert, Fabrice. "Les oeuvres perdues d'Aelius Aristide : fragments et témoignages." Université Marc Bloch (Strasbourg) (1971-2008), 2008. http://www.theses.fr/2008STR20057.
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La présente thèse de doctorat est consacrée à l’étude des œuvres perdues du sophiste Aelius Aristide, qui vécut en Asie mineure au IIe siècle ap. J. -C. La recherche a pour objectif d’identifier, de traduire et de commenter les fragments et témoignages qui, du IIe au XIVe siècle, font connaître des œuvres du sophiste aujourd’hui perdues. Ce travail, qui n’a jamais été mené, s’inscrit à la croisée de plusieurs domaines de la philologie classique, et ses résultats intéressent à la fois l’histoire de la rhétorique et de la littérature, la connaissance de la civilisation hellénique sous l’Empire romain, les recherches sur la transmission des textes et sur les pratiques citationnelles dans l’Antiquité. Dans le premier tome, après des prolégomènes consacrés à une réflexion méthodologique et à la constitution du corpus de textes (I), nous proposons une étude d’ensemble des œuvres perdues, qui met en évidence les apports de l’enquête (II), puis une reconstitution philologique de chaque pièce du corpus (III) ; nous étudions en dernier lieu le discours Contre les danseurs, qui occupe une place prééminente parmi les œuvres perdues (IV). Le second tome contient le corpus de fragments et témoignages, ainsi que deux annexes : une première traduction française des principales sources sur la vie et l’œuvre d’Aristide ; un recueil de textes permettant d’étudier le Nachleben du sophisteThis doctoral dissertation studies the lost works of the sophist Aelius Aristides, who lived in Asia Minor in the 2nd century AD. Its aim is to identify, to translate and to comment upon the fragments and testimonies which, from the 2nd to the 14th century, allow us to know works of the sophist which are now lost. This research, never undertaken before, is at the crossroads of several fields of classical philology, and its results bear upon the history of rhetoric and literature, the knowledge of Hellenic civilization during the Roman Empire, the transmission of texts and the practice of quotation in Antiquity. In the first volume, after some prolegomena dealing with method and explaining the establishment of the textual corpus (I), we conduct an overall study of the lost works in order to bring to light the nature of our contribution (II) ; then, we undertake a philological reconstruction of each piece of the corpus (III) and finally we study the speech Against the dancers, which occupies a preeminent place among the lost works (IV). The second volume contains the corpus of fragments and testimonies, and two appended studies : the first translation into French of the main sources on Aristides’ life and work and a collection of texts permitting the study of the sophist’s Nachleben
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Di, Franco Matteo. "Le discours "En l’honneur de Rome" d’Aelius Aristide (or. XXVI K) : histoire de la tradition et édition critique." Thesis, Strasbourg, 2017. http://www.theses.fr/2017STRAC029.
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La présente thèse propose une recherche sur la tradition textuelle et l’édition critique du discours Εἰς Ῥώμην (En l’honneur de Rome) d’Aelius Aristide (IIe siècle apr. J.-C.). Le discours, prononcé à Rome en 144 apr. J.-C., est un éloge de l’Empire romain. La première édition critique du discours fut publiée par B. Keil en 1898 ; au cours du XXe siècle deux philologues ont préparé des éditions comportant un texte critique, en s’appuyant sur l’apparat de Keil. La thèse est organisée en une introduction générale et deux parties, suivies par la bibliographie et quatre annexes. La première partie est consacrée à la recherche sur la tradition textuelle du discours, et est structurée en six chapitres. La deuxième partie consiste dans l’édition critique du discours En l’honneur de Rome, avec apparat critique et des témoignages de la tradition indirecte. Le texte grec est suivi par un apparat complémentaire donnant les leçons des manuscrits mineurs et des notes critiquesThe purpose of the present thesis is to perform a research on the textual tradition and the critical edition of Aelius Aristides’ speech Εἰς Ῥώμην (To Rome) (2nd century CE). Delivered in Rome in 144 CE, this speech is a praise of the Roman Empire. The first critical edition of the speech was published by B. Keil in 1898; in the 20th century, two philologists prepared editions with critical text, based on the apparatus of Keil. The thesis consists of a general introduction and two parts, followed by the bibliography, and four appendices. The first part explains the research on the textual tradition of the speech, and is structured in six chapters. The second part consists of the critical edition of the speech To Rome, with critical apparatus and the testimonies of the indirect tradition. The Greek text is followed by a complementary apparatus offering the variant readings of the minor manuscripts and some critical notes
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Voyer, Martin. "CLASSICISME ET RÉSONANCES CONTEMPORAINES : UNE LECTURE DES DISCOURS LEUCTRIENS (OR. XI-XV) D'AELIUS ARISTIDE." Thesis, Université Laval, 2011. http://www.theses.ulaval.ca/2011/28150/28150.pdf.
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Jazdzewska, Katarzyna Anna. "Platonic Receptions in the Second Sophistic." The Ohio State University, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=osu1304669319.
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Rutherford, Ian C. "Canons of style in the Antonine age : idea-theory in its literary context /." Oxford (GB) : Clarendon press, 1998. http://catalogue.bnf.fr/ark:/12148/cb376740641.
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Goeken, Johann. "Les Hymnes en prose d'Aelius Aristide : (or.XXXVII-XLVI)." Université Marc Bloch (Strasbourg) (1971-2008), 2004. http://www.theses.fr/2004STR20063.
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La thèse est consacrée aux hymnes en prose (or. XXXVII-XLVI) d'Aelius Aristide, un orateur grec du IIe siècle ap. J. C. Elle consiste à jeter les bases d'une édition critique, en proposant une traduction (la première, en français, pour l'ensemble du corpus), des notes critiques et un commentaire. Le corpus ainsi fixé et interprété donne lieu à une étude synthétique développée. La Première Partie analyse le statut privilégié des hymnes en prose dans la carrière de l'orateur, la poéti-que qu'ils mettent en œuvre, leur ancrage dans la société gréco-romaine et la religiosité dont ils témoignent. Se présentant comme une recherche en rhétorique religieuse, l'enquête s'intéresse aussi aux rapports qu'entretient le sophiste hymnographe avec la poésie et la philosophie. Chaque texte, accompagné d'une traduction en regard, est précédé d'une notice (Deuxième Partie). Les notices présentent les circonstances de composition et de prononciation, la structure, l'esprit général et les carac-téristiques principales de chaque hymne, en précisant l'ancrage historique, institutionnel et civique de la perfor-mance oratoire. Fondé sur l'édition Keil (Berlin, 1898), le texte grec est révisé et libéré de conjectures difficile-ment justifiables. Le commentaire (Troisième Partie) veut répondre à cinq objectifs : 1) donner les moyens de situer les éta-pes de l'argumentation, en précisant notamment les topoi abordés ; 2) expliquer et commenter les citations dont l'orateur émaille sa prose ; 3) mettre en vedette certains effets de style et certaines finesses de l'expression ; 4) apporter des précisions permettant de comprendre les allusions à la mythologie et aux realia ; 5) discuter, le cas échéant, des interprétations proposées par les devanciersThis thesis deals with the hymns in prose (or. XXXVII-XLVI) of Aelius Aristides, a second century A. D. Greek orator. Its purpose is to provide the foundation for a critical edition of them, offering a translation into French (the first one ever for the whole corpus), as well as critical notices and commentary. So defined, the corpus will then be subjected to an extensive interpretative synthesis. The first part of the thesis analyses the favoured status of prose hymns in this orator's career, the poetics they put to work, the way they are firmly anchored in Greco-Roman culture and society and the religious attitude they reveal. This paper intends above all to investigate religious rhetorical practice, but it is also concerned with how the hymn sophist composer related to poetry and philosophy. In the second part, each piece comes with its translation on the opposite page, after a notice relating the circumstances of its composition, commenting on its pronunciation, structure, general spirit and main features; the notice also specifies the fundamental historical, institutional and political conditions of the individual oratory production. Based on the 1898 Keil's Berlin edition, the Greek text has been thoroughly revised and freed of many unjustifiable conjectures. A fivefold commentary, in the third part, aims at 1) describing the stages of the argumentation, while identifying the topoi that come into play; 2) explaining and commenting on the numerous quotations that enrich the orator's prose; 3) pointing out stylistic flourishes and linguistic niceties; 4) providing information about mythological allusions and contemporary realia; 5) discussing the opinions of former commentators
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Guerra, Lolita Guimarães 1981. "Noturno Vagar : o Eu mortal imortal nos Hieroì Lógoi de Élio Aristides." [s.n.], 2014. http://repositorio.unicamp.br/jspui/handle/REPOSIP/281103.
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Orientador: André Leonardo ChevitareseTese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas
Made available in DSpace on 2018-08-24T06:57:00Z (GMT). No. of bitstreams: 1 Guerra_LolitaGuimaraes_D.pdf: 3272234 bytes, checksum: bc2f37f5088831937e035ad9b21cb6f3 (MD5) Previous issue date: 2014
Resumo: Os Hieroì Lógoi de Élio Aristides, compostos ca. 170 da Era Comum, constituem uma narrativa autobiográfica dedicada a Asclépio, cujo santuário, em Pérgamo, foi frequentado pelo autor ao longo de sua vida. Este, ao voltar-se em direção ao deus em busca de suas famosas curas praticadas por meio de sonhos, é transformado em meio a uma relação de favorecimento e intimidade com Asclépio que, em última instância, identifica-o a ele. Essa identificação, dada a ver no corpo de Aristides e por ele sentida é atravessada por valores paradoxais e inapreensíveis do ponto de vista de uma elaboração sistemática. Ela é entendida, assim, como uma iniciação mistérica, a qual dialoga com a cultura material de Asclepeia como os santuários de Pérgamo e o de Epidauro. Nesses espaços circulam sentidos e práticas cuja dinâmica resulta, não apenas, na produção da própria materialidade, como dos indivíduos que, no ocupar-se dela, são também constituídos. Esta relação circular com o mundo material ultrapassa o contexto dos santuários e deve ser também observada no próprio texto dos Hieroì Lógoi como produto humano e, ao mesmo tempo, produtor do humano. A escrita autobiográfica oferece-se, assim, como locus privilegiado para a reflexão sobre os modos de produção e existência do Eu enquanto ser no mundo. Ao mesmo tempo, na medida em que esta autobiografia é composta por meio de discursos nos quais se combinam elementos sobrenaturais e de transformação do si mesmo em algo para além do humano, ela deve ser pensada como parte de um antigo ocupar-se do Eu em ambiente greco-romano. Esta forma de tratar o Eu, tomá-lo e ocupar-se dele, prescinde da elaboração sistemática de um saber teórico e, simultaneamente, fundamenta toda reflexão desenvolvida em torno do problema do si mesmo a partir da perspectiva da primeira pessoa. A identificação de Aristides a Asclépio dialoga com temas caros a esses questionamentos: a unidade, a continuidade e a impermeabilidade do Eu, muitas vezes contestadas por ideias de multiplicidade, fragmentação e abertura. Essas reflexões frequentemente lançam hipóteses sobre a autonomia do indivíduo e sua vulnerabilidade perante os imortais. Na medida em que a identificação de Aristides a Asclépio se dá, em grande parte, por meio da visualidade e dos encontros face a face, sinaliza-se a necessidade de questionar a mortalidade e a imortalidade como pares antitéticos tributários de noções de alteridade próprias da dicotomia sujeito / objeto. Assim, a partir do discurso paradoxal de Aristides sobre suas experiências, o qual reatualiza antigas perspectivas sobre os limites entre deuses e homens como flexíveis, contestáveis e, até mesmo, apenas virtualmente existentes, defendemos uma abordagem da mortalidade e da imortalidade como pares incomensuráveis os quais, nos Hieroì Lógoi, constituem o Eu. Essa abordagem nos permite pensar mortalidade imortalidade como expressão particular de uma dimensão de trato, tomada e ocupação do Eu anterior, não-tributária e não-fundadora de um saber sistematizado das relações de alteridade. Os Hieroì Lógoi apresentam-se, portanto, como materialidade narrativa das possibilidades-Eu emergidas no sonho e na devoção de um homem do segundo século de nossa Era
Abstract: The Hieroì Lógoi of Aelius Aristides, composed ca. 170 C.E., constitute an autobiographical narrative dedicated to Asclepius, whose sanctuary, in Pergamon, the author visited many times throughout his life. As he turns to the god in search of his famous dream cures, Aristides is transformed through a favoritism and intimacy relationship with Asclepius which ultimately identifies them. This identification, bodily seen and felt by Aristides, is permeated by paradoxical and inapprehensible values from the perspective of systematic elaboration. Therefore, it is understood as an initiation into a mystery which is in close relation to the Asclepieia¿s material culture, as in Pergamon and Epidauros. In these spaces there are available meanings and practices in circulation whose dynamics result not only in the production of materiality but, also, in the fashioning of individuals who, as they deal with it, are constituted by it. This circular relation with the material world trespasses the sanctuaries¿ context and may be also observed in the Hieroì Lógoi text itself as a human product and, at the same time, it's producer. Autobiography is offered, therefore, as a privileged locus for the reflection on the modes of existence and fashioning of the Self as being in the world. At the same time, as this autobiography is composed by discourses which combine supernatural features and elements which transform the Self into something beyond human, it must be approached as part of the ancient self-occupation in the Greco-Roman world. This taking and occupation of the Self dispenses the systematic elaboration of a theoretical knowledge and simultaneously grounds all reflection on the problem of the Self from the first-person perspective. Aristides¿ identification with Asclepius engages in important themes to these inquiries: unity, continuity and the Self¿s impermeability, often contested by ideas of plurality, fragmentation and openness. These reflections frequently construct hypothesis regarding individual agency and autonomy, on the one hand, and vulnerability towards the gods, on the other. As Aristides¿ identification with Asclepius occurs, mostly, trough face-to-face visuality, comes to light the necessity to question mortality and immortality as antithetical pairs dependent on notions about otherness peculiar to the subject / object dichotomy. Therefore, from Aristides¿ paradoxical discourse on his experiences, which reactualizes ancient perspectives on the limits between gods and men as flexible, contested and even virtually absent, we assert an approach towards mortality and immortality as incommensurable pairs which constitute the Self in the Hieroì Lógoi. This approach allows us to consider mortality immortality as a particular expression of treatment, taking and occupancy of the Self which is prior, independent and non-constituent of systematized and discursively built alterity. The Hieroì Lógoi present themselves, therefore, as the narrative materiality of Self-possibilities arisen in this second-century man's dream and devotion
Doutorado
Historia Cultural
Doutora em História
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Brouard-d'Arpini, Brigitte. "Omonoia : l'idéologie politique de la Concorde et ses formes d'expression dans le monde gréco-romain, sous le règne des Antonins." Université Marc Bloch (Strasbourg) (1971-2008), 2003. http://www.theses.fr/2003STR20002.
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Alors que la Pax Romana est à son apogée sous le règne des Antonins, l'idéologie politique de la concorde (homonoia) s'épanouit dans le monde grec, comme l'attestent les documents épigraphiques, iconographiques, numismatiques et littéraires de l'époque. L'objectif de la thèse est d'étudier en quels sens les orateurs grecs défendent ou célèbrent la concorde et pour quelles raisons ils ont mis l'accent sur le caractère politique de l'idéologie de la concorde. La première partie consiste en une étude de vocabulaire et des emplois d'homonoia en relation avec ses synonymes et ses antonymes. La deuxième partie consiste en une analyse détaillée des principaux discours d'exhortation à la concorde de Dion et d'Aelius Aristide. La troisième partie étudie le lien étroit existant entre l'éloge et l'idéologie de la concorde, et les modèles philosophiques et politiques de la concorde, ce qui est complété, dans une dernière partie, par l'étude des références historiques et littéraires dans les discours sur la concorde. Deux définitions, commune et philosophique, de la concorde coexistent : la concorde est une relation fondée soit sur l'identité des sentiments ou des opinions soit sur le désir de défendre le bien commun dans le respect de toutes les parties en présence. La concorde dans le monde grec résulte du partage d'une culture commune, grâce à laquelle on reconnait dans l'autre un autre soi-même, tandis que la concorde entre Grecs et Romains met l'accent sur le respect des différences d'autrui et sur la reconnaissance de son identité propre. Mais le modèle de la concorde cosmologique estompe la différence entre les Grecs et les Romains, tous étant soumis également à l'autorité divine. Enfin, une nouvelle conception politique de la concorde s'élabore : la concorde n'est plus fondée sur la distinction Grecs/Romains, mais sur celle entre ceux qui, Grecs ou Romains, sont pepaideumenoi et occupent de hautes magistratures, et les autresWhile the Pax Romana was at its height under the reign of the Antonins, the political ideology of "concord" blossomed in the Greek world, as is attested to by the epigraphic, iconographic, numismatic, and literary documents of the period. The purpose of this thesis is to study the ways in which the Greek orators defended or celebrated the ideology of "concord". The first part consists of a study of the vocabulary and usages of homonoia in relation to its synonyms and antonyms. The second part consists of a detailed analysis of the major discourses of Dio and Aelius Aristides exhorting "concord". The third part studies the close link between the praise of "concord" and its ideology as well as the philosophical and political models of "concord", and is concluded in the final part by a study of historical and literary references in several discourses on "concord". Two definitions of "concord" exist, one common, the other philosophic : (1) a relationship based on feelings or opinions ; (2) a relationship based on the desire to defend the common good by respecting all parties present. "Concord" in the Greek world is based on sharing a common culture that allows one to recognize himself in the other, while "concord" between Greeks and Romans emphasizes a respect of the other's differences and the recognition of the other's identity. Cosmological "concord", however, erases any difference between Greeks and Romans, both being equally dominated by divine authority. Finally, a new political conception of "concord" is created : "concord" is no longer based on the Greek-Roman distinction, but on one between those Greeks and Romans who are pepaideumenoi and occupy high positions, and those who don't
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Vannucci, G. "MALATO DI RETORICA: I DISCORSI SACRI DI ELIO ARISTIDE." Doctoral thesis, Università degli Studi di Milano, 2017. http://hdl.handle.net/2434/488743.
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Malato di retorica: i "Discorsi sacri" di Elio Aristide
Aelius Aristides' Sacred Tales are one of the strangest works in ancient literature. Despite the usual sophistication and complexity of Aristides' style, they appear like a spontaneous writing with little formal elaboration. The main purpose of the research is to investigate the work's stylistic dimension in search of motives of its otherness. The religious dimension, within which the story told underlies, is analyzed in order to identify personal contibutions of the Author. There are several texts involved in the main text, so it is not easy to identify precisely the boundaries: textual analysis can provide some hypothesis about Aristides' choices. The confusion of the narrative levels could answer to a specific intentionality.
This work aims also to delve in the the anthropological and cultural scenario in which the author lived in order to understand some dynamics as the proud exhibition of the body. Performance is a keyword in the sophistic movement and rhetoricians are increasingly threatened in their prestige because of the rivalry. It was analyzed also the "bias" for self-praise, so massive in Aristides'corpus, as witnessed by Or. 28. Finally, the epic dimension of the narrative, in which the author presents himself several times as a new Ulysses: the identification with the homeric hero conveys many suggestions of which the author seems to be conscious.
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Ozarowska, Lidia. "Healing sanctuaries : between science and religion." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:b0cdbe4c-7d43-43a5-ab5f-a108707028f8.
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Divine healing has been often seen in opposition to human healing. The two spheres, have been considered as separate, both in space and in terms of elements involved. Asclepian sanctuaries have been mostly presented as domains of exclusively divine intervention, without any involvement of the human factor, possibly with the sole exception of dream interpretation. However, the written testimonies of temple cures, both those in the form of cure inscriptions dedicated in sanctuaries and the literary accounts of the incubation experience, give us reasons to suppose that the practical side of the functioning of the asklepieia could have assumed the involvement of human medicine, with the extent of this involvement differing in various epochs. Regardless of physicians' participation or its lack in the procedure, the methods applied in sanctuary healing appear to have evolved in parallel to the developments in medicine and their popular perception. Archaeological finds as well as the image of Asclepius as the god of medicine itself seem to confirm this. Nevertheless, by no means should these connections between the two spheres be treated as transforming the space of religious meaning into hospitals functioning under the auspices of a powerful god. Although acknowledging them does entail inclusion of human medicine within the space dedicated to Asclepius, it does not thereby deny the procedure of incubation its religious and metaphysical dimension. On the contrary, it shows that to the Greek mind divine and human healing were not mutually exclusive, but overlapped and coincided with each other, proving that the Greek sense of rationality was quite different from the modern and could comprise far more than what we call today "scientific thinking".
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Subburaman, Mahesh Balaji. "Flit Synchronous Aelite Network on Chip." Thesis, Linköping University, Department of Electrical Engineering, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-15895.
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The deep sub micron process technology and application convergence increases the design challenges in System-on-Chip (SoC). The traditional bus based on chip communication are not scalable and fails to deliver the performance requirements of the complex SoC. The Network on Chip (NoC) has been emerged as a solution to address these complexities of a efficient, high performance, scalable SoC design. The Aethereal NoC provides the latency and throughput bounds by pipelined timedivision multiplexed (TDM) circuit switching architecture. A global synchronous clock defines the timing for TDM, which is not beneficial for decreasing process geometry and increasing clock frequency. This thesis work focuses on the Aelite NoC architecture. The Aelite NoC offering guaranteed services exploits the complexities of System-on-Chip design with real time requirements. The Aelite NoC implements flit synchronous communication using mesochronous and asynchronous links.
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BISIO, EMANUELE. "La lex Aelia Sentia de manumissionibus." Doctoral thesis, Università degli studi di Pavia, 2020. http://hdl.handle.net/11571/1321851.
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Johnson, Diane Louise. "Claudius Aelianus' Varia historia and the tradition of the miscellany." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/nq25073.pdf.
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Gallo, Daniela. "L’Ars Riuipullensis : un commentaire au De partibus orationis de Donat." Thesis, Sorbonne université, 2020. http://www.theses.fr/2020SORUL023.
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Le projet de recherche de mon doctorat consiste à réaliser l’édition critique de l’inédite Ars Riuipullensis, un commentaire à la section De partibus orationis de l’Ars grammatica de Donat, c’est-à-dire à l’Ars minor et au livre II de l’Ars maior. Le texte est transmis par deux témoins : le ms. Barcelona, Archivo de la Corona de Aragón, Ripoll 46 (rédigé dans la première moitié du Xe siècle dans le monastère de Santa Maria de Ripoll, en Catalogne) ; le ms. Città del Vaticano, Biblioteca Apostolica Vaticana, Val. lat. 3318 (rédigé dans la seconde moitié du Xe siècle dans le sud de la France). L’ouvrage, qui a été composé en France entre la fin du IXe et le début du Xe siècle sous l’influence de la pédagogie insulaire sur le continent, traite des huit parties du discours, à chacune desquelles est consacré un chapitre, et il s’appuie sur l’Ars minor de Donat, dont il reproduit la même organisation textuelle : il s’agit en fait d’un exposé per interrogationem et responsionem, conçu comme un dialogue continu entre l’élève, qui pose les questions, et le maître, qui répond, en mettant à disposition ses connaissances. D’un point de vue structurel, l’Ars Riuipullensis est un patchwork qui rassemble des excerpta tirés de plusieurs auteurs, à l’égard desquels l’anonyme montre d’avoir un scissors-and-paste approach : en fait le caractère du maître se révèle mécanique et impersonnel et son texte fini par être une compilation fondée sur le copier-coller des ouvrages des artigraphes précédents, dont il reproduit la doctrine grammaticaleMy research project consists in the development of the critical edition of the unpublished Ars Riuipullensis, a grammatical treatise which qualifies as a commentary on the section De partibus orationis of the Ars grammatica by Donatus, namely on the Ars minor and on the Ars maior’s second book. The work is transmitted by two witnesses: the MS Barcelona, Archivo de la Corona de Aragón, Ripoll 46 (written during the first half of the Xth century in the Monastery of Santa Maria de Ripoll, in Catalonia); the MS Città del Vaticano, Biblioteca Apostolica Vaticana, Vat. lat. 3318 (written in the second half of the Xth century in southern France). Written in France between the end of the IXth and the beginning of the Xth century under the influence of the Insular pedagogy on the Continent, the work deals with the eight parts of speech; a chapter is devoted to each of these parts, starting from Ars Minor by Donatus and reproducing the same textual approach: indeed, the narrative buildup is per interrogationem et responsionem, meant as a continuous dialogue between the disciple, who asks questions, and the teacher, who replies, providing his knowledge. In structural terms, the Ars Riuipullensis appears to be a “patchwork”, which brings together excerpta taken from different authors, towards which the anonymous writer shows to adopt a “scissors-and-paste” approach: as a matter of fact, the character of the teacher proves to be mechanical and impersonal, and his text ends up being a compilation based on the “copy and paste” of the works by previous artigraphs, whose grammatical doctrine is reproduced
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Hodkinson, Owen. "'Brief Encounters : Studies in the Letters of Alciphron,Aelian, and Philostratus'." Thesis, University of Oxford, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.504023.
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Stamm, Caroline. "Vergangenheitsbezug in der zweiten Sophistik? : die Varia Historia des Claudius Aelianus /." Frankfurt am Main : P. Lang, 2003. http://catalogue.bnf.fr/ark:/12148/cb392067350.
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Huber, Katja [Verfasser]. "Aelita - als morgen gestern heute war : Die Zukunftsmodellierung in Jakov Protazanovs Film / Katja Huber." Frankfurt a.M. : Peter Lang GmbH, Internationaler Verlag der Wissenschaften, 1998. http://d-nb.info/1165479133/34.
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Abreu, Priscyla Kelly Vieira. "Desenhos de figurinos de Alexandra Exter para Salomé, Romeu e Julieta e Aelita, Rainha de Marte." Universidade Federal de Uberlândia, 2017. https://repositorio.ufu.br/handle/123456789/18434.
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Esta pesquisa abarca os desenhos da artista russa Alexandra Exter (1882-1949) para os figurinos de teatro de Salomé (1917), Romeu e Julieta (1920) e do filme de ficção científica Aelita, Rainha de Marte (1924). Faremos análises comparativas entre os trabalhos de Exter e obras com enfoque temático e visual análogos, principalmente do período de meados do século XIX ao início do XX. A abordagem metodológica se pauta na de pesquisadores como Carlo Ginsburg e Jorge Coli, que celebram os estudos e práticas de Aby Warburg. O objetivo é compreender o trabalho de Exter tanto a partir de seus aspectos de vanguarda quanto da manutenção de características convencionais, seja de conteúdo ou forma. Para tanto, o enfoque sobre a representação visual da figura feminina se tornou fundamental nesta dissertação. Levantamos a hipótese de que as soluções visuais elaboradas por Exter para as protagonistas das três obras distinguem das representações recorrentes destas personagens, sobretudo por meio das vestes e da gestualidade.This research covers drawings by the Russian artist Alexandra Exter (1882-1949) for the theater costumes of Salome (1917), Romeo and Juliet (1920) and the science fiction movie Aelita, Queen of Mars (1924). We will make comparative analyzes between Exter's works and works with a thematic focus and visual analogues, mainly from the mid-nineteenth century to the beginning of the twentieth century. The methodological approach is based on researchers such as Carlo Ginsburg and Jorge Coli, who celebrate the studies and practices of Aby Warburg. The purpose is to understand Exter's work both from the avant-garde aspects and from the maintenance of conventional features, whether of content or form. For that, the focus on the visual representation of the female figure became fundamental in this dissertation. We set up the hypothesis that the visual solutions elaborated by Exter for the protagonists of the three works distinguish them from the recurrent representations of these characters, especially through the clothes and gestures.
Dissertação (Mestrado)
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Lezo, Denise. "Arquitetura, cidade e cinema: vanguardas e imaginário." Universidade de São Paulo, 2010. http://www.teses.usp.br/teses/disponiveis/18/18142/tde-14092010-101531/.
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Nas primeiras décadas do século XX, em um contexto cultural caracterizado por experimentações, redefinições e rupturas, no qual se desenvolveram as chamadas vanguardas artísticas européias, arquitetura, cidade e cinema estabeleceram entre si diferentes formas de interlocução, inclusive a criação de arquiteturas e cidades destinadas exclusivamente para os filmes. Estreitamente vinculadas às problemáticas de seu tempo, estas arquiteturas e cidades ficcionais dialogaram diretamente com as experimentações realizadas no âmbito artístico e arquitetônico das vanguardas, além de configurarem um veículo direto de comunicação com o público de massas. A partir de três filmes produzidos no cinema europeu do período entreguerras - Aelita (Yakov Protazanov, URSS, 1924), Metropolis (Fritz Lang, Alemanha, 1927) e Things to Come (Daqui a Cem Anos, William Cameron Menzies, Inglaterra, 1936) - este trabalho analisa estas arquiteturas e cidades cinematográficas, seus processos de concepção, produção e difusão, assim como suas interlocuções com o contexto cultural vigente. Através de artifícios intrínsecos à linguagem e à narrativa cinematográficas, estas obras incorporam em suas visões de cidade muitos dos aspectos da metrópole do início do século XX, assim como das propostas arquitetônicas e urbanísticas desenvolvidas naquele período, configurando espaços de problematização e articulação de idéias, tratando de questões como: a vida na metrópole e as ambigüidades e contradições impostas ao habitante metropolitano; as novas tecnologias, e as formas como estas impactavam o cotidiano e incitavam a imaginação; as experimentações formais das vanguardas artísticas e a busca pela superação dos limites entre arte e vida; as novas concepções de arquiteturas e cidades, e seu intuito de criar novas lógicas de organização espacial e urbana, que poderiam contribuir para a criação de um novo homem e uma nova sociedade.In the first decades of the twentieth century, in the cultural context of the European Avant Gardes, architecture, city and cinema had established between themselves different forms of dialogue, including the creation of fictional architectures and cities destined exclusively for the films. Through the analysis of three films - Aelita (Yakov Protazanov, USSR, 1924), Metropolis (Fritz Lang, Germany, 1927) and Things to Come (William Cameron Menzies, 1936), this work seeks to identify the ways that these cinematographic architectures and cities, developed for the European cinema in the interwar period, had reflected, reformulated and released for the masses such issues as: the life in the metropolis and the ambiguities and contradictions imposed to the metropolitan inhabitant; the new technologies, and the ways they impacted the daily lives and incited the imagination; the formal experimentations of the avant-gardes and the pursuit of overcoming the boundaries between art and life; the new conceptions of architectures and cities, and its intention to create new logics of space and urban organizations, which could contribute to the creation of a new man and a new society.
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Al-Tel, Othman Ismael. "The first Islamic conquest of Aelia (Islamic Jerusalem) : a critical analytical study of the early Islamic historical narratives." Thesis, Abertay University, 2002. https://rke.abertay.ac.uk/en/studentTheses/f7d9ebfe-6024-4cdf-81d1-575816b6de8d.
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This thesis is an attempt to find some concerte scientific historical explanation and interpretation of the many questions which have arisen concerning the reasons behind the inaccuracies and contradictions in the early Islamic narratives and sources with regard to the first Islamic conquest of Aelia (Islamic Jerusalem). The study attempts to establish new evedence and to develop new evidence for anacademic debate concerning the early Islamic history of Aelia. It examines the historical evidence of the first Islamic conquest of Aelia by critically analysing the early historical narratives and sources as well as examining the historical background of some important narrators who related these accounts. It also critically examines the topography and geographical boundaries of the Aelia (Islamic Jerusalem) region in order to define its true historical boundaries. Thesegeographical boundaries later become most useful in finding plausible explanations for the reasons behind the inaccuracies in the early Islamic sources regarding many issues relating to the first Islamic conquest. In order to provide more support for an accurate picture of the first Islamic conquest of Aelia (Islamic Jerusalem) the study further analyses the history of Aelia beginning from the start of the first Islamic conquests in Syria in 13 A.H/ 634 A.D until the arrival of Umar Ibn al-Khattab in the region in 16 A.H/ 637 A.D. This is done in two ways. First, it examines early narratives in order to accurately define the period of time that the Muslim army spent besieging the walled part of Aelia. Secondly, it endeavours to explain and clarify the reasons behind the uncertainty and inconsistency in the identity of the military leader who carried out the siege operation. This has been clear done by critically analysing the relevant narrations and defining the accurate identity of the military leaders who lead the conquest of Aelia and dates of the conquest. Further support of the view taken in the basis are provided by discussing the true reason behind ‘Umar Ibn al-Khattab first historic visit to Aelia (Islamic Jerusalem), analysing the early narrations and sources, linking the reasons mentioned therein with the surrounding contemporary circumstances and explaining the reasons for the inaccuracies of the Islamic sources and accounts. It further highlights the reasons behind the different visits of ‘Umar’s to Syria and his activities in each visit, and also examined the attitude of Aelia people towards the first Islamic conquest in the light of ‘Umar’s Assurance of Safety (aman) to its people. Lastly, the study examines the early Muslims organisation and administration of Aelia (Islamic Jerusalem) as well as the clear Islamic interest in the region.
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Alvarez, Ricardo T. "Reducing the logistics footprint in Naval ships through the optimization of Allowance Equipage Lists (AELs)." Monterey, Calif. : Naval Postgraduate School, 2010. http://edocs.nps.edu/npspubs/scholarly/JAP/2010/Jun/10Jun%5FAlvarez%5FJAP.pdf.
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"Submitted in partial fulfillment of the requirements for the degree of Master of Science in [Program Management (MSPM)] from the Naval Postgraduate School, June 2010."Advisor(s): Matthews, David F. ; Nalwasky, Rich ; Alvarez, Kimberly ; Naegle, Brad R. "June 2010." "Joint applied project"--Cover. Description based on title screen as viewed on July 13, 2010. Author(s) subject terms: Allowance Equipage List, AEL, optimize, effectiveness, logistics footprint, Integrated Logistics Support, ILS, HAZMAT, cost reduction, cost savings, Total Ownership Cost, TOC, outfitting documents. Includes bibliographical references (p. 47-48). Also available in print.
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Salis, Luigi. "Las chinches de los cereales (Eurygaster Fam. Scutelleridae; Aelia Fam. Pentatomidae): importancia y efectos en el trigo duro (Triticum turgidum var. durum L.), especialmente en Cerdeña (Italia) = Wheat bugs (Eurygaster Fam. Scutelleridae; Aelia Fam. Pentatomidae): importance and effects on durum wheat (Triticum turgidum var. durum L.), especially in Sardinia (Italy)." Doctoral thesis, Universitat de Barcelona, 2013. http://hdl.handle.net/10803/127271.
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No existían estudios sobre la presencia de chinches en el trigo duro en Italia, incluida la Isla de Cerdeña. Según los niveles de infestación de las chinches de los cereales habrá un porcentaje más o menos alto de granos dañados por la actividad alimenticia de las chinches. Esta actividad implica la inyección de proteasas en los granos de trigo. Las proteasas atacan las proteínas, que son las que tienen mayor influencia en la calidad de la sémola y la pasta producida con el trigo duro. En este trabajo de tesis, se estudia la presencia de las chinches de los cereales en el cultivo de trigo duro de Cerdeña, así como la influencia de esta plaga en el trigo duro, en la fracción proteica, particularmente en las gliadinas y gluteninas, y en el comportamiento de la sémola y la pasta derivadas de trigo duro con distintos porcentajes de granos dañados por las chinches de los cereales. A continuación se exponen las conclusiones principales de la tesis:
1 – Se detecta en Cerdeña la presencia de chinches de los cereales en el cultivo de trigo duro, siendo 4 las especies encontradas E. austriaca, A. germari, E. maura y A. acuminata.
2 – Dado que en algunos campos, las densidades de chinches de los cereales sobrepasó el umbral de daño sería aconsejable un seguimiento para la evaluación y control razonado de la plaga.
3 – La actividad alimenticia de las chinches de los cereales tiene una fuerte influencia sobre las proteínas del trigo duro predominantemente sobre la fracción de gluteninas. Las gluteninas se despolimerizan rápidamente y casi en toda su totalidad de forma independiente de la temperatura. Las gliadinas se degradan con menor intensidad y de forma dependiente de la temperatura y del tiempo.
4 – La presencia de granos dañados por las chinches de los cereales afecta a la calidad del trigo duro de forma importante ya a partir de del 2,5% de granos dañados.
5 – La presencia de granos dañados por las chinches de los cereales, ya a partir del 2,5%, afecta significativamente y de forma negativa al test SDS de sedimentación, del peso hectolítrico y del peso de mil granos, parámetros que determinan las características físico-químicas del grano de trigo duro.
6 – La presencia de granos dañados por las chinches de los cereales afecta a la calidad reológica de las sémolas. Un 2,5 % de granos picados disminuye ya de forma significativa la tenacidad (P) y la fuerza (W) en el ensayo alveográfico. A partir de un 5% se observa un un debilitamiento de la fracción proteica en el ensayo del Mixolab.
7 – La calidad de la pasta alimenticia (“spaghetti”), considerando la absorción de agua en cocción, la pérdida en cocción, la materia orgánica total (TOM) y la evaluación sensorial, no se vio perjudicada por la presencia de granos picados por las chinches de los cereales.There were no studies on the presence of wheat bugs in durum wheat in Italy, including the island of Sardinia. Feeding activity of wheat bugs involves the injection of proteases in wheat grains. Proteins are the components that have the greatest influence on the quality of semolina and pasta. In this thesis, we study the presence of wheat bugs in durum wheat in Sardinia, and the influence of this pest in durum wheat protein fraction, particularly in the gliadin and glutenin. Also, we studied the influence in the behaviour and quality of semolina and pasta durum wheat derived from different percentages of damaged kernels by wheat bugs. 1 - The presence of wheat bugs is detected in Sardinia durum wheat fields. Four species were found: E. austriaca, A. germari, E. maura and A. acuminata. 2 – As in some fields, the damage threshold by wheat bugs was exceeded, it would be advisable to monitor the pest in order to assess an efficient control. 3 - Wheat bugs feeding activity has a strong influence on durum wheat proteins, predominantly on the glutenin fraction. Glutenins depolymerize rapidly and almost completely independently of temperature. Gliadins degrade less intensively, and their degradation depends on temperature and time. 4 - Grains damaged by the wheat bugs affect durum wheat quality significantly from 2.5% damaged kernels. 5 - The presence of wheat bugs damaged kernels from 2.5% significantly affects the SDS sedimentation test, test weight and thousand grain weight. Those parameters determine the physicochemical characteristics of durum wheat grain. 6 - The presence of damaged grain by wheat bugs affects semolina rheological quality. The alveographic indexes tenacity (P) and strength (W) significantly decrease from 2.5% of damaged grains. From 5% there is a weakening of the protein fraction in Mixolab test. 7 - The pasta quality, considering the absorption of water, cooking loss, total organic matter (TOM) and sensory evaluation was not affected by the presence of wheat bugs damaged grains.
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Sendel, Sebastian. "Wpływ lotnych związków organicznych wydzielanych przez pszenicę pod wpływem żerowania owadów oraz syntetycznego dihydrojasmonu na zachowanie dorosłych osobników lednicy zbożowej (Aelia acuminata L.)." Rozprawa doktorska, Uniwersytet Technologiczno-Przyrodniczy w Bydgoszczy, 2015. http://dlibra.utp.edu.pl/Content/789.
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Celem pracy jest określenie wpływu stresu powstałego w wyniku żerowania Aelia acuminata L. i działania syntetycznego dihydrojasmonu na wydzielanie LZO przez rośliny pszenicy jarej oraz określenie wpływu syntetycznych mieszanin LZO wydzielanych przez pszenicę na imagines A. acuminata L.
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Ley, Yamashita Rocio Giuliana. "Reconstrucción de la identidad de los jóvenes nikkei. El caso de los jóvenes del movimiento de menores AELU." Bachelor's thesis, Universidad Nacional Mayor de San Marcos, 2008. https://hdl.handle.net/20.500.12672/14025.
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El documento digital no refiere asesorSeñala que cuando se habla de la comunidad peruano japonesa se presenta la imagen de un grupo integrado y autoexcluyente hasta cierto grado. Pero si se analiza de una manera más profunda el porqué de este fenómeno, sin ir muy lejos, se encuentra que es la misma organización social la que permite y condiciona que, a pesar de las múltiples influencias externas, las nuevas generaciones encuentren una identificación no solo con la cultura japonesa sino también con la variable nikkei. Se debe entender que, en primera instancia, hablar de nikkei implica hablar de todo aquel descendiente de japoneses en tierras foráneas, es por ello que al hablar de nikkeis tanto peruanos, como brasileros, argentinos, entre otros. Sin embargo, ahondando un poco más las implicaciones a las que deriva el término nikkei se dice que sin lugar a dudas es una Hibridación cultural2 entre patrones culturales japoneses de la época de la migración, y la cultura en la que se han desarrollado las futuras generaciones de este migrante japonés. Es importante aclarar que cuando se habla de aspectos culturales japoneses de los nikkei, y en mayor proporción en el caso de Latinoamérica, estos han tenido muy poca actualización acorde a los cambios producidos en el Japón moderno. Si se habla de una sociedad que se extiende a través de los litorales, es precisamente esta tradición cultural obsoleta de alguna manera, porque ya no está vigente en el país de proveniencia, la que une y forma una comunidad nikkei internacional.
Trabajo de suficiencia profesional
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Rubulotta, Gabriella. "La réception de Xénophon dans l'œuvre d'Ælius Aristide : rhétorique et imitation à l'époque impériale." Thesis, Strasbourg, 2019. http://www.theses.fr/2019STRAC006.
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Nombre d’œuvres d’époque impériale montrent que Xénophon était considéré comme un modèle littéraire éminent. La présente thèse offre une analyse de la réception de Xénophon dans les discours de l’orateur Ælius Aristide, lesquels n’ont pas encore été traités sous cet angle. Les œuvres aristidiennes examinées sont : les Discours platoniciens (or. 2-4), le discours Sur la digression (or. 28), la déclamation En faveur de la paix avec les Athéniens (or. 8), l’ensemble des cinq Discours leuctriens (or. 11-15), les témoignages sur la déclamation perdue Callixène, le Panathénaïque (or. 1) et l’éloge À Rome (or. 26). L’histoire grecque a une importance cruciale dans cette enquête : Aristide s’est particulièrement intéressé aux événements de l’après Leuctres. L’analyse des références historiques aux Helléniques met en avant l’érudition de l’orateur et son intérêt pour les discours contenus dans cet ouvrage de Xénophon. L’examen du travail littéraire d’Aristide sur le texte de Xénophon pourra contribuer à améliorer l’exégèse des discours aristidiens analysés, et fournira un nouveau volet aux recherches sur la réception de XénophonSeveral ancient literary works show that Xenophon was considered during the Imperial period as a preeminent model. The present study analyses the reception of Xenophon in Ælius Aristides’ speeches, which have never been explored from this perspective. The works taken into account are the Platonic speeches (or. 2-4), the speech Concerning a remark in passing (or. 28), the declamation On making peace with the Athenians (or. 8), the group of the five Leuctran orations (or. 11-15), the evidence of the lost declamation Callixenus, the Panathenaicus (or. 1) and the speech To Rome (or. 26). Greek history has a crucial importance in this investigation: Aristides was particularly concerned by the events following the battle of Leuctra. The examination of the historical allusions to Xenophon’s Hellenica reveals Aristides’ erudition and his interest in the speeches included in this work. Looking at Aristides’ use of Xenophon’s texts can contribute to improving the exegesis of the Aristidian works and open a new path into research on Xenophon’s reception
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Dantas, Luíza Lane de Barros. "Caracterização do relógio biológico e seu impacto no metabolismo da cana-de-açúcar." Universidade de São Paulo, 2017. http://www.teses.usp.br/teses/disponiveis/46/46131/tde-21062017-105605/.
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O relógio biológico é um mecanismo molecular autossustentado gerador de ritmos. Ele integra vias de percepção das condições ambientais com um oscilador central para gerar respostas fisiológicas rítmicas em escalas diária e sazonal. Nas plantas, o relógio biológico está associado a vias metabólicas e fisiológicas importantes, como fotossíntese. Na cana-de-açúcar, uma gramínea de grande interesse econômico, estudos realizados em condições circadianas mostraram que o relógio biológico tem uma influência superior àquela vista em outras plantas. Assim, este trabalho visa a compreender os mecanismos de funcionamento do oscilador central do relógio biológico da cana-de-açúcar crescida em campo. Para tanto, foram investigados o transcriptoma de diferentes órgãos da cana-de-açúcar; a expressão de isoformas alternativas e de múltiplos alelos dos genes do relógio biológico da cana; e o efeito do sombreamento mútuo das plantas em campo sobre o funcionamento do relógio biológico. Os resultados obtidos sugerem que o relógio biológico é funcional e sincronizado entre os diferentes órgãos da cana-de-açúcar analisados. Os transcritos regulados sinergicamente pelo relógio biológico e pelo ambiente flutuante pertencem a vias metabólicas, fisiológicas e de regulação gênica e epigenéticas todas essenciais à produtividade da cana-de-açúcar. O sombreamento mútuo observado em campo parece alterar a fase de expressão de genes do relógio biológico da cana-de-açúcar. Além disso, eventos de splicing alternativo foram observados nos genes do relógio biológico em condições de baixa temperatura e múltiplos alelos dos genes do relógio biológico são expressos e a regulação de sua expressão parece ser sazonal.The circadian clock is a self-sustaining molecular mechanism that generates rhythms. It perceives the environmental conditions and connects this pathway with its central oscillator, generating daily and seasonal rhythms of physiological responses. In plants, the circadian clock is associated with major metabolic and physiological pathways. In sugarcane, an economically important grass, previous studies showed that the circadian clock has the largest influence on plants seen so far under circadian conditions. This work aims to understand how the central oscillator of the circadian clock works in field-grown sugarcane. Thus, the transcriptome from different sugarcane organs; the expression of alternative isoforms and multiple alleles of circadian clock genes; and the effect of mutual shading in the field on the circadian clock function were analyzed. The results suggest that there is a functional and synchronized circadian clock in the different sugarcane organs. The transcripts regulated synergistically by the circadian clock and the variable environment are related to metabolic, physiological, genetic or epigenetic pathways, all important to sugarcane productivity. Mutual shading observed in the field seems to change the phase of expression of the sugarcane circadian clock. Besides, alternative splicing events have been reported for circadian clock genes under low temperature conditions and multiple alleles of circadian clock genes are expressed and their expression is likely to be seasonally regulated.
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Weber, Thomas. "Our friend "the enemy" : elite education in Britain and Germany before World War I /." Stanford, Calif. : Stanford University Press, 2007. http://www.loc.gov/catdir/toc/ecip0715/2007013862.html.
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Di, Cataldo Filippo. "Eliano. La "Tactica theoria". Testo critico, traduzione e commento dei capitoli I-XXVII." Thesis, Università degli Studi di Catania, 2011. http://hdl.handle.net/10761/178.
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Rapido riesame degli studi precedenti sul trattato di arte militare scritto da Eliano (I-II secolo) e suoi rapporti con Asclepiodoto ed Arriano, autori di due opere analoghe a quella di Eliano. Evidenziati i limiti dell'unica edizione critica esistente del testo (ad opera di Kà à à à ¶chly, pubblicata nel 1855). Proposto un nuovo testo, privo di molti interventi del precedente editore ) accompagnato da una nuova traduzione in lingua italiana (le due precedenti sono del 1552), e commento su particolarita' linguistiche, storiche e sociali dei primi 27 capitoli del manuale.Status quaestionis of the researches about Aelianus tacticus and his only work, the Tactica Theoria, a manual concerning ancient greek army. It is examined too the relation existing with Asclepiodotos' and Arrian's works (both known with the title of "Ars Tactica"). A new critic text is given for chapters I-XXVII (the last edition was published in 1855 and has many errors), with a translation in Italian language (last translations: 1552) and a commentary about linguistic, historical and social matters.
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Chiritoiu, Daniel Alexandru. "Commanding texts : knowledge-ordering, identity construction and ethics in 'military manuals' of the Roman Empire." Thesis, University of Cambridge, 2018. https://www.repository.cam.ac.uk/handle/1810/274141.
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This thesis is about ‘military manuals’ produced in the first few centuries of the Roman imperial period. It argues that these texts merit far more attention and appreciation than they have received in the scholarship so far. I will explore areas such as the way in which their authors order and rank Greek and Roman knowledge, engage with ideas about knowledge and power, help construct identity and discuss ethics and behavior. In the first chapter I will determine whether the authors operate within a specific ‘genre’, or ‘genres’, of military writing. Then I will explore how the texts relate to other traditions of technical texts, questions of audience, and finally the issue of their practicality. The second chapter will examine how authors tackle the issue of ‘Greek’ and ‘Roman’ knowledge, categorize, rank and use it for self-promotion. We will see how Roman knowledge is both subverted but also praised, and how Greek knowledge is at the same time placed above Roman knowledge and integrated into a narrative of continuity with it. The third chapter will focus on the use of Greek knowledge in the construction of Roman identity. I will explore how ‘manuals’ play a part in the identity of the Roman Empire, fitting into a picture of unity in diversity, and show how they contribute to Hadrian’s self-presentation. The fourth chapter will examine the ethical component in manuals. I will determine whether there was an ethical code of conduct in battle in the Classical world and whether it was different from general ethical norms. Then, we will examine whether our texts engage in any way with this ‘code’ and whether their individual approaches have anything in common or are fundamentally different.
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Fowler, Ryan Coleman. "The platonic rhetor in the Second Sophistic." 2008. http://hdl.rutgers.edu/1782.2/rucore10001600001.ETD.17308.
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