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Journal articles on the topic 'Aesthetic amazement'

Author: Grafiati

Published: 5 June 2025

Last updated: 15 July 2025

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1

Fingerhut, Joerg, and Jesse J. Prinz. "Aesthetic Emotions Reconsidered." Monist 103, no. 2 (2020): 223–39. http://dx.doi.org/10.1093/monist/onz037.

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Abstract We define aesthetic emotions as emotions that underlie the evaluative assessment of artworks. They are separated from the wider class of art-elicited emotions. Aesthetic emotions historically have been characterized as calm, as lacking specific patterns of embodiment, and as being a sui generis kind of pleasure. We reject those views and argue that there is a plurality of aesthetic emotions contributing to praise. After presenting a general account of the nature of emotions, we analyze twelve positive aesthetic emotions in four different categories: emotions of pleasure, contemplation

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2

Sornsena, Surasak, Preechawut Apirating, and Sipp Suksamran. "The Beliefs and Aesthetics of Isaan Heritage Trees." Academic Journal of Interdisciplinary Studies 10, no. 3 (2021): 158. http://dx.doi.org/10.36941/ajis-2021-0072.

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This article is a part of a Doctoral Thesis titled “Isaan Heritage Tree: From the Belief and the Aesthetic to the Creation of Visual Arts,” with the objectives of studying the belief and the aesthetic that exist in the Isaan Heritage Tree using the qualitative method. The study’s target groups can be divided into three following groups: the experts, the practitioners, and the related people. The area of study is in the Isaan region. The region is divided into upper Isaan, mid-Isaan, and lower Isaan. The research tools consist of surveys, non-participatory observation, and structured and non-st

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3

Minaya Gómez, Francisco Javier. "Wonder, beauty, ability and the natural world: The experience of wonder as a positive aesthetic emotion in Old English verse." SELIM. Journal of the Spanish Society for Medieval English Language and Literature. 27, no. 1 (2022): 1–27. http://dx.doi.org/10.17811/selim.27.2022.1-27.

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Drawing on the recent studies on aesthetic emotions and on their recent application to the field of the Old English aesthetic emotions, this paper explores one emotion from the emotion family of AMAZEMENT in the Old English poetic corpus, attending to the type of wonder that is typically triggered by objects of beauty, excellent manufacture and by the natural world. The purpose of this paper is to understand better the poetic usage of the Old English terms for wonder as well as evidence their role in literary and everyday contexts. Through a fine-grained analysis of the above domains, this pap

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4

Paudel, Yog Raj. "Rasa Analysis of Poems in Shastri First Year." Kaumodaki: Journal of Multidisciplinary Studies 3, no. 1 (2023): 28–37. http://dx.doi.org/10.3126/kdk.v3i1.52094.

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Literature gets created mainly due to the creator’s desire of evoking his/ her own aesthetic emotions (rasas) and wish to share with and impart similar experience upon readers. This paper has applied and analyzed randomly the selected three poems prescribed in Shastri first year compulsory English course of Sanskrit University, from the perspective of the Eastern aesthetic rasa theory of Bharat. Critical analysis of poems within the theoretical frameworks of rasa theory is the basic approach of the research. The finding shows that Karuna (sadness), Sringar(love), Raudra/Krodha (anger), Bhaya (

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5

Gottdang, Andrea. "Triumph der Phantasie und der Magnifizenz Überlegungen zur Rezeption Veroneses im venezianischen Settecento." Zeitschrift für Kunstgeschichte 81, no. 3 (2018): 374–90. http://dx.doi.org/10.1515/zkg-2018-0027.

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Abstract Although the Veronese revival is the formative phenomenon of Venetian painting in the eighteenth century, the causes for this circumstance are not entirely clear. The love of splendor is considered to be a significant motif that can be easily misinterpreted as shallow. The fundamental element of the Veronese revival is magnificenza, which also recognizes splendor, luxury, and imagination as aesthetic qualities in the art and literature of the seventeenth and eighteenth centuries while presenting them in a complex reciprocal relationship whose aim is meraviglia, the amazement of the vi

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6

López Gabrielidis, Alejandra, and Toni Navarro. "The Digital Sublime: Orientation Strategies for a Vertiginous World." Temes de Disseny, no. 37 (July 22, 2021): 226–43. http://dx.doi.org/10.46467/tdd37.2021.226-243.

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This article addresses the increasing levels of complexity and abstraction that digital technologies produce, which generate a feeling of amazement nowadays similar to what the philosophy of art and aesthetics deemed the experience of the sublime. Through the idea of the “digital sublime”, we aim to find ways to find direction in this vertiginous world. Our intention is to research the extent to which art and design can function as mediators of scales that translate the digital sublime into concrete images that are more digestible, as well as easy to understand and perceive. We believe this is

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7

Guimarães, João Paulo. "Beyond the Pulp Vanguard: Bruce Andrews's Film Noir Series and the Dead-End of Escapist Experimentalism." CounterText 7, no. 3 (2021): 467–500. http://dx.doi.org/10.3366/count.2021.0247.

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Despite the fact that Bruce Andrews's interests cut across different aesthetic media, with concepts from music, dance and film many times determining the formal and conceptual contours of his compositions, scholars most often examine the latter as bona fide works of poetry. In this essay, we will attend to and flesh out the significance of Andrews's dialogue with the medium of cinema in two chronologically distant works: Film Noir (1978) and Swoon Noir (2007). I will contend that while Andrews uses the noir, in the first book, to attack the sensorially disabling nature of immersive art, in the

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8

Flores Barboza, José Clemente, and Franks Paredes Rosales. "La contemplación: estado superior del espíritu." Tradición, segunda época, no. 18 (January 9, 2020): 154–59. http://dx.doi.org/10.31381/tradicion.v0i18.2670.

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ResumenEl presente artículo está dividido en tres partes: En la primera se hace un esclarecimiento del concepto “Contemplación” refiriéndolo a los primeros filósofos griegos Platón y Aristóteles, quienes lo definieron como el asombro ante un hecho, objeto, paisaje, personaje que despierta vivencias fuertemente arraigadas en el espíritu. Se destaca el aporte de Platón a la contemplación de las ideas, particularmente el Bien como base de todo lo bueno y recto que existe. También meditaciones de Aristóteles y Plotino. En la segunda parte, se ocupa de los ámbitos de la contemplación estética, filo

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9

Гундорова, Тамара. "MARXISM AND AMOR INTELLECTUALIS: TOWARD A THEORY OF SOCIALIST CULTURE BY VOLODYMYR YURYNETS." Слово і Час, no. 1 (February 28, 2024): 3–20. http://dx.doi.org/10.33608/0236-1477.2024.01.3-20.

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The paper analyzes the methodological framework of the philosophy of culture and new literary criticism of the Ukrainian philosopher and literary critic Volodymyr Yurynets (1891—1937) within his article “To the Problem of Socialist Culture (Introduction to the book ‘Mykola Bazhan’).” His ideas testify to the powerful methodological searches in the field of Marxist criticism of the 1920s aimed at substantiating the nature of post-revolutionary culture. Balancing between Marxism and Western idealist philosophy, Yurynets brings elements of the latter into his philosophical Marxist criticism.&#x0D

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10

VECHORYNSKA, T. "Introduction to Chinese American literature: Amy Tan phenomenon." Bulletin of Taras Shevchenko National University of Kyiv. Oriental Languages and Literatures, no. 26 (2020): 48–54. http://dx.doi.org/10.17721/1728-242x.2020.26.48-54.

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The paper deals with Chinese American literature that is reviewed from the perspective of new theories of post-ethnicity, transnationalism, transculturalism. It is argued that in the context of globalization the markers of ethnicity and exoticism are being replaced by a new understanding of this aesthetic phenomenon. Though widely read and discussed in the world, Amy Tan's writings that combine Chinese and American images remain rather unknown for a Ukrainian reader. This paper considers the Chinese American discourse as an integrant part of Amy Tan's bicultural novels. From a broad philologic

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11

Hildebrandt, Toni. "Post-Apocalyptic Amazement: Aesthetics and Historical Consciousness in the Natural Contract." Technophany, A Journal for Philosophy and Technology 1, no. 2 (2021): 14–41. http://dx.doi.org/10.54195/technophany.12569.

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The intention of my essay is to introduce the concept of “natural-history” (Naturgeschichte) to foster dialogue on the role of art, aesthetics, and historiography in speculative materialism and the wider debates around the Anthropocene. I will present my argument in four steps: The first will be a brief reconstruction of the natural contract as conceived by Michel Serres in Le Contrat naturel (1990). Since in his essay Serres largely dispenses with an aesthetics, in my second step I will argue that at the same time the utopian model of the new, human-built environment, Biosphere 2 (1991) manif

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12

Saki, Dr Nancy, Dr Khairiya Ajrash, and Esraa Shiaa Mohsen Obaid Al-Rikabi. "Aesthetics of artistic portrayal of the conditions of the unbelievers in the Holy Quran." Thi Qar Arts Journal 1, no. 39 (2022): 1–44. http://dx.doi.org/10.32792/tqartj.v1i39.339.

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Artistic depiction is considered one of the most important and wonderful methods of presenting the external and internal concepts, which the Qur’an used extensively in its various types of speeches with people, believers and disbelievers, and to explain their worldly and hereafter conditions, as they include strong indications and deep explanations of the divine will, and one of these conditions is the state of the unbeliever in the Hereafter. And the cases, fluctuations, discourses, and observations that befall him, and the Qur’an abounds in explaining their cases by means, including their ar

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13

Maryna Kovinko, Maryna. "“I love to love everything…” Hryhorii Falkovych’s poetry for children." Synopsis: Text Context Media 30, no. 3 (2024): 184–96. http://dx.doi.org/10.28925/2311-259x.2024.3.6.

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Hryhorii Falkovych is one of the most famous and unique children’s poets of our time. His work successfully combines Ukrainian and Jewish cultures, touches on important moral issues, presents them in an interesting and accessible form for children, and demonstrates a number of idiosyncratic features. Despite the wide popularity of the author and the high artistic value of his lyrics, it remains little researched. A comprehensive study of the poet’s work is of great importance for literary science, since Falkovych’s poems vividly represent children’s literature of the 21st century, and without

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14

Díaz-Vera, Javier E. "Aesthetic emotional reactions and their verbal expression in a corpus of Japanese travellers’ online reviews." Language and Cognition, December 22, 2023, 1–23. http://dx.doi.org/10.1017/langcog.2023.60.

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Abstract Using Conceptual Metaphor Theory, I propose a study of aesthetic emotional expressions in Japanese. With this aim, I have created a medium-sized corpus (c100,000 running words) of travellers’ reviews in Japanese published on TripAdvisor between 2012 and 2022. The corpus consists of 1,100 reviews, grouped into three subsections, corresponding to three of the most visited landmarks in Japan (namely, Mount Fuji, Fushimi Inari-Taisha Shrine, and the Hiroshima Atomic Bomb Dome). The reviews chosen for this research include at least one reference, either literal or figurative, to the users’

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15

G.Kuttibekova. "INTEGRATIVE APPROACH TO THE FORMATION OF ART-TECHNOLOGICAL SKILLS OF JUNIOR SCHOOLCHILDREN." October 22, 2022. https://doi.org/10.5281/zenodo.7238316.

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<em>This article illustrates the contents of the model influence on technology teachers and therapy on result of the aesthetic education and artistic-creative development of younger schoolchildren.</em>

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16

Simina, Georgiana Cherecheș. "Considerations of the Beautiful and the Sublime In Art." November 28, 2022. https://doi.org/10.5281/zenodo.7372739.

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ABSTRACT: By deepening these two themes of the world that surrounds us we find an aesthetics of the environment, of the pleasant environment that we find in beautiful objects and human works created by man over the centuries. By beautiful, we find the idea of pleasantness, of things with an aspect out of relief, of human qualities that we cannot but expose and detail in the most meaningful way. Although the things around us have a certain aesthetic and give us a more pleasant mood, they are transient, like any creation that man has created over time, because they are designed, evolve, and must

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17

Wan, Yim King Penny. "Understanding tourists’ perceived urban design qualities." Journal of Vacation Marketing, November 14, 2024. http://dx.doi.org/10.1177/13567667241293791.

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Utilizing the new urbanism theory in urban design, this exploratory study assessed tourists’ perceived urban design qualities (PUDQs) and the effects on their emotions and behaviors. Semi-structured interviews were conducted with 45 first-time tourists to Macao (China). The respondents indicated 20 urban design qualities, which were then divided into seven major urban design quality themes. These seven themes, namely landmark, aesthetics, complexity, permeability, harmony, human scale, and diversity, elicited a wide range of positive emotions such as joy, happiness, relaxation, interest, and a

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18

Ethnersson, Johanna. "Music as Mimetic Representation and Performative Act:." Svensk tidskrift för musikforskning / Swedish Journal of Music Research 11 (December 1, 2008). https://doi.org/10.58698/stm-sjm.v11.55645.

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The purpose of this article has been to investigate the question of the musical construction of sexuality and gender in the opera Semiramide riconosciuta (Venice 1745), set by Johann Adolf Hasse to the drama by Pietro Metastasio. Apart from analysing the music in relation to the drama, the method has been to analyse and to interpret the music in relation to the concept of performativity. The hypothesis is that the interpretative strategies that the concept of performativity enables has some affinity to how opera seria was experienced and theorized in the early eighteenth century. The investiga

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19

Rayman, Jennifer. "The Politics and Practice of Voice: Representing American Sign Language on the Screen in Two Recent Television Crime Dramas." M/C Journal 13, no. 3 (2010). http://dx.doi.org/10.5204/mcj.273.

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Introduction In this paper, I examine the practices of representing Deaf ‘voices’’ to hearing audiences in two recent US television crime dramas. More literally I look at how American Sign Language is framed and made visible on the screen through various production decisions. Drawing examples from an episode of CSI: New York that aired in December 2006 and an episode of Law and Order: Criminal Intent that aired in April 2007, I examine how the practices of filming Deaf people and the use of American Sign Language intersect with the production of a Deaf ‘voice’ on the screen. The problem of rep

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20

Fraim, John. "Friendly Persuasion." M/C Journal 3, no. 1 (2000). http://dx.doi.org/10.5204/mcj.1825.

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"If people don't trust their information, it's not much better than a Marxist-Leninist society." -- Orville Schell Dean, Graduate School of Journalism, UC Berkeley "Most people aren't very discerning. Maybe they need good financial information, but I don't think people know what good information is when you get into culture, society, and politics." -- Steven Brill,Chairman and Editor-in-chief, Brill's Content Once upon a time, not very long ago, advertisements were easy to recognise. They had simple personalities with goals not much more complicated than selling you a bar of soap or a box of c

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21

Green, Lelia. "Being a Bad Vegan." M/C Journal 22, no. 2 (2019). http://dx.doi.org/10.5204/mcj.1512.

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According to The Betoota Advocate (Parker), a CSIRO (Commonwealth Scientific and Industrial Research Organisation) paper has recently established that “it takes roughly seven minutes on average for a vegan to tell you that they’re vegan” (qtd. in Harrington et al. 135). For such a statement to have currency as a joke means that it is grounded in a shared experience of being vegan on the one hand, and of encountering vegans on the other. Why should vegans feel such a need to justify themselves? I recognise the observation as being true of me, and this article is one way to explore this perspect

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