Academic literature on the topic 'Aesthetic aspect'
Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles
Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Aesthetic aspect.'
Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.
You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.
Journal articles on the topic "Aesthetic aspect"
1
Loginova, Marina V. "Ethno-aesthetics in the system ethnic culture: theoretical and methodological aspect." Finno-Ugric World 13, no. 2 (July 12, 2021): 169–79. http://dx.doi.org/10.15507/2076-2577.013.2021.02.169-179.
Full textAbstract:
Introduction. The article deals with the study of theoretical and methodological foundations of ethno-aesthetics as a “cultural code” of an ethnos through a systematic approach to solving the problem of the ratio of ethno-culture and ethno-aesthetics. The aim of the study is a philosophical analysis of ethno-aesthetics to determine the semantic potential of the symbolic capital of ethnic culture. Materials and Methods. The logic of the research, ascending from the abstract (definition of ethno-aesthetics) to the exact (ethno-futurism), is based on a systemic approach. It distinguishes the following methods: dialectical (ethno-aesthetics at the level of the singular, particular and universal), comparative-historical (transformation of ethno-aesthetic values); structural and functional (ethno-aesthetics as an open system of aesthetic values that serve as “markers” of ethnic originality). Results and Discussion. The author denotes the theoretical and methodological aspects of ethno-aesthetics in the modern conditions of being of an ethnos: ethno-aesthetic values, aesthetic ontology of ethnos, expression in ethno-aesthetics of the “spirit of a people”. In the ethnic world-picture the expression of the concept “spirit of the people” allows to highlight the levels of ethno-aesthetics in ethnoculture: substantial (aesthetic consciousness, aesthetic values that reflect/express the “spirit of a people”); functional-historical (transforming system of aesthetic relations and aesthetic experience of an ethnos). The author notes the relationship of ethno-aesthetic values with mentality, the “spirit of a people”, the deep layers of ethnic consciousness (traditions, rites, beliefs, mythological representations, archetypes), art as a system of creating symbolic images. The dialectics of single, special and universal with regard to aesthetic values distinguishes ethno-aesthetics as the level of being of special, which at the same time combines (values and creative potential of an ethnos in world exploration) and determines the specifics of understanding and interpretation by an ethnos the basic values (the beautiful, the tragic, the comic, etc.) and its fixation in the language. The source of aesthetic ontology is the experiencing by an ethnos life, nature, labour, creativity, which have creative and harmonizing potential. Conclusion. The author interprets ethno-aesthetics as an integral part of aesthetics, which creates a philosophical theory of an ethnos aesthetic relationship to the world (nature, art, labour), reflects the process of formation and development of aesthetic sensuality and aesthetic consciousness, the value of the world.
2
Barash, L. A. "Communicative aspect of aesthetic education." Social’naya politika i sociologiya 14, no. 4 (2015): 199–206. http://dx.doi.org/10.17922/2071-3665-2015-14-4-199-206.
Full text
3
Zimenko, T. V. "The Concept of Taste in South Korea: Historical, Aesthetical and Philosophical Aspects." Concept: philosophy, religion, culture 4, no. 4 (December 29, 2020): 83–101. http://dx.doi.org/10.24833/2541-8831-2020-4-16-83-101.
Full textAbstract:
The focus of this paper is on the Korean aesthetic model of taste. In order to investigate the origins of aesthetics in Korea and its current place in Koreans’ lives, it analyzes the key concepts of the Korean aesthetics and spiritual aspects of life for Koreans. In a way to exemplify this cultural system, traditional Korean food is presented as a conceptual representation of the aesthetic experience. Its role in integrating different aspects of meanings and values in everyday lives of Koreans is also discussed. The research subject is studied through the complex lenses: its association with both the gastronomic taste, which comprises organoleptic perception and aesthetic judgements, and the semiotic aspect of culture, represented by basic units thereof – words. The optics of the interdisciplinary outlook of this method suggests a new approach to viewing Korean aesthetic of taste. The research shows that scientific approach to aesthetics was first adopted in Korea in the 1930s under the cospicuous cultural influence of the Japanese colonial rule; the ideas formed at that time still remain important aesthetic concepts. The study proposes that meot should be viewed as the most important and representative concept in Koreans’ everyday aesthetic experience. The cultural and historical analysis of Korean gastronomic culture suggests there is a number of specific cultural and cosmogonic meanings that were typical of the royal cuisine during the Joseon era and demonstrates how certain Korean dishes are endowed with aesthetic and existential values today.
4
Zimenko, T. V. "The Concept of Taste in South Korea: Historical, Aesthetical and Philosophical Aspects." Concept: philosophy, religion, culture 4, no. 4 (December 29, 2020): 83–101. http://dx.doi.org/10.24833/2541-8831-2020-4-16-83-101.
Full textAbstract:
The focus of this paper is on the Korean aesthetic model of taste. In order to investigate the origins of aesthetics in Korea and its current place in Koreans’ lives, it analyzes the key concepts of the Korean aesthetics and spiritual aspects of life for Koreans. In a way to exemplify this cultural system, traditional Korean food is presented as a conceptual representation of the aesthetic experience. Its role in integrating different aspects of meanings and values in everyday lives of Koreans is also discussed. The research subject is studied through the complex lenses: its association with both the gastronomic taste, which comprises organoleptic perception and aesthetic judgements, and the semiotic aspect of culture, represented by basic units thereof – words. The optics of the interdisciplinary outlook of this method suggests a new approach to viewing Korean aesthetic of taste. The research shows that scientific approach to aesthetics was first adopted in Korea in the 1930s under the cospicuous cultural influence of the Japanese colonial rule; the ideas formed at that time still remain important aesthetic concepts. The study proposes that meot should be viewed as the most important and representative concept in Koreans’ everyday aesthetic experience. The cultural and historical analysis of Korean gastronomic culture suggests there is a number of specific cultural and cosmogonic meanings that were typical of the royal cuisine during the Joseon era and demonstrates how certain Korean dishes are endowed with aesthetic and existential values today.
5
Benjafield, John. "An Aesthetic Aspect of professional Sport." Empirical Studies of the Arts 5, no. 2 (July 1987): 105–14. http://dx.doi.org/10.2190/vua0-6280-vq3h-5v59.
Full textAbstract:
How often does a professional sports team have to win in order to demonstrate that it is a worthy representative of its home city? The answer may very well be: 61.8 percent home victories for a hockey team, and 61.8 percent total victories for a championship baseball team. Both these values are the Golden Section, the most famous proportion in Western aesthetics. The fact that the Golden Section appears to be a regulating proportion in sport implies that it is an archetype, and operates in a way that is complementary to the Gestalt law of symmetry.
6
Bisheva, Natalia. "FIRM STYLE PUBLIC CATERING: AESTHETIC ASPECT." Young Scientist 1, no. 65 (January 2019): 338–40. http://dx.doi.org/10.32839/2304-5809/2019-1-65-77.
Full text
7
Завалишина, Д. Н. "THE AESTHETIC ASPECT OF PROFESSIONAL ACTIVITY." Институт психологии Российской Академии Наук. Организационная психология и психология труда, no. 3() (October 9, 2020): 183–201. http://dx.doi.org/10.38098/ipran.opwp.2020.16.3.010.
Full textAbstract:
Рассматривается одно из проявлений творческого способа существования человека в профессии - эстетическое «измерение» его трудовой активности. Выделяются три формы реализации эстетического отношения в труде: оценка другими людьми (потребителями, коллегами) продуктов труда человека по эстетическим критериям красоты, гармонии и соразмерной завершенности; эстетическое «измерение» процесса труда («красивая работа»); эмоционально-эстетическое воздействие результатов и процесса работы человека, например педагога, на других людей. Показывается позитивное влияние эстетического «измерения» на актуализацию личностных потенциалов специалистов в опасных видах труда. We consider one of the manifestations of the creative way of human existence in the profession - the aesthetic "dimension" of his labor activity. There are three forms of implementation of the aesthetic attitude in work: evaluation by other people (consumers, colleagues) of human labor products according to aesthetic criteria of beauty, harmony and proportionate completeness; aesthetic "measurement" of the labor process ("beautiful work"); emotional and aesthetic impact of the results and process of a person's work, for example, a teacher, on other people. The positive influence of the aesthetic "dimension" on the actualization of personal potentials of specialists in dangerous types of work is shown.
8
Tomaszewski, Mateusz. "Aesthetic medicine cabinets — economic aspect activities." Journal of Face Aesthetics 2, no. 1 (February 10, 2019): 21–27. http://dx.doi.org/10.20883/jofa.7.
Full textAbstract:
On the global scale, the market of aesthetic medicine increased in the years 2015–2016 by 8.2% on average, while in Poland by 12–15%. The reasons for the strong development of the Polish market may be related to a systematic increase in the number of affluent Poles [3], ease of access to aesthetic medicine treatments, a change in the way of thinking about this type of treatment, and increased awareness of the appearance and striving to preserve a young and beautiful look. The share of new patients in the cabinets of this industry is a proof of great interest in aesthetic medicine procedures. In 2017, new patients accounted for between 25% and 50% of all patients. From an economic point of view, current economic conditions with forecasts of further growth of the aesthetic medicine market are the premise for undertaking activity in this industry. To take full advantage of the potential of the facial cosmetic surgery, it is worth taking care of all possible aspects of its functioning — high competences of medical staff, as well as economic aspects of running such activities, including identification of possible risks in order to avoid them.
9
Zhu, Xiao Hui. "On the Roles of Aesthetics in Engineering Education and Healthy Personality Development." Applied Mechanics and Materials 281 (January 2013): 696–99. http://dx.doi.org/10.4028/www.scientific.net/amm.281.696.
Full textAbstract:
The aesthetic education and its application to engineering education and personality development are considered in this paper. First, we investigate main reasons causing the weakness of the aesthetic aspect in engineering education. Next, we analyze the important roles of aesthetic education to help cultivate the healthy personality. Finally, we propose concrete strategies of incorporating the aesthetics into the engineering education and the personality development for university students, which are expected to be helpful to improve the effectiveness of the higher education.
10
Scott, Sarah. "From Genius to Taste." Journal of Jewish Thought & Philosophy 25, no. 1 (May 23, 2017): 110–30. http://dx.doi.org/10.1163/1477285x-12341281.
Full textAbstract:
I reconstruct the aestheticism of Martin Buber in order to provide a new way of framing his moral philosophy and development as a thinker. The evolution of Buber’s thought does not entail a shift from aesthetics to ethics, but a shift from one aspect of aesthetics to another, namely, from taking genius to be key to social renewal, to taking taste to be key. I draw on Kantian aesthetics to show the connection between Buber’s aesthetic concerns and his moral concerns, and to defend the notion that a certain aesthetic orientation may be just what is needed for moral response.
Dissertations / Theses on the topic "Aesthetic aspect"
1
Mitchell, M. K. "The regulative aspect of aesthetic appraisal." Thesis, University of Exeter, 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.371953.
Full text
2
Jones, David. "Aesthetic justice and communal theatre : a new conceptual approach to the community play as an aspect of theatre for empowerment." Thesis, University of Warwick, 1996. http://wrap.warwick.ac.uk/59535/.
Full textAbstract:
This study re-conceptualises the community play as an aspect of contemporary British theatre. In the context of the idea of an arts entitlement which has two components, participation and enjoyment, it examines three antecedents to current practice. These are: theatre and empowerment, which looks at the work of Brecht and Boal on conceptions of the audience; outreach work, which examines the de-mystification of art by looking at the relationship between theatre and education and community arts, which focuses on harnessing the creative potential of ordinary people. The lines of development which link these three areas to the community play are investigated. The history and origins of the form are outlined and Ann Jellicoe's work with the Colway Theatre Trust is examined. The study offers a new conceptual vocabulary for the analysis of community playmaking which has three principal terms: aesthetic materialism - a development of Marxist principles as they relate to a consideration of the aesthetic circumstances of the people; aesthetic justice - an application of Beardsley's concept to contemporary society and current theatre practice; and communal theatre - a new term developed as a result of this study which clarifies the differences between participation and collaboration in the making of community theatre. These three concepts are united by their relationship to the rejection of bourgeois control of cultural capital which underpins the investigative stance of the study. Contemporary society is characterised by the study as aesthetically unjust and the main questions it asks relate the search for aesthetic justice to the developing form of the community play. The theoretical investigations of the study are contextualized by fieldwork which consisted of a participant observation case study of the community department of the Belgrade theatre, Coventry. This spanned two years and focused on the 1992 Coventry community play Diamonds in the Dust. The study concludes with a comparison of the main forms of participatory theatre in the 1990s which offers a means of identifying the heuristic value of the various models of community playmaking with respect to their potential for empowerment and contribution to aesthetic justice. The implications of the study are that the participatory element of the arts entitlement needs to be strengthened into true collaboration between the professionals and the non-professionals involved in order to ensure equality of access to, and popular control of, the cultural capital which is symbolised by the community play. Communal theatre projects of this sort are assessed as being able to promote the kind of shared experience which is necessary for the development of a more aesthetically just society.
3
Rodrigues, rocha Tiago humberto. "Masculinités et souffrance contemporaine : une lecture psychanalytique des interventions esthétiques chez les hommes." Thesis, Rennes 2, 2017. http://www.theses.fr/2017REN20071/document.
Full textAbstract:
Cette recherche vise à mettre en rapport les effets du néolibéralisme sur le corps. En 2012 le Brésil a atteint la première place dans le classement international du pourcentage d'interventions plastiques par habitant. Durant ces dernières années, la proportion d’hommes ayant eu recours à la chirurgie esthétique à finalité non réparatrice a très fortement augmenté et reflète un changement dans les formes d’utilisation du corps masculin dans la contemporanéité. Le néolibéralisme a débordé les limites du monde économique pour envahir les modes d’agir et de désirer et faire du corps un bien de plus à produire et à consommer. Le marché triomphe sur les autres formes de croyance, dans une sorte de religion à laquelle le sujet devient dévot face au risque et marques de la castration. L'impact des discours de la science et de la marchandisation généralisée conduit à la promotion d’un homo economicus dans ses rapports à la jouissance. En prenant appui sur la théorie des discours de Jacques Lacan, la recherche a interrogé des hommes ayant recours à des interventions médicales à finalités esthétiques, (chirurgies plastiques, injections de botox, lifting facial, etc.) et qui font un usage particulier de leur corps. Deux cas cliniques sont distingués : l’un diagnostiqué comme névrotique et l’autre relevant de la psychose ordinaire. L'étude s’achève sur les implications au plan culturel de ces nouveaux modes de subjectivation et du privilège accordé sur un mode érotique à l'identification à l'objetThis research aimed at relating the effects of neoliberal ideology on the body. In 2012 Brazil reached the first place in the international ranking of plastic surgery proportionally per citizen. During the last years there has been a leap in the number of men who undergo plastic surgery with aesthetic and not reparatory purpose, which reflects a change in the forms of use of the masculine body in contemporaneity. Neoliberal ideology has extrapolated the economy limits, has invaded the forms of acting and desiring and has made the body one more asset to be produced and consumed. The market prevails over other forms of belief, serving as a kind of religion to which the subject becomes obedientiary as they face castration. The impact of the discourse of science The impact of science discourse and widespread commoditization leads to the promotion of a homo economicus as to its relation to fruition. Based on to the discourses theory of Jacques Lacan, the research interviewed men who used medical interventions with aesthetic purpose (plastic surgeries, filling with botox, facelift, etc.) and make a peculiar usage of the body. Two cases stood out: one being diagnosed as neurotic and the other as an “ordinary psychotic”. The research ends with the implications on the cultural field of these new ways of subjectivation that priviledge identification to the object rather than its erotical use
4
Djoumbé, Thoueïbat. "Un autre aspect de la francophonie, la littérature comorienne : société, histoire, culture et création." Thesis, Paris 3, 2014. http://www.theses.fr/2014PA030039.
Full textAbstract:
Cette thèse interroge les origines, les interférences et la production de la littérature comorienne d’expression française. Au confluent entre critique littéraire, historiographie anthropologique des sources et analyse des thématiques dans la création, elle questionne aussi la notion de réception dans un contexte éditorial minimaliste et où langue d’écriture et langue vernaculaire s’interfèrent. En près de 30 ans, les quelques 160 ouvrages publiés de 1985 à nos jours, laissent percer des débuts lents et difficiles. Une réalité qui sera contredite à la fin des années 90 où des maisons d’éditions, même éphémères, naissent avec pour mot d’ordre, promouvoir la littérature comorienne. Va alors s’amorcer une dynamique nouvelle inscrite par le nombre et la variété des genres édités, la multiplicité des thématiques abordées et par l’orientation des revendications littéraires d’ordre esthétique en écho à des revendications identitaires. Parallèlement, transparaît une forme de tâtonnement textuel qui laisse apparaître une dualité narrative sous-tendue dans l’organisation fictionnelle et narratologique des œuvres et mettant en place un type de personnage-pensée à l’origine d’une hybridité textuelle. Par conséquent, cette thèse procède à une forme de bilan de ces trente années d’écriture suivant deux axes d’analyse. Un axe chronologique qui fait coïncider des éléments liés à l’histoire du peuplement avec l’établissement d’une écriture pour les îles afin d’appréhender le contexte originel de production ; un axe analytique et herméneutique recoupant faits historiques et sociaux en rapport avec les objets ou motifs de production et révélant la source des interrogations des écrivains comoriens francophonesThis thesis questions the origins, interferences and the production of French-speaking Comorian literature. At the junction of literary criticism, anthropologic historiography of the source documents and thematic analysis within the creation, it also investigates the notion of reception in a minimalist editorial context where the written and the vernacular languages interfere with each other. For the past 30 years, the 160 publications that have been published, since 1985 to date, have shown slow and difficult beginnings. A trend that would be reversed from the late 1990s, where many publishing houses have emerged, even if it was quite briefly for some of them, with a shared goal: to promote Comorian literature. A new trend will then begin as proven by the number and variety of genres being published, the diversity of the themes discussed, and the direction of the literary assertions of an aesthetic angle in response to identity assertions. At the same time, a form of textual hesitation transpired, shedding a light on a narrative duality, from a narratologic and fictional organisation of the publications, highlighting a type of character-thought creating a form of literal hybridity. Therefore, As a consequence, this thesis proceeds a kind of statement from thirty years of writing according to two axis of analysis. A chronological axis matches elements which are linked to the peopling History with the establishment of a writing for the islands in order to grasp the original context of production; an analytic and hermeneutic axis matching historical and social facts related to subjects or sources of production and revealing the sources of French-speaking Comorian writers’ questionings
5
Chabert, Antonin. "Anthropologie du carnaval de Nice : politiques, professions et esthétiques de la fête." Thesis, Aix-Marseille, 2019. http://www.theses.fr/2019AIXM0291.
Full textAbstract:
Se fondant sur une ethnographie minutieuse, cette thèse propose une anthropologie du carnaval de Nice à partir des dynamiques, politiques, professionnelles et esthétiques. Les données recueillies permettent de comprendre la fabrique politique et institutionnelle de la fête aux regards des mécanismes touristiques qui la conditionnent. Les techniques de marketing festif, les stratégies évènementielles confèrent à ce carnaval une dimension touristique et consumériste. Cela dit, l’analyse ne peut être appréhendée uniquement sous l’angle des institutions ou d’une mécanique verticale et dualiste. Le modèle festif niçois, carnaval-spectacle, suscite aussi des discours d’opposition ainsi que des alternatives avec un contre-modèle permettant d’interroger la définition même du carnaval. Les formes de renouvellement, par exemple à travers le carnaval gay (Queernaval), témoignent d’une réappropriation de la fête par des acteurs locaux. Du point de vue technique, la construction du carnaval se définit comme un métier à part entire, structuré en entreprises spécialisées dirigées par des lignées familiales locales. Le choix de l’artisanat du carnaval peut être animé par une passion mais il peut également représenter une opportunité professionnelle. Enfin, la fabrique de la fête s’appréhende par sa dimension matérielle en sollicitant des techniques, des savoir-faire. La fabrication des objets, essentielle dans un défilé qui met en scène des éléments matériels, constitue un autre niveau d’analyse. Ces objets se définissent comme des créations de l’éphémère mais ils peuvent être aussi donnés, revendus, patrimonialisés changeant ainsi de statuts et de rôles au cours de leur biographieBy basing itself on a meticulous ethnography, this thesis offers an anthropology of the Nice carnival from its political, professional and aesthetical dynamics. The data that were gathered enable to understand the political and institutional building of the show regarding the tourist device that influences it. Indeed the techniques of festivities marketing and the event strategies offer a tourist dimension as well as a consumerist one to this carnival. That being said, the analysis cannot be solely grasped through a view to institutions or to a both vertical and dual mechanism. The festival pattern from Nice, a kind of mixture between a show and a carnival, also has to face opposition as well as alternative schemes building counter-models, which enables to question the sheer definition of a carnival itself. Renewing forms, such as the creation of a gay carnival (Queernaval) for instance, prove the repossession of the show by local protagonists. The building of the carnival is a full-time job, divided into several dedicated companies led by local families.The choice of craftsmanship for the carnival may be a passion but it is a job opportunity either. Eventually, the building of the show has to be understood through its material dimension requiring techniques and expertise that need evolving. Another level of analysis also lies in how those objects are built, so crucial an element in an urban procession that stages equipment. Those subject-object elements are firstly transient creations but they can also be offered, sold again, have a heritage significance thus changing their status or roles along their existence
6
Luciaková, Katarína. "Architektúra a nevidiaci." Doctoral thesis, Vysoké učení technické v Brně. Fakulta architektury, 2010. http://www.nusl.cz/ntk/nusl-233222.
Full textAbstract:
This thesis explores the relationship between architecture and the blind people. For better clarity and understanding of the topic, The work has been divided into five distinctive parts. In the first, introduction part, I approach space sensation of a blind person from the physiological and psychological angle. This analysis is very important for the understanding of imagination, which the blind person has. Another important fact to understand is the way in which the blind person gets the information about the space and what is his ability to process it. Further, I explain the basic principles of the blind person’s movement through space and describe instructions of how to help blind people in the concrete spatial situations. In the next part, I give a short information about the historical progress of the relation between the society and the blind people. An important fact is that, as late as 200 years ago, the blind people were considered as “sub men” and did not have the full freedom privilege. This relation has been modified over time and nowadays, the blind people have the freedom of movement and all the rights to enjoy their lives. To meet the needs of the blind people, many associations have been created that act on their behalf. The associations have different modes of functioning, but their common goal is to help blind people with their social rehabilitation, looking for employment and removing architectural barriers. The core of my work is divided into two parts. In the first one, I focus on the problematic of the blind people and architecture from the functional aspect. The functional aspect is vital for the blind people. It corresponds to their safety in the environment. In this chapter, I treat in detail basic elements for designing buildings, for specifying barriers and principles of design for blind people. Furthermore, I describe the help tools the blind people need in order to move in the space. I evaluate the future of these tools and indicate the rapid technological progression which makes the life of blind people more comfortable. In the next part, I focus on the problematic of the blind people and architecture from the aesthetic aspect. This question has not been much explored yet, but is, nonetheless, very important. In this part of my work, I use more my personal experience and the knowledge coming from the exploration of space. Aesthetical values are subjective for all the people, with or without a handicap. Therefore, in this final chapter, I try to note the facts that can be used in the process of the aesthetical perception and to reflect on them. In the domain of aesthetical research, there also exist tools and institutions that help blind people in their comprehension of architecture. The division of my work emerged from the compilation of diverse facts in the process of writing. This thesis has an informative and practical character. It is intended for people who want to understand and to be informed about how to design architecture for the blind people. It will be directed towards people who build this kind of architecture and need an overview of how to make it. It is also intended for people interested in learning more about architecture.
7
Félix, Pedro. "Trabalho de justificação do argumento-"Viagens na minha terra"." Master's thesis, Instituições portuguesas -- UCP-Universidade Católica Portuguesa -- -Escola das Artes (C.R. do Porto), 2001. http://dited.bn.pt:80/30489.
Full text
8
Knoll, Moises S., and Moises S. Knoll. "A study of selected Liszt transcriptions of Schubert Lieder: aesthetic and technical aspects." Diss., The University of Arizona, 1989. http://hdl.handle.net/10150/624863.
Full textAbstract:
Franz Peter Schubert (1797-1828) created the accompanied art song as we know it. His achievement as a composer of Lieder stands at the very core of his labors as a creator. Franz Liszt (1811-1886) in addition to being a
composer of genius, was also the greatest virtuoso pianist of the nineteenth century. He had a particular affinity for Schubert's music, which led him to transcribe as many as 54 of the Lieder for piano solo. These transcriptions are faithful recreations of Schubert's musical thought, yet the pianistic layout is completely Lisztian.
Franz Schubert was hardly a public figure during his lifetime, and he gave just one public concert of
his works, on March 26, 1828 in Vienna. According to Hans Gal:
"In 1828 there were the beginnings of an improvement in his circumstances. His songs were becoming more widely known, German publishers were beginning to show an interest in his music, and Schubert was induced by his friends to give a public recital of his works. It was his first and last... Schubert's supporters could easily fill a hall, and the undertaking was both artistically and financially a great success."
9
Murphy, Jonathan Paul. "Sight or cite? : Aspects of the visual in Proust." Thesis, University of Cambridge, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.360762.
Full text
10
Link, Courtney Anne, and University of Lethbridge Faculty of Arts and Science. "The use of mental imagery by aesthetic athletes prior to competition." Thesis, Lethbridge, Alta. : University of Lethbridge, Dept. of Kinesiology and Physical Education, 2011, 2011. http://hdl.handle.net/10133/2632.
Full textAbstract:
This study examined the influence of state-confidence on aesthetic athletes’
precompetitive imagery function use. Important individual differences effecting
functional imagery use require empirical confirmation. Proposed is state-confidence as a
factor influencing the functions of imagery used immediately prior to competition. Also,
sport type may also be a moderator of the relationship and thus, is constrained in this
study. Female aesthetic athletes from Southern Alberta (N = 180, Mage = 14.64, SD =
1.88) completed measures of state-confidence, imagery ability, and frequency of imagery
function use. One-way ANCOVA tests revealed that athletes with high state-confidence
used significantly more cognitive specific, cognitive general, motivation general-arousal,
and motivational general-mastery functions of imagery than low state-confident athletes.
Findings imply that applied sport psychology consultants should be more encouraging of
preparation strategies with low state-confident athletes.xi, 64 leaves : ill. ; 28 cm
Books on the topic "Aesthetic aspect"
1
Courtney, Richard. Drama and feeling: An aesthetic theory. Montréal: McGill-Queen's University Press, 1995.
Find full text
2
Stevens, D. J. The aesthetic aspect of education: A study of the creative experiences of a sixth form group. Norwich: University of East Anglia, 1990.
Find full text
3
Jones, David. Aesthetic justice and communal theatre: A new conceptual approach to the community play as an aspect of theatre for empowerment. [s.l.]: typescript, 1996.
Find full text
4
Aesthetic tension: Cognitive aspects of interpretation. Frankfurt am Main: Peter Lang, 2011.
Find full text
5
Loya, Paul. Amazing and Aesthetic Aspects of Analysis. New York, NY: Springer New York, 2017. http://dx.doi.org/10.1007/978-1-4939-6795-7.
Full text
6
Bangladesh), Najarula Insaṭiṭiuṭa (Dhaka, ed. Nazrul's aesthetics and other aspects. Dhaka: Nazrul Institute, 2001.
Find full text
9
Fenner, David E. W. The aesthetic attitude. Atlantic Highlands, N.J: Humanities Press, 1996.
Find full textBook chapters on the topic "Aesthetic aspect"
1
Anh, Dao Nam. "Image Saliency in Geometric Aesthetic Aspect." In Advances in Intelligent Systems and Computing, 495–505. Singapore: Springer Singapore, 2018. http://dx.doi.org/10.1007/978-981-10-7512-4_49.
Full text
2
Mualem, Shlomy. "Narrative Aspect Change and Alternating Systems of Justice: A Wittgensteinian Reading of Borges." In Wittgenstein on Aesthetic Understanding, 131–51. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-40910-8_5.
Full text
3
Di Giuseppe, Alberto, Elisa Bolletta, Caterina Tartaglione, and Diana Ronconi. "Fat Transfer and GID in Aesthetic Aspect of Breast Asymmetry Post Reconstruction." In Breast Reconstruction, 243–62. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-18726-6_23.
Full text
4
Wiesing, Urban. "Ethical Aspects of Aesthetic Medicine." In Aesthetic Medicine, 7–11. Berlin, Heidelberg: Springer Berlin Heidelberg, 2011. http://dx.doi.org/10.1007/978-3-642-20113-4_2.
Full text
5
Gallese, Vittorio, and Alessandro Gattara. "Simulazione incarnata, estetica e architettura: un approccio estetico sperimentale." In La mente in architettura, 160–75. Florence: Firenze University Press, 2021. http://dx.doi.org/10.36253/978-88-5518-286-7.10.
Full textAbstract:
This chapter, written by a cognitive neuroscientist and an architect, endeavors to suggest why and how cognitive neuroscience should investigate our relationship with aesthetics and architecture—framing this empirical approach as experimental aesthetics. The term experimental aesthetics specifically refers to the scientific investigation of the brain-body physiological correlates of the aesthetic experience of particular human symbolic expressions, such as works of art and architecture. The notion “aesthetics” is used here mainly in its bodily connotation, as it refers to the sensorimotor and affective aspects of our experience of these particular perceptual objects.
6
Ercolani, Mauro, and Alessandro Agostini. "Psychological Aspects of Rhinoplasty." In Advanced Aesthetic Rhinoplasty, 93–98. Berlin, Heidelberg: Springer Berlin Heidelberg, 2013. http://dx.doi.org/10.1007/978-3-642-28053-5_7.
Full text
7
Couderc, Christophe. "Sobre el papel de Lope de Vega en la construcción del relato nacional del clasicismo francés." In Studi e saggi, 23–39. Florence: Firenze University Press, 2020. http://dx.doi.org/10.36253/978-88-5518-150-1.4.
Full textAbstract:
This essay deals with an aspect of the formation process of the image of the Spanish Baroque theatre in France as an irregular and chaotic aesthetic form, which was also considered inferior with respect to the French classical model. In this theoretical construction, Lope de Vega embodies all of the Spanish theatre's flaws and, more generally, Hispanic literature's ones, in turn conceived as an expression of the Spanish nation’s spirit. This process of elaborating an image of an author at the service of the invention of a national stereotype is possible thanks to the early reception of some prose works by Lope (La Arcadia, El peregrino en su patria) which are enjoying a widespread diffusion in their translations. In a context marked by controversy surrounding the tragi-comédie, assimilated by his detractors to a simple theatrical deformation of novelistic material, Lope de Vega assumes the function of representative of a literature considered extraneous to any rule and to the separation between literary genres.
8
Haney, Beth. "Psychological Aspects of Aesthetics." In Aesthetic Procedures: Nurse Practitioner's Guide to Cosmetic Dermatology, 33–38. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-19948-7_4.
Full text
9
Bláha, Jan D. "Aesthetic Aspects of Early Maps." In Lecture Notes in Geoinformation and Cartography, 53–71. Berlin, Heidelberg: Springer Berlin Heidelberg, 2011. http://dx.doi.org/10.1007/978-3-642-19143-5_4.
Full text
10
Orciani, Monia, Elisa Bolletta, Alessandro Scalise, Stefania Gorbi, Raffaella Lazzarini, Matteo Gioacchini, and Giovanni Di Benedetto. "Multipotential Aspects of Breast Periprosthetic Capsule Stem Cells." In Stem Cells in Aesthetic Procedures, 573–85. Berlin, Heidelberg: Springer Berlin Heidelberg, 2014. http://dx.doi.org/10.1007/978-3-642-45207-9_38.
Full textConference papers on the topic "Aesthetic aspect"
1
Zagidullina, Marina. "The Media-Aesthetic Aspect Of Journalism." In III PMMIS 2019 (Post mass media in the modern informational society) "Journalistic text in a new technological environment: achievements and problems". Cognitive-Crcs, 2019. http://dx.doi.org/10.15405/epsbs.2019.08.02.9.
Full text
2
Semenova, Maria Alexandrovna. "Theoretical Aspect Of Aesthetic And Ergonomic Design Properties Of Mass Consumption Items." In International Scientific Congress «KNOWLEDGE, MAN AND CIVILIZATION». European Publisher, 2021. http://dx.doi.org/10.15405/epsbs.2021.05.331.
Full text
3
Kovačević, Dorotea, Maja Brozović, and Dubravko Banić. "Applying graphic design principles on tea packaging." In 10th International Symposium on Graphic Engineering and Design. University of Novi Sad, Faculty of technical sciences, Department of graphic engineering and design,, 2020. http://dx.doi.org/10.24867/grid-2020-p64.
Full textAbstract:
The aesthetic aspect of product packaging is a well-known factor in attracting consumers’ attention. One of the most common ways in achieving the aesthetic appearance of the packaging is applying graphic design principles. The purpose of the study was to explore how people perceive the attractiveness of tea packaging with different levels of graphic design principles applied. The graphic design principles applied on the packaging were: contrast, dominance, alignment, symmetry, consistency and colour harmony. The manipulation of these principles resulted in three different packaging samples that were tested: aesthetic packaging, partially-aesthetic packaging and non-aesthetic packaging. The participants’ tasks were to rate the attractiveness of each of the packaging samples and to select the one which they would like to buy. The statistical analysis showed that the results of both tests (rating and choice task) were consistent, indicating that the aesthetic packaging was appreciated the most, followed by the partially-aesthetic packaging and the non-aesthetic packaging. These results were the same even when taking into account whether the beauty of the packaging was important to the participants or not. The findings support the idea of using graphic design principles in packaging design whenever applicable.
4
Senetra, Adam. "Research on the Dynamics of Changes in the Sight-aesthetic Quality of Rural Lake District Landscapes in the Aspect of Implementing the European Landscape Convention." In Environmental Engineering. VGTU Technika, 2017. http://dx.doi.org/10.3846/enviro.2017.045.
Full textAbstract:
The article presents selected methodological assumptions of developing and evaluating landscape attribute maps that could be used in the process of the implementation of the European Landscape Convention (ELC). The Convention led to the passing of the Act of 24th April 2015 on the modification of some acts due to the enhancement of landscape protection tools. Article 7 implements changes in the Act of 23rd March 2003 on spatial planning and land use management. Determining general rules for landscape auditing and defining the priority landscape are elements of the changes. On 11th September 2015, the regulations that partially carry out the recommendation of the Convention entered into force. The regulations oblige local governments to conduct landscape auditing (not less often than every 20 years). The article presents a new method for evaluating the aesthetic-scenic value of landscape (EEVL), developed by the author on the basis of conceptual works done between 2004 and 2008. Tests of this method started in 2008. Then an assessment of the aesthetic value of the municipality of Pozezdrze in the Masurian Lake District was made. The three measurements, collected in 2008, 2012 and 2016, were then used in comparing the dynamics of landscape transformations considering the aesthetic value over 8 years. The research enabled the assessment of the usefulness of the method in landscape auditing.
5
Dittmar, Gunter. "Architecture and the Dilemma of Aesthetics: Towards an Alternate Defintion and Approach to Architecture." In 1995 ACSA International Conference. ACSA Press, 1995. http://dx.doi.org/10.35483/acsa.intl.1995.24.
Full textAbstract:
The paper calls for a paradigm shift in the definition and approach to architecture to reverse the erosion of its societal relevance, and the loss of its identity as a discipline. The paper contends that this development originated with the Renaissance when architecture evolved from a craft into an art, and the pursuit of beauty became the foremost ideal: the aspect that distinguishes architecture from “mere building”. Ever since, architecture has tried-and failed- to solve the dilemma of aesthetics: the integration of utility, technology and beauty. However, neither beauty, nor the question of aesthetics, are really the problem. The real issue is that architecture is, ultimately, about more than beauty or aesthetics: it is about our life and our existence; about creating a place for our being in the world. Architecture is, thus, grounded in an ontological paradigm rather than an aesthetic one. This has far-reaching, theoretical implications. The paper then proceeds to delineate some of the premises fundamental to an ontological approach to architecture, based on the notion that architecture makes possible the congruence between human and natural order, between our inner and our outer world. Beauty is present when one resonates and reveals itself through the other.
6
Beade-Pereda, Héctor. "Aesthetic considerations in the design of the 200-year bridge." In IABSE Congress, New York, New York 2019: The Evolving Metropolis. Zurich, Switzerland: International Association for Bridge and Structural Engineering (IABSE), 2019. http://dx.doi.org/10.2749/newyork.2019.0943.
Full textAbstract:
<p>Evolution in materials, together with developments in instrumentation and monitoring techniques, have made it possible to think on systematically designing bridges that have a significantly longer service life than what is currently required in the standards. Exciting discussions about 200-year bridges are taking place nowadays, fundamentally focusing on durability, maintenance, and prediction of future use. However, there is another fundamental aspect that is probably not receiving so much attention: how 200-year bridges should look like?</p><p>This article is a reflection on how the design of 200-year bridges should be faced in terms of appearance. On what parameters can make a bridge a long-lasting valuable piece of the built environment or just a representative of what was in fashion in a specific period. On how to achieve a perceived design quality that can span different generations. On appearance durability.</p><p>The article includes an analysis of a series of historic bridges, some of them more than 200 years old, with the aim of identifying what has made them successful (or not) from an aesthetic point of view, to reflect on how to apply these lessons learnt in the design of new bridges with an extended service life.</p>
7
Agius, Sean, Philip Farrugia, and Emmanuel Francalanza. "A Framework for a Motorcycle Design Computer-Based Intelligent Tool." In ASME 2020 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. American Society of Mechanical Engineers, 2020. http://dx.doi.org/10.1115/detc2020-22356.
Full textAbstract:
Abstract Motorcycle riders’ road experience, attitude and position have a large impact on safety. Besides these aspects, a motorcycle designer has to consider the aesthetical emotional value of such artefacts. This paper contributes a novel framework architecture supports designers to develop a rider-centred, safer motorcycle design, while at the same time considering human factors and the emotional values of such artefacts. This paper explores the requirements for this framework through a validated mixed method approach, gaining input from interviewed designers, stakeholders as well as surveyed riders. The proposed framework takes a user-centred approach, placing designers and riders at the framework’s core. Riders are an essential aspect as they assist in generating the knowledge which is critical to the operation of the framework. The framework acts as a support to the motorcycle designer, where it couples the intellectual resources of the designer with the knowledge capabilities of the framework to proactively support motorcycle design decision making. The proposed framework is driven by a harmonisation engine, where the aesthetic, ergonomic, persona and market trend domains are harmonised to achieve a balanced motorcycle design solution. The framework architecture will be employed to implement an intelligent computer-based motorcycle design support tool, in future work.
8
Mitrović, Aleksandar. "VIRTUAL ART MUSEUM AS EDUCATIONAL CONTENT ICT IN TEACHING FINE ARTS (THEORETICAL ASPECT)." In SCIENCE AND TEACHING IN EDUCATIONAL CONTEXT. FACULTY OF EDUCATION IN UŽICE, UNIVERSITY OF KRAGUJEVAC, 2020. http://dx.doi.org/10.46793/stec20.417m.
Full textAbstract:
The educational goal of teaching fine arts is to adopt visual literacy and visual expressiveness. Learning by means of information and communication technologies (ICT) involves the use of digital devices for the effective and creative extension of knowledge. The production of electronic educational materials is increasing daily, and thanks to the Internet, it is available on almost all ICT devices. In this paper virtual museums are presented as educational contents of ICT in the teaching of fine arts, as well as their method of application in teaching. The contents presented by virtual museums provide an interactive and non- interactive method of learning and exploration. The interactive educational content of virtual museums is often in the form of educational applications or websites that can be found on ICT and have well-intended educational goals. The contemporary approach and use of ICT in the teaching of fine arts provides new learning opportunities that focus on the aesthetic experience and theoretical aspect of visual content. Given that it takes less time to adopt pictorial content than to adopt verbal content, today’s approach to fine arts education involves the use of ICT.
9
Oya, Tetsuo, Fumihiko Kimura, and Hideki Aoyama. "Style Design System Based on Class A Bézier Curves for High-Quality Aesthetic Shapes." In ASME 2012 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. American Society of Mechanical Engineers, 2012. http://dx.doi.org/10.1115/detc2012-70859.
Full textAbstract:
In this paper, a style design system in which the conditions for Class A Bézier curves are applied is presented to embody designer’s intention by aesthetically high-quality shapes. Here, the term “Class A” means a high-quality shape that has monotone curvature and torsion, and the recent industrial design requires not only aesthetically pleasing aspect but also such high-quality shapes. Conventional design tools such as normal Bézier curves can represent any shapes in a modeling system; however, the system only provides a modeling framework, it does not necessarily guarantee high-quality shapes. Actually, designers do a cumbersome manipulation of many control points during the styling process to represent outline curves and feature curves; this hardship prevents designers from doing efficient and creative styling activities. Therefore, we developed a style design system to support a designer’s task by utilizing the Class A conditions of Bézier curves with monotone curvature and torsion.
10
Hertzberg, Jean, and Alex Sweetman. "Impact and Outcomes of a Flow Visualization Course." In ASME 2009 Fluids Engineering Division Summer Meeting. ASMEDC, 2009. http://dx.doi.org/10.1115/fedsm2009-78480.
Full textAbstract:
For the past six years, a course on flow visualization has been offered to mixed teams of graduate and undergraduate engineering and fine arts photography students at the University of Colorado. The course has significant technical content on flow visualization and photographic techniques, and includes some emphasis on documentation and the interpretation of results, particularly with respect to atmospheric dynamics as revealed by clouds. What makes this course unusual is the emphasis on the production of images for aesthetic purposes: for art. While a number of art/science collaborations are growing worldwide, both in professional and academic communities, typically scientists are expected to contribute technical support while artists produce art. A particularly unusual aspect of this course is that all students are expected to demonstrate both aesthetic sensibility and scientific discipline. Another is that students are not constrained to study specific phenomena or use specific techniques; instead, creativity is required. A major outcome from this course is a series of stunning images. In addition, anecdotal evidence suggests that this course has a lasting impact on students’ perception of fluid physics, which can be contrasted to the effect of traditional introductory fluids courses. This raises the question of whether this impact is significant with respect to students’ understanding and appreciation of fluid mechanics, and if so, what aspect of the flow visualization course is most important? A survey instrument is being designed to quantify whether students’ awareness of fluid mechanics in the world around them changes when they take these courses and if students’ attitudes towards fluids is changed when they take these courses.
Reports on the topic "Aesthetic aspect"
1
Cox, Jeremy. The unheard voice and the unseen shadow. Norges Musikkhøgskole, August 2018. http://dx.doi.org/10.22501/nmh-ar.621671.
Full textAbstract:
The French composer Francis Poulenc had a profound admiration and empathy for the writings of the Spanish poet Federico García Lorca. That empathy was rooted in shared aspects of the artistic temperament of the two figures but was also undoubtedly reinforced by Poulenc’s fellow-feeling on a human level. As someone who wrestled with his own homosexuality and who kept his orientation and his relationships apart from his public persona, Poulenc would have felt an instinctive affinity for a figure who endured similar internal conflicts but who, especially in his later life and poetry, was more open about his sexuality. Lorca paid a heavy price for this refusal to dissimulate; his arrest in August 1936 and his assassination the following day, probably by Nationalist militia, was accompanied by taunts from his killers about his sexuality. Everything about the Spanish poet’s life, his artistic affinities, his personal predilections and even the relationship between these and his death made him someone to whom Poulenc would be naturally drawn and whose untimely demise he would feel keenly and might wish to commemorate musically. Starting with the death of both his parents while he was still in his teens, reinforced by the sudden loss in 1930 of an especially close friend, confidante and kindred spirit, and continuing throughout the remainder of his life with the periodic loss of close friends, companions and fellow-artists, Poulenc’s life was marked by a succession of bereavements. Significantly, many of the dedications that head up his compositions are ‘to the memory of’ the individual named. As Poulenc grew older, and the list of those whom he had outlived lengthened inexorably, his natural tendency towards the nostalgic and the elegiac fused with a growing sense of what might be termed a ‘survivor’s anguish’, part of which he sublimated into his musical works. It should therefore come as no surprise that, during the 1940s, and in fulfilment of a desire that he had felt since the poet’s death, he should turn to Lorca for inspiration and, in the process, attempt his own act of homage in two separate works: the Violin Sonata and the ‘Trois Chansons de Federico García Lorca’. This exposition attempts to unfold aspects of the two men’s aesthetic pre-occupations and to show how the parallels uncovered cast reciprocal light upon their respective approaches to the creative process. It also examines the network of enfolded associations, musical and autobiographical, which link Poulenc’s two compositions commemorating Lorca, not only to one another but also to a wider circle of the composer’s works, especially his cycle setting poems of Guillaume Apollinaire: ‘Calligrammes’. Composed a year after the ‘Trois Chansons de Federico García Lorca’, this intricately wrought collection of seven mélodies, which Poulenc saw as the culmination of an intensive phase in his activity in this genre, revisits some of ‘unheard voices’ and ‘unseen shadows’ enfolded in its predecessor. It may be viewed, in part, as an attempt to bring to fuller resolution the veiled but keenly-felt anguish invoked by these paradoxical properties.